Animals on WIP Wednesday

woman-at-the-piano-with-cockatoo-by-gustave-lc3a9onard-de-jonghe-1870My friend and fellow Bluestocking Belle Caroline Warfield is fond of owls, and is thinking of putting one in her next book. She comments that she has had sheep, goats, a dog, a cat, horses, and a number of chickens, but not an owl.

My books have been relatively deficient in animals. One heroine’s daughter had a pet rooster, I wrote a short story about a pet cat, and horses are common. I had wolves in another short story, but they didn’t stay wolves for long, and were not pets. And, of course, The Raven’s Lady has a raven in it.

But animals feature in two current works-in-progress.

  • In my novella for the Belles’ holiday box set, I have a kitten. The housekeeper’s cat has produced a litter, and several of them will pop on in various stories in the set.
  • And two horses feature in the novel I’m writing at the moment: the heroine’s colt, which she has to leave behind when she escapes her bullying relatives, and the canal boat horse, Daisy.

Do any of your stories have animals? Share them here, in the comments. Here’s my kitten from The Bluestocking and the Barbarian.

When he left his chamber, three gold tassels depended from the front of each boot, and proved a tempting target. A kitten darted out from under an occasional table when James stopped to close the door behind him, and took a flying leap at the tassels, as James discovered when he felt the sudden weight.

He took a careful step, expecting the small passenger to drop away, but it buried its claws and its teeth into its golden prey and glared up at him.

“Foolish creature,” he told it going down onto the knee of the other leg so that he could reach it and remove it, carefully lifting each paw to detach the tangled claws. “These gaudy baubles are to attract my lady, not a fierce little furry warrior.” He lifted the kitten in one hand, and held it up to continue his lecture face to face. “Now where do you belong, hmmm? Have you wandered off from your Mama? Do you belong to this house, I wonder, or did you come with a guest?”

The kitten squeaked a tiny meow.

“No, little one. I will not put you down to chew my tassels, and to trip one of the great ladies or be trodden on by one of the gentlemen. You are a pretty little fellow, are you not?” He tucked the cat against his chest and rubbed behind its ears, prompting a loud rusty purr incongruously large for the small frame of the kitten.

Focused on the kitten, he was still aware of footsteps approaching and looked up to see Hythe, who looked uncomfortable in a tight fitting jerkin over short ballooning breeches that allowed several inches of clocked stocking to show between the hem of the breeches and the thigh-length fitted boots. The short robe, flat cap, and heavy flat chain gave a further clue, and Hythe had tried for authenticity by stuffing padding under the jerkin—a pillow, perhaps?

“Henry the Eighth?” James ventured, half expecting Hythe to walk past without speaking, or make another intemperate verbal attack.

Instead, the younger man nodded. “My sister Felicity picked it. Er… I wanted to speak with you… I owe you an apology, Winder… Er… Elfingham. My sister Felicity told me that… Well, the fact is I made an accusation without checking my facts.” Hythe nodded again, clearly feeling that he had said what he needed to say.

“Very handsome of you, Hythe,” James said.

Hythe ran a finger around inside his collar, flushing slightly. “Yes, well. The thing is… You will tell Sophia that I apologized, will you not?”

Ah. Clearly Sophia had expressed her discontent.

“Sisters can be a trial, can they not,” James said, and Hythe warmed to the sympathy.

“Just because she is older, she thinks she can…” He visibly remembered his audience. “Sophia is of age, and will make her own decisions. But I think it only fair to tell you that I have advised her to wait until after the hearing at the Privileges Committee before she makes any decision.”

James inclined his head. He could understand Hythe’s position. He hoped he could persuade Sophia to ignore the advice. Time to change the subject. He held up the little kitten.

“Do you happen to know where this little chap belongs?”

Hythe flushed still deeper. “So that’s where he got to. He… ah… appears to be mine. In a way. The housekeeper’s cat had kittens and this one seems to have adopted me. Little nuisance.”

But Hythe’s hands were gentle as he took the kitten from James, and he tucked it under his chin, his other hand coming up to fondle the furry head.

“I’ll just put him back in my room so he doesn’t get in anyone’s way.”

