A Game of Mist and Shadow

by

Tea with Charity

Charity Smith waited in the beautiful parlour to which she had been shown. Built to a more human scale than the gargantuan halls and stairways along which the butler had whisked her, the parlour was still rich and elegant, but she sensed that the paintings had been chosen to suit the pleasure of the room’s owner; that the duchess herself had the pretty wallpaper above the carved wainscoting and the plush drapes that picked out the cornflower blue of the wallpaper pattern. The chairs and sofas had been upholstered in darker blues or sea greens; here a floral, there a stripe. And here and there a bold red vase or cushion set off the more muted colours. And gold, or at least gilt, was everywhere: in the frames of paintings, on cupboard doors, inlaid into table tops, gilding the curves of carving.

Above, the same colours repeated in the ornately painted ceiling. This room was a far cry from the humble cottage in which she had been hidden for six years, or the farmhouse in Oxfordshire she shared with two other women and all their children. She stiffened her spine. The Charity of six months ago would have slunk away, intimidated by the gap between her and the woman she was about to meet. But the loss of her reputation, her marriage, and her home had paradoxically taught her her own strength. She would not be returning home without the child.

She stood and curtseyed when the Duchess of Haverford entered the room, unconsciously squaring her shoulders ready to fight. But the duchess surprised her. “Mrs Smith, I am so sorry to have kept you waiting. You must be beside yourself with worry about your dear sister. But I am confident that David will find her, and all will be well in the end. And, of course, you shall take your niece home with you when you go.”

As she spoke, she took a seat and patted the place at her side. “But come and sit down. Take tea with me and tell me about your children. Did you leave them well?”

Charity is the sister of Prudence Virtue, my heroine in Revealed in Mist. This scene happens after the end of Revealed in Mist, and during the events that start Concealed in Shadow. The first (which is a complete romance and thriller plot, and a stand-alone story) is released tomorrow. Follow the links to find out more, or read on for an excerpt.

“Are you sure Mr. Wakefield will not mind?” Charity asked for the hundredth time.

Prue reassured her again. Of course he would not object to her bringing Charity to his town house for a few days. Would he? Weeks of separation had left her yearning for him, but had it given him time for second thoughts? One slightly used spy, no longer in the first flush of youth, and with a secret that would surely give him a disgust of her, if he ever discovered it.

But Mrs. Allen made them welcome and told Prue the mail had brought a letter from David yesterday, saying he and Gren were leaving for London. They should be home tomorrow or the next day. Prue left Charity to settle into the bedroom Mrs. Allen prepared for her, while Prue wrote a note to Lady Georgiana, asking for permission to call.

They had talked it over at length while with Charissa, and in the carriage on the way from Essex. At inordinate length.

Charity could not, would not, stay in Selby’s cottage. She would go somewhere she was not known and introduce herself as a widow, using another name. Mrs. Smith, she said, for who was to find one Mrs. Smith among thousands?

But how she and the children were to live was a problem. Prue would help, of course. She could double the allowance she was paying, would triple it if Charity would allow. Tolliver’s work paid well enough, and she had a little set aside.

Charity wanted to borrow Prue’s nest egg. She had some idea of setting up a milliner’s shop. Not in London, but somewhere cheaper to live and safer for the children. “Even you said I make beautiful hats, Prue,” she argued.

True enough, but running a business required more than an eye for fashion and an artistic touch with a needle. Prue didn’t want her savings to be frittered away and leave Charity and the girls in a worse situation than before.

“We need somewhere for you and the children to stay while we consider how best to make your plan work,” she told Charity. “I know a lady who supports women in your sort of trouble. She may have a place.” Or she may never wish to speak to Prue again, in which case they needed to think of something else.

On one thing Charity was determined: Prue was not to ask Selby to support his daughters until they moved somewhere he could not find them. “It is not as if he is going to give us any money, anyway, Prue. He barely gave us a thing when I thought I was his wife. Just a few pounds now and again, when he visited. The servants’ pay is several quarters in arrears. Oh, dear. Should I not pay them before I let them go?” Another problem for her to worry at, until Prue was ready to leap screaming from the carriage with her hands over her ears.

The note sent, Prue went to check that Charity had everything she needed.

Her sister was sitting next to the window in her bedchamber, looking out.

