Do bad boys make bad heroes?

You know who I mean. Pirates, vikings, highwaymen, vampires, rakes, thieves, spies, assassins, ruthless billionaires, gang members — men who will take whatever they want, careless of who is hurt in the process.

Whatever the story, the trope has the bad boy discovering his inner humanity because he has fallen in love. I’m not convinced. It’s not that I don’t believe in the possibility of redemption: people can change, they do it all the time. They can even be motivated to change because a new relationship causes them to examine their fundamental assumptions. But I wouldn’t count on the love of a good woman redeeming a bad man.

In most of the stories I’ve read with this as a plot line, they’re not even redeemed! They treat their woman well, but go on behaving just as badly to everyone else. Not my idea of good marriage material.

In my coming plots, I have a number of bad boys to redeem. They’re going to have to struggle through the redemption process themselves, maybe motivated by the wish to please one particular woman, but also motivated by a recognition that previous behaviour hasn’t brought them happiness, has hurt other people, and needs to stop if they’re to become the kind of person they want to be.

What do you think? Have you read any good ‘bad boy makes good’ stories.

I’ve written about aspects of this before. See:

In praise of decent men

Rakes, rapists, and alpha-jerks

Human beings and intimacy

The Jude Knight Manifesto

All you need is love

 

 

 

 

Out-takes on WIP Wednesday

I often cut scenes when I edit. Sometimes, I know even as I write them that they’re not going to be needed, but I still need to write them to get where I’m going. Sometimes, I love them dearly, but find out there’s a better way to achieve the same result. And sometimes I cut them reluctantly because I like them a lot, but they add nothing to plot or character.

This week, I’m busily writing a prequel to Unkept Promises that will never go in the book. It’s set seven years before the novel, and I posted the start of it a couple of weeks ago. Mia meets Jules when they are imprisoned together in a smugglers’ cave.

It is coming along, and I intend the whole sequence to be my next newsletter short story, from when Jules realises someone is in the next cell to where Jules kisses his new bride chastely on the forehead and rides off to Portsmouth and his ship.

Do you have a favourite deleted scene you’d like to share? Post it in the comments! Here’s the next bit of mine.

“Miss,” Jules hissed. The girl startled back from her father. Her face, already white, turned whiter as she faced the door, putting her body between herself and the unconscious man.

“I’m a prisoner,” Jules reassured her. “In the next cell.”

The girl held the candle high as she stood, peering towards the sound of his voice. He kept talking to guide her. “Lieutenant Julius Redepenning of His Majesty’s Royal Navy, at your service, Miss. I am going to get out of here, and I’m going to take you and your father with me.”

The face turned up to him was just leaving childhood behind, but the eyes shone with intelligence and her response indicated more maturity than he expected. “I hope you can, Lieutenant. But if your cell is as sturdy as mine, I beg leave to reserve judgement.” She sighed. “I am sorry for your predicament, but I will not deny I am glad to have company.”

“May I borrow the candle?” Jules asked. Her eyes widened in alarm and he rushed to add, “just for long enough to check my cell. They left me without light.” Without food or drink, either, but he would not tell her that. Perhaps the smugglers intended to supply him, and if they didn’t, he would not take the supply she needed for herself and her father.

She passed the candle up, her worry palpable, and he hoisted himself higher with one hand so that he could stretch the other through the bars. “I will be careful, Miss, I promise.”

“Mia,” she said. “Euronyme Stirling, but formality seems out of place, here.”

He returned her smile. She was a brave little girl; he had to find a way out for her. “Call me Jules,” he offered, “as my friends do.”

He rested the candle — a stubby bit of wax with a rope wick — on the sill between the bars and dropped, shaking the ache out of the shoulder that had taken most of his weight. When he reached the candle down, Mia let out an involuntary whimper at the loss of light.

“I have it safe,” he said. “You shall have it back in a minute.”

“I do without it most of the time,” she replied. “It’s just — I have always known I could light it again.”

Most of the time? “How long have you been here?” Jules asked, keeping his voice light and casual against the lump in his throat at her gallantry.

