Gingerbread Bride on Spotlight on Sunday

 

After sailing the seven seas with the King’s navy for most of her life, admiral’s daughter Mary finds London hard to take, and her grasping aunt and nasty cousin even worse. A trip to find other relatives to live with brings dangers aplenty, but also Rick the Rogue, once a midshipman on her father’s ship, riding once more to her rescue.

The plot includes brides made out of gingerbread, runaway carriages, a pair of wicked cousins who almost deserve one another, a chaotic household in the midst of Christmas preparations, and one of the sweetest proposals I’ve ever written. It is the first story (chronologically) in the Golden Redepennings saga.

Gingerbread Bride is the third novella in Holiday Escapes, a collection of stories republished from the Bluestocking Belles 2015 box set, which has long been out of publication.

Read more about the box set and preorder from one of the buy links here.

Tea with Rick

Lieutenant Rick Redepenning shifted to ease the ache in his leg. The butler had invited him to take a seat, but that would mean the whole rigmarole of rising again when the duchess arrived. He’d stand and avoid at least one embarrassing and painful display.

Not that Her Grace would offer anything but sympathy, but Rick was up to his eye-teeth in sympathy. His sister and her friends had been smothering him with it since this cursed injury beached him ashore, cast up without a ship and with other officers jumping ahead of him in preferment.

“Rick, my dear.” The duchess glided through the doorway, both hands out to greet him. “I am so pleased to see you up on your feet.” Without a glance at the walking stick he propped against the sofa behind him, she grasped his hands and stretched up to kiss the cheek he bent towards her.

“Thank you for the invitation, Your Grace.”

“Not ‘Your Grace’,” the duchess scolded. “Not from my godson, who has called me Aunt Eleanor since he was in skirts. Sit down, dear boy, and tell me what you have been doing since we last met. Let me see. You were still a midshipman, and came with your Admiral and his daughter to one of my balls.” She settled herself on the sofa at right angles to his own, and her eyes did not leave his as he made his awkward descent, finally propping the deuced leg before him like the burden it was.

“Mary Pritchard,” he agreed, the picture of the admiral’s daughter suddenly leaping into his mind. She wouldn’t be grumbling about an injury that would, in time, heal. Not Mary. No, she’d be off after every adventure London could offer, heedless of pain, danger, or propriety.

“Miss Pritchard is in London,” Aunt Eleanor informed him, “living with an aunt, a Lady Bosville. Word is that she will marry her cousin, Viscount Bosville.”

Mary? Marry? Sweet, dauntless little Mary? But she must be in her twenties, now, no longer the little girl with whom he had roamed ports in far flung parts of the Empire. He hoped the viscount was worthy of her. Perhaps he had better make a call on her and see. After all, when he was a midshipman with her father’s fleet, rescuing Miss Mary from had been almost one of his duties!

Rick is turned away from the Bosville residence, but when he flees to the country to escape the smothering of his sister and her friends, who does he find but Mary, running from the unwanted suitor being pressed on her by her aunt. The resulting story is my novella Gingerbread Bride which is the first story in The Golden Redepennings.

What’s in a name?

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Book titles matter. A rose by any other name, Juliet claimed, would smell as sweet, but would people be as willing to put their noses close if it were called Skunkstink, or Fartflower? And titles bother me.

Sometimes, a title will occur immediately, surfacing from the interior of my brain without any effort on my part. Gingerbread Bride was like that. As soon as we came up with the concept of runaway brides for the Bluestocking Belles 2015 holiday box set, the title and the basic story appeared in my mind.

Sometimes, I’ll come up with a concept for a series, then have to find titles that will fit. All the titles for novels in The Golden Redepennings series are excerpts from quotes. Farewell to Kindness comes from The Count of Monte Cristo.

“And now…farewell to kindness, humanity and gratitude. I have substituted myself for Providence in rewarding the good; may the God of vengeance now yield me His place to punish the wicked.”

The one I’m working on now is called A Raging Madness, which comes from a quote by French philosopher Francois de La Rochefoucauld.

“…envy is a raging madness that cannot bear the wealth or fortune of others.”

Do these fulfill the criteria that Tucker Max lists in How to Title a Book The Right Way?
  1. Attention Grabbing
  2. Memorable
  3. Informative (gives idea of what book is about)
  4. Easy to say
  5. Not embarrassing or problematic for someone to say aloud to their friends

You tell me.

I’ve been fretting over two other titles, both books I’ve just finished.

The novel I have just received back from beta readers has been Seeking Prudence, Encouraging Prudence, and most recently Embracing Prudence. And it is part of a series loosely known as The Virtue Sisters. The other books would include a sequel to the current one, and also a book for each of Prudence Virtue’s sisters, Hope, Faith, and Charity. And all my titles are pretty blah.

