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Tea with Jonathan

 

Her Grace of Haverford answered a question about her plans for the evening, while watching her younger son prowling her private parlour, picking up ornaments and putting them down, smoothing out a crinkle in a linen mat, twitching a flower out of a vase to smell it and put it back in the wrong place. He clearly had something to say, and was barely pretending to listen as he tried to decide whether to come out with it.

“What is on your mind, my dear?” she asked, after he had tossed out two more conversational sallies, neither of which related to the other.

He flopped into a chair opposite to her. “I need something to do, Mama. His Grace stops everything I try, and Aldridge thinks I am complaining about nothing.”

So that was it. The duchess knew that His Grace refused to allow his back-up heir to take up any worthwhile activity, but she had not realised that her older son had also proved unsympathetic.

“You know what happened when I tried to join the army,” Jonathan complained. “His Grace refused his permission. So I joined under a false name. His Grace had me hunted down, bought me out, and confined me until I gave my word not to do it again.”

“I am rather glad about that,” Eleanor confessed. “It is cowardly of me, but I hate the thought of you risking your life in the struggle against Napoleon.”

“I am not afraid,” Jonathan insisted, completely missing his mother’s point. “At least I would have a purpose.” He continued his litany of things he’d done. “I went to work for an architect. His Grace had the man beaten. I changed my name again, and found work as a factory clerk. He threatened to ruin the man if I wasn’t fired. He told me that if I tried it again, he’d throw my old nanny out of the cottage she has retired to.”

Eleanor had purchased the cottage, and Jonathan’s nanny now owned it outright, but the duke would find another stick with which to threaten his son into compliance.

“Don’t tell me to speak to Aldridge. He doesn’t understand. I can’t live this life—this meaningless, idiotic life. He has work. I am allowed none. He has purpose. Mine is to simply exist until he marries and has children. After that, I’m redundant. Aldridge thinks I should be happy to drink and gamble and swive — I beg your pardon, Mama. And indulge myself until I’m silly, then get up the next day and do it again. He can’t believe I’m not. But he wouldn’t like having nothing useful to do nearly as much as he thinks. Can you talk to him, Mama?”

“Of course I will.” It would not help. The duchess knew His Grace had forbidden Aldridge to involve Jonathan in the many duties of the duchy that burdened the eldest son. Still, she would speak to Aldridge, and suggest he explain that to Jonathan, so at least the young man’s ire would be directed at the proper target. Meanwhile, she would try to give his mind another direction. “Perhaps, my dear, you might consider being of use to me?”

He looked up from the fist he had been punching into his other palm. “With what, Mama?”

“I understand you are friends with Miss Lilly Diamond,” the duchess said. Jonathan blushed. So those particular rumours were true, then. Eleanor discounted much of what she heard about her sons, but clearly Jonathan was at least acquainted with the famous demi-mondaine. “My friend Lady Sutton is concerned. Apparently Lady Georgiana is a frequent visitor at Miss Diamond’s house.”

The young lord sat up straight, his face grave, “I do not think it the part of honour to be your spy, Mama.”

Eleanor hid a smile at the indignant rebuke. “Nor do I ask you, dear. But Grace thinks, and I agree, that something odd is going on in the circles where your friend Miss Diamond presides. It may be nothing to do with her, of course. But will you keep your eyes out, Jonathan? And will you watch out for Lady Georgiana, if you can? I would hate to see her hurt.”

“I can do that,” Jonathan agreed. His eyes lit, and he shot her a devilish grin. “I see what you are doing, Mama. You are making it my job to drink and gamble and– other things. Well, a man has to do what a man has to do.”

Lord Jonathan Grenford is carrying out his mother’s commission when the courtesan, Lilly Diamond, is poisoned. Gren (as his friends call him) finds himself helping his half-brother David Wakefield to investigate the murder, in Revealed in Mist.

 

 

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Animal friends on WIP Wednesday

 

Animal companions can be useful in a book. They show our character’s empathy and kindness (or lack thereof). They can be comic relief. They might, if the character doesn’t have anyone else to talk to, be an ideal recipient of the kind of information we want the reader to know and need the character to talk about.

So give me an excerpt with an animal. Mine is from To Wed a Proper Lady, the rewrite of The Bluestocking and the Barbarian. My hero is gate crashing a house party with the help of his horse.