“It is very grand, Prue, is it not? Not your David’s town house, though that is finer than I expected. But the streets, the carriages, the people. We are not even in London here, are we? Not really?”

“This is Chelsea,” Prue told her. “We are not in the City, but nor are we far. What would you like to see while we are here, Charity?”

“I will just stay here, Prue, please, except when we go to visit your friend. I want to make arrangements for somewhere to live, then go and collect the girls to take them to their new home. I miss them so much. Besides, imagine if I bumped into Selby!” Charity shuddered.

Perhaps she was wise, though in a city the size of London, the chances of her meeting Selby were slender.

“I need to go out, Charity. I received a note from the agency.”

Prue had told Charity about the mythical agency that placed her with people who needed temporary staff to fill a particular short-term need, and Charity anxiously grasped Prue’s hand.

“You are not going alone, Prue? Is there a footman you can take to protect you?” She shook her head, dismissing whatever thoughts of assault and robbery had entered them. “How silly of me. You know how to…” She made a vague gesture with one hand. Prue had been teaching Charity a few tricks to save herself from attack, some of which would discourage the most persistent man. Charity had been both repelled and intrigued.

“I will take a hackney, Charity, and my little gun.” And the knife strapped to her calf. And the pins in her hair.

“They will not want to send you away, will they? Oh, I am being so selfish. But Prue, I do not know what I would have done these past weeks without you.”

“I will not leave until you and the girls are safe,” Prue assured her. “If it is a job, I will tell them to find someone else.”

by

Revealed in Mist is nearly here

Revealed in Mist is released on iBooks, Barnes & Noble, Kobo, and Smashwords on 13 December. It’ll be coming on Amazon at around the same time — I’m putting the file up this evening or tomorrow evening New Zealand time, so it will be published as soon as it goes through their approval process. And it has been up on Amazon as a print book for over a week, since I wanted to order some books to come to New Zealand in time for an event in February, and the cheapest form of delivery takes a couple of months. I’ve even sold two print books! Woohoo!

Apart from sharing the memes I’ve made (see them below), I’m not making a big splash, but look in the New Year for a blog tour and some other activities. In particular, I’m planning a detective game, which I hope you’ll enjoy. Meanwhile, I’m looking forward to hearing what you think of my hero and heroine.

by

Dear brother, on WIP Wednesday

A romance novel, by definition, is about the developing love between the two main protagonists. But the story is often given strength and substance through relationships with other characters: family members, friends, even enemies. In particular, we grow to know our main characters through their actions towards those they love but with whom they are in conflict: and that’s the theme of this week’s work-in-progress Wednesday: conflict between the main character and family members or friends.

Mine comes from Concealed in Shadow, which is in the very early stages of writing. At this point, I have a few paragraphs of beginning, a general idea of the overall shape of the plot, and random scenes, most of them still in my head. This one happens early on, after David comes eagerly to London to meet and marry Prue, and finds her missing. His half-brothers were the last to be seen with her, and only one of them is still in London.

(Concealed in Shadow is the sequel to Revealed in Mist, which is on presale and will be released next week. See the link for purchase information.)

The early morning sun was just filtering through the fog when David’s quarry let himself into his bed chamber. He had already discarded his hat and gloves somewhere between the outside door and this upper floor, but he was shrugging out of his overcoat as he entered the room.

The overcoat flew to drape over the arm of a couch, and the muffler beneath followed. David watched from the shadowed corner behind the draped head of the bed as the man stripped to his shirt and breeches, with swift economical movements. The coat, richly embroidered waistcoat and cravat followed the rest, and the man crossed to a fireside chair to pour himself a brandy from the decanter that stood ready and slip out of his dancing shoes.

He had clearly been somewhere that required formal evening dress, though David was certain a ballroom had not been his last stop of the night, or David would have found him four hours ago. The man sat relaxed in his own private domain, a little tired — though his energy was legendary — beyond a doubt sated, resting a blond head back against the chair and shutting his hazel eyes as he cupped the glass in his hands to warm the brandy.

When David spoke, it was not much above a whisper, but shockingly noisy in the silent room. “Where is she, Aldridge. What have you and Gren done with her.”

