Tuesday Talk – throwing a great Facebook party

This post is part of the series on marketing in the bazillion-book marketplace that Mari Christie and I are co-posting (her Marketing Mondays and my Tuesday Talks, thanks to the spinning earth).

partyHave you been to any Facebook parties? In the past six weeks, I’ve hosted two, and guested at another two—and I have more coming up.

The other day, someone asked me if Facebook parties sold books. Which, of course, isn’t the point of them. As Mari and I have said time and again in these posts, marketing is about making friends, and then about turning at least some of them into fans. And Facebook parties are a great opportunity to do that.

This post is not about the philosophy though. Instead, here are some of the techniques we’ve picked up for hosting at Facebook parties. We’d love to know yours!

Before the party

To create interest in the party, I post for weeks beforehand. Post stuff people want to know, not just relentless self-promotion. In the run-up to the party, you want them to know that you’ll be offering entertainment, so demonstrate that. (Show, don’t tell, right?)

My theme for the launch party for Farewell to Kindness was a country fair. I posted the songs that village singers might have sung during such a fair. I posted food people might have eaten at a fair, and games and activities that might have been on offer. I asked questions and invited comment. I also posted information about each of the guest hosts and their books. And, yes, I posted excerpts.

For A Baron for Becky, I posted a series of vignettes on courtesans through history, as well as guest hosts and excerpts. And I invited people to post pictures of what they would wear to a Courtesan’s Ball.

To prepare for the actual day, whether I’m hosting or simply doing a takeover for another author, I write myself a run-time, with the time and the text for each post and the names of the images I’m going to use. I put the posting time above each post. It might slip a minute or two on the day, but the times guide me. If interaction is high, I might skip a post, but I’d rather have too much than too little!

I put everything I need into a folder—or a series of folders if the event is longer than an hour.

Mari swears by putting the images into an album on her Facebook profile, and then linking to them. This saves loading time on the day.

If I’m host, I send a guest author checklist to those who have agreed to party with me. It has some of the tips in this post, tells them their timeslot, and asks them for their bio, the name and blurb of the book they intend to promote, and what (if anything) they plan to give away.

What kind of posts?

Remember that your goal is to make friends, so post links to your social media. I always post information about the Bluestocking Belles and any events we have coming up as a group, such as Book Club.

Post games—if you attend a few parties, you’ll find out which ones get the most comments and interaction.

Post questions. If you can relate them to your excerpts, all the better. For example, here’s a scene of a botched proposal; tell us your proposal story.

Ask people to post photos. Hot guys are usually a favourite, or suggested actors to play your hero and heroine, or anything else you might like.

At the event

My big tip is to keep the posts coming. When we did the Name Release party for the Bluestocking Belles anthology, we had three minute slots and a 30 minute event. And around 15 posts in total. Fast and furious! I’ve just done a one hour takeover, and I prepared and used 12 posts. Party hard and have a great time.

With busy parties, your posts can soon sink down the event. To make sure I can easily get back to my posts so I can comment (and later find winners), I copy the url as soon as I’ve created the post and paste it into my runtime. If you want to try this, just click on the date/time below your name on the post and it’ll bring up that post so you can copy the url. Then the back arrow will take you back to the party.

And get into those comment streams! If you’re the host, you’ll be commenting on your guest author’s posts, keeping the conversation going. I usually do a hit and run when I’m a guest host, because of the spinning earth. Parties are almost always during my working day. But I love it when guest authors arrive early and stick around to play.

After the party

Select and contact your winners as soon as you can, and don’t forget to thank the team who helped you put on the party (your host if you’re a guest author; your guest authors if you’re a host).

 

 

Cover reveal for Dangerous Weakness, by Caroline Warfield

CarolineToday, I welcome Caroline Warfield to the blog. Caroline is a fellow Bluestocking Belle, and author of Dangerous Works and Dangerous Secrets, both of which I love. And today, she is sharing with us the cover of her next book in the series. Caroline, the stage is yours.

I am delighted to reveal the cover of Dangerous Weakness from Soul Mate Publishing, which will be available for preorder in September. I hoped also to tell you more about the hero, Richard Hayden, the Marquess of Glenaire and heir to the Duke of Sudbury, but characters can be elusive. They often have depths they show only reluctantly, even to their authors. Richard is particularly private about his life. I had to enlist the help of the interview fairies.

We managed to corner him in a reflective mood one afternoon in Saint James Park. When we took a place next to him on the bench and assured him nothing he said would be published until the distant future, he opened up, at least a bit.

  1. What are you most proud of about your life?

Glenaire2“Pride?” he sputters. “I come from a family that has raised it to an art form. My father wraps himself in it like a coronation robe and my mother? My mother floats into any room she enters on a river of pride. No one in the kingdom, she believes, has more consequence than a Hayden, except perhaps the royal dukes, and she isn’t sure about them. Is that what you wanted to know?”

