What went wrong in WIP Wednesday

What could possibly go wrong?

What could possibly go wrong?

And I didn’t choose the title of this post to acknowledge that it isn’t even Wednesday. Today, I’m using a writing tip as my starting point for the day’s theme.

When writing, don’t ask yourself what happens; ask yourself what goes wrong.

If nothing goes wrong, there isn’t a plot, and every plot is a series of obstacles, external or internal, between the protagonists and their goals.

So please share a few lines in your WIP where things seem to be going as they should but suddenly turn pear-shaped.

My excerpt is from the second book in The Golden Redepennings series, A Raging Madness. Alex and Eleanor have stopped in a village so that Alex (who has large chunks of shrapnel floating around in his thigh) can rest and Eleanor can go through the worst of the withdrawal from the opiates her horrible relatives have been forcing down her throat. But Alex has just met someone that Ella knows; someone who believes her brother-in-law’s claims that she is insane. Note that Alex, a product of his time, tries to avoid a direct lie.

Ella sat at the table under the window, where she could peer around the curtain at the garden without being seen. No rector yet. Down below, Alex had moved her chair so he could watch the path from the house. He was eating her toast, and drinking tea from the cup Jonno had poured her. After a moment’s hesitation, she lifted the window, just slightly. There. If they talked in the garden, she would hear the whole conversation.

She flinched at the sound of the door knocker, and fought the urge to run across to the other side of the house to see who was calling.

“See who that is, Jonno, would you, since our landlady is out?” Alex said calmly, and he had buttered and jammed another slice of toast before Jonno ushered two men out into the garden. Yes. The rector, and the other must be his friend, the local vicar.

From this angle, she could see Alex’s face, but not the rector’s. She could hear their voices, though.

“So! You are this Mr Reid. What are you playing at, Redepenning, and what have you done with poor Lady Melville?”

At the last question, Alex, whose eyes had been twinkling, sobered. “Lady Melville? She is still missing then? Surely you do not think I…?” He stood suddenly, looking so affronted that the rector took a step back. “Rector, I must protest. What sort of a gentleman would take advantage of a woman of frail mental capacity? I am not such a villain!”

He subsided back into his chair, waving the piece of toast he still held at the other seating around the table. “You will excuse me; the walk tired my leg. Please. Take a seat, gentlemen. Can my servant fetch you tea? I regret that our landlady is from home, but I would happily convey a message.”

The vicar sat, while the rector remained standing. “Mr Reid, or is it Major Redepenning…?”

“Mr Redepenning, in fact. I have sold out, sir, because of my injury. But I beg you to keep my true name a secret. A lady’s reputation, you know, though I am embarrassed to discuss such a matter with a man of God.”

The rector sat then, and rushed into speech, leaning towards Alex in his urgency. “Yes. Well that is the point, is it not? This so called lady; this Mrs Reid. If she is not Lady Melville, who is she? Eh? Who is she? That is the point.”

Alex, amusement lighting his face, said, “Jonno, is Mrs Reid still off on her walk?” He dropped his voice, confidingly. “You would be reassured if you could meet the lady, gentlemen, though I do not suppose she would be pleased with that solution. Alas, I fear I have been a disappointment to her. Hence the walk! And last time she lost her temper, I did not see her for months. Still, you are welcome to wait. I am sure she will return.”

He dropped his voice, and Ella had to strain to hear him. “She is not happy about her condition,” he confided. “Well. And one cannot blame her, of course.”

“Her condition?” The rector seized on the words. “She is ill?”

“Oh yes,” Alex confirmed. “That is why we stopped in this village. The motion of the carriage… One hopes the child is her husband’s, distressing though the thought is. It would be most unfortunate were it born with fair hair like mine. Or the Redepenning blue eyes. That would be hard for a husband to overlook, do you not think?”

“Sir!” The vicar rose to his feet, almost spitting with shock and horror. “I take leave to tell you, sir, that you are a despicable cad.”

(And yes. I’ve been missing my usual WIP Wednesday posts because things went wrong. But hey. Life.)