 

by

First words on WIP Wednesday

graveyard-wc1104wI tend to cast around for a long time till I find the start of a book—and even then, I often get it wrong, either deleting what I have in favour of a later passage, or writing something earlier that leads up to my original first chapter. As a writer, I want to start in the middle of the action, but in a place that lets me bring readers into the story quickly, without a lot of explanation. I want to avoid the acronym SDT in the margins. Show Don’t Tell. My friend and editor Mari Christie sends my drafts back with that plastered through them, but so far I’ve been able to avoid the dreaded letters in my first chapters.

So my methodology for starting a book is to write until I recognise the beginning, then second guess that decision once I’ve finished the first draft. Next month’s new release didn’t get its beginning until the final edit. The current work in progress still starts with the first words I wrote in May.

How about you? How do you begin? And does your beginning change as you work your way towards publication?

Here are the first words of A Raging Madness, the first draft I’m hoping to finish by the end of the month. As always, please post your extracts in the comments.

The funeral of the dowager Lady Melville was poorly attended—just the rector, one or two local gentry, her stepson Edwin Braxton accompanied by a man who was surely a lawyer, and a handful of villagers.

Alex Redepenning was glad he had made the effort to come out of his way when he saw the death notice. He and Captain Sir Gervase Melville had not been close, but they had been comrades: had fought together in Egypt, Italy, and the Caribbean.

Melville’s widow was not at the funeral, but Alex was surprised not to see her when he went back to the house. Over the meagre offering set out in the drawing room, he asked Melville’s half brother where she was.

“Poor Eleanor.” Braxton had a way of gnashing his teeth at the end of each phrase, as if he needed to snip the words off before he could stop chewing them.

“She has never been strong, of course, and Mother Melville’s death has quite overset her.” Braxton tapped his head significantly.

Ella? Not strong? She had been her doctor father’s assistant in situations that would drive most men into a screaming decline, and had continued working with his successor after his death. She had followed the army all her life until Melville sent her home—ostensibly for her health, but really so he could chase whores in peace, without her taking loud and potentially uncomfortable exception. Alex smiled as he remembered the effects of stew laced with a potent purge.

Melville swore Ella had been trying to poison him. She assured the commander that if she wanted him poisoned he would be dead, and perhaps the watering of his bowels was the result of a guilty conscience. The commander, conscious that Ella was the closest to a physician the company, found Ella innocent.

Perhaps it had all caught up with her. Perhaps a flaw in the mind explained why she tried to trap Alex and succeeded in trapping Melville into marriage, why she had not attended Melville’s deathbed, though Alex had sent a carriage for her.

“I had hoped to see her,” Alex said. It was not entirely a lie. He had hoped and feared in equal measure: hoped to find her old before her time and feared the same fierce pull between them he had been resisting since she was a girl too young for him to decently desire.

“I cannot think it wise,” Braxton said, shaking his head. “No, Major Redepenning. I cannot think it wise. What do you say, Rector? Would it not disturb the balance of my poor sister’s mind if she met Major Redepenning? His association with things better forgotten, you know.”

What was better forgotten? War? Or her poor excuse for a husband? Not that it mattered,  any more than it mattered that Braxton used the rank Alex no longer held. It was not Braxton’s fault Alex’s injury had forced him to sell out.

The Rector agreed that Lady Melville should not be disturbed, and Alex was off the hook. “Perhaps you will convey my deepest sympathies and my best wishes to her ladyship,” he said. “I hope you will excuse me if I take my leave. I have a long journey yet to make, and would seek my bed.”

by

Counting the bastards

expelling-hagarA sub-theme of my Revealed in Mist is illegitimacy, and the way that illegitimate children were regarded in Georgian and Regency England. I’m conscious that we see that period through the lens of the Victorian era, as I’ve comment in the article on rakehells I wrote for Dirty Sexy History. I figured I’d better do some research, and — of course — I got sucked in.

Births per women, the number of children born within eight months of the wedding, the percentage of women never married, and maternal mortality rates all turned out to be relevant. No, really. 

Uncovering the secrets

pregnant-brideGenealogists have done some useful research on the percentage of children born outside of wedlock or in the first few months after a wedding. The second is simply a matter of dates, and in the early 19th century, around a third of brides were already carrying when they made their vows.