She answered a question with one of her own. “What is today? Tuesday? Or later.”

“Tuesday, probably. It was late Monday evening when I came across the smugglers. They knocked me out, but surely not for long.”

“The tenth of June? It was the fourth when Papa and I…” she trailed off, a small gulp the only sign of her distress.

Six days. Perhaps seven. “How long has your Papa…” Surely she had not been nursing a sick man all this time?

“They hit him when they attacked us, but I think — I wonder if he has had an apoplexy, Jules.” She took a deep shuddering breath and spoke again, her voice once more under her control. “He has not woken since that day. I have managed to get some water into him, but…”

“No food,” he guessed.

“They have given us nothing to eat.”

Bastards. They’d left her mostly in the dark, with no food, little water, and a dying father. He had been exploring his cell while they talked, and found no comfort in it. The door was firmly set, its hinges on the outside where he couldn’t reach them, though he ran his knife through the gap between the wood of the door and the stone of the walls, and guessed the hinges were iron by the sound they made. The door had a small hole, just big enough for someone outside to peer in, or for food or a small drug to be passed through. He pushed the shutter that blocked the hold from the other side, but it didn’t shift.

The only other gap in the stone was the high barred window between his cell and Mia’s. He put the candle up on the sill, and then added the bun, still wrapped in his handkerchief. That meant pulling himself up by the bars at the other end of the window, and the one closest to the edge shifted slightly as he put his weight on it.

Tea with Lion

The Earl of Ruthford waited while his godmother exchanged a hug and a kiss with his lovely countess, and then saluted Her Grace with his own kiss.

“It is always lovely to see you, Godmama,” he said, his blue eyes alight with humour.

Dorothy, who had not yet regained her full strength since the birth of Lion’s heir, sank into the chair the duchess indicated and immediately betrayed her hovering spouse. “Lion has been speculating about your intentions ever since your invitation arrived, Your Grace.”

The duchess laughed. “Dorothy, my dear, please call me Aunt Eleanor, as your husband does when he is not determined to be provocative. And Lion, must I have an ulterior motive for inviting you?”

Must is a strong word, Aunt Eleanor,” Lion agreed. “Let us just say that I have reason to believe you may be taking an interest in a friend of mine. Bear, is it not?”

The duchess showed her surprise by the merest twitch of her eyebrows, then smiled. “Well done, Lion. Let me pour your wife a cup of tea, and you shall tell me all about Bear Gavenor, his spontaneous marriage, and his unlikely bride.”

Lion is a secondary character in House of Thorns, currently with the editors at Scarsdale Press and with a tentative publication month of September.

Here’s a short excerpt, in which my hero, Bear, tries to explain his marriage to Lion, his former colonel.

He turned from the tray to find his former officer sitting straight behind his desk, his hands folded together on his blotter, his eyes steady on Bear’s face, a small smile playing around his mouth. “Confession time, my son. Tell Father Lion everything. Whom have you married, when, and why?”

Bear said nothing while he brought his coffee over to the desk and seated himself on one of the robust pieces of furniture that Lion’s wife had bought for her husband’s sanctuary. “For you are mostly giants,” she had informed his friends, “and I want you all to be comfortable.”

Lion raised an eyebrow at Bear’s continued silence. “That bad?”

“Not bad. Just… complicated.” Where to begin?

“Not one of the London debutantes you were so scathing about this past Season, poor little girls.”

“Poor little feather-wits and rapacious harpies.”

“So you said in April, to my wife’s despair, for she had introduced you to the nicest girls she knew.”

“Not her fault. I was too old for them, Lion, as you said at the time.”

“And too nice for a widow. Have you married a widow?”

“I wasn’t against marrying a widow. Just not one who was having such a good time kicking up her heels in London that I feared spending my remaining days waiting for her to bump me off so she could do it again, with my money.”

“Avoiding the question, Bear? How bad is it? Sorry. How complicated.”

“She’s not too young. Not too old, either. Thirty-six.”

Lion said nothing, but his eyebrows lifted in the questions he was not speaking.