What’s in a name?

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Book titles matter. A rose by any other name, Juliet claimed, would smell as sweet, but would people be as willing to put their noses close if it were called Skunkstink, or Fartflower? And titles bother me.

Sometimes, a title will occur immediately, surfacing from the interior of my brain without any effort on my part. Gingerbread Bride was like that. As soon as we came up with the concept of runaway brides for the Bluestocking Belles 2015 holiday box set, the title and the basic story appeared in my mind.

Sometimes, I’ll come up with a concept for a series, then have to find titles that will fit. All the titles for novels in The Golden Redepennings series are excerpts from quotes. Farewell to Kindness comes from The Count of Monte Cristo.

“And now…farewell to kindness, humanity and gratitude. I have substituted myself for Providence in rewarding the good; may the God of vengeance now yield me His place to punish the wicked.”

The one I’m working on now is called A Raging Madness, which comes from a quote by French philosopher Francois de La Rochefoucauld.

“…envy is a raging madness that cannot bear the wealth or fortune of others.”

Do these fulfill the criteria that Tucker Max lists in How to Title a Book The Right Way?
  1. Attention Grabbing
  2. Memorable
  3. Informative (gives idea of what book is about)
  4. Easy to say
  5. Not embarrassing or problematic for someone to say aloud to their friends

You tell me.

I’ve been fretting over two other titles, both books I’ve just finished.

The novel I have just received back from beta readers has been Seeking Prudence, Encouraging Prudence, and most recently Embracing Prudence. And it is part of a series loosely known as The Virtue Sisters. The other books would include a sequel to the current one, and also a book for each of Prudence Virtue’s sisters, Hope, Faith, and Charity. And all my titles are pretty blah.

After talking to friends and thinking—a lot—I’m leaning to the series titleThe Wages of Virtue.

The individual books would be Firstname in Something.

So either Prudence in Love followed by Prudence in Peril or Prudence in Desire followed by Prudence in Danger.

If we go with the ‘d’ words, we’d have Hope in Despair, Faith in Decline, and Charity in Doubt.

Otherwise, I’m sticking with Hope in Despair, but I might go for Faith in Jeopardy and Charity in Tribulation.

The novella is an entirely different matter! Tentatively entitled The Bluestocking and the Barbarian, which at least means what you see is what you get, it is again the first of a series. What to do, what to do?

You cannot always choose both

choicesMy usual answer when I’m asked to make a choice between two good things is ‘yes’. Would you like chocolate cake or banana muffins? Yes. Would you prefer to have a bath or watch tv? Yes. Do you want to dance or have a glass of wine? Yes.

And this last two years, since I’ve started writing fiction for publication, I’ve been piling on the ‘boths’. I figure I have four lives, any one of which could be full time: writing fiction, a full-time day job, family and friends (including some fairly demanding responsibilities as an arms-length care giver), and then a whole mix of community activities I’m involved in.

It is interesting, sometimes thrilling, and mostly a lot of fun. But there’s no room for anything else. With a couple of health and family crises simmering since November, somethings had to give. I’m two months behind the frequently revised date for my draft of Embracing Prudence. And my marketing activity is way, way down, as shown by my book sales figures.

Thinking about priorities

I had a wake-up call, recently. I read a published book by a writer I admire, and it sounded to me like a first draft. Lots of long sequences of backstory, telling rather than showing, some odd sequencing stuff. And I think I know why.

Publish a book every three months, received wisdom says, and then live in the marketplace telling people about it. The pressure is on to rush to get stuff to the publisher or (in the case of us independent publishers) to get it on the bookshelf. And the time isn’t there to make it as close to perfect as we can.

I am not playing that game. I want every book to be better than the last. Because I don’t like doing the same thing over and over, I may not always please the same readers, but I need to know that at least I’m improving my grasp of the craft of writing.

Here are my priorities, more or less in order.

  1. to deepen my relationship with God
  2. to look after my family
  3. to stay healthy
  4. to give my employer my best attention and commitment during working hours until the mortgage is paid and I can retire and write fiction as my full-time job
  5. to write books I am happy to put my name on
  6. to share those books with readers.