Limp,” James said to Seistan. “Limp, my lovely, my treasure, my Jewel of the Mountains.”

The horse obeyed his master’s hand signals and limped heavily as they turned through the gates of the manor, beginning the long trek along the dyke that led between extensive water gardens to where Lady Sophia Belvoir was attending a house party.

In his mind, James was measuring his reasons for being here against his reasons for staying away.

His grandfather faded fast, and the end of the year – and his reprieve – was fast approaching. Lady Sophia was the other half of his soul, and only she could fill the place in his heart and at his side. Every meeting since the first had merely confirmed the connection in his mind. Was it only his imagination that had him believing she felt it too?

Surely her eyes spoke for her, finding him as soon as he entered a room and following him until he left, blue-gray eyes that veiled themselves when he caught them watching, in the longest soft brown lashes he had ever seen. She was not, as these English measured things, a beauty: her arched nose and firm chin too definite for their pale standards, her frame too long and too robust. They preferred dolls, like her sister, and Sophia was no doll.

On the other hand, there was Hythe’s threat and Lady Sophia’s rejection to consider. Beyond that, his father’s greatest enemy owned the house he approached. The party would be full of aristocrats and their hangers on, ignoring him until they found out whether he was a future duke or merely the half-breed bastard of one.

The family needed him to marry a strong woman, one with family ties to half the peerage of this land to which they somehow belonged, though he had only first seen it eight months ago. His foreign blood and upbringing meant he needed a wife who was English beyond question, and English nobility to her fingertips.

James needed to marry Sophia; had needed to since he first saw her in a village street. And then he found she had all the connections his family could desire. Surely their love was fated?

The house came into view—a great brick edifice rising four stories above the gardens and glittering with windows. Nothing could be less like the mountain eerie in which he had been raised, but he squared his shoulders and kept walking, soothing Seistan who reacted to his master’s nerves with a nervous sideways shuffle.

“Hush, my Wind from the North. We belong here, now. What can they do, after all?”

Beat him and cast him out, but from what he knew of the Duchess of Haverford, that was unlikely to happen.

“It is, after all,” he reminded his horse with a brief laugh, “the season of goodwill.”

The stables were off to one side, on a separate island to the main house. At the fork in the carriageway, James hesitated, tempted to take Seistan and see him cared for before chancing his luck at the house. If they invited him in, he would need to hand his horse over to grooms who were strangers while he consolidated his position.

But if they turned him away, he might need to remove himself at speed, Seistan’s convenient limp disappearing as fast as it appeared. Besides, in the mountains between Turkmenistan and Persia, as in England, one did not treat a private home as a caravanserai. He must be sure of his welcome before he took advantage of their stables.

The carriageway crossed the moat surrounding the house and ended in a generous forecourt. James left Seistan at the foot of the long flight of steps leading up to the front door, giving him the command to stay. Seistan stood, weight on three legs and ears pricked with interest as he watched his master climb the steps. Nothing short of outright panic would move the horse from his silent watch before James gave the counter command.

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Tea with Cedrica and Sophia

Today’s post is an excerpt from To Wed a Proper Lady, the novel I’m creating from The Bluestocking and the Barbarian.

Several days after her arrival in London, Sophia followed the liveried footman through the ornate splendour of Haverford House paying little attention to the treasures around her. What could Her Grace mean by the cryptic comment in her note of invitation?

I have someone for you to meet and a job that I think you will enjoy.

The thought crossed her mind that her godmother might be match-making, but she dismissed it. Aunt Eleanor would never be so obvious. Still, when she was ushered into the duchess’s private sitting room, she was relieved to see that the room held only Aunt Eleanor and a younger woman – a soberly-dressed girl perhaps a year or two older than Felicity.

Something about the face, particularly the hazel eyes behind the heavy-framed spectacles, identified her as a Haverford connection. Another of the duke’s poor relations, then. Aunt Eleanor had made a calling of finding them, employing them, discovering their yearnings and talents, and settling them in a more fulfilling life.

“Sophia, my dear,” the duchess said, holding out both hands in welcome. Sophia curtseyed and then clasped her godmother’s hands and leaned forward to kiss her cheek.