How to explain Rosa. Bear was barely conscious of the helpless wave of his hand as he considered and rejected several sentences. “She suits me, Lion.”

“A pertinent fact, but not a history. I can see an interrogation is required. What is the name of this not-old lady, and where did you meet?”

“Rosa. Rosabel Neatham. I found her on a ladder picking my roses.” Once he started, the story was easy to tell, and Lion had always been an excellent listener.

“Then a few days after the wedding I got your message and came to London. So I hope you’re in a hurry to get back to Lady Ruthford, for I do not mean to linger here one day more than I need to.”

“I beg your pardon? A few days after the wedding? You married this paragon then abandoned her a few days after the wedding? Why on earth didn’t you write back and tell me to go soak my head?”

Bear’s guilty wince didn’t go unnoticed, because Lion’s eyes sharpened.

“You and the lady have had a falling out.”

“Not precisely. Rosa doesn’t… That is to say, I thought some distance might help, but Rosa is not one to nurse a grudge. She writes charming letters, and I write back. When I get home, we will put it behind us.”

“If you will take advice from a man who has been married four years longer than you, Bear, when you get back to Mrs. Gavenor, discuss whatever it was and clear up any misunderstandings. She is very likely blaming herself for whatever came between you. Women do.”

“Surely not! It was my fault entirely. At least… Lion, I thought virgins bled.” Lord. I did not say that out loud, did I?

Lion didn’t turn a hair, but just took a sip of his coffee. “Not that my experience is vast, but I don’t believe it to be an inevitable rule, no. It depends on the age of the woman, on what kinds of physical activities she has done — my own wife rode astride as a girl and… Well. Let’s leave it at that. And the man’s patience is important.”

Bear groaned. “I should probably be hanged.”

Stretch goals for the next eighteen months

So a person needs stretch goals, right? I’ve just spent a few hours setting up a writing and editing schedule for the next eighteen months, creating an accountability book for recording word counts and milestones, and writing the titles on my ‘take everywhere’ notebooks for the next three books:

  • Unkept Promises, Book 4 in the Golden Redepennings
  • The Beast Next Door, a novella based on the newsletter subscriber short story The Bluestocking the Beast
  • Charlotte’s Wish, a contemporary novella for the Authors of Main Street Christmas Wishes box set.

Further across the spreadsheet, I’ve calculated the word count per day to reach the publication date. I can write 1500 words a day, but can I do it every day? We’ll see.

House of Thorns is with the publisher, and Paradise Regained goes to 2nd beta on 2 July.

And I’ve made a start on Unkept Promises, so that’s okay. Day 1. Tick.

Telling or showing in WIP Wednesday

Show, don’t tell, beginning authors are told. And it’s good advice. Put the reader inside the scene and let them watch it unfolding. Don’t give them a character (or worse still, a narrator) who fills in all the backstory in paragraph after paragraph.

Like all good advice, as you gain more experience you know when to ignore it. Showing is usually best. Except when it isn’t. Use the comments to share an excerpt with either sharing or telling, and tell us why you chose to do it that way.

I’ve been thinking of taking one of my newsletter short stories, and turning it into a novella for a box set the Bluestocking Belles might publish for Valentine’s Day 2019. Because of the format, they tend to have a bit of telling — purely and simply to keep the story short. Like this bit from the story I might rewrite, The Mouse Fights Back. (For those who don’t subscribe to my newsletter, each one contains the start of a short story written exclusively for newsletter subscribers and a link to the rest of the story plus all the others I’ve written so far. Click on the link in the side menu to subscribe for this and heaps of other free stuff.)

They were trying to kill his Mouse.

The runaway carriage might have been an accident. Such things happen. Mouse was shopping, with Jasper and two footmen in attendance, when it careened down the street, and only Jasper’s quick thinking and quicker action saved her from injury or worse. He thrust her into a doorway, protecting her with his body, and the carriage passed close enough to tear the back out of his jacket. The footmen both jumped clear. Hampered by her skirts, Mouse could well have been killed.