So writing comes ahead of marketing

When the squeeze is on, as it has been over the past four months, in future I’m choosing writing over marketing. Maybe this means that I’ll have another two years of adequate but not spectacular sales. (My author rank at Amazon generally sits somewhere in the 20,000–25,000 bracket. To put that in perspective, I’m not millionth, but each step from here is tightly fought, and I won’t be anywhere near making even a modest living till I’m up around 10,000th.)

In two years, when the mortgage is paid, I might be able to spend more time thinking about how to get my print books into libraries and book shops, and which review sites and other gate keepers might be persuaded to take a look. Meanwhile, I’m in the writing cave. I’ll pop out to play with my friends. Yes, and to do a bit of marketing, too, when I have time. But my priority is going to be the books.

What’s next from Jude Knight?

I’ve recently been project manager for the Belles on the Combined 2015 Editions of the Teatime Tattler, published last week. Click on the title to find out about it, and to get your copy while it is still free.

While you’re there, check out our previous box set, Mistletoe, Marriage and Mayhem. We’re removing it from publication on 31 March, so get it now for only 99c, all proceeds to the Malala Fund. After 1 April, we’ll each publish our own novella. I’m targeting 8 May with my Gingerbread Bride, which is about Rick Redepenning and his courtship of Mary, seven years before the events in my novel Farewell to Kindness.

Before the end of June, I plan to publish Embracing Prudence. That’s pretty tight, since I’m only halfway through the beta edit, so it may slip (once more), but no later than July.

I’ve made a good start on A Raging Madness. I’m 12,000 words in, and I have the rough plan for the rest mapped out. I expect to publish before the end of the year, possibly as early as September.

I have a 1 May deadline for the novella for the next Bluestocking Belles holiday box set, which has a house party theme. All our novellas have their lives affected in one way or another by the festivities at Hollystone Hall. The venue has its own Facebook page, where we’re posting character sketches and scenery on our way to publication on 1 November. My contribution is titled The Bluestocking and the Barbarian.

And Mariana Gabrielle and I are cowriting a novel that ambushed us when we were thinking about something else. We haven’t set a publication date for Never Kiss a Toad, but watch this space.

Assumptions on WIP Wednesday

eve2I’ve been banging my head against assumptions today. Four different parts of my busy life blew up on me because of diverse assumptions where people had decided what was happening without checking the facts. So I’m late posting, but it is still Wednesday somewhere, right? And keep right on adding those excerpts, folks. People look at these pages right the way through the week.

Wrongful assumptions, or diverse assumption, can be a useful plot hinge. Have your characters gone off in different directions or locked horns because of assumptions? Mine have. I haven’t yet written the major incorrect assumption that my heroine Sophia has about my hero James (that he is courting her sister), but Embracing Prudence is full of assumptions, Never Kiss a Toad has quite a few, and here’s one from A Raging Madness.

“Lady Melville keeps very little in her room,” he commented.

The maid frowned, and moved closer to him, lowering her voice to a thread above a whisper. “Miss Kerridge packed it all away. Said the lady did not need any of it and might use it to harm herself. They could have left the poor lady with her father’s picture. And the toy Sir Gervase bought for the baby. It was soft. She couldn’t hurt herself with a stuffed cloth cat.”

A baby? Ella had said nothing about a child.

“Perhaps they thought the child should have his father’s gift? Or hers. A boy or a girl?” Not that it mattered.

But the maid was shaking her head. “Poor little mite. It died. It was terrible.” Her eyes gleamed with the pleasure of a dreadful story. “The master was dead, and the old mistress had taken to her bed with a seizure (she was never the same again, poor lady) and my lady slipped on the ice. The fall started the baby coming. But it was not the right time, and the wee one was not lying right in the womb. She had it powerful bad.”

“The baby was born dead?” Dear God.