Hythe retreated back down the hall. James could not hear individual words, but from the sound of his voice, he was giving the kitten a loving scold. And James had managed to have what almost amounted to a conversation with his intended brother-in-law. He would count that as a win.

Review: The Master of Strathburn

MasterOfStrathburnFINALFor her newest release, Amy Rose Bennett has returned to Scotland, this time in the years after the failure of the Jacobite rebellion that resoundingly defeated in 1746. I loved Lady Beauchamp’s Proposal, and this novel is even better.

The eldest son of the Earl of Strathburn has returned home. But it won’t be fatted calf on the spit if his stepmother and younger half-brother gets his way. Robert Grant was spirited away ten years ago, just ahead of arresting soldiers, after he led men in the disaster that was Culloden. And if Simon and the redcoats catch him, the charge of treachery still stands.

Jessie Munroe is in hiding from Simon, too. He is determined to make the lovely girl his mistress, and if she is unwilling, so much the better. In Simon’s view, that adds a bit of spice.

When Robert and Jessie both choose to hide in the same place, the sparks we’ve come to expect from Ms Bennett set fire to the page. Without giving away too much of the plot, I can tell you to expect misunderstandings, a noble warrior protector with a hot body, a determined intelligent heroine, and a couple of truly nasty villains. Simon is the kind of horrid person who pulled the wings of flies when he was a boy.

But his mother is well and truly worthy of the tradition of Lady Macbeth and the wicked stepmother trope. She is not at all concerned about her son’s fondness for raping the help, gambling and spending away the estate’s income, and drinking himself blind. He is her boy, and should be allowed to have what he wants.

Ms Bennett has given us a thrilling romance with an historical background that feels authentic, a couple of chase scenes with cliff-hanger consequences, some clever plot twists, and plenty of passion. I’m delighted to have had the opportunity to review an advance reader copy.

See Amy Rose Bennett’s New Sexy Novel for more about the book, and some buy links.

 

Amy Rose Bennett’s new sexy novel

MasterofStrathburn1

Today, I welcome Amy Rose Bennett to my site on her blog tour for the Master of Strathburn. I loved this book, and encourage you to read my review, but meanwhile, read on.
About the Book:







Title of New Release: The Master of Strathburn
Publisher: Escape Publishing (Harlequin)
Release date: May 15, 2016

Blurb:
Robert Grant has returned home to Lochrose Castle in the Highlands to reconcile with his long-estranged father, the Earl of Strathburn. But there is a price on Robert’s head, and his avaricious younger half-brother, Simon, doesn’t want him reclaiming his birthright. And it’s not only Simon and the redcoats that threaten to destroy Robert’s plans after a flame-haired complication of the feminine kind enters the scene…
Jessie Munroe is forced to flee Lochrose Castle after the dissolute Simon Grant tries to coerce her into becoming his mistress. After a fateful encounter with a mysterious and handsome hunter, Robert, in a remote Highland glen, she throws her lot in with the stranger—even though she suspects he is a fugitive. She soon realizes that this man is dangerous in an entirely different way to Simon…
Despite their searing attraction, Robert and Jessie struggle to trust each other as they both seek a place to call home. The stakes are high and only one thing is certain: Simon Grant is in pursuit of them both…

Pre-order Buy Links:
Barnes & Noble: http://ow.ly/102Xim
Google Play: http://ow.ly/102XJ1
About the Author:
Amy Rose Bennett has always wanted to be a writer for as long as she can remember. An avid reader with a particular love for historical romance, it seemed only natural to write stories in her favorite genre. She has a passion for creating emotion-packed—and sometimes a little racy—stories set in the Georgian and Regency periods. Of course, her strong-willed heroines and rakish heroes always find their happily ever after.
Amy is happily married to her own Alpha male hero, has two beautiful daughters, and a rather loopy Rhodesian Ridgeback. She has been a speech pathologist for many years but is currently devoting her time to her one other true calling—writing romance.
Connect with Amy:
Website and Blog: http://AmyRoseBennett.com
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Antagonists on WIP Wednesday

maxresdefaultI do enjoy writing a good villain. Not all of my books have one. Sometimes, the only obstacles to the hero and heroine come from within, or from their life circumstances. Overcoming those can be hard and the journey can be satisfying, but for a true hiss-boo moment, with rotten tomatoes flying from the audience and ladies fainting in the gallery, we need a moustache-twirling, hand-rubbing, snickering,  wicked villain.

