
You’ve all read them. The stories where the heroine is at risk because a father, uncle, brother, or husband has lost the family fortune, or where the hero cannot wed because he had inherited an impoverished estate from the gambling waistral who was the previous incumbent.
Gambling, especially the gambling of the upper classes, is a frequent plot device in our Georgian and Regency stories, as it should be since it was a frequent feature of Georgian and Regency lives.
Not just upper class lives, of course. People at every level of society, both men and women, loved nothing more than a bet, on anything from a horse race or boxing match to which cockroach would be first to run the length of the table.
For the most part, our stories look at the upper classes, though. We are compelled by what Arthur Pitt, in explaining the focus of his Masters dissertation, calls:
… the undeniably romantic allure of the richly decorated gaming clubs or the reckless gambling of dynastic fortunes [which] rather trump[s] the dingy and dull penny games played against street walls or in alehouses. (Arthur Pitt, MA dissertation, A Study Of Gamblers And Gaming Culture In London, c. 1780-1844)
Card and dice games
Card games – whether for no, low, or ruinous stakes – were everywhere. Evenings at home or out at dinner would often include card games. Hostesses holding a ball or party usually had a card room, where those fond of such games could spend the evening. Gentlemens’ clubs also set aside a room or two for their members to play cards, as did gaming ‘hells’, both low and high.
Some ladies supplemented their income by ‘holding the bank’ in private card parties held in their houses. As long as they retained the appearance of merely being a hostess, and not in business, such a venture would dent their reputation but might not ruin it.
Whist (the precursor of Bridge) was very popular. Four players, in two teams, chose a trump suit and played a strategic game to win each round (called a trick). Loo is also often mentioned. It is played in a similar way to Whist, except the dealer deals an extra hand, which a player can choose to pick up and play in preference to their own.
Piquet was a game for two players, with a complicated scoring system and the potential for huge wins or losses.
Vingt-et-un is today called Twenty-One (same name, but in English). Each player draws one card at a time, in an attempt to get cards that add as close to 21 as they can get, but without going over.
In Faro (or Pharoah – or Basset, the game Pharoah was derived from), the dealer takes cards from a special wooden box and lays them face up on the table. One suit of the cards is pasted to the table in numerical order, and players place their bets by putting what they want to stake on one or more cards. Various rules decide whether a card drawn from the box wins for a player with a stake on the same number, or loses.
Hazard is a dice game, rather than a card game. Players bet on the numbers to be rolled.
Of course, gaming tables were just the start. Next week, I’ll take a look at the Betting Books, and later at horse racing.
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This blog post on Jane Austen’s World has a list of further links at the end. https://janeaustensworld.wordpress.com/2008/11/30/gambling-an-accepted-regency-pastime/
I also consulted:
https://harlequinblog.com/2011/02/gambling-in-regency-england/
https://englishhistoryauthors.blogspot.com/2012/09/a-profitable-vice-gambling-in-regency.html
https://www.cherylbolen.com/gambling.htm
https://allaboutromance.com/gambling-in-historic-england/
http://www.riskyregencies.com/2012/05/21/regency-gaming-hells/




I am glad you could join me, Mr. MacFearann! Please tell us about the story your author wrote. Ms. Allyn’s wee story is titled A Wish for All Seasons. I believe you ladies would call the story a historical romance. While adult ladies are Ms. Allyn’s intended audience, any young person, age 13 or above could read the tale without risk of traumatizing their young minds. While I find such doings a tad embarassin’, I know Ms. Allyn would want us to share a thing she calls a blurb with your readers. So here ’tis: The last thing Caibre MacFearann wants is to return to Scotland let alone be forced to stay there. But the chance to rekindle the lost love of his youth is too tempting to resist. However, Aisla MacKai refuses to listen until her clan’s fate and a royal decree force Aisla to give him a chance.
Rue Allyn is the award-winning author of heart melting historical and contemporary romances. A USN veteran with a Ph.D. in medieval literature, Rue has retired south of the US border where she enjoys sunny days and heated inspiration. She continues to enjoy professional relationships in the Romance Writers of America, The Maumee Valley Romance Authors Inc. and the (in)famous Bluestocking Belles. She can be reached at any of the following locations.
I’ve been studying sunrise and sunset, moon rise and moon set, and moon phases charts for December 1814 and January and February 1815. My characters in my latest work in progress live in a quiet corner of the country within an hour’s carriage ride of Bath, and want to attend the assemblies there. Dreadful roads and poor lighting are an accident waiting to happen, which the Georgians knew even better than we do, living in a world where street lighting hadn’t spread beyond the wealthier parts of the bigger towns.
Through the ritual of greeting, of inviting her guest to be seated, of preparing a cup of tea for each of them, Eleanor kept shooting glances, comparing the composed and still lovely woman before her with the gangling clumsy teen Eleanor had taken under her wing at first meeting. She glowed with happiness, but the lines barely visible on her brow and around her eyes spoke of suffering and pain. What had happened in all those years away?
