Parties on WIP Wednesday

mistletoeI’ve been celebrating some milestones this week: my blog birthday, the ninth month of Candle’s Christmas Chair, and the half-birthday of the Bluestocking Belles.

So I thought for this week’s work-in-progress Wednesday, the theme could be celebrations, parties, or events. Do you have a ball scene? A wedding? A fair? A birthday party? A banquet? Post seven to ten lines, and don’t forget to share!

Mine is from the Christmas party towards the end of Gingerbread Bride in the box set Mistletoe, Marriage, and Mayhem, currently on prelease from the Bluestocking Belles.

The kissing boughs had all been hung, making it perilous to traverse the house and garden. By the time the party started Mary had been kissed at least twenty times, all polite salutes on the cheek.

The party spilled all over the house and beyond: carols around the pianoforte in one of the parlors, silly games in another, a continual feast in the dining room, and dancing outside in the crisp night air. Mary managed to avoid being alone with Rick until almost the end of the evening, when he cornered her in a temporarily deserted parlor, most of the party out on the dance lawn in the garden.

“Mary.” There it was again. Her name, hummed in that beautiful voice of his, sounding like music. She turned her face upwards, tipping her cheek within easy reach, but he curved his neck as he bent, so his lips touched hers.

Happy birthday to my blog

book-cake1Tomorrow will be one year to the day since my first blog post on this site. I had written half of the first draft of Farewell to Kindness, had just been to my first Romance Writers of New Zealand conference, and had tentatively told friends, family, and colleagues that I planned to be published soon.

Tomorrow is nine months since Candle’s Christmas Chair, my first published work, went live on Amazon and Smashwords. I wrote this novella while Farewell to Kindness was with the beta readers, to tell the story of two people who make a brief appearance in Farewell. In nine months, over 58,000 copies have been downloaded.

And tomorrow is six months since the launch of the Bluestocking Belles, eight very different writers united by a love of history and a history of writing about love. Whatever story you desire: sweet to steamy, from light-hearted fun to dark tortured tales full of angst, from London ballrooms to country cottages to oriental slums, one or more of us is sure to have a tale to suit your tastes and mood.

The Bluestocking Belles have some great birthday fun planned, so look for us on our blog, Facebook, and Twitter.

It has been quite a year.

I’ve published two novels, a novella, and some short stories. I’ve written 258 blog posts for this blog, and probably another 100 for other people. I’ve written a novella that is currently on prerelease as part of the Bluestocking Belles first box set, Mistletoe, Marriage, and Mayhem, I’m half of the way through another novel, and nearly finished the first draft of a set of short stories that will come out before Christmas.

I’m a regular contributor to the fictional spaces Bluestocking Bookshop and the Belle’s Teatime Tattler, and a happy member of 10 Minute Novelists, Marketing For Romance Writers, and Writing Wenches. And I’ve not long got back from my second Romance Writers of New Zealand conference, where I won the Great Beginnings Award for the first 6,000 words of Farewell to Kindness.

A discount to say thank you

And to thank you for coming with me on the ride, I’d like to give you access to some discounts. Until 22 September, you can pick up Farewell to Kindness and A Baron for Becky from Smashwords for only US$2.

Just follow the links, select ‘buy’ and use the code on the buy page. While you’re there, collect Candle’s Christmas Chair while it is still free, and buy Mistletoe, Marriage, and Mayhem for the prerelease price of US99c.

That makes two novels and 8 novellas for only US$5! Close to 1150 pages of reading.

Farewell to Kindness $2 with the code CS44Q

A Baron for Becky $2 with the code DC74X

Candle’s Christmas Chair permafree until December

Mistletoe, Marriage, and Mayhem 99c until release on 1 November.

 

Danger in WIP Wednesday

Box setAt the cover reveal party for the Bluestocking Belle box set yesterday, we talked about heroines, and whether people preferred heroines to be rescued or to rescue themselves. Opinions varied, but it set me thinking about moments of danger. My novella for the box set is Gingerbread Bride, and my heroine is a strong-minded and determined young woman. Which doesn’t mean that she is always able to rescue herself!

