Author: judeknight

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Running away very very slowly

xa6t0jrcjgosmeiapcjbThis is a rerun of a post I wrote for Caroline Warfield’s Highlighting Historical Research blog, several months ago.

I love research. I even love research when I have a perfectly delightful plot that falls apart when research proves it couldn’t have happened. Working out what might be historically probable instead, or at least plausible, has allowed me to drop down many an exciting rabbit hole into research wonderland.

For example, in my current work-in-progress, A Raging Madness, my hero Alex has a leg full of shrapnel, and is currently helping my heroine to escape from relatives who are determined to lock her up in an asylum for the mentally unwell.

Shrapnel? What kind of shrapnel? What munitions carried shrapnel at that time? What battles were they used in? How were shrapnel wounds treated? What was the long term prognosis? How about complications?

It took me a while to find a suitable battle, but eventually I put Alex the right place to be on the business end of a canister shell, a cannon ball with a weak outer shell filled with scrap metal. When the cannon fired, the shell burst apart, and a broad fan of metal caused devastation among the enemy troops. And, in my case, on the body of the assigned escort of a British diplomat who was observing the battle. (And, no, it was not called shrapnel at the time.)

Ella, my heroine, was the daughter of an army doctor, and I figured she’d solve all of Alex’s problems by removing the shrapnel. But not so. Then, even more than now, removing shrapnel or even bullets (unless they are lead) was a very bad idea.

Even today, going in after a splinter of metal might cause more harm than good, and the world is full of people walking around with bomb fragments buried inside. Back then, with no antibiotics and no anaesthetics, the treatment of choice was to leave the mess alone.

Over time, one of three things would happen. The body and the shrapnel would adjust to one another. The body would reject the shrapnel, moving it piece by piece slowly out to the surface. An abscess would form, and the poisons from the infection would kill the patient unless someone acted to drain the abscess.

Hurrah! I had my intervention. Poor Alex developed an abscess.

But escape? Alex can barely walk, let alone ride. Ella is recovering from addiction to the laudanum that her relatives have been force-feeding her. (Another rabbit-hole: what does laudanum withdrawal look like? Feel like?)

I needed a plausible way for two such invalids to escape.

I chose a canal narrowboat for a number of reasons.

The narrowboats were designed at the maximum size to fit in the smallest locks. An inch too big, and they couldn’t go wherever they needed to for the operator to earn his living. The early designers decided on a boat around seven foot wide, up to ten times as long as wide, and drawing about three feet of water when fully loaded.

The narrowboats were designed at the maximum size to fit in the smallest locks. An inch too big, and they couldn’t go wherever they needed to for the operator to earn his living. The early designers decided on a boat around seven foot wide, up to ten times as long as wide, and drawing about three feet of water when fully loaded.

One: I loved the idea of the villains haring all over the countryside looking for them while they ran away by the slowest form of non-pedestrian transport ever invented.

Two: I’ve always wanted to go on a canal cruise, and this way I got to watch YouTube clips and call it working.

Most of the boat was given over to cargo, covered by canvas. In the cabin at the rear, everything did double service, with fold down beds and tables. Some boats also had a small cabin at the bow.

Most of the boat was given over to cargo, covered by canvas. In the cabin at the rear, everything did double service, with fold down beds and tables. Some boats also had a small cabin at the bow.

Three: By 1807, when my story is set, the canal network stretched from the Mersey (with access to Manchester and Liverpool) all the way to London. Travelling by narrowboat was feasible. Canals were a supremely profitable way to move goods in the early 19th century, and had been for a number of years. At a steady walking speed, a horse could move fifty times as much weight on a boat as it could on a road. The canals provided still water and tow paths to ease the travel, and locks, tunnels, and viaducts to overcome obstacles. Later, canal boats were mechanised, and later still the railways put the canals out of business. But in 1807, Alex and Ella hitched a lift with a charming Liverpool Irishman called Big Dan.

Four: I could put my hero and my heroine in close confines, calling themselves married, for five to six weeks. Not only did they have heaps of time to talk and even to succumb (or nearly succumb) to their

A healthy strong horse was vital. Each horse needed a stall in a stable each night, and copious quantities of high energy food.

A healthy strong horse was vital. Each horse needed a stall in a stable each night, and copious quantities of high energy food.

mutual attraction, they were also in deep trouble (or Ella was) if anyone found out. They used false names. They stayed away from fashionable places. But even so, their novelist made sure that someone with no love for Alex saw enough to cause trouble.