Her Grace immediately introduced the poor relation. “Sophia, allow me to make known to you my cousin Cedrica Grenford. Cedrica is staying with me for a while, and has been kind enough to help me with my correspondence and note taking.” The undoubtedly very distant cousin was the duchess’s secretary, in other words.

Cedrica served the tea, enquiring timidly about her preferences. She seemed overwhelmed by her surroundings. She addressed Sophia as ‘my lady’ in every other sentence, and had clearly been instructed to call the duchess Aunt Eleanor, for she tripped over every attempt to address her directly and ended up calling her nothing at all.

“Please,” Sophia told her, “call me Sophia as my friends do. Aunt Eleanor’s note suggests we shall be working together on whatever project she has in mind, and we will both be more comfortable if we are on first name terms.”

The duchess leaned forward and touched Cedrica’s hand. “May I tell Sophia some of your circumstances, my dear? It is pertinent to the idea I have.”

Cedrica nodded, and Her Grace explained, “Cedrica is the daughter of a country parson who has had little opportunity to set money aside for his old age. When he fell into infirmity, Cedrica wrote to ask for her cousin’s help, as was right and proper, and I was only too happy to have her here to be my companion, and to arrange for her dear father to be comfortably homed on one of our estates.”

Very much the short version of the story, Sophia suspected. Cedrica was blinking back tears.

The duchess continued, “As it turned out, Cedrica has a positive gift for organisation, and is extremely well read. She is proving to be an absolute genius at my secretarial work; so much so that Aldridge has threated to hire her from under my nose to assist with the work of the duchy.”

Cedrica protested, “He was only joking, Your Gr… Aunt… um. Who has heard of such a thing!”

“That brings me to my point, dear,” Aunt Eleanor said. “Cedrica is entirely self-educated, except for a few lessons at her mother’s knee before that dear lady passed beyond. Why, I ask you? Are women less capable of great learning than men? Cedrica is by no means an exception. You and I, Sophia, know a hundred women of our class, more, who study the arts and the sciences in private.”

Sophia nodded. She quite agreed. Part of Felicity’s restless discontent came from having little acceptable outlet for her considerable intelligence.

“I have done what I can in a small way to help my relatives,” the duchess went on. “Now, I want to do more. Sophia, Cedrica, I have in mind a fund to support schemes for the education of girls. Not just girls of our class, but any who have talents and interests beyond those assigned to them because of their sex and their place in life. Will you help me?”

In the discussion that followed, Cedrica forgot her awe at her exalted relation and that lady’s guest, and gave Sophia the opportunity to see the very gifts Aunt Eleanor spoke of. In a remarkably short time, the young woman had pages of lists — ideas for the types of project that might be sponsored; money raising ideas; names of people of who might support the fund; next steps.

“We are agreed, then,” the secretary said, at last, losing all self-consciousness in her enthusiasm. “The duchess will launch the fund at a Christmas house party and New Year Charity Ball to be held at one of her estates.” She glanced back at her notes. “Our first step will be to hold a meeting at a place to be decided, and invite the ladies whose names I’ve marked with a tick. The purpose of the meeting will be to form a committee to organise the event.”

She sat back with a beaming smile, clutching her papers to her chest.

“An excellent summation,” the duchess agreed. “My dears, we have work to do, but we have made a start; a very good start.”

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Spotlight on Unkept Promises

It’s on preorder. My story of Mia Redepenning and her reunion with her absent husband, and what happened next, is finally with the proofreader, and I’m setting up a publication plan as we speak. Read on for an excerpt. See my book page for the previous three books, and The Golden Redepennings web page for more about the series. And all my novels are on 50% discount at Smashwords this month.

Unkept Promises

Book 4 in The Golden Redepennings series

She wants to negotiate a comfortable marriage; he wants her in his bed

“… oaths and anchors equally will drag: naught else abides on fickle earth but unkept promises of joy.” Herman Melville

Naval captain Jules Redepenning has spent his adult life away from England, and at war. He rarely thinks of the bride he married for her own protection, and if he does, he remembers the child he left after their wedding seven years ago. He doesn’t expect to find her in his Cape Town home, a woman grown and a lovely one, too.

Mia Redepenning sails to Cape Town to nurse her husband’s dying mistress and adopt his children. She hopes to negotiate a comfortable married life with the man while she’s there. Falling in love is not on her to-do list.