So, for this week’s work-in-progress Wednesday, please post around seven lines that show your hero or heroine in a tight spot. The danger could be physical or emotional. You could show the rescue or just the crisis. You pick.

To kick us off, here’s mine. Mary is in a post chaise, the horses are bolting, and she has climbed out to see if she can stop them:

As she edged her way cautiously back to the door, a flash of movement behind the hedge to her left caught her eye. A rider? The hedge thickened again, and she couldn’t be sure. Another bounding lurch prompted her to move again, and she swung herself back inside to rejoin Polly—though not without a few extra bruises.

“The post boy is gone, and the horses are bolting,” Mary told Polly. “Stay in your corner and hold on tight. And pray that they run themselves out before we reach a bend in the road.”

Following her own advice meant she couldn’t see whether the glimpse she’d caught was a rider. Someone riding to their aid would be wonderful, but unlikely. Might as well wish for Rick to save her once again!

WIP Wednesday

timthumbThis last week, I submitted my novella for the Bluestocking Belles’ Christmas anthology. It’s called Gingerbread Bride, and the anthology is Mistletoe, Marriage, and Mayhem.

To celebrate, I’m making Work-in-Progress Wednesday about food. Post seven to eight lines from your work-in-progress with some connection to food (or drink, if your characters don’t eat on stage).

Don’t forget to share on Twitter, Facebook, and your other social media. If you tag me, I’ll like!

Mary smiled with satisfaction as she placed the last of the little gingerbread ladies into the box.  In the four weeks she had been at Aunt Dorothy’s, she had learned a number of recipes, and helped with all kinds of baking, but the gingerbread biscuits, which she had learned from the cook on the Olympus, became her specialty…

Aunt Dorothy had round and star cutters, and cutters in the shape of various animals. When the alderman’s daughter asked for gingerbread ladies and gentlemen for her wedding breakfast, Mary had been delighted with the notion, and the cutters the tinker made to her pencil drawings worked very well.

The icing gave them clothes and features; a whole box of little gingerbread grooms, and a box of little gingerbread brides.

And please, do consider joining us for our cover reveal party next week. The @BellesInBlue have great parties!

Tuesday Talk – throwing a great Facebook party

This post is part of the series on marketing in the bazillion-book marketplace that Mari Christie and I are co-posting (her Marketing Mondays and my Tuesday Talks, thanks to the spinning earth).

partyHave you been to any Facebook parties? In the past six weeks, I’ve hosted two, and guested at another two—and I have more coming up.

The other day, someone asked me if Facebook parties sold books. Which, of course, isn’t the point of them. As Mari and I have said time and again in these posts, marketing is about making friends, and then about turning at least some of them into fans. And Facebook parties are a great opportunity to do that.

This post is not about the philosophy though. Instead, here are some of the techniques we’ve picked up for hosting at Facebook parties. We’d love to know yours!

Before the party

To create interest in the party, I post for weeks beforehand. Post stuff people want to know, not just relentless self-promotion. In the run-up to the party, you want them to know that you’ll be offering entertainment, so demonstrate that. (Show, don’t tell, right?)

My theme for the launch party for Farewell to Kindness was a country fair. I posted the songs that village singers might have sung during such a fair. I posted food people might have eaten at a fair, and games and activities that might have been on offer. I asked questions and invited comment. I also posted information about each of the guest hosts and their books. And, yes, I posted excerpts.

For A Baron for Becky, I posted a series of vignettes on courtesans through history, as well as guest hosts and excerpts. And I invited people to post pictures of what they would wear to a Courtesan’s Ball.

To prepare for the actual day, whether I’m hosting or simply doing a takeover for another author, I write myself a run-time, with the time and the text for each post and the names of the images I’m going to use. I put the posting time above each post. It might slip a minute or two on the day, but the times guide me. If interaction is high, I might skip a post, but I’d rather have too much than too little!

I put everything I need into a folder—or a series of folders if the event is longer than an hour.

Mari swears by putting the images into an album on her Facebook profile, and then linking to them. This saves loading time on the day.

If I’m host, I send a guest author checklist to those who have agreed to party with me. It has some of the tips in this post, tells them their timeslot, and asks them for their bio, the name and blurb of the book they intend to promote, and what (if anything) they plan to give away.