The shot that just missed her in Hyde Park must surely have been deliberate, though the magistrate called to investigate insisted on regarding it as carelessness at worst. “Some foolish young man making bets with his friends. Not at all the thing. Your wife could have been hurt, and how would they feel then?” Tiberius’s own investigators found a trampled spot in the bushes, probably the place where the assassin had waited to make his shot.

Tiberius doubled the guard on Mouse when she went out, and thought about confining her to the house, but couldn’t bear to curtail the freedom she was enjoying so much as she visited the art galleries, shops and museums she’d been barred from when she was under her aunt’s paw.

His own estate, his investigation into his uncle and stepmother, and Mouse’s affairs kept him busy during the day, and he couldn’t escort her as often as he wished.

As her husband, he now owned her inheritance, but extracting it—or, more likely, what was left of it—from Lord Demetrius’s hands was proving to be difficult, with his uncle’s lawyers throwing up one obstacle after another. Tiberius didn’t need the money, but he would be damned if Lord Demetrius was going to have it. Besides, as Jasper said, if they could prove the wicked uncle had stolen from Mouse’s trust, they would have a reason to have him arrested, and the whole sorry saga could be put to rest.

And then he could spend time with his delightful, fascinating, sweet little wife, who was blossoming like a rose away from the bitter atmosphere of her aunt’s home. The old harridan’s oppression had not suppressed Mouse’s intelligence or her sense of humour. It had made her afraid of almost everything, and every day he saw more reason to admire her courage as she fought through her fear and faced the world with a cheerful smile.

He dodged five more suspicious accidents and outright attacks, but none of them bothered him as much as the crowd of drunken slum dwellers who mobbed Mouse and her footmen in the street as she emerged from his house. He sallied out with the rest of the household and drove the attackers off. She was shaken, but not hurt. This time.

“You need to send her to Redfern,” Jasper scolded, after Tiberius had hugged her, examined her for injury, and handed her over to her maid so she could wash and change. “Every time she goes out in London, she is in danger.”

He was right. At the earldom’s principal estate, Tiberius could control every inch of ground for acres around. He had purged Redfern of the few servants who owed allegiance to Lady Bowden, and those who remained had either been born and brought up on the estate, or were people of his own. She would be far safer there. But he hated the thought of staying in London alone.

Tea with the bride and groom

(An excerpt post from about half way through my novel A Baron for Becky, the story of a courtesan and her escape from the life into which she had been forced when little more than a child. (Blurb and buy links if you click on the book name.)

Hugh had been in the heir’s wing many times, and at Haverford, the family seat, when he was a boy. He had never entered Haverford House by the main door. Designed to impress, the approach sat back from the road, admittance through a gatekeeper.

They were paraded through the paved courtyard by another liveried servant to the stairs between pillars that stretched three stories to the pediment above.

Inside, the ducal glory continued; a marbled entrance chamber the height of the house that would make a ballroom in any lesser mansion, with majestic flights of stairs rising on either side and curving to meet, only to split again in a symphony of wood and stone. Grenford ancestors were everywhere, twice as large as life, painted on canvas and moulded from stone, cold eyes examining petitioners and finding them all unworthy.

Aldridge met them in the entrance chamber, and led them up the first flight of stairs and down a sumptuously carpeted hall that was elegantly papered above richly carved panels. Four men could have walked arm-in-arm down the middle, never touching the furniture and art lining both walls,between highly-polished doors.

Busts on marble pedestals alternated with delicate gilded tables and seats upholstered in the Haverford green, scarlet and gold, many embroidered with the unicorn and phoenix from the Haverford coat of arms. The art in gilded frames that hung both walls showed more Grenford ancestors, interspersed with favourite animals, scenes from the Bible, and retellings of Greek legends. The ornately painted ceiling boasted flowers, leaves, and decorative swirls, the many colours highlighted in gilding.

Here and there, an open door gave them a view into one large chamber after another, each room richer than the last. At intervals, curtained arches led to more halls, more stairs.

Hugh was openly gawping, and Becky drew closer to him, as if for protection.

“A bit over the top, don’t you think?” he whispered to her, and was rewarded with a quick, nervous, smile.

The duchess received them in a sitting room that, if rich and elegant, was at least more human in scale.