Five: The time frame let Alex develop an abscess and recover from the operation, all before he needed to be on hand to save Ella when rumours spread about the two of them and their canal interlude.

And down the rabbit hole I went.

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Danger on WIP Wednesday

pexels-photo-110089I’ve been summarising the scenes in A Raging Madness so that I can map them against the internal and external journey of my hero and heroine, as I did with Revealed in Mist. I came across the excerpt below, and decided to share it with you. A moment of danger for my heroine; and this is only the first in a book of them.

Please share your excerpts showing your hero or heroine putting themselves at risk, whether physical risk, risk of rejection or scorn, or whatever you like. Here’s mine.

As soon as the key turned in the lock, Ella slid out of bed to find the chamber pot, and spit the remaining laudanum into it. She washed her mouth once, twice, three times. She had ingested a little—enough to further fog her brain, but not enough to douse the sharp flame of purpose. She had to get away. She had to escape. She had no idea why her brother and sister-in-law were keeping her alive, but she could not count on it continuing.

The room moved a little, wavering at the edges, and Ella wanted nothing more than to crawl back onto the bed and let the dreams come. Did it matter, after all? What good did it do to struggle?

No one in this village would help her, as she had found when they brought her out to display her before the squire and, on another occasion, the rector. She had been drugged both times, of course. She had been drugged these past four weeks. But when she told them, they patted her hand soothingly, looked at her jailers with sympathy, and went away shaking their heads.

But this evening, standing in the shadow of the curtain peering out to see the funeral goers returning to the house, she had seen him. Major Alexander Redepenning. Alex. Perhaps he was just a dream sent by the opium to torture her with hope, but if he were truly here, he would help her. She had to escape now. Tonight.

Alex was a stubborn, opinionated, arrogant fool—and what he had said to her last time they met still scalded her with shame and anger every time she thought of him. But he had known her since she was a child, and he would not abandon her to whatever the Braxtons planned.

She could not run away in her shift, but they had left her no clothes. A blanket? She could wrap a blanket around herself against the chill air.

If she could just open this window without making a noise… So. One obstacle overcome. She dropped the blanket to the ground below. Now she needed to climb from the second floor, dizzy and confused as she was, walk to the village, and find Alex. He would be staying at the inn, surely? He would not have gone on tonight?

She had heard he had been injured; seen the difficulty with which he had descended from his chaise, leaning heavily on his groom. He would not want to travel on tonight. He had to be there at the inn. He had to be willing to help her.

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Tea with Meggy

monday-for-tea

Meggy Campeau waits nervously to be ushered into the presence of the Duchess of Haverford. Since she arrived in London days ago, she has been overwhelmed by titled ladies.  She knows she belongs in a cabin along the lakes in Canada, not in this room full of priceless antiques. She fidgets with the dress she has borrowed from the Countess of Chadbourn. Rand’s sister. Who insists on being called Catherine. Meggy will never get used to it.

meggyCatherine herself smiles fondly. “Meggy, calm down. She isn’t a dragon, truly!”

The door opens on silent hinges and the duchess herself sweeps in. “Catherine! It is wonderful to see you as always. Miss Campeau, welcome. Or do you prefer to be called Mrs. Blair?”

Meggy feels her cheeks heat. She looks at the wall to the left of the duchess’s ear and tries to formulate an answer.

“Perhaps I should call you simply Meggy. Would that make you more comfortable?”

The duchess’s smile certainly helps Meggy calm down. She nods. “Thank you, Your Grace.”

The arrival of the teacart gives Meggy a brief moment to collect herself. All too soon the duchess looks at her over a dainty porcelain cup and asks, “How is that scamp Randy doing? I understand he has been somewhat overwrought.”

Catherine raises a brow at Meggy, urging her to answer.

“Rand worries for my children, Your Grace. I don’t mind admitting they are in danger at their father’s hands.”

The duchess nods, knowingly. “Well done of him. From what I’ve been able to ascertain, they need his protection. You do, too.”

Meggy stiffens her spine. “I can take care of myself, Your Grace.”

“But not your children?”

Meggy crumples. Tears threaten. The duchess is at her side in a moment, a reassuring arm on her shoulder. “My dear, we all need help eventually. There is no shame in taking it. You have Rand.”