His tone is bitter, as if that kind of pride blights his life. When we suggest that is not precisely what we asked, he looks weary and appears to give the question more thought.

“A job well done gives me satisfaction,” he muses. “You might call that pride. I always put England first. I oversaw intelligence gathering during the Peninsular Campaign. I’ve managed the czar and his entourage, kept the Ottomans from provoking revolution, and helped negotiate the Treaty of Paris. I know my duty and I do it, even at personal cost.” A faraway look comes over him. “Even at cost,” he repeats.

He brightens somewhat. “I always do my best for my friends. I’m proud of that. I gathered information that brought Will, the Earl of Chadbourn, and the lady now his wife together. I managed to smooth my sister’s path to marriage with Andrew, though I may have erred earlier in their relationship. I am supporting Jamie, Baron Ross, who has inherited a tainted title and bankrupt estate, although Jamie has made himself scarce lately. The foolish man needs someone to keep him out of trouble. Is that what you had in mind?”
We nod and move on.

  1. What are you most ashamed of in your life?

“Sometimes duty to friends suffers when duty to country demands it. I sent my best friend, Andrew, the brother of my heart, on a dreadful mission knowing he might fall into French hands. He found the vital intelligence but was captured and tortured. By the time we got him out he bore horrific scars, some visible on his person, some deeper.”

We suggest that incident sounded like the cost of duty. Is there nothing else? He looks ashamed for a moment.

“I’ve always treated women with care—with discretion at least. I have never been tempted beyond control until lately. I ruined an innocent. I’m ashamed of that. When I attempted to make it right, the woman threw my proposal in my face. It leaves a scar on my honor.”

Assured this interview will not see the light of day until long into the future he added, “It leaves a scar on my heart as well. I don’t understand it.”

In response to a raised eyebrow he went on reluctantly, “I may have been a touch managing about the matter. I offered to make her a marchioness. Does she need romance too?”

  1. What impression do you make on people when they first meet you?

“They call me “the Marble Marquess,” in drawing rooms and gentlemen’s clubs. I must strike people as a cold fish. I can’t think why.”

  1. Do you think you have turned out the way your parents expected?

“I’ve given my parents no reason to criticize. I do my duty by the estate, meeting monthly with His Grace and his man of business to stay abreast of affairs. I create no scandal. I never challenge either of them overtly. When I disagree, I do it discretely and they pretend not to know.”

We suggest that is an odd answer and ask for an example.

My sister, Georgiana, defied them openly and created what they consider a scandal when she published Poetry by the Female Authors of Ancient Greece, and allowed her authorship to be made public. She compounded that by marrying beneath her in their opinion. She ceased to exist as far as Her Grace is concerned. They don’t acknowledge her.”

“I offered to support her, but she refused my help. She married my friend Andrew Mallet and the two of them do very well. I see them often. My parents pretend not to know.”

  1. What is the worst thing that has happened in your life? What did you learn from it?

“I might have said there was no such thing a year ago. Perhaps I would have believed it. Every privilege and deference has been given to me since birth. My family name smoothed the way for me in school, society, and even government. (Although I pride myself in having risen on my own merits.) In an odd way the lack of catastrophe is itself the worst thing. Rank can be a gilded cage. While my friends fought for king and country, I had to play my part behind a desk.”

“Worse, they all married for love, something I was raised to call maudlin. Seeing them now I’m not so certain. Women see me as a title to be coveted, wealth to be acquired, an ornament to be displayed. I can’t help what I am, but I can wish to be desired for myself rather than my prospects. Only one woman I ever met saw beyond those things, and she won’t have me. Lily Thorton’s rejection may be the worst thing. I’m still trying to learn what to do about it. Why can’t women be as easily managed as the affairs of state?”

  1. How do you feel about your life right now? What, if anything, would you like to change?

In recent months I almost allowed myself to be drawn into my parents’ machinations regarding marriage. My mother wants a protégée and my father wants more land, more money, and more prestige—as if he didn’t already have more than he needs. They pressured me about it over dinner last night, each in their own way.”

“It came to me then: I don’t want a future duchess. I want a wife. I want family. I want what my friends have found. I have to try with Lily one more time. If she won’t have me, I have to find another woman who will see me for what I am. I refuse to live my parents’ life.”


 

Alas poor Richard was unaware at the time of this interview that his efforts to protect her had failed and Lily had already disappeared.  If he wants to try again, he will have to pursue her.

To find out what happens, you will have to wait for Dangerous Weakness.

For Georgiana and Andrew’s story, read Dangerous Works.

For Baron Ross’s story, read Dangerous Secrets.

The Earl of Chadbourn’s story will be in “A Dangerous Nativity,” in Mistletoe, Marriage, and Mayhem available for preorder in October.

And here it is, folks: the cover!