So what does your WIP hold? Is your antagonistic force a person, and is that person a villain? Share an excerpt that shows him or her in all their dreadful glory! (And if you don’t have a villain, share your antagonist anyway.)

Here are two of my villains, from A Raging Madness. Ella is escaping from the window of her bed chamber, and stops at the bottom of the climb for a rest.

Inside, a very long way away on the other side of the gentle fog that embraced her, two people were talking. Constance and Edwin. It did not matter. They were silly people, anyway. Gervais had not admired his older half-brother; a matter in which he and Ella were in rare accord. The two men shared a mother, but little of that kind, gentle woman showed in either son: the one a bullying, often violent rake; the other a sanctimonious Puritan—but another bully for all that. Not as much so as his wife.

The bully was bullied. Ella suppressed her giggle. Sssshhh. Mustn’t make a sound. She was running away. Soon. First she would have a little sleep.

But as she closed her eyes, her own name caught her attention. Constance and Edwin were talking about her? She forced herself to concentrate, to listen.

“No, Mrs Braxton. Ella will not convince them she is sane. I have chosen with care, I tell you. I visited six asylums before this one, and this is perfect for our purposes. The doctor in charge has promised to keep her dosed, and even if he does not, the place itself will drive her insane. If you saw it, heard the noise… Yes, my dear, I can assure you, our plans are sound.”

Constance answered, the whine in her voice grating against Ella’s eardrums. “But what if you are wrong, Edwin? If she convinces someone in authority that she is sane, prison will be the least…”

“No, my dove. Not at all. No one at the asylum will listen to her ravings, and if they did, what of it? Who will they tell? Even in the worse case, all we need do is say her mind was turned after mother’s death, and how glad we are that she is well again.”

“I do not know.” The frown was heavy in Constance’s voice. “But we cannot keep her here. I trust Kingsford, but the other servants may start to murmur. It will drive her insane, you say?”

“It will. I guarantee it. I hesitate to mention it, Mrs Braxton, it not being a topic for a lady’s delicate ears…”

“Spit it out, Edwin. What?”

“My own treasure, I am given to understand that the attendants avail themselves of the, er, charms of the patients, and even do a, er, trade with the nearby town. Not, of course, with the approval of the medical staff. No, of course. That would be most unprofessional. But it is most enterprising of them, and serves our purposes rather well, dear sister being a comely woman.”

Ella puzzled this out. Surely Edwin did not mean that the attendants forced the women, and prostituted them?

“Ah. Very good,” Constance said. “The woman is horribly resilient. Any decent gentlewoman would have succumbed to madness long since with all your brother put her through, and what has happened since. But surely even she is not coarse enough to withstand multiple rapes.”

“The doctor will be here tomorrow,” Edwin said, with enormous satisfaction. “And she will be safely tucked away where she can do no harm.”

Their voices faded as they moved away, clearly leaving the room since the window went dark.

What’s love got to do with one of the earliest typewriters?

happy-5th-anniversary-quotes-0Did you know that one of the earliest typewriters was invented by a man for the woman he loved, who was going blind? She used the typewriter to write letters to her friends, including to the inventor. Isn’t that a cool story?

Having heard that at a seminar recently (on Web Accessibility, if you would believe it), I went looking for inventions inspired by love, and here’s part of my list.

There’s the ‘funky’ shopping cart invented by the man whose wife couldn’t carry the shopping bags and didn’t want ‘an old lady shopping trundler’.

There’s the man who invented a faster hair dryer (though that might have been impatience rather than love).

Almost two decades before Alexander Bell, an Italian immigrant invented a voice communication device to link his basement laboratory to the second-floor bedroom of his bedridden wife.

What about the sound technician married to a woman with cystic fibrosis that invented a device using sound to break up mucus in his beloved’s lungs?

