Originally posted at 10 Minute Novelists. Mari and I will be posting our thoughts on marketing in a bazillion book marketplace each week at this time.
I date myself with this reference to The Music Man (and finally publicly admit my long-time love of musical theatre), but I find it inexplicably accurate when discussing word-of-mouth marketing.
Most readers will not tell their friends how great you are. Sadly, your book is not their primary topic of conversation. However, word-of-mouth marketing is the best, and least expensive, tool you have.
Always has been. Always will be.
Further, this is the way people make buying decisions now—recommendations from friends and respected experts—which is why social media campaigns sell. Static advertising is no longer effective. (Let me say that again: Advertising no longer works.)
Now, the most effective forms of promotion involve conversation. This means review sites, blogs, co- and cross-promotion with other authors, book clubs, signings, and most important, two concepts with more meaning than you think: “Buzz” and “viral” marketing.
Buzz Marketing, as the name implies, is about people talking about your product. However, its specific meaning in the marketing world moves beyond organic discussion. In marketing parlance, buzz is generated by designing the conversations you want people to have. A great example is drug commercials: “talk to your doctor about [insert medication].” If you think lovers of Gone with the Wind will buy your book, tell them why your hero is like Rhett Butler. If they agree, they will tell friends who also love Southern historical fiction. (If they don’t agree, the strategy will backfire, so design your conversations carefully.)
Viral Marketing, like a cat video shared ten million times on YouTube, is created by giving someone an item to pass along. This might be a video trailer or coupon or a sample book or a rack card, but should always be designed to bring people back to your product. A bookmark is lovely, but without an easy link to a buy site (not just your website), its usefulness is limited. Likewise, a pass-along no one passes along is irrelevant.
To achieve these all-but-magical forms of promotion, back to my third-favorite musical of all time (before you ask, Camelot and My Fair Lady).
Pick a Little
Loglines, elevator speeches, and blurbs aren’t just for the back cover (or pitching an agent) anymore. Today, you are pitching everyone who might be interested, including people you will never meet.
Identify thought leaders: Since customers take their advice from friends and experts, pick your targets carefully. Street teams work because their friends probably have similar tastes and are more likely to listen to a friend’s recommendation than yours. Similarly, if a noted authority (like a bestselling author or well-known reviewer) supports your product, buyers will listen.
Keep it short: Loglines work better than blurbs for verbal and social media exchange. “[Book Title] is about [if you have to take a breath, your conversation is too long].”
Start smart: Choose a limited number of outlets and messages until you know what works, and track your results. Indiscriminate efforts are wasted. Begin small and only escalate what sells.
Create Meaningful Messages: Make much of milestones, like bestseller lists, publication anniversaries, or selling a certain number of copies, because these tidbits are easily shared by loyal fans. Promote great reviews, especially ones by thought leaders.
Talk a Little
Begin with human interaction, not calculated conversation starters. Get to know your audience—and let them get to know you—by joining and participating in:
- Writers’ groups. While the “author water cooler” is, in some ways, counter-intuitive, authors help each other and classes in craft will never hurt your chances of success. To make this most effective, remember that turnabout is fair play; giving back to the community is imperative, not optional.
- Social groups related to your interest, online and otherwise, for instance, online research-sharing groups, a gardening society, or a historical reenactment troupe.
- Relevant associations, like historical preservation societies, religious study groups, or scientific research consortiums.
When you have found a niche or two where you feel comfortable, attend meetings, volunteer, speak up in online forums, and generally make yourself known, not just as an author, but as a contributor. The chance to talk about your book will occur naturally, and your audience will be more receptive.
Cheep (or Rather, Cheap)
Word-of-mouth is the least expensive marketing option. When it begins to move on its own, it costs you nothing, and before it does, most of your outlay is in time, not cash. A couple of ideas to stimulate buzz and viral messaging:
Giveaways: Sending an e-copy of your book to a potential reader is a great investment. That said, give away the book or directly related items, not “anything someone might want,” and don’t spend more than your sale is worth. Also, target your giveaway. It makes no sense to give a novel to someone who only reads nonfiction. Copies to reviewers are great, but don’t send a historical romance novel to Suspense Magazine.
Sales: Judiciously lowering the price on your book is great way to get word-of mouth moving. If you watch social media, you will see that “This book I loved is only 99?!” is shared far more often than, “I loved this book.” If you combine sales with similar authors, so much the better, because then you are sharing a larger pool of readers interested in your genre.
Talk a Lot
Once you know which conversations to have and with whom, spread them around! Every sentence can’t start with, “My book,” or the pass-along will be “boring and self-centered.” But as you find the balance between normal interaction and sales, you will naturally find opportunities for both.
Pick a Little More
As time goes on, expand your conversation starters, extend your reach to new thought leaders, and find new outlets for your message. But always—always—make sure the words you are putting in other people’s mouths are ones you want repeated.
Mari Christie is a professional writer, editor, and designer with almost twenty-five years’ experience in marketing and business communications. She holds a BA in Writing from the University of Colorado Denver, summa cum laude, and is a member of the Bluestocking Belles and the Rocky Mountain Fiction Writers. Under the pseudonym Mariana Gabrielle, her first Regency romance, Royal Regard, was released in November 2014 and her second, La Déesse Noire: The Black Goddess will be available in June 2015.