Meggy’s head bobs up, but the duchess waves her protest away. “You do have him, if you want him, you know, but that is a matter for another time. First you must allow all of us help you deal with your vile husband and the criminals that surround him.”

“You too?”

The duchess smiles. “Well, perhaps not directly. Sudbury, Chadbourn, and Rand’s darling cousin Charles have things well in hand. Should you need us, however, the Grenford family stands ready to help. ” She pours another cup and her face takes on an impish expression. “After all, Rand is well on his way to enriching me even further with this timber enterprise. I’m grateful he let me invest.”

With that, the duchess and Catherine turn the conversation to mutual friends, the weather, and the theater season, leaving Meggy to contemplate what she just heard. She sits back and lets the feeling of security sink in. I’m not alone, and my children will be safe.

The Renegade Wife

renegade-wifeBetrayed by his cousin and the woman he loved, Rand Wheatly fled England, his dreams of a loving family shattered. He clings to his solitude in an isolated cabin in Upper Canada. Returning from a business trip to find a widow and two children squatting in his house, he flies into a rage. He wants her gone, but her children are sick and injured, and his heart is not as hard as he likes to pretend.

Meggy Blair harbors a secret, and she’ll do whatever it takes to keep her children safe. She’d hopes to hide with her Ojibwa grandmother, if she can find the woman and her people. She doesn’t expect to find shelter with a quiet, solitary man, a man who lowers his defensive walls enough to let Meggy and her children in.

Their idyllic interlude is shattered when Meggy’s brutal husband appears to claim his children. She isn’t a widow, but a wife, a woman who betrayed the man she was supposed to love, just as Rand’s sweetheart betrayed him. He soon discovers why Meggy is on the run, but time is running out. To save them all, Rand must return and face his demons.

For purchase on Amazon.      

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First in a new series: Children of Empire

Raised with all the privilege of the English aristocracy, forged on the edges of the British Empire, men and woman of the early Victorian age seek their own destiny and make their mark on history. The heroes and heroines of Caroline’s Dangerous Series overcame challenges even after their happy ending. Their children seek their own happiness in distant lands in Children of Empire.

 

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Sunday grumble

The rotator cuff injury isn’t helping the to-do list. What happened? Who knows. Could be wear and tear, rust in the works, or some sudden action that I didn’t notice at the time. I’ve been doing a lot of typing, also some weeding, and stretching and reaching to prune the fruit trees. Sigh.

But on a brighter note, the tulips are magnificent, the peaches are in blossom (the plums and apricots are nearly finished, and you can’t see the blossom for the leaves), and we’ve had lots of rain to make everything green. The daffodils are also on their last gasp, and have been thoroughly nibbled by snails. They’ve been wonderful, though.

tulips1

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Globalisation ancient central Asian style

Not so much a road as a route, and only one of them, at that. Imagine a procession of heavily laden camels, donkeys and carts.

Not so much a road as a route, and only one of them, at that. Imagine a procession of heavily laden camels, donkeys and carts.

I’ve been fascinated for most of my life by the histories I didn’t learn at school. According to the wisdom I received from my teachers, enlightened thinking began with the Greeks, was codified by the Romans, and was resurrected after the Dark Ages in the Renaissance where it grew into the humanist and democratic beliefs that bubbled up in Europe in the 18th Century and reached its culmination is the set of beliefs and practices widely known as western civilisation.

(Gandhi was once asked what he thought of western civilisation, and said he thought it would be a good idea.)

This view, of course, completely ignores the fact that Europe was a backwater until at least the 16th Century, and all the time inventions and advances and discoveries in the rest of the world laid the foundations upon which Europe would later stand.

Let’s leave for today the great kingdoms of Kush, Nri, Songhai, and Asumite in Africa, the Olmec, Aztec, and Mayans of the Americas, Kutai, Khmer, Dvaravati in South East Asia. In the past months, I’ve been filling my head with the broad swathe of city-states, kingdoms, principalities, and empires that created, maintained, and thrived because of the Silk Road. Not so much a road, but rather a rambling plaided string of trade routes from China and India to the Mediterranean Sea by diverse ways.

This was the mixing ground of cultures, ideas (including religious ideas), new technologies, and products. Above all, products: silk, paper, and spices travelling West; carpets, jewels, drugs, metal, glass, and other trade goods travelling East.