The same desire to make life better for a loved one inspired two women. One invented a shirt that her husband could close with magnets so that his Parkinson’s did not prevent him from dressing himself. One created a belt that let her husband take the equipment that constantly cleansed his blood out onto the golf course, giving him back his freedom.

And then there’s familial love. For example, two rather famous men reckon they owed their invention to their mother’s love.

Sunday retrospective

timetravelIn the last half of November in 2014, I was sent Farewell to Kindness off to beta readers and began writing Candle’s Christmas Chair.

The Epilogue to Farewell to Kindness threw me a curve ball that took me more than nine months to find in the bushes. I lost the heroine of what was then still called Encouraging Prudence. (And figuring out what my characters were trying to tell me has turned that book into two: Prudence in Love, and Prudence in Peril.) In ‘When you break eggs make omelettes’, I posted about the conundrum of stories that escape their author, with a long quote from Juliet Marillier.

I posted about happy endings, agreeing with those who criticise them as unrealistic, and pointing out:

The critics are, of course, quite right. Happy endings do not happen in reality. And neither do sad endings. In fact, endings of any kind are a totally artificial construct. My personal story didn’t begin with my conception; my conception was simply an event in the story of my parents, and my story is an integral part of that. Nor will it end at my death. What I’ve made (children, garden, quilts, books) will carry on after me.

Whenever we write and whatever we write, we impose an artificial structure on reality. We choose a point and call that the beginning. And we choose another point and call that the end.

My post about psalm singers might be worth a look. They played an important role in the communities of the 18th and early 19th century, and in my novel Farewell to Kindness. I give a bit of history and a couple of YouTube clips of songs as they might have sung them (one psalm and one considerably more secular).

‘How to tell what novel you are in’ was a link and quotes from a series of Toast posts, including How to tell whether you’re in a Regency novel, and How to tell whether you are in novels by a number of other authors. A sample?

7. A gentleman of your acquaintance once addressed you by your Christian name as he brushed his fingers against the lace filigree of your fichu. You still blush at the recollection.

And in my last post for November, I talked about the cycle of the liturgical year, and how earlier times fitted this cycle to the rhythms of the season and the demands of agriculture. Before most people were driven from the land and commerce began to rule over piety, church holy days meant holidays. And even into the late Georgian, the week long feast of Whitsuntide remained.

In Farewell to Kindness, the action of a third of the novel happens before the backdrop ofWhitsunweek (also known as Whitsuntide).

Carl Spitzweg - Das PicknickApart from walks, fairs, picnics, horse races and other activities, the week was known for the brewing of the Whitsunale. This was a church fundraising activity–the church wardens would take subscriptions, create a brew, and sell or distribute it during the week of Whitsuntide. It has a certain appeal. It would certainly be a change from cake stalls and sausage sizzles!

Whitsunweek was the week following the Feast of Pentecost (WhitSunday), and seems to have been the only week-long medieval holiday to survive into early modern times. It usually fell after sheep shearing and before harvest, and it was a week of village festivities and celebrations.

 

What went wrong in WIP Wednesday

What could possibly go wrong?

What could possibly go wrong?

And I didn’t choose the title of this post to acknowledge that it isn’t even Wednesday. Today, I’m using a writing tip as my starting point for the day’s theme.

When writing, don’t ask yourself what happens; ask yourself what goes wrong.

If nothing goes wrong, there isn’t a plot, and every plot is a series of obstacles, external or internal, between the protagonists and their goals.

So please share a few lines in your WIP where things seem to be going as they should but suddenly turn pear-shaped.

My excerpt is from the second book in The Golden Redepennings series, A Raging Madness. Alex and Eleanor have stopped in a village so that Alex (who has large chunks of shrapnel floating around in his thigh) can rest and Eleanor can go through the worst of the withdrawal from the opiates her horrible relatives have been forcing down her throat. But Alex has just met someone that Ella knows; someone who believes her brother-in-law’s claims that she is insane. Note that Alex, a product of his time, tries to avoid a direct lie.