Dangerous Weakness

If women were as easily managed as the affairs of state—or the recalcitrant Ottoman Empire—Richard Hayden, Marquess of Glenaire, would be a happier man. As it was the creatures—one woman in particular—made hash of his well-laid plans and bedeviled him on all sides.

Lily Thornton came home from Saint Petersburg in pursuit of marriage. She wants a husband and a partner, not an overbearing, managing man. She may be “the least likely candidate to be Marchioness of Glenaire,” but her problems are her own to fix, even if those problems include both a Russian villain and an interfering Ottoman official.

Given enough facts, Richard can fix anything. But protecting that impossible woman is proving almost as hard as protecting his heart, especially when Lily’s problems bring her dangerously close to an Ottoman revolution. As Lily’s personal problems entangle with Richard’s professional ones, and she pits her will against his, he chases her across the pirate-infested Mediterranean. Will she discover surrender isn’t defeat? It might even have its own sweet reward.

Meet Caroline Warfield

Caroline Warfield has at various times been an army brat, a librarian, a poet, a raiser of children, a nun, a bird watcher, an Internet and Web services manager, a conference speaker, an indexer, a tech writer, a genealogist, and, of course, a romantic. She has sailed through the English channel while it was still mined from WWII, stood on the walls of Troy, searched Scotland for the location of an entirely fictional castle (and found it), climbed the steps to the Parthenon, floated down the Thames from the Tower to Greenwich, shopped in the Ginza, lost herself in the Louvre, gone on a night safari at the Singapore zoo, walked in the Black Forest, and explored the underground cistern of Istanbul. By far the biggest adventure has been life-long marriage to a prince among men.

She sits in front of a keyboard at a desk surrounded by windows, looks out at the trees and imagines. Her greatest joy is when one of those imaginings comes to life on the page and in the imagination of her readers.

Caroline’s social media—use as it suits your purpose

Visit Caroline’s Website and Blog                http://www.carolinewarfield.com/

Meet Caroline on Facebook                          https://www.facebook.com/carolinewarfield7

Follow Caroline on Twitter                            @CaroWarfield

Email Caroline directly                                    warfieldcaro@gmail.com

Subscribe to Caroline’s newsletter               http://www.carolinewarfield.com/newsletter/

Dangerous Weakness Pinterest Board   http://bit.ly/1M1Fgls

Play in the  Bluestocking Bookshop        http://on.fb.me/1I7MRe4

 

She can also be found on

LibraryThing                    http://www.librarything.com/profile/CaroWarfield

Amazon Author               http://www.amazon.com/Caroline-Warfield/e/B00N9PZZZS/

Good Reads                      http://bit.ly/1C5blTm

Bluestocking Belles      http://bluestockingbelles.com/

 

Caroline’s Other Books (on Amazon)

Dangerous Works    http://amzn.to/1DJj0Hi

Dangerous Secrets   http://tinyurl.com/ph56vnb

Welcome to Sherry Ewing – and A Knight to Call My Own

SE photoToday, I welcome fellow Bluestocking Belle Sherry Ewing to the blog. Sherry writes medieval and regency romances, some with a time slip element, and  She’s a bestselling author who writes historical and time travel romances to awaken the soul one heart at a time. A week ago, she released her fourth book about clan MacLaren – find out more about A Knight to Call My Own below the interview.

  • Why do you write in your chosen genre or genres? I first picked up The Flame and the Flower by Kathleen E. Woodiwiss when I was a teenager and I’ve been hooked on historical romances ever since. It was only natural I would write in the same genre.
  • Do you base any of your characters on real people? Surprisingly (or maybe not) yes, along with my own experiences from my life. I think there’s a little bit of me in everyone one of my characters and I would think that applies to every author.
  • What’s your favourite scene and why? I have a scene where Lynet and Ian are alone for the first time after not seeing one another for six years. Lynet is overwhelmed with emotions and she is unclear if she should hate him or love him. I could read that scene a hundred times and still love it.
  • What was the hardest scene to write and why? I always have difficulty writing sex scenes. It may sell books but I tend to highly romanticise those passages and leave the reader to use their own imagination.
  • What do you like to do in your spare time? I’m a huge NASCAR race fan and tend to do my best writing on race day.

Sherry enjoys interacting with her readers. You can email her on her website or find her on these social media outlets:

Website & Blog  *  Bluestocking Belles  *  Facebook  *  Pinterest  *  Twitter  *   Tsu

Sign Me Up!

Newsletter  *  Street Team

A Knight to Call My Own

SE A Knight to call my ownWhen your heart is broken, is love still worth the risk?

Lynet of clan MacLaren knows how it feels to love and not have that love returned. Her brother-in-law has decided a competition for the right to wed Lynet is just the thing his willful charge needs to force her hand.