She offered a cheek to Aldridge for a kiss, and a hand to Hugh. Becky held back.

“Come, my dear,” she coaxed. “Mrs Winstanley, is it not? Soon to be Baroness Overton. You shall kiss me, my dear, and I shall be godmother to your child, since I cannot claim the closer title.”

Hugh relaxed, then. Her Grace would champion them for her grandchild’s sake. He took the offered chair, and Aldridge leant against the mantelpiece. The duchess ignored them both to focus on Becky.

She insisted on Becky sitting beside her. “Are you keeping well, my dear? Are you eating?”

“Yes, Your Grace.” Becky’s voice was so quiet Hugh had to lean forward to hear.

“You must eat several times a day, dear. More as the baby takes up more room…” she trailed off as Becky blushed scarlet. “And when do you expect the little one to arrive?”

“At Yuletide, Ma’am. Or perhaps early January.”

“What of sleep, Mrs Winstanley? Are you able to rest in the afternoons?” She turned to Hugh. “ An afternoon rest is most efficacious for women who are increasing, Lord Overton. I will expect you to keep her in bed in the afternoon.”

“Yes, Ma’am,” Hugh replied, blushing in his turn.

The Duchess silenced her sniggering son with a raised eyebrow. “I suppose you have a plan, Aldridge, for convincing the ton that Mrs Winstanley and Lady Overton are two different people?” Aldridge explained about the woman from Astley’s.

“Will she keep her silence if the gossip rags guess she had a part in it? They pay, I am told. And is she willing to continue playing the part?”

“We intend a tragic accident, Mama. The horse will bolt, The Rose of Frampton will fall, and the Marquis of Aldridge will attend her funeral and wear a black armband for a full year.”

Aldridge’s mother pursed her lips. “Six months for a mistress, I think, my love. One would not wish to be thought excessive. And promise the girl a yearly payment if she is silent.”

“I beg your pardon, Your Grace,” Hugh ventured, “but might that not encourage her to seek an increase?”

“Blackmail, you mean?” Her Grace raised an elegant eyebrow. “Aldridge, you will make it clear that any attempt to seek an increase will be met with… considerable ducal displeasure. My godchild’ s mother is not to be inconvenienced or embarrassed.”

She patted Becky’s hand. “Now, my dear, what do you have to wear for your wedding? And may I ask… would you allow me to stand witness, Mrs Winstanley? I would be so delighted.”

After that, things moved with blinding speed, although not as fast as the Duchess first suggested. Becky demurred at marrying immediately, without Sarah present, so Aldridge was dispatched to collect her. Becky was swept off into the Duchess’s chambers, and Hugh was sent to the heir’s wing, where Aldridge’s valet waited to dress him for his wedding.

Two hours later, Hugh joined a cleric and a resplendent Aldridge in the Haverford House Chapel. Hugh had chosen formal court dress and had been pleased with his coat of cream silk velvet, grey breeches and a dark blue waistcoat, richly embroidered in powder blue and silver. Until he stood next to Aldridge.

Aldridge had also found time to change into formal attire. His coat and breeches—of a midnight-blue silk velvet, with a deep band of embroidery on each side and on the cuffs—fitted him as if sewn to his broad shoulders and muscular thighs. Snow-white lace foamed at his neck and cuffs, matching his pure white stockings with silver clocking. His waistcoat put Hugh’s in the shade, near-painted in a riotous multi-colour pattern on a salmon pink ground to match the roses in the coat’s embroidery.

Hugh glared at the roses, suspecting that particular sartorial choice was another poke at him. He would ignore it. In a very short time, Becky would be Lady Overton, and within a week, the whole of London would know the Rose of Frampton was dead and gone.

Before the book on WIP Wednesday

I’ve fallen into a process of writing until I find the start of a book. Real life, of course, isn’t tidy. Stories don’t have a beginning (except, perhaps, conception) or an end (except, perhaps, death). Before the beginning and after the end of life, the story belongs to other people, I suppose.

Novels are much tidier. We authors decide where the story starts and where it ends. And I always have trouble deciding.