Ella sat at the table under the window, where she could peer around the curtain at the garden without being seen. No rector yet. Down below, Alex had moved her chair so he could watch the path from the house. He was eating her toast, and drinking tea from the cup Jonno had poured her. After a moment’s hesitation, she lifted the window, just slightly. There. If they talked in the garden, she would hear the whole conversation.

She flinched at the sound of the door knocker, and fought the urge to run across to the other side of the house to see who was calling.

“See who that is, Jonno, would you, since our landlady is out?” Alex said calmly, and he had buttered and jammed another slice of toast before Jonno ushered two men out into the garden. Yes. The rector, and the other must be his friend, the local vicar.

From this angle, she could see Alex’s face, but not the rector’s. She could hear their voices, though.

“So! You are this Mr Reid. What are you playing at, Redepenning, and what have you done with poor Lady Melville?”

At the last question, Alex, whose eyes had been twinkling, sobered. “Lady Melville? She is still missing then? Surely you do not think I…?” He stood suddenly, looking so affronted that the rector took a step back. “Rector, I must protest. What sort of a gentleman would take advantage of a woman of frail mental capacity? I am not such a villain!”

He subsided back into his chair, waving the piece of toast he still held at the other seating around the table. “You will excuse me; the walk tired my leg. Please. Take a seat, gentlemen. Can my servant fetch you tea? I regret that our landlady is from home, but I would happily convey a message.”

The vicar sat, while the rector remained standing. “Mr Reid, or is it Major Redepenning…?”

“Mr Redepenning, in fact. I have sold out, sir, because of my injury. But I beg you to keep my true name a secret. A lady’s reputation, you know, though I am embarrassed to discuss such a matter with a man of God.”

The rector sat then, and rushed into speech, leaning towards Alex in his urgency. “Yes. Well that is the point, is it not? This so called lady; this Mrs Reid. If she is not Lady Melville, who is she? Eh? Who is she? That is the point.”

Alex, amusement lighting his face, said, “Jonno, is Mrs Reid still off on her walk?” He dropped his voice, confidingly. “You would be reassured if you could meet the lady, gentlemen, though I do not suppose she would be pleased with that solution. Alas, I fear I have been a disappointment to her. Hence the walk! And last time she lost her temper, I did not see her for months. Still, you are welcome to wait. I am sure she will return.”

He dropped his voice, and Ella had to strain to hear him. “She is not happy about her condition,” he confided. “Well. And one cannot blame her, of course.”

“Her condition?” The rector seized on the words. “She is ill?”

“Oh yes,” Alex confirmed. “That is why we stopped in this village. The motion of the carriage… One hopes the child is her husband’s, distressing though the thought is. It would be most unfortunate were it born with fair hair like mine. Or the Redepenning blue eyes. That would be hard for a husband to overlook, do you not think?”

“Sir!” The vicar rose to his feet, almost spitting with shock and horror. “I take leave to tell you, sir, that you are a despicable cad.”

(And yes. I’ve been missing my usual WIP Wednesday posts because things went wrong. But hey. Life.)

What’s in a name?

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Book titles matter. A rose by any other name, Juliet claimed, would smell as sweet, but would people be as willing to put their noses close if it were called Skunkstink, or Fartflower? And titles bother me.

Sometimes, a title will occur immediately, surfacing from the interior of my brain without any effort on my part. Gingerbread Bride was like that. As soon as we came up with the concept of runaway brides for the Bluestocking Belles 2015 holiday box set, the title and the basic story appeared in my mind.

Sometimes, I’ll come up with a concept for a series, then have to find titles that will fit. All the titles for novels in The Golden Redepennings series are excerpts from quotes. Farewell to Kindness comes from The Count of Monte Cristo.

“And now…farewell to kindness, humanity and gratitude. I have substituted myself for Providence in rewarding the good; may the God of vengeance now yield me His place to punish the wicked.”

The one I’m working on now is called A Raging Madness, which comes from a quote by French philosopher Francois de La Rochefoucauld.

“…envy is a raging madness that cannot bear the wealth or fortune of others.”

Do these fulfill the criteria that Tucker Max lists in How to Title a Book The Right Way?
  1. Attention Grabbing
  2. Memorable
  3. Informative (gives idea of what book is about)
  4. Easy to say
  5. Not embarrassing or problematic for someone to say aloud to their friends

You tell me.