Ian MacGillivray has returned to Berwyck in search of a bride. But Lynet is anything but an easy conquest and he will need more than charm to win her hand.

From the English borders to the Highlands of Scotland, the chase is on for who will claim the fair Lynet. The price paid will be high to ensure her safety, and even higher to win her love.

Buy Links:

Amazon US  *  Barnes & Noble  *  iBooks  *  Inktera  *  Kobo  *  Oyster  *  Scribd

Amazon AU  *  Amazon CA  *  Amazon UK

If you want to make God laugh, tell him your plans

if-plan-a-fails-383x450God thinks I’m hilarious.

Way back in April, when I first thought about pushing the publication of Encouraging Prudence out to October to fit in with Halloween, it seemed like a good idea to write a novella for publishing in late July or early August. After all, otherwise I’d have six months without a new release!

And of course I could write the other novella; the one for the Bluestocking Belles’ Christmas anthology. I even had a title, a hero and heroine, and a vague idea of plot.

Two novellas, right? A Baron for Becky and Gingerbread Bride. And carry on with Encouraging Prudence at the same time. Easy.

And then A Baron for Becky grew. By the time I sent it off to the beta readers, it was 42,500 words. They came back with questions and comments, and I spent two weeks frantically editing and rewriting. I sent it to the editor at just over 50,000 words. My novella was now officially a novel.

I’m not going to walk you through the whole thing. Suffice it to say that Mari has done a developmental editor thing on me that has improved the book out of all sight, robbed us both of sleep, and grown the word count by another 10,000 words.

I’ve also managed to meet my Gingerbread Bride deadline, but Encouraging Prudence has languished. And there isn’t time between now and October to do it justice.

BfB cover finalAlso, life. Several people dear to me have put the hard word on about overdoing things.

If you’re waiting for David’s and Prue’s story, don’t despair. I’m around half way through and I plan to finish the first draft by the end of September or at the very outside by the end of October. But I’ve just been through my book table changing the dates to be vaguer. It will be published in 2016, and I can’t say more than that.

I’m polishing up some short stories for October, including a prequel for Encouraging Prudence, in which David and Prue are bit players in someone else’s romance. It’s a Gothic murder mystery, which should be fun.

And the Christmas box set is out in November.

Oh dear. That almost sounds like a plan.

Quick update on writing progress

Not this dayI am bowling along, happy as a lark, and then… life.

Encouraging Prudence is languishing at the moment. The plot elves deserted me along with the tooth the dentist pulled last Monday. Poor Prue, who I left sleeping in David’s bed way back in April, still hasn’t woken up to see the note David left her. But I’ve printed the 43,000 words I have so far, and this weekend I’m going back to the beginning to get reaquainted with the story.

Gingerbread Bride, one of the two books I abandoned Prue for, is my novella for the Bluestocking Belle‘s Christmas anthology. I had trouble finding the ending, but I made it on the fourth try, and it is now with two of my Belle colleagues, who are beta reading it.

I have novellas from two of them for the same anthology. I’ve read them once, and am looking forward to reading them again this weekend, and sending my colleagues my comments.

The other book that nudged its way to the top of the queue is A Baron for Becky, which I’m releasing in August. It’s due to the proofreader on 19 June, and I’ve heard back from more than half the beta readers and made the tweaks they’ve suggested, so I’ll meet that deadline easily. I’m leaving it alone this weekend.

I’m planning a quiet weekend to let the jaw finish healing, but next week I’ll have Becky out the door and can focus on Prue. I’ve been asked to launch her novel at BookTown in Featherston in October: my first ever in-person book launch. Which means the first draft needs to be finished by the end of July so I have time for all the editing and book production work. More news about BookTown to come!

Kali counsels Becky – part 1 of 2

Kali

Lady with Swarbat by Raja Ravi Varma

It had been some years since Kali Matai, The Black Goddess, met Mrs Rose Darling, known as The Rose of Frampton, and it was a meeting neither wished to remember, both having been at the mercy of protectors with no morals and less conscience. During that earlier meeting, Kali had taken it upon herself to protect the sweet, young girl from the worst of the abuses at the gentlemen’s party. Kali, after all, knew better than any woman in London how to feel nothing.

When they came upon each other at Mrs Marlowe’s Book Emporium, however, not only their prior encounter bound them, but also a mutual understanding of the way the world treats women of easy virtue—as though they have no virtues at all. Now, in an effort to help the girl again, Kali has invited her to tea to discuss a topic of great import. Or so Mrs Darling’s note had said.

***

“I can offer you tea, Mrs Darling,” Kali said, “Or something more… fortifying. Palm wine or feni or sherry. I only keep brandy in my protectors’ homes.”

“May I try feni?” Becky says. She likes trying new things, and fortifying is exactly what she needs. “And if you would not mind, Miss Matai, My true name is not Mrs. Darling. I am not Rose. And I am not a… That was a name given me by a… by someone who wished to increase my… price. My real name is Winstanley, Miss Becky Winstanley.”