To hear the Venetians tell the story, they started the whole thing. In fact, they were very late into the game. One of the main western arteries did come first, established in Persia. It was the old Persian Royal Road, with postal stations along the route. The pony express was nothing new. The Persian route was established close to 2,500 years ago.

2,250 years ago, an emperor of China, struggling to keep the horse nomads of the north out of his land, sent an envoy west looking for help. Zhang Qian’s expedition led to trade deals to purchase the larger faster horses the envoy found in central Asia. Silk for horses. The Chinese beat of their enemies, and settled down to consolidate the trade, while from the other end the Parthians (who now controlled Persia) were doing the same.

For 2000 years, the Silk Road was how China got its western goods, and places as far distant from China as England got its silks and spices. Then, in the 15th Century, the rising Ottoman Empire blocked European merchants from using the routes, impelling them to find a sea route. Columbus went west, and Vasco da Gama south. And the rest is history.

If you’d like to know more, this 10:30 minute video is entertaining and interesting.

Huh! How about that. I set out to write about the Kopet Dag mountains between Turkmenistan and Iran, and the place of their inhabitants in the silk routes, and I’ve got all excited about ancient history. Another time, perhaps. Meanwhile, feel free to look at the novella I have in the Bluestocking Belles 2016 box set. Called The Bluestocking and the Barbarian, it features as hero a young man who grew up in a small kaganate high in the Kopet Dag mountains. The link is to my book page, which in turn links to the first two chapters.

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The ‘meet cute’ on WIP Wednesday

meet-cute‘Meet cute’ is a term from Hollywood that has crept into book publishing. It means that moment in a romantic comedy when the hero and the heroine first encounter one another. The implication is that the first meeting is amusing, entertaining, or charming.

Even if you’re not writing romantic comedy, the term can apply, but today I’m just using it as shorthand for the first meeting in your book. My own current works-in-progress have progressively less and less cute about them. The Bluestocking and the Barbarian comes close, with James swooping down to save a child from the path of racing curricles.

With hand, body and voice, James set Seistan at the child and dropped off the saddle, trusting to the horse to sweep past in the right place for James to hoist the child out of harm’s way.

One mighty heave, and they were back in the saddle. James’ shoulders would feel the weight of the boy for days, but Seistan had continued across the road, so close to the racers that James could feel the wind of their passing.

They didn’t stop. Didn’t even slow. In moments, they were gone.

The boy shaking in his arms, James turned Seistan with his knees, and walked the horse back to the gates of the big house. A crowd of women waited for them, but only one came forward as he dismounted.

“How can we ever thank you enough, sir?” She took the child from him, and handed him off to be scolded and hugged and wept over by a bevy of other females.

The woman lingered, and James too. He could hear his father and the others riding toward them, but he couldn’t take his eyes off hers. He was drowning in a pool of blue-gray. Did she feel it too? The Greeks said that true lovers had one soul, split at birth and placed in two bodies. He had thought it a nice conceit… until now.

In Revealed in Mist, David and Prue parted in anger in the Prologue, and meet again for the first time in months in the first chapter. Prue has just saved a young lady from rape.

She put the girl behind her with her free hand, then pulled the door closed. Something thrown banged against it on the other side.

“We must get you to safety,” she told the girl, a very young debutante in a torn white gown, her honey blonde hair falling from its careful coiffure, the delicate oval of her face streaked with tears.

“I cannot… I did not… Everyone will think…”

“Take the child to Lady Georgiana.” Prue started at Shadow’s voice and the girl yelped and clutched at her for protection. Fussing over the girl gave Prue time to catch the breath that had escaped at his sudden appearance. He was leaning against the next door down, half concealed in the doorway. “There’s a small sitting room along there.” He pointed down the passage towards the far end, seemingly unaffected the meeting, while Prue was torn between spitting in his face and throwing herself at his feet to beg him to forgive whatever offence she had caused. “Half way to the corner. Lady Georgiana is in there. She’ll take care of your maiden, and I shall see to the assailant. Who is it?”

And A Raging Madness has the least cute meet of all, as Ella flees confinement and abuse in her in-laws house to beg help from Alex, who she knew long, long ago.

The couch faced the fire, its back to the bed chamber door. The occupant was invisible until they stood right over it, and then there she was, lying on her back, wrapped tightly in a scruffy grey woollen blanket, heavily mired at one end with dried mud. All they could see of the woman was her head, and that was somewhat the worse for wear. Her face was far too thin, with dark patches under the eyes and bruise over bruise along her jaw, as if she had been gripped too hard time after time, week after week. She lay in a tangle of long brown hair, escaped from the plait to which it had been confined.