“Not then, sir. First Mr and Mrs Braxton arrived, and then the baby was born, and we were that pleased, and then the mistress was sick, and the baby, he just died in his sleep, poor little lamb. She looked fit to be buried herself, poor lady, but she got up from her bed and started nursing old Lady Melville, and she nursed her ever since, these three years till a month gone.”

Three years. Three years ago, Braxton had come to London to collect the body of his younger half-brother. He had said that Ella had refused to come with him—that she had social engagements she would not leave for a husband she did not want. And Alex had believed him. When he travelled down here for the funeral, he had made his contempt clear to a pale and silent Ella. How had he not seen that she was ill and grieving?

 

Sunday retrospective

time-machineToday’s Sunday retrospective reaches back to the second half of October 2014, when I was writing the last third of Farewell to Kindness. I was reporting progress—and hiccups—as I went. I finished the month with a photo of the printed first draft of Farewell to Kindness and the heading #amediting. A couple of days before that, I posted a list called ‘Editing the book’ — everything I needed to do between finishing the first draft and sending the book for beta reading.

Criminal injustice was the post I wrote when I found out about the sea change in the British criminal justice system, and how this affected my plot. In 1807,  the old system was no longer working and the new system had not been invented.

Our modern view is that one law should apply to all. It doesn’t always work. Money buys better lawyers, for a start. But the basic principle is that we have laws that lay down the crime and the range of punishments, and judges who look at the circumstances and apply penalties without fear or favour.

The pre-19th century situation in England was far, far different.

I also posted on why I changed the name of my heroine in Farewell to Kindness in a blog post with the longest titleI have ever written: Ewww, just ewww: or the cautionary tale of the perils of naming characters in a whole lot of books at once and then starting one without reference to the real world.

I waxed philosophical about romance writing as a genre in a couple of posts that largely picked up what other people were saying:

  • Fear of vulnerability reports on research that suggests fear of vulnerability underpins the common dismissal of the romance genre by readers of other types of fiction
  • Romance novels are feminist novels has excerpts from a much longer article that directly confronts the view that all romance novels are trivial, and turns it on its head.

The first review I published on my website was for the wonderful Lady Beauchamp’s Proposal. Four months later, I was thrilled to find author Amy Rose Bennett as another potential Bluestocking Belle, and we’ve been colleagues and allies ever since.

And I also published a review of Darling Beast by Elizabeth Hoyt. In less than a fortnight, I’m hosting a Belles’ Book Club discussing another of the Maiden Lane series, Scandalous Desires. Elizabeth has agreed to pop in for an hour, so don’t miss it. You can join the event here: https://www.facebook.com/events/929180810491602/

First kisses on WIP Wednesday

Today, I’m featuring first kisses. With four works-in-progress underway at the same time, I have a few to choose from. Two of them are not at all far along, but I was in a party on Facebook where kisses were the theme of the day, so I wrote a kiss scene for each.

Below is the first kiss between Alex Redepenning and Ella Melville, hero and heroine of A Raging Madness, the second Golden Redepenning book. How about showing me yours?

In A Raging Madness, Alex Redepenning is rescuing the widow Eleanor Melville from her scheming relatives. Alex and Ella are fighting the attraction between them. I haven’t yet written as far as their first kiss, but I’m guessing it is going to go something like this:

“How is your leg?” she said, doing a creditable job of keeping her voice steady. Alex could not be so calm. He had nearly lost her!

She knelt beside him looking anxiously at the pernicious limb. To hell with the leg. “Ella!” She turned her head to meet his eyes. He said it again, his voice breaking. “Ella.”

Her eyes full of wonder, she lifted her hand to touch his face, and he noticed the holes in the crown of her hat.

“Your hat!” he managed. She untied and unpinned it; removed it and poked a finger into one hole and then the other.

“The bullet went through my hat!” She sounded surprised, but not alarmed.

“Too close.” Unable to bear the distance, he tugged her into his arms. “Too close, Ella.” He folded her close and tucked his face into her hair.

She pulled back, warning him, “Alex, be careful of your leg!” Her face turned up to him tempted him beyond measure, and he covered her mouth with his, the thwarted desire of a decade or more released by the fear of the last half hour.