Kali pours out the coconut liqueur into crystal glasses and passes one across the table. “Ah, very much like Miss Matai and La Déesse Noire, then. I would be grateful if we might use our real names. I am Kali Shaheen, though I beg you not make it known outside these rooms.”

“Kali Shaheen. Miss Shaheen. It is a lovely name.”

Becky

Young woman in a white hat by Jean Baptiste Greuze

“One I have not heard in a good many years, Miss Winstanley.” Kali began, “Your note spoke of some trouble you wish to share?” Some way in which I can help?”

Becky takes a cautious sip, and then another, more appreciative, one. “It is not so much that I need help. More that I would appreciate someone to listen; someone who, perhaps, might… understand how complicated it is.”

Kali chuckles. “If it is about a man, my dear, there is nothing simpler.”

Becky smiles in return, and then turns wistful. “The man is simple enough, Kali, that is true. If his appetites are satisfied and his ego is stroked, he is happy. I am the complicated one.”

“Ah,” Kali sighs, taking another delicate sip of her feni. “Yes, women are certainly complicated, are we not? Have you some concern about Lord Aldridge?”

Her primary concern, Kali thinks, should be seeing the man does not leave her with the French pox. Rare, indeed, are gentlemen with such copious appetites, and no lightskirt in London holds any illusions about the Merry Marquis—with the possible exception of the one before her.

Kali has never dallied with him, though not from lack of trying on his part or amused interest on hers. She merely chooses to remain true to her protectors, for reasons she cannot disclose. If ever she might wish an affair merely for the enjoyment of it, however, Lord Aldridge would be near the top of the list.

“When you and I first met,” Becky begins softly, “you rightly deduced the protector I had then was not kind. You will understand, I think, what it means when I say that he was among the best of all the men by whom I have been kept.”

Kali nods. Every mistress understands all too well.

“Lord Aldridge saved me—in every sense—and more important, saved my little daughter.” Kali’s smile becomes just a bit brittle at the mention of the little girl. “Not just from more of the same, but from worse. I will always be grateful to him.”

Even a heartless rogue like Aldridge, Kali reflects, might find himself an accidental hero on occasion.

“He is always polite. He always ensures my pleasure. He is kind to my little girl. He is generous with his gifts and with his praise. He is kind, Miss Shaheen. It has been a heady experience for a girl like me.”

Smiling with a certain softness about her eyes and mouth, glad this sweet girl has had some small measure of kindness, even if at the hands of a man like Aldridge, Kali urges, “Go on.”

“It has been nine months since we signed a contract. For six months, he barely let me leave his side. You will think me foolish, but I imagined… I knew he would not marry me. Indeed, so I told his… certain members of his family. But I thought we were in love. Foolish.”

Kali raises a brow and the softness in her eyes vanishes. “Quite.” Her hand trembles just slightly as she finishes her drink and pours another, also offering it to her guest. When Becky holds out her glass, Kali pours a short ration, unsure whether the girl is accustomed to strong spirits.

Setting down the bottle, she straightens in her chair, as rigid as if she were part of her corset, not just wearing it. But for sipping the feni, her jaw is clenched tight, and her fingernails dig deeply into the palm of her hand. Still, outwardly, she is calm as an iced-over pond.

Becky’s tone is bleak. “I forgot what you told me when we met before. I forgot he is my buyer, not my lover. Not my friend. I knew it, but I forgot.” At Kali’s frown, she hastens to explain, “He did not encourage me, Miss Shaheen. It was my own doing. He did not speak of love. He did not talk of permanence. But he was kind. And I have known so little kindness.”

Kali uncurls her rigid fingers from the arm of her chair and grasps Becky’s hand. “It is an easy thing to forget when they so believe they wish to be our friends.” She sets her glass aside, taking Becky’s chilly fingers between the palms of her hands. “Do you expect he will set you aside?”

At Becky’s stricken look, Kali asks gently, “Have you savings to keep you? He has given you the deed to the house, has he not?”

Watching the crash of a fallen woman was never an easy thing, especially for those who might just as easily follow her rapid descent.

“The house and my income are mine to keep if I finish the two years, or if he chooses to end the contract early. I lose them only if I leave.” She examines her empty glass, as if looking for words within it. “Lord Aldridge’s cousin, Lord Chirbury, suggested the clause.”

“He is a wise man, then, and you are fortunate to have received his counsel.” Lord Chirbury clearly knew his cousin almost as well as the entirety of the demimonde did. “Do you not have a solicitor? A woman alone must have her own solicitor, Miss Winstanley.”

“A solicitor? A solicitor could not help me with my problem, Miss Shaheen.”

“You are not considering… Surely not.” Kali’s brows drew together. “Think, Miss Winstanley. Do not feel.”