The first is usually clear enough, too. From a level of two children out of every hundred, the rates rose over the long 18th century until, in the early Victorian, seven percent of all children were illegitimate.

(Of course, this doesn’t count those who had a legal father to whom they were not biologically related. Research in other fields gives figures for the number of offspring not related to the putative father, with figures ranging from one or two percent up to as many as forty percent, depending on things like the conditions of the research, socio-economic status, and social norms. One in ten across the Georgian population seems reasonable, with lower figures in the homes of the middle sort, for reasons we touch on below. EDITED)

The birth or baptismal records might state the name of the father and the status of the child. Or perhaps the mother wouldn’t name the father, though such stubbornness could see her jailed. The local parish authorities, who were required to pay for the care of a child whose mother was a resident, had a vested interest in making sure that the man took his responsibilities seriously.

I dare say a number of those pregnant brides went to the altar to meet a groom constrained to be present by the local Vestry committee. And if the man could not or would not marry the girl, he was expected to pay a weekly amount until the child was seven, and could be apprenticed.

Of course, then as now, there were men who successfully denied responsibility, or who absconded. And, with urbanisation, the old village system, where everyone knew everyone else’s business, became less significant for most of the population. The cities provided greater opportunities for anonymity and escape, and fewer opportunities for social sanctions, so the rise in illegitimacy rates is hardly surprising.

Septicaemia as birth control

death-in-childbirthNow I needed to know average family size. After all, five percent in 1800 is only one in twenty, but how many families had an illegitimate child?

In 1800, women could expect, on average, five live births in their childbearing years. Several sites suggested this implied some form of contraception, and I think I’ve figured out what it was. Women had a twenty percent chance of dying in childbirth, which correlates in a horribly fascinating way. The most common way of limiting the number of births per women was maternal mortality.

We can’t say that the average family size was five children. The odds were slightly skewed because it seems likely that a third of women never married (although presumably some of those had children anyway). And fathers could and did take new wives and have more children.

Calculating average family size

familySo let’s do it this way. [WARNING: If you are allergic to Maths, read no further.]

750 children would be born to 150 women. One hundred of those women would be married. Thirty-seven of those children would be born outside of marriage, so the remaining 713 children were born inside of marriage.

This gives us an average family size of around seven, and, in those hundred families, 71 children whose biological sire was not the father of record, and 34 who were conceived before the marriage but born within it.

Class differences in attitudes to illegitimacy

family-sceneThe idea that a woman with a bastard was damned forever and had no choice but to sell her body on the street is part of our Regency writer vocabulary, but it isn’t entirely accurate. The rural lower classes were more practical than that. A girl who was found to be pregnant, and without a lover willing to marry her, might be producing another mouth to feed, but in a few years that mouth would become a set of hands. Genealogy studies have found that unmarried mothers often married later on, their ‘mistake’ absorbed into the new family without a ripple.

For the urban poor, forced to work in factories and workshops, babies were more of a problem. Many were cared for in baby farms, where the death rates were horrific.

The middling sort always set greater store by moral behaviour that those below and above them on the social scale. They tended to expect morality of their men and their women, so perhaps the daughter of a shopkeeper or a lawyer or a wealthy tenant farmer might expect her suitor to marry her if he anticipated his marital rights.

The double standard

the-alarmNot, though, if she were foolish enough or unfortunate enough to attract the attention of one of the upper sort. They had two sets of rules. If you’ve seen the movie Georgiana, you’ll remember the Duke of Devonshire, who had a series of mistresses he preferred to his wife, brought his bastard children to live in his house, and expected the duchess to be friends with the mistress who lived with them, and mother to the entire brood: hers and those of his lovers. Yet he was exceedingly miffed when she had an affair resulting in a child, and insisted that the child be given to its paternal grandparents.

In some ways, little Eliza Courtney, Georgiana’s daughter, was fortunate. She went to relatives who were well able to care for her, though it seems she was kept very much in the background. She made a good marriage, and her descendants include Sarah, Duchess of York. Other noble bastards were put into foster care with unwilling or careless carers, or they remained with their mothers, but only because the poor fallen ladies were turned from their homes.

Women were to be pure (or at least discreet). Men could do pretty much what they liked, as long as they were a little subtle about it.