What kind of posts?

Remember that your goal is to make friends, so post links to your social media. I always post information about the Bluestocking Belles and any events we have coming up as a group, such as Book Club.

Post games—if you attend a few parties, you’ll find out which ones get the most comments and interaction.

Post questions. If you can relate them to your excerpts, all the better. For example, here’s a scene of a botched proposal; tell us your proposal story.

Ask people to post photos. Hot guys are usually a favourite, or suggested actors to play your hero and heroine, or anything else you might like.

At the event

My big tip is to keep the posts coming. When we did the Name Release party for the Bluestocking Belles anthology, we had three minute slots and a 30 minute event. And around 15 posts in total. Fast and furious! I’ve just done a one hour takeover, and I prepared and used 12 posts. Party hard and have a great time.

With busy parties, your posts can soon sink down the event. To make sure I can easily get back to my posts so I can comment (and later find winners), I copy the url as soon as I’ve created the post and paste it into my runtime. If you want to try this, just click on the date/time below your name on the post and it’ll bring up that post so you can copy the url. Then the back arrow will take you back to the party.

And get into those comment streams! If you’re the host, you’ll be commenting on your guest author’s posts, keeping the conversation going. I usually do a hit and run when I’m a guest host, because of the spinning earth. Parties are almost always during my working day. But I love it when guest authors arrive early and stick around to play.

After the party

Select and contact your winners as soon as you can, and don’t forget to thank the team who helped you put on the party (your host if you’re a guest author; your guest authors if you’re a host).

 

 

Cover reveal for Dangerous Weakness, by Caroline Warfield

CarolineToday, I welcome Caroline Warfield to the blog. Caroline is a fellow Bluestocking Belle, and author of Dangerous Works and Dangerous Secrets, both of which I love. And today, she is sharing with us the cover of her next book in the series. Caroline, the stage is yours.

I am delighted to reveal the cover of Dangerous Weakness from Soul Mate Publishing, which will be available for preorder in September. I hoped also to tell you more about the hero, Richard Hayden, the Marquess of Glenaire and heir to the Duke of Sudbury, but characters can be elusive. They often have depths they show only reluctantly, even to their authors. Richard is particularly private about his life. I had to enlist the help of the interview fairies.

We managed to corner him in a reflective mood one afternoon in Saint James Park. When we took a place next to him on the bench and assured him nothing he said would be published until the distant future, he opened up, at least a bit.

  1. What are you most proud of about your life?

Glenaire2“Pride?” he sputters. “I come from a family that has raised it to an art form. My father wraps himself in it like a coronation robe and my mother? My mother floats into any room she enters on a river of pride. No one in the kingdom, she believes, has more consequence than a Hayden, except perhaps the royal dukes, and she isn’t sure about them. Is that what you wanted to know?”

His tone is bitter, as if that kind of pride blights his life. When we suggest that is not precisely what we asked, he looks weary and appears to give the question more thought.

“A job well done gives me satisfaction,” he muses. “You might call that pride. I always put England first. I oversaw intelligence gathering during the Peninsular Campaign. I’ve managed the czar and his entourage, kept the Ottomans from provoking revolution, and helped negotiate the Treaty of Paris. I know my duty and I do it, even at personal cost.” A faraway look comes over him. “Even at cost,” he repeats.

He brightens somewhat. “I always do my best for my friends. I’m proud of that. I gathered information that brought Will, the Earl of Chadbourn, and the lady now his wife together. I managed to smooth my sister’s path to marriage with Andrew, though I may have erred earlier in their relationship. I am supporting Jamie, Baron Ross, who has inherited a tainted title and bankrupt estate, although Jamie has made himself scarce lately. The foolish man needs someone to keep him out of trouble. Is that what you had in mind?”
We nod and move on.

  1. What are you most ashamed of in your life?

“Sometimes duty to friends suffers when duty to country demands it. I sent my best friend, Andrew, the brother of my heart, on a dreadful mission knowing he might fall into French hands. He found the vital intelligence but was captured and tortured. By the time we got him out he bore horrific scars, some visible on his person, some deeper.”