“Considering what?” Becky’s brows drew together.

If the girl truly hadn’t thought of leaving the man with whom she had so unwisely fallen in love, Kali could not forgive herself if she were the one to suggest it. “Never you mind, sweetling.” She patted Becky’s hand. “Tell me what it is I can do to help.”

“Aldridge owns my body,” Becky says, baldly. “Or perhaps it would be truer to say he holds the lease. I need it returned to me in good condition at the end of the contract. Not for my sake. For my daughter.”

“I cannot believe,” Kali says slowly, “with what I know of Lord Aldridge, that you are concerned about maltreatment.”

Becky shakes her head.

“So, rather, you worry about… disease?” She sat back. “Or is it only your heart for which you fear?”

“Aldridge returned my heart to me when he began swiving other women and discussing it with me. It is bruised, I cannot deny, but he is a man of prodigious appetite who enjoys variety. Yet he returns to me several times each week. And…” Becky colors, “he seems to need very little sleep.” Choking on the words, she finally spits out, “Truth be told, Miss Shaheen, I fear the pox.”

(To read the rest of their conversation, come back tomorrow.)

###

La Deesse Noire coverMeet Kali and read her story in La Déesse Noire: The Black Goddess, to be released June 10, available for pre-order now.

Sired by a British peer, born of a paramour to Indian royalty, Kali Matai has been destined from birth to enthrall England’s most powerful noblemen—though she hadn’t counted on becoming their pawn. Finding herself under the control of ruthless men, who will not be moved by her legendary allure, she has no choice but to use her beauty toward their malicious and clandestine ends.

When those she holds most dear are placed in peril by backroom political dealings, she enlists some of the most formidable lords in England to thwart her enemies. But even with the help of the prominent gentlemen she has captivated, securing Kali’s freedom, her family, and the man she loves, will require her protectors stop at nothing to fulfill her desires.

Pre-order now for June 10 delivery:
Amazon
Amazon UK
iTunes
Barnes and Noble
Kobo

MariTo connect with Mariana Gabrielle:
www.MarianaGabrielle.com
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Amazon Author page

Meet Becky and Lord Aldridge in A Baron for Becky, to be released August 5, available for pre-order now.

BfB cover finalBecky is the envy of the courtesans of the demi-monde – the indulged mistress of the wealthy and charismatic Marquis of Aldridge. But she dreams of a normal life; one in which her daughter can have a future that does not depend on beauty, sex, and the whims of a man.

Finding herself with child, she hesitates to tell Aldridge. Will he cast her off, send her away, or keep her and condemn another child to this uncertain shadow world?

The devil-may-care face Hugh shows to the world hides a desperate sorrow; a sorrow he tries to drown with drink and riotous living. His years at war haunt him, but even more, he doesn’t want to think about the illness that robbed him of the ability to father a son. When he dies, his barony will die with him. His title will fall into abeyance, and his estate will be scooped up by the Crown.

When Aldridge surprises them both with a daring proposition, they do not expect love to be part of the bargain.

Pre-order now for August 5 delivery:
Amazon

Review of Dangerous Secrets

Dangerous secretsI’ve just finished Dangerous Secrets, by Caroline Warfield. Here’s the blurb:

When a little brown wren of an Englishwoman bursts into Jamie Heyworth’s private Hell and asks for help he mistakes her for the black crow of death. Why not? He fled to Rome and sits in despair with nothing left to sell and no reason to get up in the morning. Behind him lie disgrace, shame, and secrets he is desperate to keep.

Nora Haley comes to Rome at the bidding of her dying brother who has an unexpected legacy. Never in her sunniest dreams did Nora expect Robert to leave her a treasure, a tiny black-eyed niece with curly hair and warm hugs. Nora will do anything to keep her, even hire a shabby, drunken major as an interpreter.

Jamie can’t let Nora know the secrets he has hidden from everyone, even his closest friends. Nora can’t trust any man who drinks. She had enough of that in her marriage. Either one, however, will dare anything for the little imp that keeps them together, even enter a sham marriage to protect her.

I’ve been looking forward to reading Dangerous Secrets ever since I read Dangerous Works, and I was not disappointed. In the last week, I’ve fallen a little in love with Jamie, with his secret sorrow, his roguish twinkle, and the bone-deep sense of honour that would not let him forgive himself for the past but also would not let him abandon a woman in trouble.

And Nora, the woman he reluctantly came to adore: as a person who want strong determined heroines, I could not wish for a better one.

Caroline Warfield tells an exciting tale. With the well-being and even the safety of a little child at stake, our hero and heroine need to begin a deception that quickly becomes a reality. But Jamie is hiding more secrets than Nora knows, and those who seem friends may truly be enemies.

Compelling characterisations in secondary characters as well as protagonists, descriptions so real I could smell the paved courtyards in the hot sun, and one realistic crisis after another. Thank you, Caroline, for a great read. I’m looking forward to seeing what you’ve done with the third in the trilogy.

