Comedy on WIP Wednesday

I love to read well-written comedy. Terry Pratchett is one of my favourite writers. In our favourite genre, Sally McKenzie is hilarious, Sophie Barnes can make me giggle, and Lorraine Heath is great at setting two unlikely people at one another’s heads for comedic effect. They’re just a few of the writers I enjoy. I’ve just read Amy Quinton’s latest Umbrella Chronicles story for next year’s Bluestocking Belles’ box set, and chuckled all the way through.

I’m not naturally a comedy writer, though I like to include wry humour in my books, and comedic moments. This week, I’m inviting you to post an excerpt in which you use humour. Mine is from my contemporary novella for Authors of Main Street, The Gingerbread Caper, which is as near as I’ve got to romantic comedy.

Patrick slept for the rest of the afternoon, waking disoriented in the unfamiliar room. He rolled onto his back and lay for a while, reorienting himself. He was in Valentine Bay, in a comfortable bed in a charming upstairs flat that looked out to the sea across the pohutaukawa trees that fringed the beach. He had nothing to do except relax and get well for at least the six weeks’ leave his doctor and manager had both ordered him to take. The time was — he turned his head to check the digital clock on the bedside table — just after six o’clock. The landlady was what he’d heard described as a pintsized Venus, who presence robbed him of sense, language, and—almost—breath.

The last circumstance very nearly cancelled out all the benefits of the accommodation and the location.

He sighed. He would need to grow accustomed, and he had better start by having a quick shower and getting downstairs for his dinner. With Meg Fotheringham.

He came out of the shower to find Mr. Major asleep on his bed, curled up on top of the clean underthings and t-shirt he’d left ready. Surely he had put the cat out before he lay down?

He’d told Meg he liked cats, which was something of an exaggeration. He had little experience of animals, having lived all his adult life in city apartments or boarding houses that didn’t allow them.

“How did you get in, cat?” The cat didn’t acknowledge him by so much as a twitch. Patrick made to tug the clothes out from beneath the beast and felt a sting as Mr. Major shot out a paw and sunk four sharp claws into his hand. One slitted eye glared at him, and the cat emitted a fierce yowl, half-way between a growl and a meow.

Patrick stifled his own yowl, and used one finger of the other hand to carefully detach the claws, whipping both hands out of reach just in time to miss an repeat engagement. Jumping backwards caused the towel he’d wrapped round him to slip, and he caught it before it dropped all the way to the floor. He wasn’t about to evict the cat without at least the semblance of some protection.

“Off my clothes, cat,” he menaced. Mr. Major tucked itself back into a curl, one paw over its nose. Both eyes remained open a slit to watch what Patrick meant to do next.

“Alright. But don’t say I didn’t warn you.” Patrick stripped back the blanket that covered the bed, tipping cat and clothes onto the floor. The cat swore at him—tone and glare quite unmistakeable—and shot under the bed.

Patrick retrieved his clothes. At least they weren’t covered in cat hair. He picked a few errant hairs off the dark background of the t-shirt and dressed, ignoring the feline under the bed.

Ready to go downstairs, he took a quick look around the place, searching for an opening that might have allowed the cat in, and that would let it out again. The window in the bathroom was over a sheer drop. Two other windows had catches that allowed only an inch or so of opening.

He addressed the cat. “How did you do it?” Twenty past six. He’d better hurry. He stooped, and met the cat’s amber eyes. It was up against the wall at the head of the bed—too far to reach even if he’d been prepared to have his hands shredded.

“If you misbehave while I’m out, I’ll make a hat out of you,” he threatened.

When he opened the door, the cat shot out, almost tripping him over at the top of the stairs. He caught himself, and followed the fiend downstairs.

Comedy on WIP Wednesday

Who doesn’t enjoy a book full of humour and fun? Even in a story where grim things are happening, humour lightens the moment, whether it is a bit of slapstick or a wry comment. And romances are, by definition, comedic in the original sense of the term. A comedy, as defined by the Greeks, is a story with a happy ending.

So this week, I’m looking for excerpts with your comedic moments. Give us a belly-laugh, a giggle, or an appreciative smile—or even a raised eyebrow.

Mine is from The Lost Treasure of Lorne, a story I’m writing for the patient Teri, who has forgiven me for falling off the face of the planet since Christmas. I’m finishing it this week, Teri, but this is how it starts.

22nd August 1785

His Grace the Duke of Kendal was digging in the moat again. The unusually dry summer had presented an opportunity he could not resist. With the moat almost empty, even the deepest pools came barely to the hem of his kilt, which, apart from the boots that were out of sight under the murky water, was all that he wore.

At not quite forty years of age, the duke was still a fine figure of a man, broad of shoulder, slim of waist, and well-muscled. Even Caitlin Moffat, that stern moralist his housekeeper, paused at the windows of the long gallery to admire the view before she scolded the maids who were doing the same thing and sent them scurrying back to their tasks. Caitlin stopped for one more glance before resolutely turning away and closing herself in the housekeeper’s pantry with her accounts.

The columns of figures were unlikely to drive the sight of a half-naked duke from her mind, but one could try.