In fact, reactions varied as much as families. Whatever you’ve read in a romance probably happened somewhere.

For a linked topic, see my post this week on Jessica Cale’s Dirty Sexy History: The Rakehell in Fact and Fiction

by

Opening and ending hooks on WIP Wednesday

eavesdroppingI tend to write drafts in scenes, then decide later where the chapter breaks go. This means that at edit stage I need to find page-turning line to end a chapter on, and an enticing line to begin the next. Or I need to write one.

We call these hooks. They catch on the readers’ mind, and then we reel them in.

This week, I’m looking for your hooks. Give me an excerpt that makes me want more. Here’s one of mine, from Revealed in Mist.

She transferred the contents of the tray to a table beside Miss Diamond’s chair: the pot, a cup, a plate of neatly sliced ham, cheese, pickles, and bread, and a plate of tiny iced cakes. Madame watched and Miss Diamond sat compulsively eating one marzipan shape after another. “That will be all,” Miss Diamond said. “Dupont will serve me.”

Dupont followed Prue across the room and closed the door firmly behind her.

Would there be time to get into the book room while they were occupied? She could at least find out whether she could easily pick the lock with the tools she had been carrying in her apron pocket all afternoon.

She had just taken them from her pocket and bent to examine the lock when a loud scream from below sent her jerking upright then plunging back downstairs.

by

Danger on WIP Wednesday

pexels-photo-110089I’ve been summarising the scenes in A Raging Madness so that I can map them against the internal and external journey of my hero and heroine, as I did with Revealed in Mist. I came across the excerpt below, and decided to share it with you. A moment of danger for my heroine; and this is only the first in a book of them.

Please share your excerpts showing your hero or heroine putting themselves at risk, whether physical risk, risk of rejection or scorn, or whatever you like. Here’s mine.

As soon as the key turned in the lock, Ella slid out of bed to find the chamber pot, and spit the remaining laudanum into it. She washed her mouth once, twice, three times. She had ingested a little—enough to further fog her brain, but not enough to douse the sharp flame of purpose. She had to get away. She had to escape. She had no idea why her brother and sister-in-law were keeping her alive, but she could not count on it continuing.

The room moved a little, wavering at the edges, and Ella wanted nothing more than to crawl back onto the bed and let the dreams come. Did it matter, after all? What good did it do to struggle?

No one in this village would help her, as she had found when they brought her out to display her before the squire and, on another occasion, the rector. She had been drugged both times, of course. She had been drugged these past four weeks. But when she told them, they patted her hand soothingly, looked at her jailers with sympathy, and went away shaking their heads.

But this evening, standing in the shadow of the curtain peering out to see the funeral goers returning to the house, she had seen him. Major Alexander Redepenning. Alex. Perhaps he was just a dream sent by the opium to torture her with hope, but if he were truly here, he would help her. She had to escape now. Tonight.

Alex was a stubborn, opinionated, arrogant fool—and what he had said to her last time they met still scalded her with shame and anger every time she thought of him. But he had known her since she was a child, and he would not abandon her to whatever the Braxtons planned.

She could not run away in her shift, but they had left her no clothes. A blanket? She could wrap a blanket around herself against the chill air.

If she could just open this window without making a noise… So. One obstacle overcome. She dropped the blanket to the ground below. Now she needed to climb from the second floor, dizzy and confused as she was, walk to the village, and find Alex. He would be staying at the inn, surely? He would not have gone on tonight?

She had heard he had been injured; seen the difficulty with which he had descended from his chaise, leaning heavily on his groom. He would not want to travel on tonight. He had to be there at the inn. He had to be willing to help her.

by

The ‘meet cute’ on WIP Wednesday

meet-cute‘Meet cute’ is a term from Hollywood that has crept into book publishing. It means that moment in a romantic comedy when the hero and the heroine first encounter one another. The implication is that the first meeting is amusing, entertaining, or charming.

Even if you’re not writing romantic comedy, the term can apply, but today I’m just using it as shorthand for the first meeting in your book. My own current works-in-progress have progressively less and less cute about them. The Bluestocking and the Barbarian comes close, with James swooping down to save a child from the path of racing curricles.

With hand, body and voice, James set Seistan at the child and dropped off the saddle, trusting to the horse to sweep past in the right place for James to hoist the child out of harm’s way.