We suggest that incident sounded like the cost of duty. Is there nothing else? He looks ashamed for a moment.

“I’ve always treated women with care—with discretion at least. I have never been tempted beyond control until lately. I ruined an innocent. I’m ashamed of that. When I attempted to make it right, the woman threw my proposal in my face. It leaves a scar on my honor.”

Assured this interview will not see the light of day until long into the future he added, “It leaves a scar on my heart as well. I don’t understand it.”

In response to a raised eyebrow he went on reluctantly, “I may have been a touch managing about the matter. I offered to make her a marchioness. Does she need romance too?”

  1. What impression do you make on people when they first meet you?

“They call me “the Marble Marquess,” in drawing rooms and gentlemen’s clubs. I must strike people as a cold fish. I can’t think why.”

  1. Do you think you have turned out the way your parents expected?

“I’ve given my parents no reason to criticize. I do my duty by the estate, meeting monthly with His Grace and his man of business to stay abreast of affairs. I create no scandal. I never challenge either of them overtly. When I disagree, I do it discretely and they pretend not to know.”

We suggest that is an odd answer and ask for an example.

My sister, Georgiana, defied them openly and created what they consider a scandal when she published Poetry by the Female Authors of Ancient Greece, and allowed her authorship to be made public. She compounded that by marrying beneath her in their opinion. She ceased to exist as far as Her Grace is concerned. They don’t acknowledge her.”

“I offered to support her, but she refused my help. She married my friend Andrew Mallet and the two of them do very well. I see them often. My parents pretend not to know.”

  1. What is the worst thing that has happened in your life? What did you learn from it?

“I might have said there was no such thing a year ago. Perhaps I would have believed it. Every privilege and deference has been given to me since birth. My family name smoothed the way for me in school, society, and even government. (Although I pride myself in having risen on my own merits.) In an odd way the lack of catastrophe is itself the worst thing. Rank can be a gilded cage. While my friends fought for king and country, I had to play my part behind a desk.”

“Worse, they all married for love, something I was raised to call maudlin. Seeing them now I’m not so certain. Women see me as a title to be coveted, wealth to be acquired, an ornament to be displayed. I can’t help what I am, but I can wish to be desired for myself rather than my prospects. Only one woman I ever met saw beyond those things, and she won’t have me. Lily Thorton’s rejection may be the worst thing. I’m still trying to learn what to do about it. Why can’t women be as easily managed as the affairs of state?”

  1. How do you feel about your life right now? What, if anything, would you like to change?

In recent months I almost allowed myself to be drawn into my parents’ machinations regarding marriage. My mother wants a protégée and my father wants more land, more money, and more prestige—as if he didn’t already have more than he needs. They pressured me about it over dinner last night, each in their own way.”

“It came to me then: I don’t want a future duchess. I want a wife. I want family. I want what my friends have found. I have to try with Lily one more time. If she won’t have me, I have to find another woman who will see me for what I am. I refuse to live my parents’ life.”


 

Alas poor Richard was unaware at the time of this interview that his efforts to protect her had failed and Lily had already disappeared.  If he wants to try again, he will have to pursue her.

To find out what happens, you will have to wait for Dangerous Weakness.

For Georgiana and Andrew’s story, read Dangerous Works.

For Baron Ross’s story, read Dangerous Secrets.

The Earl of Chadbourn’s story will be in “A Dangerous Nativity,” in Mistletoe, Marriage, and Mayhem available for preorder in October.

And here it is, folks: the cover!

Dangerous Weakness

If women were as easily managed as the affairs of state—or the recalcitrant Ottoman Empire—Richard Hayden, Marquess of Glenaire, would be a happier man. As it was the creatures—one woman in particular—made hash of his well-laid plans and bedeviled him on all sides.

Lily Thornton came home from Saint Petersburg in pursuit of marriage. She wants a husband and a partner, not an overbearing, managing man. She may be “the least likely candidate to be Marchioness of Glenaire,” but her problems are her own to fix, even if those problems include both a Russian villain and an interfering Ottoman official.