Before they can do more than glimpse a possible future together, their duties force them apart. At home in England, Mia must fight for the safety of Jules’s children. Imprisoned in France, Jules must battle for his self-respect and his life.

Only by vanquishing their foes can they start to make their dreams come true.

Buy links:
Smashwords: https://www.smashwords.com/books/view/947394
Amazon: https://www.amazon.com/gp/product/B07TXXK53N/

Excerpt

Jules had somehow found the time to organise for the military chaplain to visit Kirana, and he arrived later that afternoon when Mia was reading to her friend. The chaplain was a middle-aged man, balding and running slightly to fat, but with a kind eye.

Jules presented him to Mia. “Mrs Redepenning, may I make known to you Captain Albrooke, chaplain to the nth Regiment. He has been kind enough to come to see Kirana.”

What was the etiquette for introducing a man of the cloth to a mistress? Mia was certain the question had never been covered in any of her conversations with her mentors. She would have to behave according to her own best instincts, and hope she did not offend the man. “Captain Albrooke, thank you for coming. Please. Take my seat.” She rose, putting the book to one side “Kirana, my dear, Jules and I will be close by if you need us. Captain Albrooke, you may be wondering how to address my friend. Mrs Redepenning would be acceptable, or Mrs Kirana, if you prefer.”

Jules held the door for Mia, followed after her, and closed it not quite shut behind them. From inside the room they could hear the low hum of the chaplain’s voice, punctuated by Kirana’s cough.

“Albrooke was a bit non-plussed,” Jules told Mia. “More by your presence than by Kirana’s, I suspect. Not many wives would be as charitable, Mia.”

Mia shrugged, suppressing the movement part way through. Did Jules notice? Possibly not, but anyone raised as a lady would. Every day in a dozen ways she showed she had not absorbed the thousands of tiny rules of Society with her mother’s milk. Ladies did not shrug, or slouch, or skip, or shout, or saunter, or stride, or… she couldn’t think of another ‘s’ word, but she was sure she could create a list of ‘do not’s’ for every letter of the alphabet.

“Kirana had the prior claim, Jules.” Thinking about holding her body straight and still, she failed to guard her tongue. “I have never counted your relationship with her as a breach of your vows.” She would have caught back the last sentence, with its emphatic stress on the word ‘her’, but it was too late.

Jules was looking out of the window into the courtyard below, where Hannah was sitting with the two girls, reading them a book. But he heard the emphasis, for his head jerked around and she felt the burn of his blue gaze as he examined the flush that swept her face.

She bit her lip, but the words were said, and they were true.

“But you do count other relationships?” he asked. She was not deceived by the light conversational tone; not when the search beam of those eyes still stripped her soul bare.

“I daresay you think it presumptuous of me.” She could offer that much, though she herself did not think it presumptuous. He had acted in honour when he made sure she knew, before they married, that he intended to return to his mistress, and so she accepted that as a codicil to the vows they had exchanged in their hasty wedding. No exception for her, and only one for him.

“Not presumptuous at all.” Jules sounded tired all of a sudden, and her indignation evaporated. What a homecoming this had been for the poor man. “You are the one person on earth with the right to comment. And Kirana, perhaps, but she has never complained.”

Again, Mia spoke before her brain could censor her tongue. “You might be a better man if she had.”

He turned back to the window and his voice was dry as he replied, “You will undoubtedly amend her lapse. You’ve got yourself a poor bargain, Mia. I told you before I married you, I was not the Sir Galahad type. I’m no saint, either. Don’t expect me to be; I’ll only disappoint you.”

The door to the bedchamber opened. “Mrs Kirana Redepenning will sleep now,” Captain Albrooke said. “If I may, I will call again in a few days.”

“Of course,” Mia agreed. “Kirana will appreciate that.”

Jules carried the man off to his study for a drink and Mia set a maid to watching Kirana then went in search of a task, preferably one that involved punching things.

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Courtship woes on WIP Wednesday

Cicely and Gwendoline put their would-be suitors through their paces in The Importance of Being Earnest, by Oscar Wilde.

They met, they fell in love, they wed, they lived happily ever after. Where’s the story in that? We need conflict. We need challenges. In romance, we need courtships to go wrong.

So that’s the theme of this week’s invitation. Share an excerpt from your romance where a courtship is failing to take off, or is taking a wrong turn. Mine is from To Wed a Proper Lady.