After talking to friends and thinking—a lot—I’m leaning to the series titleThe Wages of Virtue.

The individual books would be Firstname in Something.

So either Prudence in Love followed by Prudence in Peril or Prudence in Desire followed by Prudence in Danger.

If we go with the ‘d’ words, we’d have Hope in Despair, Faith in Decline, and Charity in Doubt.

Otherwise, I’m sticking with Hope in Despair, but I might go for Faith in Jeopardy and Charity in Tribulation.

The novella is an entirely different matter! Tentatively entitled The Bluestocking and the Barbarian, which at least means what you see is what you get, it is again the first of a series. What to do, what to do?

You cannot always choose both

choicesMy usual answer when I’m asked to make a choice between two good things is ‘yes’. Would you like chocolate cake or banana muffins? Yes. Would you prefer to have a bath or watch tv? Yes. Do you want to dance or have a glass of wine? Yes.

And this last two years, since I’ve started writing fiction for publication, I’ve been piling on the ‘boths’. I figure I have four lives, any one of which could be full time: writing fiction, a full-time day job, family and friends (including some fairly demanding responsibilities as an arms-length care giver), and then a whole mix of community activities I’m involved in.

It is interesting, sometimes thrilling, and mostly a lot of fun. But there’s no room for anything else. With a couple of health and family crises simmering since November, somethings had to give. I’m two months behind the frequently revised date for my draft of Embracing Prudence. And my marketing activity is way, way down, as shown by my book sales figures.

Thinking about priorities

I had a wake-up call, recently. I read a published book by a writer I admire, and it sounded to me like a first draft. Lots of long sequences of backstory, telling rather than showing, some odd sequencing stuff. And I think I know why.

Publish a book every three months, received wisdom says, and then live in the marketplace telling people about it. The pressure is on to rush to get stuff to the publisher or (in the case of us independent publishers) to get it on the bookshelf. And the time isn’t there to make it as close to perfect as we can.

I am not playing that game. I want every book to be better than the last. Because I don’t like doing the same thing over and over, I may not always please the same readers, but I need to know that at least I’m improving my grasp of the craft of writing.

Here are my priorities, more or less in order.

  1. to deepen my relationship with God
  2. to look after my family
  3. to stay healthy
  4. to give my employer my best attention and commitment during working hours until the mortgage is paid and I can retire and write fiction as my full-time job
  5. to write books I am happy to put my name on
  6. to share those books with readers.

So writing comes ahead of marketing

When the squeeze is on, as it has been over the past four months, in future I’m choosing writing over marketing. Maybe this means that I’ll have another two years of adequate but not spectacular sales. (My author rank at Amazon generally sits somewhere in the 20,000–25,000 bracket. To put that in perspective, I’m not millionth, but each step from here is tightly fought, and I won’t be anywhere near making even a modest living till I’m up around 10,000th.)

In two years, when the mortgage is paid, I might be able to spend more time thinking about how to get my print books into libraries and book shops, and which review sites and other gate keepers might be persuaded to take a look. Meanwhile, I’m in the writing cave. I’ll pop out to play with my friends. Yes, and to do a bit of marketing, too, when I have time. But my priority is going to be the books.

What’s next from Jude Knight?

I’ve recently been project manager for the Belles on the Combined 2015 Editions of the Teatime Tattler, published last week. Click on the title to find out about it, and to get your copy while it is still free.

While you’re there, check out our previous box set, Mistletoe, Marriage and Mayhem. We’re removing it from publication on 31 March, so get it now for only 99c, all proceeds to the Malala Fund. After 1 April, we’ll each publish our own novella. I’m targeting 8 May with my Gingerbread Bride, which is about Rick Redepenning and his courtship of Mary, seven years before the events in my novel Farewell to Kindness.

Before the end of June, I plan to publish Embracing Prudence. That’s pretty tight, since I’m only halfway through the beta edit, so it may slip (once more), but no later than July.

I’ve made a good start on A Raging Madness. I’m 12,000 words in, and I have the rough plan for the rest mapped out. I expect to publish before the end of the year, possibly as early as September.

I have a 1 May deadline for the novella for the next Bluestocking Belles holiday box set, which has a house party theme. All our novellas have their lives affected in one way or another by the festivities at Hollystone Hall. The venue has its own Facebook page, where we’re posting character sketches and scenery on our way to publication on 1 November. My contribution is titled The Bluestocking and the Barbarian.

And Mariana Gabrielle and I are cowriting a novel that ambushed us when we were thinking about something else. We haven’t set a publication date for Never Kiss a Toad, but watch this space.