Given enough facts, Richard can fix anything. But protecting that impossible woman is proving almost as hard as protecting his heart, especially when Lily’s problems bring her dangerously close to an Ottoman revolution. As Lily’s personal problems entangle with Richard’s professional ones, and she pits her will against his, he chases her across the pirate-infested Mediterranean. Will she discover surrender isn’t defeat? It might even have its own sweet reward.

Meet Caroline Warfield

Caroline Warfield has at various times been an army brat, a librarian, a poet, a raiser of children, a nun, a bird watcher, an Internet and Web services manager, a conference speaker, an indexer, a tech writer, a genealogist, and, of course, a romantic. She has sailed through the English channel while it was still mined from WWII, stood on the walls of Troy, searched Scotland for the location of an entirely fictional castle (and found it), climbed the steps to the Parthenon, floated down the Thames from the Tower to Greenwich, shopped in the Ginza, lost herself in the Louvre, gone on a night safari at the Singapore zoo, walked in the Black Forest, and explored the underground cistern of Istanbul. By far the biggest adventure has been life-long marriage to a prince among men.

She sits in front of a keyboard at a desk surrounded by windows, looks out at the trees and imagines. Her greatest joy is when one of those imaginings comes to life on the page and in the imagination of her readers.

Caroline’s social media—use as it suits your purpose

Visit Caroline’s Website and Blog                http://www.carolinewarfield.com/

Meet Caroline on Facebook                          https://www.facebook.com/carolinewarfield7

Follow Caroline on Twitter                            @CaroWarfield

Email Caroline directly                                    warfieldcaro@gmail.com

Subscribe to Caroline’s newsletter               http://www.carolinewarfield.com/newsletter/

Dangerous Weakness Pinterest Board   http://bit.ly/1M1Fgls

Play in the  Bluestocking Bookshop        http://on.fb.me/1I7MRe4

 

She can also be found on

LibraryThing                    http://www.librarything.com/profile/CaroWarfield

Amazon Author               http://www.amazon.com/Caroline-Warfield/e/B00N9PZZZS/

Good Reads                      http://bit.ly/1C5blTm

Bluestocking Belles      http://bluestockingbelles.com/

 

Caroline’s Other Books (on Amazon)

Dangerous Works    http://amzn.to/1DJj0Hi

Dangerous Secrets   http://tinyurl.com/ph56vnb

Welcome to Sherry Ewing – and A Knight to Call My Own

SE photoToday, I welcome fellow Bluestocking Belle Sherry Ewing to the blog. Sherry writes medieval and regency romances, some with a time slip element, and  She’s a bestselling author who writes historical and time travel romances to awaken the soul one heart at a time. A week ago, she released her fourth book about clan MacLaren – find out more about A Knight to Call My Own below the interview.

  • Why do you write in your chosen genre or genres? I first picked up The Flame and the Flower by Kathleen E. Woodiwiss when I was a teenager and I’ve been hooked on historical romances ever since. It was only natural I would write in the same genre.
  • Do you base any of your characters on real people? Surprisingly (or maybe not) yes, along with my own experiences from my life. I think there’s a little bit of me in everyone one of my characters and I would think that applies to every author.
  • What’s your favourite scene and why? I have a scene where Lynet and Ian are alone for the first time after not seeing one another for six years. Lynet is overwhelmed with emotions and she is unclear if she should hate him or love him. I could read that scene a hundred times and still love it.
  • What was the hardest scene to write and why? I always have difficulty writing sex scenes. It may sell books but I tend to highly romanticise those passages and leave the reader to use their own imagination.
  • What do you like to do in your spare time? I’m a huge NASCAR race fan and tend to do my best writing on race day.

Sherry enjoys interacting with her readers. You can email her on her website or find her on these social media outlets:

Website & Blog  *  Bluestocking Belles  *  Facebook  *  Pinterest  *  Twitter  *   Tsu

Sign Me Up!

Newsletter  *  Street Team

A Knight to Call My Own

SE A Knight to call my ownWhen your heart is broken, is love still worth the risk?

Lynet of clan MacLaren knows how it feels to love and not have that love returned. Her brother-in-law has decided a competition for the right to wed Lynet is just the thing his willful charge needs to force her hand.

Ian MacGillivray has returned to Berwyck in search of a bride. But Lynet is anything but an easy conquest and he will need more than charm to win her hand.