When the other guests went up to change for dinner, James met Lady Sophia by the stables. He drove her over to the far corner of the estate, nearly a mile by the lanes, happily filling in the time by telling her the history of the Turkmen horse breed.

She asked interested and intelligent questions, which pleased him enormously. He’d love for his own passion for horse breeding to be something they could share. From his observation, couples who had at least some interests in common had better marriages and happier lives.

Should he hint at his desire to make her his wife? She must suspect by now, surely. He’d been careful to stay within the boundaries of an English courtship, as explained to him by his aunt: no more than one dance an evening, no steering straight to her side as soon as he saw her at any event they both attended, no singling her out without including her sister to give the appearance of propriety, no gifts beyond a polite note or a bunch of flowers. But within those constraints, he had been faithfully attentive for months.

And he’d sought her out in Cheltenham and organised this journey to spend time with her. Did that not tell her his intentions? Although she believed he was on his aunt’s errand.

In Para Daisa, his mother or another female relative would already have met with a female relative of hers. In England, he should, according to the courtship rituals Aunt Grace had described, call on the Earl of Hythe, the male head of the lady’s family.

Given Hythe’s attitude, such a meeting was unlikely to produce the results James needed.

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Parents on WIP Wednesday

 

We all have parents and many of us have offspring. Both ways, the relationship is hugely formative, and in stories, scenes between a parent and offspring, or memories of such scenes, can be important for both plot and character. This week, I’m inviting excerpts about relationships between parents and children. Good or bad. Mother or father. Children grown up or still young. With our protagonist as parent or as offspring.

Mine is from Unkept Promises, and shows how Jules feels about his children by his mistress.

“I would rather do laundry than wash dishes,” Marshanda argued.

“Washing dirty pots is the worst,” Adiratna agreed, and Perdana nodded. “I hate washing dirty pots.”

The children fell into a discussion about the baked on grime that was hardest to remove, and Jules pulled Mia to one side, his face thunderous. “When have my daughters cleaned dirty pots?”

“While you were away,” Mia explained. “Maureen O’Riley sent them to the kitchen when she took over Kirana’s place.” She bit at her lower lip, frowning. Now to tell him her fears. But he spoke before she could, his voice cold enough to freeze.

“Took over Kirana’s place? Explain yourself, Mrs Redepenning.”

“Has no one told you? After you left, Maureen announced she was your new mistress, and was taking over the mistress’s room. She had the servants move Kirana to the little storeroom by the kitchen.”

“That hole?” Jules took a deep breath and two or three swift paces, back and forth, colour ebbing and flowing in face.

“Quite,” Mia agreed, reassured by the strength of his reaction. Clearly, Maureen had not had his authority for the move.

“No wonder she— Kirana told me you’d moved her from a hot stuffy room, and I thought she meant the one you are in now.”  He took another two swift paces, his struggle to remain outwardly calm clear on his face.

“Papa?” Marshanda left her conversation to run to Mia, putting an arm around her waist and peeping at Jules from that place of safety. “Why is Papa angry, Ibu Mia?”

“Your father is angry you were made to work in the kitchen, and your mother was made to sleep in the storeroom,” Mia said.

Jules had himself under control, and his voice dripped ice, though sparks of fire lit his blue eyes. “My servants will explain to me how they allowed this to happen — how they helped this to happen.”

Marshanda plastered herself closer to Mia, and Adiratna explained. “Dench said you had told him this was what you wanted. I told Marsha he was lying. I don’t like Dench.”

“You were right, Ada,” Jules told her. “He was lying. And I don’t like him, either.”

“Dench hits people if they say he is lying,” Marshanda warned. “He hit Japheth when Japheth didn’t believe you had given the orders. And he hit Ada when she bit him.”

Jules dropped to his knees and took his youngest daughter’s face between his hands. “He hit you, sweetheart?”

“Papa will hit him,” Perdana promised. “Papa will hit him right through to next Tuesday, won’t you Papa?”

“I will certainly make certain he never lies to my little girls or hits them again,” Jules vowed, not taking his attention off Adiratna. “Biting him was a very dangerous thing to do, my darling.”

Adiratna stuck out her lip and glowered. “I am not sorry,” she insisted. “He was dragging Mami by her arm. It hurt her. I made him stop.”

