Following on from last week’s discussion about the different ways of writing a historical romance, and particularly a Regency, the other morning I got two emails, one after the other, both about Unkept Promises. Unkept Promises is a different take on a historical romance – set mostly in Cape Town with a couple seven years married who haven’t seen one another since the wedding day. Set in Regency times against the background of the long war with Napoleon, it’s not so much a Regency as a storyabout two people drawn to one another despite their reservations, and about the importance of family.
The first said:
I am honored that you would consider me for an ARC of your upcoming release. But unfortunately, I won’t be reading this book – I do not read books with unfaithful heroes/heroines – I was completely hooked until I read the “dying mistress and children” – I am not naïve, I know men had mistresses and it seems like their marriage was never consummated and some might absolve him from breaking his vows based on that – but I am not in that number – that behavior is not something I want to read in my fictional romances.
The second was a review of the same book.
I admire Jude Knight’s rebellious author streak, for her novels are never run–of-the-mill plots. Unkept Promises is no exception, in which Mia and Jules’ encounter one another in the strangest of circumstances.
Whilst events unfold that lead to marriage, Mia is far from ignorant to Jules’ former life and the subsequent responsibilities he has elsewhere. Although their marriage is not unusual for the period, the circumstances of it require gentlemanly retreat in honour of her young years. In some respects Jules is a reluctant hero, though is most definitely a man of his period in history and has borne no guilt in acquisition of a mistress. After all, he is a bachelor when he meets Mia, and as a British naval officer in the years of the Napoleonic Wars he is well travelled. Nonetheless Jules unfailingly bears responsibility for all that his cohabiting with a mistress has entailed. Thus a long gap ensues from Jules sailing out of British waters 1805 to 1812, when Mia now all grown up takes ship to Cape Town (South Africa).
Initially her discovery is disheartening, and sadness prevails within his home, and most of all anger boils over and she takes command of the household. Upon on his return from sea hidden truths gradually emerge and soften her heart toward him. Strong minded she is and ultimately determined to make of the marriage she entered into with sense of due purpose. Even when things go awry back in England Mia’s stoicism and love wins through despite frightening and deadly experiences that threaten both her and Jules very existence, neither knowing if the other is safe and alive. As always a thoroughly enthralling read from Jude.
I write historical fiction with a large helping of romance, a dash of Regency, and a twist of suspense. Read me if you enjoy determined heroines and decent heroes, a story with a braid of plots that take unexpected twists and turns, and loads of characters. I don’t deliberately defy ‘The Rules’, but I don’t follow them, either. All I promise is that eventually we’ll get to the happy ending.
Our genre needs fewer rules and looser rules. Real love breaks the rules. Writing about it should too.
Thanks, Jude!
All I can do is tell the stories that I tell and hope people want to hear them.
Bravo! I applaud you.
Thanks.