Is the start the first meeting between my couple? Possibly, but what brought them to where they are? Maybe they’ve known one another for ever, but a crisis brings them together. Do we start with the crisis? Maybe they are already married, as in my latest novella for the Bluestocking Belles, but have drifted apart. Where does that one start?

I’m thinking about this because I’m beginning the next Redepenning novel, Unkept Promises. My hero and heroine have been married for seven years, and haven’t met or even been in the same country since the day of their wedding. Do I start with the circumstances that brought them together when she was fifteen and imprisoned by smugglers? Or with Mia arriving in Cape Town seven years later to take over from her husband’s mistress as lady of his house? Or with Jules turning up at his house to find things had changed?

Post me your start, or a pre-start unused scene, here in the comments?

Wherever I start, I need to know what happened before, so I’m thinking about writing the scenes in the smugglers den, even if they are only posted here or in my newsletter. It’ll go something like this.

At first, Jules thought the blow on the head had robbed him of his sight. But as he surfaced from the weight of the enormous headache that pinned him to the stone floor where they’d left him, he decided darkness was a more likely explanation. He moved cautiously, with protests from the bruises and aches from various kicks and blows the scurvy smugglers had landed. It didn’t take long to feel his way around the small uneven rock cave — with a sturdy wooden door — in which they’d placed him. It was empty, and he was alone.

Time crawled by as he waited for something to happen; time enough for hunger and thirst to gnaw away at his usual blithe disregard for his own mortality. He was sitting with his back against the wall, contemplating the mistakes that had brought him here, when he heard voices, so close they were almost in the room with him.

First, a groan. Then a girl’s voice, light and high. “Are you awake, Papa?”

The light came as a surprise, shining like a beacon from the other side of a barred opening set high up in one wall. Standing, Jules managed to reach the bars and pull himself up, to look through into another cell very like his own. A man, curled on a mess of rags and clothing, shifting restlessly. His eyes were shut, and he had not responded to the girl who crouched beside him. She was a skinny child, still boyish in shape, but he did not suppose that would save her from the smugglers. Jules made an instant vow to save her, whatever the cost.

The girl held the candle she had lit away in one hand to cast its light without dripping its wax, and brushed back the hair that fell over the man’s forehead.”Oh, Papa,” she said, her voice trembling.

Tea with the duchess – will the Canadian recluse refuse?

 

This is a bit of a prequel to a confrontation over tea…

The Duchess of Winshire studied the missive in her hand carefully, although there was no doubt about the message. The bold hand of the Earl of Chadbourn scrawled a message as succinct as it was unwelcome.

He will not come.

Randolph Wheatly, the earl’s brother-in-law had stormed into town sporting spectacular purple bruises and calling down the wrath of the Almighty on certain abusive and dishonorable members of His Majesty’s forces the day before. That he sought the assistance of his sister’s husband and the rest of his family spoke volumes about his desperation.

Rand Wheatly left London six years ago announcing to all and sundry that he would never return. Shattered by what he saw as betrayal by his cousin—the man who had been his closest childhood friend—he refused all attempts at reason and sailed for Canada on the first available ship. That the woman was, in Eleanor’s opinion, not worth the pain didn’t make the pain any less.

He spent the intervening years obtaining land—heavily timbered land. Now he was back, choking on his pride, and asking for help. Yet…

He will not come.

He sought the earl’s help, accepted his sister’s support, and even allowed the Duke of Sudbury, Chadbourn’s crony, to stick his ever-managing oar in the water, but the insufferable puppy wouldn’t take the advice or assistance of the Grenfords.

The one he needs is that cousin of his, she mused. She folded the note and tapped it on the arm of her chair, lost in thought. There had been another message, that one from Catherine, Rand’s sister and the earl’s intrepid wife. Eleanor had never heard Catherine so desperate. Six years of worry and the man turns up dirty, beaten, and breathing fire—no wonder the countess was frantic. He needed to gain control before he did something spectacularly stupid. Perhaps she could help. Perhaps she could give him a push in the direction of the cousin; if the two of them would simply talk to one another it might resolve any number of problems.