“She was very brave, Papa,” Marshanda insisted, her whole body trembling as she stood up for her sister. “Mami tried to walk, but she fell down, and he said a bad word and began to drag her, but when Ada bit him and ran away, he ran after her and Japheth and I had time to help Mami to her new room.”

“You were both very brave, then,” Jules said. “I am proud of you. And Ibu Mia is proud of you, too.”

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First meeting on WIP Wednesday

 

This week, I’m thinking about first meetings. My Maximum Force story is percolating in my head, and I’m also planning the first meeting scenes in books 3 and 4 of Children of the Mountain King. As in Unkept Promises, the heroines of those two books met their heroes when they were still schoolgirls, and I haven’t decided whether the scenes will be in flashback, or just narrated as a memory. Max’s heroine, Serenity, is an adult, though — whatever the elders of her cult may think.

Today, I’m inviting authors to give me an excerpt with the first meeting between the hero and the heroine. Mine is from the first chapter of Unkept Promises. The first two chapters are set seven years before the rest of the book. Jules has been captured by smugglers and locked up in a cell.

The light came as a surprise, shining like a beacon from the other side of a barred opening set high up in one wall. Standing, Jules managed to reach the bars and pull himself up, to look through into another cell very much like his own. A man lay still, curled on a mess of rags and clothing. His eyes were shut, and he had not responded to the girl who crouched beside him. She was a skinny child, still boyish in shape, but Jules did not suppose that would discourage the smugglers from making use of her body or selling her to someone for that purpose. He made an instant vow to save her, whatever the cost.

The girl held the candle she had lit away in one hand to cast its light without dripping its wax, and brushed back the hair that fell over the man’s forehead. “Oh, Papa,” she said, her voice trembling.

“Miss,” Jules hissed. The girl startled back from her father. Her face, already pale, turned whiter as she faced the door, putting her body between herself and the unconscious man.

“I’m a prisoner,” Jules reassured her. “In the next cell.”

The girl held the candle high as she stood, peering towards the sound of his voice. He kept talking to guide her. “Lieutenant Julius Redepenning of His Majesty’s Royal Navy, at your service, Miss. I am going to get out of here, and I’m going to take you and your father with me.”

The face turned up to him was just leaving childhood behind, but the eyes shone with intelligence and her response indicated more maturity than he expected. “I hope you can, Lieutenant. But if your cell is as sturdy as mine, I beg leave to reserve judgement.” She sighed. “I am sorry for your predicament, but I will not deny I am glad to have company.”

“May I borrow the candle?” Jules asked. Her eyes widened in alarm and he rushed to add, “just for long enough to check my cell. They left me without light.” Without food or drink, either, but he would not tell her that. Perhaps the smugglers intended to supply him, and if they didn’t, he would not take the supply she needed for herself and her father.

She passed the candle up, her worry palpable, and he hoisted himself higher with one hand so he could stretch the other through the bars. “I will be careful, Miss, I promise.”

“Mia,” she said. “Euronyme Stirling, but formality seems out of place, here.”

He returned her smile. She was a brave little girl; he had to find a way out for her. “Call me Jules,” he offered, “as my friends do.”

He rested the candle—a stubby bit of wax with a rope wick—on the sill between the bars and dropped, shaking the ache out of the shoulder that had taken most of his weight. When he reached the candle down, Mia let out an involuntary whimper at the loss of light.

“I have it safe,” he said. “You shall have it back in a minute.”

“I do without it most of the time,” she replied. “It’s just—I have always known I could light it again.”

Most of the time? “How long have you been here?” Jules asked, keeping his voice light and casual against the lump in his throat at her gallantry.

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The villain of the piece on Work in Progress Wednesday

This week’s challenge is to post an excerpt with your villain. I’m looking for his entry onto the stage; as always, just post your piece into the comments.

I’ve been rethinking To Wed a Proper Lady. It had mired in the last third, and I needed to take a step back. I’ve now done a hero’s journey chart for both protagonists, and mapped the overarching plot line for the series, and one of the things I’ve decided is to introduce my series villain early on. He has been lurking in the background of a number of my books, but it is in Children of the Mountain King that he steps up into the key negative protagonist role. He dies somewhere before the fifth book, but the nastiness he foments isn’t all solved till the end of the sixth.