As they watched, she opened her eyes. For a moment, she stared at them, confused. Then she seemed to recall where she was, and sat up in one convulsive movement, clutching the blanket to her with a bare arm as it fell, but not before Alex had seen she wore nothing but her shift.

“Alex, thank God. You must help me. Please.”

“Lady Melville.” Alex bowed as well as he could, leaning heavily on his stick, hating to show weakness in front of her of all people. But her eyes did not leave his, and she displayed no signs of noticing his infirmity.

“Please,” she repeated, just as someone knocked on the door. She shot off the couch, clutching the blanket, and retreated to the wall, her eyes wide. He had seen such a stance before, people under threat finding a wall for the back, animals at bay, almost dead from fear, but  still searching for escape.

“It is just the major’s breakfast, my lady,” Jonno said, soothingly. But a male voice in the hall belied his reassurance. “Knock again,” it said, loudly, authoritatively. Braxton.

“Please,” Ella begged, one more time.

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Tea with Prue

monday-for-tea

Eleanor, Duchess of Haverford, feels a strong sense of obligation to today’s caller. Not that she will say so. Her Grace has engineered a dozen meetings in the past five years, and not once has Miss Virtue raised the connection between them. Perhaps she is unaware of it? No, surely not. But if she wishes to ignore it, then the duchess will comply. The young lady is entitled to her privacy.

The butler escorts Miss Virtue into the conservatory, where Her Grace and her guest can enjoy the autumn sun and the splendid views of the gardens without suffering the chilly breeze. The duchess rises in greeting.

“Miss Virtue. How kind of you to come.”

Her caller curtseys gracefully, without comment, and seats herself when the duchess invites her to do so. For a few minutes they discuss courteous nothings: the weather, the number of people in Town, the War on the Continent, how Miss Virtue would prefer her tea.

But once she has a fine bone china cup in her hands, Miss Virtue cuts directly to the point in the way the duchess has come to expect and admire. “But I do not wish to take up too much of your valuable time, Your Grace. How may I be of service to you.”

Her Grace suppresses a sigh—will the child never trust her? “I have a commission for you, Miss Virtue, if you are free to undertake it. My godson, the Earl of Penworth, appears to have gone missing…”

castle-silhouette-vector-954843-small

Prue Virtue is a spy for the Crown, but occasionally undertakes freelance commissions. The following excerpt is from The Prisoners of Wyvern Castle, a novella in my free book Hand-Turned Tales (click here for buy links). Prue, disguised as the nurse Miss Tyler, is here on the duchess’s errand, looking for the Earl of Penworth. She finds that he has acquired not only a prison but also a wife.

Prue is also the heroine of Revealed in Mist, coming in December 2016.

prisoners-of-wyvern-smallSeveral minutes passed, and all remained quiet. This might actually work! First, she needed to find a boat small enough for her to handle. Hugging the walls, keeping to the shadows, she began to circle the courtyard toward the deeper darkness that signalled the passageway through the walls. Beyond, the road led down to the docks.

She was nearly there when a woman’s voice spoke behind her. “Do not be alarmed, Lady Penworth.”

Madeline spun around, one hand to her chest to hold her pounding heart in place.

“Who is it?” She could see a vague shape in the darkness, but no details.

“A friend.”

It was not Lady Wyvern, nor—from the accent, which was aristocratic—one of the servants. As she froze, trying to decide whether to run or speak, she heard footsteps and voices approaching from the other end of the passage.

“Quick. This way.” The woman took her hand and pulled her through a doorway, into the room beyond. Just in time. Pressed against the wall inside the door, she could hear them clearly: several men arguing in hushed voices.

“It was the White Lady, I tell you.”

“Rubbish.”

“She was coming out that window. I saw her with my own eyes. It was like a long coil of smoke, twisting in the wind.”

“A long coil of smoke. Listen to him. Next, you’ll be telling us she’s off to join her husband in the dungeon.”

A chorus of guffaws.

“You’ve heard what the islanders say, same as me,” the first voice insisted.

“Yes, and right fools they are, too.”  The speaker pitched his voice in a falsetto. “Ooooh! Moaning in the dungeon. It must be the ghost!” Then, reverting to his own low rumble. “Silly tossers. A good thing Her Ladyship sent the whole lot of them packing.”