I’ve been fretting over two other titles, both books I’ve just finished.

The novel I have just received back from beta readers has been Seeking Prudence, Encouraging Prudence, and most recently Embracing Prudence. And it is part of a series loosely known as The Virtue Sisters. The other books would include a sequel to the current one, and also a book for each of Prudence Virtue’s sisters, Hope, Faith, and Charity. And all my titles are pretty blah.

After talking to friends and thinking—a lot—I’m leaning to the series titleThe Wages of Virtue.

The individual books would be Firstname in Something.

So either Prudence in Love followed by Prudence in Peril or Prudence in Desire followed by Prudence in Danger.

If we go with the ‘d’ words, we’d have Hope in Despair, Faith in Decline, and Charity in Doubt.

Otherwise, I’m sticking with Hope in Despair, but I might go for Faith in Jeopardy and Charity in Tribulation.

The novella is an entirely different matter! Tentatively entitled The Bluestocking and the Barbarian, which at least means what you see is what you get, it is again the first of a series. What to do, what to do?

Babies and children on WIP Wednesday

29e344e7e89a24d7c75d422b5a5b5aedPerhaps because I’m a mother and a grandmother, I tend to have children in my novels. Such were the times, that an author can easily write a story without ever including scenes with children, leaving them safely out of sight and out of mind in the nursery or schoolroom — but I like them.

So, with apologies to those who can’t play, this week’s work-in-progress Wednesday is looking for the little people. Post me an extract with the child or baby in your work-in-progress (or published novel, if your current WIP doesn’t have any).

Here’s mine, having breakfast after an eventful night.

Aldridge watched Antonia eat.

Gren was sitting beside her eating bacon, eggs, and toast as if he had been starved for months, and it was to him that Antonia addressed the question.

“Uncle Gren, why does He keep looking at me?” The initial capital was audible. “Is he my uncle too, like you and Uncle David?” Gren stopped, a fork halfway to his mouth. He put it down while he considered the question, looking from Prue to Aldridge.

It was Aldridge who answered. “Yes, Antonia. I am your uncle.”

She slipped from her chair and gave him a polite curtsey. “I am pleased to make your ’quaintance, Uncle. How do you do?”

He bowed, gravely. “I am well, thank you, Miss Virtue. How do you do?”

Antonia considered this. “I am sad to be leaving my chickens and my pondering tree, but I think the journey will be a very great a’venture. We are travelling a long way and will have a new home where people do not call names, Auntie Charity says. And it is closer for Mama to visit, Mama says.”

“Sit and eat your breakfast, child,” Charity told her. “Lord Aldridge says we must leave soon.”

Aldridge accepted a loaded plate from Cook and took it to sit on the other side of Antonia. Soon, they were engaged in low-voiced conversation. The Aldridge charm, Prue noted, worked as well on six-year-olds as it did on grown-up females.

A Baron for Becky long-listed for a RONE Award

RONE Award smallI’ve been missing in action with work and family commitments, but normal service will resume tomorrow with a WIP Wednesday.

I’m popping in today to tell you my exciting news. A Baron for Becky is on the long list for a RONE Award. The RONES are run by the In’D’Tale Magazine, who reviewed A Baron for Becky last year.

I was thrilled with the four-star rating they gave the book at the time; the magazine’s reviewers are parsimonious with their fours and fives. But I did not realise that a four or five star rating put you on the list for the RONES. So A Baron for Becky is one of thirty-five books, out of the hundreds of historical romances they reviewed, to go through to the next round of judging.

Next step is reader voting. In the week 23 May to 29 May, readers will be asked to vote for their favourites. I’m up against tough competition, including Mariana Gabrielle’s La Deésse Noire: The Black Goddess and Caroline Warfield’s Dangerous Weakness (she smugly notes that nearly 10% of the long list are by Bluestocking Belles—as was one of last year’s finalists).

The top rating books from that round go to the final judges, and they will decide the category winner, to be announced at the In’D’Tale Conference in October.

So it is all very exciting.