One mighty heave, and they were back in the saddle. James’ shoulders would feel the weight of the boy for days, but Seistan had continued across the road, so close to the racers that James could feel the wind of their passing.

They didn’t stop. Didn’t even slow. In moments, they were gone.

The boy shaking in his arms, James turned Seistan with his knees, and walked the horse back to the gates of the big house. A crowd of women waited for them, but only one came forward as he dismounted.

“How can we ever thank you enough, sir?” She took the child from him, and handed him off to be scolded and hugged and wept over by a bevy of other females.

The woman lingered, and James too. He could hear his father and the others riding toward them, but he couldn’t take his eyes off hers. He was drowning in a pool of blue-gray. Did she feel it too? The Greeks said that true lovers had one soul, split at birth and placed in two bodies. He had thought it a nice conceit… until now.

In Revealed in Mist, David and Prue parted in anger in the Prologue, and meet again for the first time in months in the first chapter. Prue has just saved a young lady from rape.

She put the girl behind her with her free hand, then pulled the door closed. Something thrown banged against it on the other side.

“We must get you to safety,” she told the girl, a very young debutante in a torn white gown, her honey blonde hair falling from its careful coiffure, the delicate oval of her face streaked with tears.

“I cannot… I did not… Everyone will think…”

“Take the child to Lady Georgiana.” Prue started at Shadow’s voice and the girl yelped and clutched at her for protection. Fussing over the girl gave Prue time to catch the breath that had escaped at his sudden appearance. He was leaning against the next door down, half concealed in the doorway. “There’s a small sitting room along there.” He pointed down the passage towards the far end, seemingly unaffected the meeting, while Prue was torn between spitting in his face and throwing herself at his feet to beg him to forgive whatever offence she had caused. “Half way to the corner. Lady Georgiana is in there. She’ll take care of your maiden, and I shall see to the assailant. Who is it?”

And A Raging Madness has the least cute meet of all, as Ella flees confinement and abuse in her in-laws house to beg help from Alex, who she knew long, long ago.

The couch faced the fire, its back to the bed chamber door. The occupant was invisible until they stood right over it, and then there she was, lying on her back, wrapped tightly in a scruffy grey woollen blanket, heavily mired at one end with dried mud. All they could see of the woman was her head, and that was somewhat the worse for wear. Her face was far too thin, with dark patches under the eyes and bruise over bruise along her jaw, as if she had been gripped too hard time after time, week after week. She lay in a tangle of long brown hair, escaped from the plait to which it had been confined.

As they watched, she opened her eyes. For a moment, she stared at them, confused. Then she seemed to recall where she was, and sat up in one convulsive movement, clutching the blanket to her with a bare arm as it fell, but not before Alex had seen she wore nothing but her shift.

“Alex, thank God. You must help me. Please.”

“Lady Melville.” Alex bowed as well as he could, leaning heavily on his stick, hating to show weakness in front of her of all people. But her eyes did not leave his, and she displayed no signs of noticing his infirmity.

“Please,” she repeated, just as someone knocked on the door. She shot off the couch, clutching the blanket, and retreated to the wall, her eyes wide. He had seen such a stance before, people under threat finding a wall for the back, animals at bay, almost dead from fear, but  still searching for escape.

“It is just the major’s breakfast, my lady,” Jonno said, soothingly. But a male voice in the hall belied his reassurance. “Knock again,” it said, loudly, authoritatively. Braxton.

“Please,” Ella begged, one more time.

by

Tea with Prue

monday-for-tea

Eleanor, Duchess of Haverford, feels a strong sense of obligation to today’s caller. Not that she will say so. Her Grace has engineered a dozen meetings in the past five years, and not once has Miss Virtue raised the connection between them. Perhaps she is unaware of it? No, surely not. But if she wishes to ignore it, then the duchess will comply. The young lady is entitled to her privacy.

The butler escorts Miss Virtue into the conservatory, where Her Grace and her guest can enjoy the autumn sun and the splendid views of the gardens without suffering the chilly breeze. The duchess rises in greeting.

“Miss Virtue. How kind of you to come.”

Her caller curtseys gracefully, without comment, and seats herself when the duchess invites her to do so. For a few minutes they discuss courteous nothings: the weather, the number of people in Town, the War on the Continent, how Miss Virtue would prefer her tea.