From the English borders to the Highlands of Scotland, the chase is on for who will claim the fair Lynet. The price paid will be high to ensure her safety, and even higher to win her love.

Buy Links:

Amazon US  *  Barnes & Noble  *  iBooks  *  Inktera  *  Kobo  *  Oyster  *  Scribd

Amazon AU  *  Amazon CA  *  Amazon UK

If you want to make God laugh, tell him your plans

if-plan-a-fails-383x450God thinks I’m hilarious.

Way back in April, when I first thought about pushing the publication of Encouraging Prudence out to October to fit in with Halloween, it seemed like a good idea to write a novella for publishing in late July or early August. After all, otherwise I’d have six months without a new release!

And of course I could write the other novella; the one for the Bluestocking Belles’ Christmas anthology. I even had a title, a hero and heroine, and a vague idea of plot.

Two novellas, right? A Baron for Becky and Gingerbread Bride. And carry on with Encouraging Prudence at the same time. Easy.

And then A Baron for Becky grew. By the time I sent it off to the beta readers, it was 42,500 words. They came back with questions and comments, and I spent two weeks frantically editing and rewriting. I sent it to the editor at just over 50,000 words. My novella was now officially a novel.

I’m not going to walk you through the whole thing. Suffice it to say that Mari has done a developmental editor thing on me that has improved the book out of all sight, robbed us both of sleep, and grown the word count by another 10,000 words.

I’ve also managed to meet my Gingerbread Bride deadline, but Encouraging Prudence has languished. And there isn’t time between now and October to do it justice.

BfB cover finalAlso, life. Several people dear to me have put the hard word on about overdoing things.

If you’re waiting for David’s and Prue’s story, don’t despair. I’m around half way through and I plan to finish the first draft by the end of September or at the very outside by the end of October. But I’ve just been through my book table changing the dates to be vaguer. It will be published in 2016, and I can’t say more than that.

I’m polishing up some short stories for October, including a prequel for Encouraging Prudence, in which David and Prue are bit players in someone else’s romance. It’s a Gothic murder mystery, which should be fun.

And the Christmas box set is out in November.

Oh dear. That almost sounds like a plan.

Quick update on writing progress

Not this dayI am bowling along, happy as a lark, and then… life.

Encouraging Prudence is languishing at the moment. The plot elves deserted me along with the tooth the dentist pulled last Monday. Poor Prue, who I left sleeping in David’s bed way back in April, still hasn’t woken up to see the note David left her. But I’ve printed the 43,000 words I have so far, and this weekend I’m going back to the beginning to get reaquainted with the story.

Gingerbread Bride, one of the two books I abandoned Prue for, is my novella for the Bluestocking Belle‘s Christmas anthology. I had trouble finding the ending, but I made it on the fourth try, and it is now with two of my Belle colleagues, who are beta reading it.

I have novellas from two of them for the same anthology. I’ve read them once, and am looking forward to reading them again this weekend, and sending my colleagues my comments.

The other book that nudged its way to the top of the queue is A Baron for Becky, which I’m releasing in August. It’s due to the proofreader on 19 June, and I’ve heard back from more than half the beta readers and made the tweaks they’ve suggested, so I’ll meet that deadline easily. I’m leaving it alone this weekend.

I’m planning a quiet weekend to let the jaw finish healing, but next week I’ll have Becky out the door and can focus on Prue. I’ve been asked to launch her novel at BookTown in Featherston in October: my first ever in-person book launch. Which means the first draft needs to be finished by the end of July so I have time for all the editing and book production work. More news about BookTown to come!

Kali counsels Becky – part 1 of 2

Kali

Lady with Swarbat by Raja Ravi Varma

It had been some years since Kali Matai, The Black Goddess, met Mrs Rose Darling, known as The Rose of Frampton, and it was a meeting neither wished to remember, both having been at the mercy of protectors with no morals and less conscience. During that earlier meeting, Kali had taken it upon herself to protect the sweet, young girl from the worst of the abuses at the gentlemen’s party. Kali, after all, knew better than any woman in London how to feel nothing.