Damn the leg, he would have said, but her mouth had risen to meet his, and he had no breath for speech; no mind with which to think. In all the universe, there was only Ella.

Beginnings in WIP Wednesday

I’m toying with beginnings for the next two projects as I come to the end of the first draft of Embracing Prudence. The Bluestocking and the Barbarian begins with my hero in a family group riding hell for leather for London, mourning-1810-cropheading for his grandfather’s death bed. He needs to do some fancy trick riding to scoop up a child from the middle of the road and return it to the lady at the gates of the orphanage where the child belongs.

A Raging Madness begins in one of three places: at the funeral of the mother of a deceased fellow officer of Alex Redepenning, in the home of the bereaved daughter-in-law, where she hears her relatives plan to put her in Bedlam, or in Alex’s hotel bedroom when she flees to him to ask for help.

How about giving me up a few lines of beginning? The first chapter, if you will, or any other chapter if you prefer. And don’t forget to share!

1819_society_ballHere are the first few lines of Embracing Prudence.

From within the protective camouflage of the gaggle of companions, Prudence Virtue watched her sometime partner and one-night-only lover drift around the banquet hall. No-one else noticed him. Like the shadow he named himself for, he skirted the edges of the pools of candle light, but even when his self-appointed duties moved him close to a group of guests, they looked right past him. None of the privileged, not even the host and hostess, noticed one extra footman.

He was very good. He had the walk, the submissive bend of the head, the lowered eyes. She had overlooked him herself for the first half hour that she sat here, just one more brown-clad, unimpressive companion among a dozen others, waiting patiently in an alcove for the commands of an employer.

But Prue’s body was wiser than her mind, and left her restless in his presence until her eyes caught so many times on this one footman among all the others she began to take notice.

Secret Realm New Year’s blog hop

BookcoverCCC2The contest is over, but Hand-Turned Tales is still free. Read on to find out more.

Welcome to my blog.

Whether you are hopping through the blogs or are a regular visitor to these pages, today you can enter to win here, and click on through the blogs to enter for more great prizes. Or go to the event page, here.

Happy New Year. In 2016, I’m planning to publish at least three novels, plus at least two novellas and other shorter stories and vignettes. First up is a surprise with the Bluestocking Belles in March, to be announced in February (so watch for it. In May, I’m releasing Embracing Prudence, which tells the story of Prue and her colleague and lover David the thief taker—sorry: David prefers the term enquiry agent.

farewell to kindness RGB2I hope you’ll join me often in 2016 to talk about books, and writing, and historical research.

Would you like to win Candle’s Christmas Chair, Farewell to Kindness, or A Baron for Becky? I’m giving away twelve ebooks through a Rafflecopter. To enter, all you have to do is read the excerpt below and answer the question. You’ll get a bonus entry for subscribing to my newsletter, and another for following me on Amazon. When Rafflecopter chooses the 12 winners, I’ll send them a message asking which books they want.

a Rafflecopter giveaway

Here’s the excerpt, from A Baron for Becky.

A Baron for BeckyBecky and Sarah were waiting when Lord Overton arrived at two o’clock, just as he had promised. Becky paused on the doorstep. He had borrowed a curricle from Aldridge; she recognised the horses. It would be a tight fit for the three of them.

Sarah had no such qualms, and was already down in the street, renewing her acquaintance with Prince and Brown Beauty, chattering away to the groom Lord Overton had also borrowed, another old acquaintance.

“We’ll tuck Sarah between us where she will be warm, and out of the wind,” Lord Overton said, correctly interpreting her concern. “Neither of you are large. We will fit.”

It was a tight fit, and at first Sarah shrunk away from Lord Overton. Soon, though, she was telling him everything she knew about the horses, as they made their way through the streets to the park, the groom up behind.

With his focus divided between Sarah and the horses, Becky was free to watch him, and to wonder what life would be like as his wife. If he continued to be kind and respectful, if he were not putting on an act, if this plan of Aldridge’s worked…

By the end of the drive, Sarah and Lord Overton were friends, and he cemented the friendship by producing sugar cubes for her to feed the horses. She went to her governess and the schoolroom in full charity with him.