But once she has a fine bone china cup in her hands, Miss Virtue cuts directly to the point in the way the duchess has come to expect and admire. “But I do not wish to take up too much of your valuable time, Your Grace. How may I be of service to you.”

Her Grace suppresses a sigh—will the child never trust her? “I have a commission for you, Miss Virtue, if you are free to undertake it. My godson, the Earl of Penworth, appears to have gone missing…”

castle-silhouette-vector-954843-small

Prue Virtue is a spy for the Crown, but occasionally undertakes freelance commissions. The following excerpt is from The Prisoners of Wyvern Castle, a novella in my free book Hand-Turned Tales (click here for buy links). Prue, disguised as the nurse Miss Tyler, is here on the duchess’s errand, looking for the Earl of Penworth. She finds that he has acquired not only a prison but also a wife.

Prue is also the heroine of Revealed in Mist, coming in December 2016.

prisoners-of-wyvern-smallSeveral minutes passed, and all remained quiet. This might actually work! First, she needed to find a boat small enough for her to handle. Hugging the walls, keeping to the shadows, she began to circle the courtyard toward the deeper darkness that signalled the passageway through the walls. Beyond, the road led down to the docks.

She was nearly there when a woman’s voice spoke behind her. “Do not be alarmed, Lady Penworth.”

Madeline spun around, one hand to her chest to hold her pounding heart in place.

“Who is it?” She could see a vague shape in the darkness, but no details.

“A friend.”

It was not Lady Wyvern, nor—from the accent, which was aristocratic—one of the servants. As she froze, trying to decide whether to run or speak, she heard footsteps and voices approaching from the other end of the passage.

“Quick. This way.” The woman took her hand and pulled her through a doorway, into the room beyond. Just in time. Pressed against the wall inside the door, she could hear them clearly: several men arguing in hushed voices.

“It was the White Lady, I tell you.”

“Rubbish.”

“She was coming out that window. I saw her with my own eyes. It was like a long coil of smoke, twisting in the wind.”

“A long coil of smoke. Listen to him. Next, you’ll be telling us she’s off to join her husband in the dungeon.”

A chorus of guffaws.

“You’ve heard what the islanders say, same as me,” the first voice insisted.

“Yes, and right fools they are, too.”  The speaker pitched his voice in a falsetto. “Ooooh! Moaning in the dungeon. It must be the ghost!” Then, reverting to his own low rumble. “Silly tossers. A good thing Her Ladyship sent the whole lot of them packing.”

The first voice began, “If you ask me…”

Another man interrupted. “You can stand around talking about ghosts all night if you want. I’m for the kitchen and a tot of something hot and strong. Securing those boats was cold work.”

She could make out no more. They were across the courtyard and… yes, they had gone down the steps into the servants’ area Rupert had pointed out from their window.

“Come,” her companion said. “Lord Wyvern is awake and wishes to speak with you.”

“Let me go,” Madeline pleaded. “Now, while the courtyard is clear.”

“I will help you, my lady. That is why I am here. But first, we need to share information. Come with me and see Lord Wyvern.”

“Who are you?” Madeline asked, but the woman gave her no answer, just moved away, surefooted in the dark.

After a moment, Madeline followed her. They climbed the stair until they reached the room where Lord Wyvern lay, propped up on pillows, looking—by the light of the lamp at his bedside—more alert than he had earlier in the day.

The light allowed Madeline to recognise her companion. “You are the nurse. Miss Tyler. You work for Lady Wyvern.”

“I work for Lord Wyvern,” Miss Tyler corrected. “I am here to rescue him, and you and the earl.”

“Lady Wyvern took the earl away. I don’t know where.”

“Dun… jin,” Lord Wyvern said, and Miss Tyler nodded. “They were keeping Lord Wyvern in the dungeon when I was brought here to care for him. I expect that is where they have your husband and the other two men.”

Lord Wyvern was a frail shadow of the hearty man Rupert had described, and pale enough to have been in a dungeon these six months. Madeline didn’t understand how his own servants could have allowed such a thing.

“Why did your people let it happen?” she asked him, but it was Miss Tyler who answered.