First I have to get him here.

“Bring my writing desk, please. Isadore,” she said to her companion, so lost in thought she failed to smile. If the stubborn man insists on acting like a child I may have to treat him like one. She took pen and began to write.

The Duchess of Winshire summons you…

_________________

Rand accepted the duchess’s summons, of course. How could he not? You can read the results here:

https://judeknightauthor.com/2018/03/13/tea-with-rand/

About the Book, The Renegade Wife

Reclusive businessman Rand Wheatly finds his solitude disrupted by a desperate woman running with her children from an ugly past. But even his remote cabin in Upper Canada isn’t safe enough. Meggy Blair may have lied to him, but she and her children have breached the walls of his betrayed heart. Now she’s on the run again. To save them he must return to face his demons and the family he vowed to never see again.

It is available in Kindle format free with Kindle Unlimited or for purchase as ebook or in print:

Amazon.      

Barnes and Noble

BooksAMillion

The Renegade Wife is Book 1 in Caroline Warfield’s Children of Empire Series.

Three cousins, who grew up together in the English countryside, have been driven apart by deceit and lies. (You may guess a woman was involved!) Though they all escape to the outposts of The British Empire, they all make their way home to England, facing their demons and finding love and the support of women of character and backbone. They are:

  • Randolph Baldwin Wheatly who has become a recluse, and lives in isolation in frontier Canada intent on becoming a timber baron, until a desperate woman invades his peace. (The Renegade Wife)
  • Captain Frederick Arthur Wheatly, an officer in the Bengal army, who enjoys his comfortable life on the fringes until his mistress dies, and he’s forced to choose between honor and the army. (The Reluctant Wife)
  • Charles, Duke of Murnane, tied to a miserable marriage, throws himself into government work to escape bad memories. He accepts a commission from the Queen that takes him to Canton and Macau, only to face his past there. (The Unexpected Wife)

Who are their ladies?

  • Meggy Campeau, the daughter of a French trapper and Ojibwe mother who has made mistakes, but is fierce in protecting her children. (The Renegade Wife)
  • Clare Armbruster, fiercely independent woman of means, who is determined to make her own way in life, but can’t resist helping a foolish captain sort out his responsibilities. (The Reluctant Wife)
  • Zambak Hayden, eldest child of the Duke of Sudbury, knows she’d make a better heir than her feckless younger brother, but can’t help protecting the boy to the point of following him to China. She may just try to sort out the Empire’s entangled tea trade–and its ugly underpinning, opium, while she’s there. (The Unexpected Wife)

Book 3, The Unexpected Wife, will be released on July 25.

Here’s a short video about it:

https://www.facebook.com/carolinewarfield7/videos/924791187669849/

For more about the series and all of Caroline’s books, look here:

https://www.carolinewarfield.com/bookshelf/

About the Author

Caroline Warfield grew up in a peripatetic army family and had a varied career (largely around libraries and technology) before retiring to the urban wilds of Eastern Pennsylvania, where divides her time between writing Regency and Victorian Romance, and seeking adventures with her grandson and the prince among men she married.

Would you like to fly in my beautiful balloon?

Balloons rise over my valley at the start of the annual Wairarapa Balloon Festival

One of my characters is currently flying over 1840s Madras in a balloon, so I’ve been reading Richard Holmes’ book Falling Upwards. Balloons, he points out, gave our ancestors their “first physical glimpse of a planetary overview”. From up above balloonists could contribute to forecasting weather, researching geology and other earth sciences, and — if only because winds are fickle — improve (or make worse) international communication.

The first successful hot air balloonist were the Montgolfier brothers. They were the children of a French paper manufacturer, and one of them was a dreamer. Joseph-Michel Montgolfier watched laundry drying over a fire, and was much taken by the way it caught the hot air and floated upwards. In 1782, he made some experiments with a small box made from wood and cloth. Success led him to approach his brother, and he and Jacques-Étienne built a larger model together.  In 1783, several experiments brought them to the attention of the King, as well as scientists and other flight enthusiasts. The first human passengers were carried October (tethered) and November (when they traveled 8 km in 25 minutes).