When they came upon each other at Mrs Marlowe’s Book Emporium, however, not only their prior encounter bound them, but also a mutual understanding of the way the world treats women of easy virtue—as though they have no virtues at all. Now, in an effort to help the girl again, Kali has invited her to tea to discuss a topic of great import. Or so Mrs Darling’s note had said.

***

“I can offer you tea, Mrs Darling,” Kali said, “Or something more… fortifying. Palm wine or feni or sherry. I only keep brandy in my protectors’ homes.”

“May I try feni?” Becky says. She likes trying new things, and fortifying is exactly what she needs. “And if you would not mind, Miss Matai, My true name is not Mrs. Darling. I am not Rose. And I am not a… That was a name given me by a… by someone who wished to increase my… price. My real name is Winstanley, Miss Becky Winstanley.”

Kali pours out the coconut liqueur into crystal glasses and passes one across the table. “Ah, very much like Miss Matai and La Déesse Noire, then. I would be grateful if we might use our real names. I am Kali Shaheen, though I beg you not make it known outside these rooms.”

“Kali Shaheen. Miss Shaheen. It is a lovely name.”

Becky

Young woman in a white hat by Jean Baptiste Greuze

“One I have not heard in a good many years, Miss Winstanley.” Kali began, “Your note spoke of some trouble you wish to share?” Some way in which I can help?”

Becky takes a cautious sip, and then another, more appreciative, one. “It is not so much that I need help. More that I would appreciate someone to listen; someone who, perhaps, might… understand how complicated it is.”

Kali chuckles. “If it is about a man, my dear, there is nothing simpler.”

Becky smiles in return, and then turns wistful. “The man is simple enough, Kali, that is true. If his appetites are satisfied and his ego is stroked, he is happy. I am the complicated one.”

“Ah,” Kali sighs, taking another delicate sip of her feni. “Yes, women are certainly complicated, are we not? Have you some concern about Lord Aldridge?”

Her primary concern, Kali thinks, should be seeing the man does not leave her with the French pox. Rare, indeed, are gentlemen with such copious appetites, and no lightskirt in London holds any illusions about the Merry Marquis—with the possible exception of the one before her.

Kali has never dallied with him, though not from lack of trying on his part or amused interest on hers. She merely chooses to remain true to her protectors, for reasons she cannot disclose. If ever she might wish an affair merely for the enjoyment of it, however, Lord Aldridge would be near the top of the list.

“When you and I first met,” Becky begins softly, “you rightly deduced the protector I had then was not kind. You will understand, I think, what it means when I say that he was among the best of all the men by whom I have been kept.”

Kali nods. Every mistress understands all too well.

“Lord Aldridge saved me—in every sense—and more important, saved my little daughter.” Kali’s smile becomes just a bit brittle at the mention of the little girl. “Not just from more of the same, but from worse. I will always be grateful to him.”

Even a heartless rogue like Aldridge, Kali reflects, might find himself an accidental hero on occasion.

“He is always polite. He always ensures my pleasure. He is kind to my little girl. He is generous with his gifts and with his praise. He is kind, Miss Shaheen. It has been a heady experience for a girl like me.”

Smiling with a certain softness about her eyes and mouth, glad this sweet girl has had some small measure of kindness, even if at the hands of a man like Aldridge, Kali urges, “Go on.”

“It has been nine months since we signed a contract. For six months, he barely let me leave his side. You will think me foolish, but I imagined… I knew he would not marry me. Indeed, so I told his… certain members of his family. But I thought we were in love. Foolish.”

Kali raises a brow and the softness in her eyes vanishes. “Quite.” Her hand trembles just slightly as she finishes her drink and pours another, also offering it to her guest. When Becky holds out her glass, Kali pours a short ration, unsure whether the girl is accustomed to strong spirits.

Setting down the bottle, she straightens in her chair, as rigid as if she were part of her corset, not just wearing it. But for sipping the feni, her jaw is clenched tight, and her fingernails dig deeply into the palm of her hand. Still, outwardly, she is calm as an iced-over pond.