The first voice began, “If you ask me…”

Another man interrupted. “You can stand around talking about ghosts all night if you want. I’m for the kitchen and a tot of something hot and strong. Securing those boats was cold work.”

She could make out no more. They were across the courtyard and… yes, they had gone down the steps into the servants’ area Rupert had pointed out from their window.

“Come,” her companion said. “Lord Wyvern is awake and wishes to speak with you.”

“Let me go,” Madeline pleaded. “Now, while the courtyard is clear.”

“I will help you, my lady. That is why I am here. But first, we need to share information. Come with me and see Lord Wyvern.”

“Who are you?” Madeline asked, but the woman gave her no answer, just moved away, surefooted in the dark.

After a moment, Madeline followed her. They climbed the stair until they reached the room where Lord Wyvern lay, propped up on pillows, looking—by the light of the lamp at his bedside—more alert than he had earlier in the day.

The light allowed Madeline to recognise her companion. “You are the nurse. Miss Tyler. You work for Lady Wyvern.”

“I work for Lord Wyvern,” Miss Tyler corrected. “I am here to rescue him, and you and the earl.”

“Lady Wyvern took the earl away. I don’t know where.”

“Dun… jin,” Lord Wyvern said, and Miss Tyler nodded. “They were keeping Lord Wyvern in the dungeon when I was brought here to care for him. I expect that is where they have your husband and the other two men.”

Lord Wyvern was a frail shadow of the hearty man Rupert had described, and pale enough to have been in a dungeon these six months. Madeline didn’t understand how his own servants could have allowed such a thing.

“Why did your people let it happen?” she asked him, but it was Miss Tyler who answered.

“His Lordship had an apoplexy. Lady Wyvern saw her moment and removed anyone who might object to her regency while he was ill. Then, when he began to recover… well, she made sure to keep him bedridden. And she hid him, so those loyal to him would not know what she was doing.”

“How could the Ice Dragon hope to get away with it?”

Goodness. She was so used to Rupert’s name for his sister that she said it without thinking. But Lord Wyvern was laughing silently, and even the nurse was smiling.

“A good name for her,” Miss Tyler said. “She is an arrogant woman, Your Ladyship. She makes her plans and assumes the rest of the world will fall into line. She must have been horrified when the King sent Lord Morpeth to see what was happening here, but she and Sir James decided to bully their way through.

“They sent most of the islanders away, to keep complaints and rumours from reaching Lord Morpeth’s ears. That may yet work to her disadvantage, since they are now on the mainland and will be talking to all their friends and relatives. Word will reach the ears of the gentry sooner or later, and people with authority will start asking questions.”

“I cannot wait for that,” Madeline said. “I need to rescue the earl now.”

“Plan?” Lord Wyvern asked.

“Yes, my lady. What was your plan? Do you have a helper? Somewhere to go?”

Madeline shook her head. She and Rupert had no one to help them. But they had a plan, of sorts, and she intended to carry it out.

Miss Tyler saw her hesitation. “Lady Penworth, you are wise to be cautious, but you can trust us. Lord Wyvern, as you know, is as much a victim of the conspirators as you and your husband. And I have been sent by the earl’s godmother to find out what is happening and help if I can.”

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So many stories, so little time

revealed-in-mistI’ve been updating my books, excerpts, and work-in-progress pages.

It’s part of getting ready to publish Revealed in Mist, and it proved to be a bigger job than I intended.

Step 1: update all my covers. I’ve changed my title font, and I’ve come up with a new font for the historical mysteries (of which Revealed in Mist is the first). Of course, once I’d done that, I needed to republish them all on KDP, Smashwords, and Createspace. I’ve done the first two, and am working on the third. Oh. And I’ve mostly done Goodreads. I also redid my banners here and on Facebook, with the new title font. I guess I need to do Twitter, too.

Step 2: rewrite the blurbs I haven’t been happy with for the past two years. That’s taken weeks, and I’m still not finished. I still have to write one for A Raging Madness, Concealed in Mist, and Lord Danwood’s Dilemma. But check out the others on the book page. They’re better, I think. When I’ve done the lot, I need to update them in KDP, Smashwords, Createspace, and Goodreads. And in the back of all my books (which will then need to be uploaded again to — you guessed it — KDP, Smashwords, and Createspace).