Note: Caroline Warfield and I belong to the same writers’ co-operative, The Bluestocking Belles. This review is, however, my honest and unvarnished opinion.

Planning through to January next year

octopus_writer_by_notya_chan-d4lu170I’ve been doing all sorts of things with the grandpeople today. We’ve practiced spelling, made cupcakes, and washed windows. And in between I’ve been writing the Teatime Tattler column for EST Saturday 23rd May, playing in the Bluestocking Bookshop, contacting my beta readers to see who wants to read A Baron for Becky, writing a publications plan, and creating a spreadsheet with key deadlines for the next six publications.

So here we go:

A Baron for Becky is my next release. I’ll send it to beta readers next Wednesday, but I need to give them enough time for feedback, and fit in with the proofreader; publishing on 23 July, as I’d hoped, is just too tight to achieve the level of quality you deserve. So publication date will be 5 August. All going well, I’ll have ARC copies by late June, and reviewable final copies by 19 July.

Next job for me is the novella for the Bluestocking Belles’ Christmas project. We’re publishing an anthology, with eight Christmas novellas. It’ll be launched on 1 November, but I have to have my edited draft ready by 1 June.

Once that’s gone, I’m back into Encouraging Prudence, and I hope to have that ready for beta readers by 9 July. I’m not having my online launch till late October (I’m thinking 23 October), but I need to be finished early enough to order hard copies for BookTown here in my hometown on 17 and 18 October. So it has to be finished and ready to format by 30 August.

I plan to start writing A Raging Madness on 10 July, and release it on 29 January.

And I have two short stories that I wrote as party prizes. With more parties to go, I might have a book of short stories out for Christmas!

All of that, and the day job hasn’t ever been busier. No wonder I’m doing barely any reading!

Our choices create us

La Déesse Noire is one of those novels you keep thinking about long after you put it down. To me, the crux of the story is how the four main characters are defined and directed by the choices they make.

Kali Matai was born and raised a tawaif; one of the women entertainers who served those of the highest rank in the Murghal Empire of India. Her life was shaped by the choices made by her tawaif mother and the English peer to whom her mother was given. In England, she is the pawn of powerful men, but when all she loves is at risk, her choices give her a future she believed could never be.

Lord Birchbright once loved a tawaif and gave her two daughters. Given a choice between his forbidden family and the wealth and power waiting for him if he returns to England without them, he abandons them. His choice is to pursue power at all costs.

The book unusually has two male protagonists: Fitz and Rook. They, too, must choose between love and position. One chooses a lonely and ultimately self-centred life. The other is prepared to abandon everything he knows for the woman he loves. I loved them both, but I know which one was the hero.

Kali is one of the most engaging heroines I’ve read. I loved her dignity, her self-respect, her quiet humour, and her sharp intelligence. And I loved how hard it was for her to let her armour down; to become vulnerable; so that she could reach for her dreams. Her happy ending gave me goosebumps. I also very much enjoyed the interesting and believable secondary characters, both the villains and the friends and allies of the heroine.

Mariana Gabrielle has written a book about people on the edges; people discriminated against and even persecuted because they are different. She has done so with skill, sensitivity, and wit. She left me wanting more. I thoroughly enjoyed her Royal Regard and gave it five stars. La Déesse Noire is better. I wish I could give it seven on Amazon and Goodreads, but this is my blog, and my star system can be anything I like. So seven it is.

Disclaimer: I am a member of the same writers’ group as Mari Christie, who writes Regency novels as Mariana Gabrielle, and I was proof-reader for La Déesse Noire. This did not influence my enjoyment of my book. But don’t believe me. Read it for yourself.LDN meme

A Baron for Becky

This is an excerpt from the novel (or possibly long novella) I’m writing for release in late July. This story grew out of the adventures that the Marquess of Aldridge had at the Bluestocking Belles inn. Catherine Curzon and I wrote a long chase, a mixed courtship and negotiation, between my Aldridge and her 18th Century Mrs Angel. They could meet only in the timeless world of the inn, but they inspired this novel.

Mrs Darling is by no means Mrs Angel. She is an altogether more naive and vulnerable creature. But Aldridge continues to be Aldridge, and has no idea of the Pandora’s Box he is opening when he conceives a retirement plan for his mistress of three years.

What follows is not Aldridge’s story. But it is Becky’s, and it is Hugh’s.

This excerpt comes near the beginning of Becky’s story, when she and Aldridge are still negotiating.

BeckyAfter an anxious start to the visit, Becky decided to take it as a holiday. The Marquess of Aldridge left to ransom her and Sarah from the man Perry owed money to. At her insistence, he’d taken her few good pieces of jewellery—far fewer than she’d hoped. Next time, she would have any presents checked by a jeweller!