Becky’s tone is bleak. “I forgot what you told me when we met before. I forgot he is my buyer, not my lover. Not my friend. I knew it, but I forgot.” At Kali’s frown, she hastens to explain, “He did not encourage me, Miss Shaheen. It was my own doing. He did not speak of love. He did not talk of permanence. But he was kind. And I have known so little kindness.”

Kali uncurls her rigid fingers from the arm of her chair and grasps Becky’s hand. “It is an easy thing to forget when they so believe they wish to be our friends.” She sets her glass aside, taking Becky’s chilly fingers between the palms of her hands. “Do you expect he will set you aside?”

At Becky’s stricken look, Kali asks gently, “Have you savings to keep you? He has given you the deed to the house, has he not?”

Watching the crash of a fallen woman was never an easy thing, especially for those who might just as easily follow her rapid descent.

“The house and my income are mine to keep if I finish the two years, or if he chooses to end the contract early. I lose them only if I leave.” She examines her empty glass, as if looking for words within it. “Lord Aldridge’s cousin, Lord Chirbury, suggested the clause.”

“He is a wise man, then, and you are fortunate to have received his counsel.” Lord Chirbury clearly knew his cousin almost as well as the entirety of the demimonde did. “Do you not have a solicitor? A woman alone must have her own solicitor, Miss Winstanley.”

“A solicitor? A solicitor could not help me with my problem, Miss Shaheen.”

“You are not considering… Surely not.” Kali’s brows drew together. “Think, Miss Winstanley. Do not feel.”

“Considering what?” Becky’s brows drew together.

If the girl truly hadn’t thought of leaving the man with whom she had so unwisely fallen in love, Kali could not forgive herself if she were the one to suggest it. “Never you mind, sweetling.” She patted Becky’s hand. “Tell me what it is I can do to help.”

“Aldridge owns my body,” Becky says, baldly. “Or perhaps it would be truer to say he holds the lease. I need it returned to me in good condition at the end of the contract. Not for my sake. For my daughter.”

“I cannot believe,” Kali says slowly, “with what I know of Lord Aldridge, that you are concerned about maltreatment.”

Becky shakes her head.

“So, rather, you worry about… disease?” She sat back. “Or is it only your heart for which you fear?”

“Aldridge returned my heart to me when he began swiving other women and discussing it with me. It is bruised, I cannot deny, but he is a man of prodigious appetite who enjoys variety. Yet he returns to me several times each week. And…” Becky colors, “he seems to need very little sleep.” Choking on the words, she finally spits out, “Truth be told, Miss Shaheen, I fear the pox.”

(To read the rest of their conversation, come back tomorrow.)

###

La Deesse Noire coverMeet Kali and read her story in La Déesse Noire: The Black Goddess, to be released June 10, available for pre-order now.

Sired by a British peer, born of a paramour to Indian royalty, Kali Matai has been destined from birth to enthrall England’s most powerful noblemen—though she hadn’t counted on becoming their pawn. Finding herself under the control of ruthless men, who will not be moved by her legendary allure, she has no choice but to use her beauty toward their malicious and clandestine ends.

When those she holds most dear are placed in peril by backroom political dealings, she enlists some of the most formidable lords in England to thwart her enemies. But even with the help of the prominent gentlemen she has captivated, securing Kali’s freedom, her family, and the man she loves, will require her protectors stop at nothing to fulfill her desires.

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Meet Becky and Lord Aldridge in A Baron for Becky, to be released August 5, available for pre-order now.

BfB cover finalBecky is the envy of the courtesans of the demi-monde – the indulged mistress of the wealthy and charismatic Marquis of Aldridge. But she dreams of a normal life; one in which her daughter can have a future that does not depend on beauty, sex, and the whims of a man.

Finding herself with child, she hesitates to tell Aldridge. Will he cast her off, send her away, or keep her and condemn another child to this uncertain shadow world?

The devil-may-care face Hugh shows to the world hides a desperate sorrow; a sorrow he tries to drown with drink and riotous living. His years at war haunt him, but even more, he doesn’t want to think about the illness that robbed him of the ability to father a son. When he dies, his barony will die with him. His title will fall into abeyance, and his estate will be scooped up by the Crown.

When Aldridge surprises them both with a daring proposition, they do not expect love to be part of the bargain.

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