“His Lordship had an apoplexy. Lady Wyvern saw her moment and removed anyone who might object to her regency while he was ill. Then, when he began to recover… well, she made sure to keep him bedridden. And she hid him, so those loyal to him would not know what she was doing.”

“How could the Ice Dragon hope to get away with it?”

Goodness. She was so used to Rupert’s name for his sister that she said it without thinking. But Lord Wyvern was laughing silently, and even the nurse was smiling.

“A good name for her,” Miss Tyler said. “She is an arrogant woman, Your Ladyship. She makes her plans and assumes the rest of the world will fall into line. She must have been horrified when the King sent Lord Morpeth to see what was happening here, but she and Sir James decided to bully their way through.

“They sent most of the islanders away, to keep complaints and rumours from reaching Lord Morpeth’s ears. That may yet work to her disadvantage, since they are now on the mainland and will be talking to all their friends and relatives. Word will reach the ears of the gentry sooner or later, and people with authority will start asking questions.”

“I cannot wait for that,” Madeline said. “I need to rescue the earl now.”

“Plan?” Lord Wyvern asked.

“Yes, my lady. What was your plan? Do you have a helper? Somewhere to go?”

Madeline shook her head. She and Rupert had no one to help them. But they had a plan, of sorts, and she intended to carry it out.

Miss Tyler saw her hesitation. “Lady Penworth, you are wise to be cautious, but you can trust us. Lord Wyvern, as you know, is as much a victim of the conspirators as you and your husband. And I have been sent by the earl’s godmother to find out what is happening and help if I can.”

by

You can’t choose your relatives on WIP Wednesday

au_bistro_at_the_bistroI’m deep in edit mode for Revealed in Mist, and I think I’m improving it. Sibling relationships are a big part of the story—Prue’s with her sisters, and David’s with his half-brothers. As the saying goes, you can choose your friends, but you can’t choose your relatives.

I’ve just edited chapter two, where David meets the Marquis of Aldridge for the first time in years, so I figured I’d make relatives the focus of this week’s post. Here’s a short excerpt. Feel free to post one of your own in the comments.

He frowned at the fire in the small hearth. The private parlour he had hired was small and shabby, but at least its size made it easy to heat. And it was neutral ground, which mattered. David hadn’t had a prolonged conversation with his expected guest in a decade and a half.

He must have been seventeen or eighteen on the last occasion, staying at Haverford Castle in Kent between the end of the school term and his first term at university. The Duke of Haverford’s son and heir, the Marquis of Aldridge, would have been 12. The day had begun happily enough with the boy tagging along while David went out after small game with a gun. It had ended with David beaten and driven from the property.

Aldridge had tripped and knocked himself out, and Haverford, finding David leaning over his unconscious heir, had not waited for explanations.

Once the young marquis left school and entered Society, they met from time to time, usually when the Duchess of Haverford insisted on David coming to one of her entertainments. Her husband, the duke, was almost always engaged elsewhere, but her sons often attended. They paid their mother the courtesy of not being rude to her protégé, and he responded with the same polite reserve.

He was expecting Aldridge now. Older brother to one of the courtesan’s lovers. David’s despised father’s oldest legitimate son. His half-brother.

A knock on the door heralded Aldridge’s arrival. A maid showed him into the private parlour. He’d clearly been treating her to a display of his facile charm; she was dimpling, blushing, and preening.

David examined him as he gave the girl a coin “and a kiss for your trouble, my darling.” The beautiful child had grown into a handsome man. David had heard him described as ‘well-put together, and all over, if you know what I mean.’ The white-blonde hair of childhood had darkened to a guinea gold, and he had his mother’s hazel eyes under a thick arch of brow he and David had both inherited from their father.

Aldridge navigated the shoals of the marriage market with practiced ease, holding the mothers and their daughters off, but still not offending them, and carrying out a gentleman’s role in the ballroom with every evidence of enjoyment.

But his real success, by all accounts, was with bored widows and wives, where he performed in the bedroom with equal charm, and perhaps more pleasure. Society was littered with former lovers of the Merry Marquis, though he had the enviable ability to end an affair and retain the friendship.

Aldridge ushered the laughing maid out of the room and closed the door behind her, acknowledging David’s appraisal with a wry nod.

“Wakefield. You summoned me. I am here.”