Perhaps because I’m a mother and a grandmother, I tend to have children in my novels. Such were the times, that an author can easily write a story without ever including scenes with children, leaving them safely out of sight and out of mind in the nursery or schoolroom — but I like them.
So, with apologies to those who can’t play, this week’s work-in-progress Wednesday is looking for the little people. Post me an extract with the child or baby in your work-in-progress (or published novel, if your current WIP doesn’t have any).
Here’s mine, having breakfast after an eventful night.
Aldridge watched Antonia eat.
Gren was sitting beside her eating bacon, eggs, and toast as if he had been starved for months, and it was to him that Antonia addressed the question.
“Uncle Gren, why does He keep looking at me?” The initial capital was audible. “Is he my uncle too, like you and Uncle David?” Gren stopped, a fork halfway to his mouth. He put it down while he considered the question, looking from Prue to Aldridge.
It was Aldridge who answered. “Yes, Antonia. I am your uncle.”
She slipped from her chair and gave him a polite curtsey. “I am pleased to make your ’quaintance, Uncle. How do you do?”
He bowed, gravely. “I am well, thank you, Miss Virtue. How do you do?”
Antonia considered this. “I am sad to be leaving my chickens and my pondering tree, but I think the journey will be a very great a’venture. We are travelling a long way and will have a new home where people do not call names, Auntie Charity says. And it is closer for Mama to visit, Mama says.”
“Sit and eat your breakfast, child,” Charity told her. “Lord Aldridge says we must leave soon.”
Aldridge accepted a loaded plate from Cook and took it to sit on the other side of Antonia. Soon, they were engaged in low-voiced conversation. The Aldridge charm, Prue noted, worked as well on six-year-olds as it did on grown-up females.