From the dawn of time, people had dreamed of flying. Now a lucky few could finally do so.

Frenchmen were the first hot-air balloonists, but others quickly took up the challenge. The French scored another first, though, with the first military balloon regiment, founded in 1794. The opposing armies hated them. They couldn’t do a thing without being observed from on high, so whenever the balloons came close enough, every weapon that could be mustered was fired at the basket. This, says Holmes, “made the military aeronaut’s position both peculiarly perilous and peculiarly glamorous.”

That was the beginning. Throughout the nineteenth century, aeronauts explored the limits of what was possible with a balloon, and sometimes — with dire consequence — beyond those limits. Holmes says that they came from many different walks of life, had many different approaches and interests, but all had in common a single compelling desire: they wanted to fly.

Nicolas Camille Flaummarion, one of those nineteenth century aeronauts, wrote of those early days when suggesting that the balloon was not the final answer to the desire for flight, and that some other method remained to be invented:

…already it has done for us that which no other power ever accomplished ; it has gratified the desire natural to us all to view the earth in a new aspect, and to sustain ourselves in an element hitherto the exclusive domain of birds and insects. We have been enabled to ascend among the phenomena of the heavens, and to exchange conjecture for instrumental facts, recorded at elevations exceeding the highest mountains of the earth.

Doubtless among the earliest aeronauts a disposition arose to estimate unduly the departure gained from our natural endowments, and to forget that the new faculty we had assumed, while opening the boundless regions of the atmosphere as fresh territory to explore, was subject to limitations a century of progress might do little to extend. In the time of Lunardi, a lady writing to a friend about a balloon voyage she had recently made, expresses the common feeling of that day when she says that ” the idea that I was daring enough
to push myself, as I may say, before my time, into the presence of the Deity, inclines me to a species of terror ” — an exaggerated sentiment, prompted by the admitted hazard of the enterprise (for Pilatre de Kozier had lately perished in France, precipitated to the earth by the bursting of his balloon), or dictated by an exultant and almost presumptuous sense of exaltation : for the first voyagers in the air, reminded by no visible boundary that for a few miles only above the earth can we respire, appear to have forgotten that the height to which we can ascend and live has so definite a limitation.

The right (or the wrong) clothes on WIP Wednesday

 

People say it shouldn’t matter, but it does. When you know you are well dressed, in clothes that suit you and that are suitable for the occasion, you can relax and enjoy yourself. Clothing that gives a character confidence, or clothing that doesn’t work, is often a feature of a story, making us sympathetic to the character or showing some aspect of their personality.

So this week, I’m looking for extracts that describe what your character is wearing and how they feel about it. Mine is from House of Thorns.

As her betrothed assisted her into his chaise on Sunday morning, Rosa was conscious of two conflicting emotions. One was relief that she could leave the house for long enough to attend the church service, since the new maids had shown themselves both willing and able to look after her father in her absence. The other was trepidation. She and Bear would be the center of attention once the banns were read for the first time. The Pelmans and the Thrextons would find something to censure, made up or real, and they had their supporters in the village.

I would feel more confident if I had something suitable to wear, she thought.

Bear had dressed for the occasion, pale breeches and stockings, a dark blue coat over an embroidered waistcoat with a creamy froth of lace at neck and cuff. He didn’t favor the excesses they showed in the fashion magazines she sometimes saw at the village shop, but the materials were of the best quality and beautifully cut to fit his frame.

Rosa’s Sunday-best gown had had more than six years of use, new clothes being a luxury the Neathams could not afford after the new Lord Hurley stopped the pension the former Lord Hurley had once paid. She had tried to keep it from dirt and harm, but six years is more than 300 Sundays, even allowing for those when she could not find anyone to sit with her father and had to miss services.

Turning the back panel to move the shiny spot, carefully mending tears, and cutting off the cuffs to replace them with a band taken from another gown could not disguise the fact that her Sunday-best would be a Monday-washday gown for almost any other woman in the parish.

Next to Bear, she looked like a pauper, which was not far from the truth.