The press of Aldridge’s hands, and the warmth in his eyes when he made his farewells, gave her hope that he might be her next time.

Meanwhile, the Earl and Countess of Chirbury treated her like a guest, and Sarah was in heaven in the upstairs nursery, with the Countess’s daughter and sister, both of whom welcomed a new playmate. For a few days, she could pretend to a life far further up the ranks of the gentry than she would ever have achieved, even if she hadn’t fallen before her sixteenth birthday.

Aldridge returned triumphant.

“Smite agreed,” he told her, catching her alone in the rose garden where two or three late roses clung to the last remnants of their blooms. He sat down beside her on the stone seat, taking up the centre so that she had to lean against the curved arm to keep some distance between them. “You and Sarah are free.”

“How can we thank you?” she said.

“I’m sure we can think of something,” he replied, leaning into her so she could feel his strength, but not his weight, his warmth sparking a responding heat. His complacent assumption, after five days of being treated like a lady, sparked a contrary impulse to deny him, at least for the moment.

She slid sideways off the bench and stood, focusing on smoothing her skirts as she said, “Perhaps you would accept a few pounds a quarter until the debt is repaid?”

“I would accept a kiss on account,” he said.

“Certainly,” she replied. “Sarah would be delighted to give you a kiss. You are quite her hero.”

The moment she spoke she wanted to take it back. She didn’t want to lose him, after all. But no, he was grinning at her, his head cocked to one side and a light in his eyes that said she had his interest. Ahah. The man enjoyed the pursuit. Well then, Becky  would lead him on a right merry chase.

“If you will excuse me, my lord, I promised to help the countess with her knitting.”

She dropped a curtsey and made her escape before he could think of a smart response.

He was waiting for her in the hall outside the countess’s sitting room an hour later.

“I had in mind something more personal than soulless pounds,” he said, without preamble.

“Perhaps I could bake you a cake,” she suggested.

“Certainly what I have in mind involves tasting,” he answered smoothly. “Some licking, undoubtedly. Perhaps a little gentle biting.”

Goodness, it was hot for October.

“A single meal, my lord?”

“Once would not be enough, dear Mrs Darling. Do you not agree?”

If she was not very careful, she would agree to anything he said. “An arrangement, then.”

“Certainly, an arrangement.” He took her hand as he walked beside her, and placed a single chaste kiss on a fingertip before sucking the whole finger into his mouth in a far from chaste gesture.

“Do you garden, my lord?” Her voice was unsteady.

“Garden? No, I don’t garden.”

“I had a garden at Niddberrow. I thought the cottage was mine, you see. Perringworth promised me a house.”

“A woman should have her own house,” Aldridge agreed. “But a woman like you deserves a townhouse in London rather than a cottage in the country.”

“London is so large, though. If I lived in London, would I not need a carriage?”

“A phaeton perhaps, that you could drive in Hyde Park during the promenading hour,” Aldridge suggested.

“It does sound lovely,” she said, but lost what she was going to say next as he whisked her into a curtained alcove and proceeded to kiss her so thoroughly that she almost forgot her campaign plan.

He let Becky go, though, when she pulled back.

“Something on account?” she teased.

“A promise of things to come,” Aldridge said.

“Perhaps.” She peeked cautiously around the curtain and then hurried away down the silent hall.

Aldridge next approached her after dinner, sitting on the other side of the love seat she had deliberately chosen in a shadowed corner of the great parlour, out of the direct view of the earl, who was playing the pianoforte, and the countess, who was turning the pages for him.

“I love that dark blue on you, Mrs D,” he said.

She blushed. Her lovers had seldom bothered to compliment her to her face, though extravagant and excruciatingly bad poetry had been written to the Rose of Frampton by those who didn’t have her in their keeping.

“It needs something else, though,” Aldridge commented. He pulled out a tissue-wrapped package. “This is a nothing. Not the diamonds and sapphires I thought of buying. But when I saw it was just the colour of your eyes, I had to have it.”

‘This’ was a shawl in patterns of blue, so fine that it was small enough when rolled to fit into his jacket pocket, but large enough to wrap warmly around her shoulders. She jumped up to examine it in the mirror, and he followed her, standing inches away, but leaning forward to breathe on her ear as he said, “Exquisite.”

“Something on account?” she asked again.

“Not this time. A present, given freely, with no expectation of reward. Because I admire you, lovely Rose.”

She had to remind herself of every rumour she had heard about the man. And even then, if she hadn’t heard him working his charm on Smite’s men, she might have unravelled as he clearly expected. No wonder he had left such a string of broken hearts behind him.

“And in return,” she told him, “I freely give you my thanks, my lord.”

It was worth it to see the moment’s stunned amazement before the amused look reappeared. “Well played, Mrs D.,” he murmured, just before Lady Chirbury called her to the pianoforte.