Lord Overton stood in the hall, smiling, watching her skip up the stairs.

“Do you intend to charm me by charming my daughter, Lord Overton?” Becky challenged.

He turned, laughing. “Is it working, Mrs Winstanley?” Then, serious again, “But no, I wanted to charm her, as you call it, for her own sake. Is she always so quiet and good?”

“She does not take easily to strangers,” Becky said. Sarah had reason to be wary, and Becky would do well to remember it. Still, Lord Overton’s attempt to win Sarah’s favour was more to his credit than not.

He returned for dinner that night, and it became the pattern for their days: an outing in the afternoon, dinner in the evening, and afterwards, cards, chess, or reading together. And they talked. Lord Overton had read many of the same books she enjoyed. He agreed with her views on enclosure. She did not share his confidence in the military genius of General Wellesley, but acknowledged that his own background as an army officer gave him the edge in judging such a thing.

She asked about his estate, and about his daughters, who would be her daughters, too. Perhaps. If she dared…

And at night in her bed, she wondered whether his shoulders were as broad, his hips as slender, as they looked.

Hand-Turned Tales2I also have a free book for you. Hand-Turned Tales contains three short stories and a novella. Just click on the link to find some of the eretailers where you can download it. And I’ll give away a print copy of Hand-Turned Tales to a random commenter.

But the hop isn’t over. There are more great prizes today, and even more in the days to come.

So thank you for visiting, and good luck at Lauren Royal’s website, on the next stop.

Or link back to the event page, here.

Happy birthday to my blog

book-cake1Tomorrow will be one year to the day since my first blog post on this site. I had written half of the first draft of Farewell to Kindness, had just been to my first Romance Writers of New Zealand conference, and had tentatively told friends, family, and colleagues that I planned to be published soon.

Tomorrow is nine months since Candle’s Christmas Chair, my first published work, went live on Amazon and Smashwords. I wrote this novella while Farewell to Kindness was with the beta readers, to tell the story of two people who make a brief appearance in Farewell. In nine months, over 58,000 copies have been downloaded.

And tomorrow is six months since the launch of the Bluestocking Belles, eight very different writers united by a love of history and a history of writing about love. Whatever story you desire: sweet to steamy, from light-hearted fun to dark tortured tales full of angst, from London ballrooms to country cottages to oriental slums, one or more of us is sure to have a tale to suit your tastes and mood.

The Bluestocking Belles have some great birthday fun planned, so look for us on our blog, Facebook, and Twitter.

It has been quite a year.

I’ve published two novels, a novella, and some short stories. I’ve written 258 blog posts for this blog, and probably another 100 for other people. I’ve written a novella that is currently on prerelease as part of the Bluestocking Belles first box set, Mistletoe, Marriage, and Mayhem, I’m half of the way through another novel, and nearly finished the first draft of a set of short stories that will come out before Christmas.

I’m a regular contributor to the fictional spaces Bluestocking Bookshop and the Belle’s Teatime Tattler, and a happy member of 10 Minute Novelists, Marketing For Romance Writers, and Writing Wenches. And I’ve not long got back from my second Romance Writers of New Zealand conference, where I won the Great Beginnings Award for the first 6,000 words of Farewell to Kindness.

A discount to say thank you

And to thank you for coming with me on the ride, I’d like to give you access to some discounts. Until 22 September, you can pick up Farewell to Kindness and A Baron for Becky from Smashwords for only US$2.

Just follow the links, select ‘buy’ and use the code on the buy page. While you’re there, collect Candle’s Christmas Chair while it is still free, and buy Mistletoe, Marriage, and Mayhem for the prerelease price of US99c.

That makes two novels and 8 novellas for only US$5! Close to 1150 pages of reading.

Farewell to Kindness $2 with the code CS44Q

A Baron for Becky $2 with the code DC74X

Candle’s Christmas Chair permafree until December

Mistletoe, Marriage, and Mayhem 99c until release on 1 November.