I’m back at the beginning of the process again. House of Thorns is off to the publisher, and The Realm of Silence is having line edits and a few rewrites after beta reading, and will be with the copy editor by the end of the weekend. So it is time to start again, and I have two stories waiting in the wings.
So far, I have only the sketchiest of plots. I need to write those down, and then I need to do character sketches for the main characters. As I get to know them, the plot will firm up, and I’ll be able to fill out my hero’s journey sheets, exploring their external and internal story arcs. Then I start writing the story, and let the plot reveal itself as I go.
So this week, I’m giving you a snippet of a character interview — one I did for Rosa Neatham who is the heroine of House of Thorns. How do you get to know your characters? If you write stuff down about them, or interview them, will you post a bit in the comments?
A wish or dream: I would love a place of my own; somewhere that belongs to me, and that no one
can put me out of. Somewhere I can grow a few roses, and perhaps keep a cat to sleep by the fire
and keep me company.
One thing that makes your character laugh: Many things. I do believe that my sense of the
ridiculous has saved my sanity more times than I can count. Finding the humour in things was a
game I played with my mother, and playing it still makes me feel close to her.
A fear: I am afraid, so afraid, that I will fail my father. I am afraid that Bear will not return, and that
I’ll be left to the mercies of the steward. I would rather die. I would rather sell myself to the first
man that passes. Oh, I hope Bear comes back.
Something they’d like to learn: How to attract Bear so that he wishes to bed me again. I am sure I
did something wrong the first time, but I have no idea what.
Something they’d like to forget: My wedding night. It was memorable, but not in a good way.
Something they’d never do: I would never disgrace or leave my father. Never.
A quirky habit: I have a pocket tied under my skirts into which I put my paintbrushes.
A secret: I would secretly like to know why someone would wish to be a courtesan, and how one
goes about it.
And the two stories I’m about to start?
One is a contemporary for a summertime anthology for Authors of Mainstreet. The unifying theme of the book is summertime at the beach, (which for me, in New Zealand, means December/January).
I know my heroine is an environmentalist lawyer, fighting corporates and governments on the world stage. Burnt out after her latest case, she has come home to a small community on the Wairarapa coast, to the bach (New Zealand North Island word for a holiday house; the South Island has cribs instead) she used to visit as a child. Wanting to do repairs, she calls on a local building firm, and finds that she once faced the man they send over a courtroom.
The hero was once part of the high-powered business world. Heir to a huge family-owned company that made chemicals and medicines, he had trained as a lawyer, and fought for the continuation of his family’s privilege. His conscience pricked by a feisty lawyer, he had begun to check his facts, and his odyssey brought him here: estranged from his family, disinherited, working with his hands, and happier than he has ever been in his life.
Storms and coastal change play into it, and I can predict sparks will fly. I hope one of them will turn into a title!
The second is late eighteenth century, and is set mostly in Persia and partly in the Kopet Dag mountains between Turkmenistan and Persia. And yes, it is about James Winderfield, father to the hero of The Bluestocking and the Barbarian, and his wife Mahzad. It takes place sixteen years earlier than Bluestocking, so 1796. I’m busily researching Persia at that time, since interesting things were happening. The story is for the Bluestocking Belles Christmas anthology, which has a prodigal daughter theme.
In my story, Mahzad returns to Persia to visit her dying father, whom she last saw when he sent her off as to China on the command of his Khan, as a gift to the Chinese emperor. With James’ help, Mahzad had escaped in the mountain passes of Kopet Dag. Things are vague after that. I need to read up a lot more about Persia and surrounding nations in the time my story covers, since I think I’ll be doing a few flashbacks. James doesn’t approve of Mahzad’s trip. I know that. He doesn’t trust the Persians. And Mahzad’s English grandmother, who raised her and who helped her escape comes into it somehow.
All shall be revealed. Character sketches first.
I like hearing how people go about this, but I pants my characters like Ido my plot. I’m hoping to work on that.
Whatever works! I’ve just read the first draft of a friend’s plot outline, and having one so detailed would completely disable me. I’d be blocked three sentences in. But it works for her.