Step 3: format and load Revealed in Mist when it comes back from the proofreader.

Just three steps, right?

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The king of chefs and the chef of kings

careme-06Just down the road from where I live is the village of Martinborough, centre of a wine and olive growing industry that has become a major tourist destination for foodies. And one of the attractions is named after the man who was arguably one of the founders of France’s grand cuisine, whose life story I borrowed from for the hero of my novellette A Suitable Husband, written for the box set Holly and Hopeful Hearts.

cuisiniers2Carême is a cooking programme at the Palliser Estate, and it is named after Marie-Antoine (Antonin) Carême, cook to statesmen and kings in early 19th century France and England.

He had a rough start: born in Paris and abandoned by his parents at the age of 10 at the height of the French Revolution. A job as a kitchen boy, in return for food and board, led to him being apprenticed at a pâtisserie in a high-profile, fashionable neighbourhood. He soon became known for his centrepieces, which his employer displayed in the shop window. Sometimes several feet high and moulded from sugar, marzipan and other foodstuffs, they were architectural shapes such as temples and ruins.

Carême freelanced in private kitchens, and learned to create whole meals, and when the diplomat Talleyrand was given a chateau at which to entertain and impress those Napoleon wanted to influence, Carême convinced Talleyrand to take him, too. The test Talleyrand set was a year of menus, with no repetitions using only seasonal produce. Carême passed. He had just turned 20.

He went (after the Napoleonic wars) to London, where he was chef to the Prince Regent for a time, then back in Paris he worked for the banker Rothschild. He laid the foundations for the system that became French cuisine, and was a prolific writer. He is credited with being the first cook-book writer to say: ‘You can try this for yourself at home.’

a-suitable-husband-fbMy character Marcel Fournier is also a talented and ambitious chef, a few years younger than Carême. In this short excerpt, he is indignant that he is not to be in charge of both kitchens at Hollystone Hall.

caremeMarcel could do good English cooking! Had he not grown up here in England after his family escaped from the Terror?

In Spitalfields, until he was apprenticed to a cook in an inn on Tottenham Court Road, then in Soho where he took charge in an earl’s kitchen, and finally, after having himself smuggled into France and attracting the man’s attention by the bold trick of sneaking into his office with a box of his own pâtisseries and menus for a year’s worth of banquets, in the kitchen and under the direct supervision of the great Marie Antoine Carême, chef to Tallyrand and through him to the diplomats of Europe.

For the past two years, Marcel had been one of the most sought-after chefs in the whole South of England. Good English cooking, indeed.

diplomacy-through-cuisine

For more information, see:

Marie-Antoine Carême, First Celebrity Chef

Eater: A name you should know

https://reginajeffers.wordpress.com/2015/02/27/regency-era-hells-kitchen-marie-antoine-careme-the-first-celebrity-chef-and-one-time-head-chef-for-the-prince-regent/

Cooking for kings

 

 

 

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Reflection characters on WIP Wednesday

masqurade-1795‘Reflection’ character is Michael Hauge’s expression. I’m still processing his full-day Story Mastery workshop from the RWNZ Conference, but have already strengthened Revealed in Mist by applying his inner and out journey methodology to the hero and heroine.

The reflection is the person that shows the protagonist when they are acting according to the armour they’ve built around their woundedness, and when they’re reaching into the real person they’re meant to be. As always, you show me yours and I’ll show you mine.

In The Bluestocking and the Barbarian, the heroine’s sister holds up a mirror to her just before this scene, set at the Costume Party.

Sophia frowned at Felicity, who was ostentatiously ignoring her from the other side of the room. They had had words, especially when Sophia had realized Felicity had deliberately sought Lord Elfingham out, accosted him in the garden, rejected him for herself, and sent him to Sophia. Sophia was not taking her sister’s leavings, and so she told her. Felicity, of course, claimed that Elfingham wanted Sophia all along, but Sophia did not believe that for a moment.

Oh, dear. He was coming this way. He stopped to speak to the Persian king, and Sophia took the opportunity to hurry away, putting as many people as possible between herself and her suitor.

He could not possibly be serious, and besides, she had her life all planned. She would never marry. She would be content with her studies and her work for the disadvantaged. She would be an aunt to Felicity’s children and one day to Hythe’s. If Hythe married someone she did not care for, she had money enough to hire a companion and set up her own establishment. She would be free and independent.

Why did such a life suddenly sound dreary?