The Duke of Haverford had been at the ball for nearly two hours, which was unusual enough to catch Sophia Belvoir’s attention. He’d been attending more events in polite Society than usual this Season, the first for two of the duchess’s wards, but this was the first time Sophia had known him to stay beyond the first half hour

He was strolling through the crowded reception rooms, stopping from time to time for a brief conversation, then moving on. After a while, a pattern emerged: all the people he stopped were men, peers, and members of the loose political group that voted with Haverford in the House of Lords. What was his Grace of Haverford campaigning for now?

The Earl of Hamner asked Sophia to dance. She was sought as a partner by husbands and confirmed bachelors who wished to dance without giving rise to gossip or expectations. Twice-betrothed, she was clearly not a wallflower. Twice-bereaved, she was nearly, but not quite, a widow. The never-wed sister of a protective earl, she was off-limits for seduction, but at twenty-five she was too old to expect a proposal of marriage. Being outside the expected categories for high-born females was a sort of freedom, she had discovered.

When Hamner returned her to the matrons with whom she’d made her debut, she was the only one not to blush and turn away as Haverford paused in front on them. His attention was on Hamner, another of his acolytes, and not on the ladies, but they fluttered as if a fox had strolled into the dovecote.

Not far from the truth, though if the elderly rakehell was on the hunt tonight, it was for naïve politicians and not the young wives of other men.

Sophia, protected by her virgin status and her relationship with the evil old man’s wife, curtseyed and said, “Good evening, Your Grace.” He cast a wintery eye in her direction. He had no time for women who did not conform to his expectations, and she was surprised even to receive a stiff nod. “Lady Sophia.” She had heard the man had charm; had even seen him executing it. Clearly the elderly spinster sister of the Earl of Hythe did not warrant his further attention. “Hamner, a word, if you please.”

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Tea with Jude

 

Her Grace gestures to a seat, and begins to pour a fragrant cup of tea from the teapot she has ready at her elbow. She does not ask how I have it — medium strength, no sugar, no milk or cream. We have been together now for more than six years, and we know one another’s habits.

She has become more than I expected when she first surfaced from the depths of my imagination. My notebook says:

Anthony George Bartholomew Philip Grenford, Duke of Haverford, Marquess of Aldbridge, Baron Chillingham
m
Eleanor Frances Sophia Grenford nee Creydon (daughter of Earl of Farnmouth)

Duchess with two sons and unhappy marriage treasures her many goddaughters. Links books through goddaughters. Sons have their own stories.The Duchess also rescued her husband’s by blows and put them into school etc. See David. Could be more stories about these by-blows.

“That was the start,” Eleanor agrees, “but we have gone beyond that, have we not?”

We have. Even from her first appearance, she has demanded her own voice. She is the maternal aunt of the hero of my first novel, and he goes to her when he needs help with the social circumstances of his lovely widow. England is in the middle of the 1807 election, and Eleanor has been canvassing the Kent electorate on behalf of her husband’s candidate.

The sun was setting on Saturday evening, and Rede was beside himself with frustration, before the Duchess of Haverford’s coach was finally seen tooling up the road to the castle.
He was waiting when she entered the front door, and she greeted him with pleasure. “Rede, darling. What a lovely surprise. Have you been waiting for me long?
“Such a circus in Deal. The electors were inclined to listen to the merchants, and the merchants did not favour Haverford’s man. Not at all.
“So I had to visit every shop in the town and buy something. The carriage, I can assure you, is laden. But Haverford believes that it may have done the trick.
“Just as well, dear, for I have enough Christmas presents for every one of my godchildren for the next three years. And some of them are not of the best quality, I can assure you.”
She was talking as she ascended the stairs, giving her cloak to a maid as she passed, her bonnet to a footman, and her reticule to another maid.
“You want something, I expect. Well, you shall tell me all about it at dinner. I left most of the food I purchased at the orphanage in Margate, but I kept a pineapple for dessert. Such fun, my dear, have you tried one?”
“No, dear aunt,” he managed to say, sliding his comment in as she paused to give her gloves to yet another maid. Or it may have been the first maid again.
“Well, today you shall. Join me in the dining room in—shall we say one hour?” And she sailed away towards her apartments, leaving him, as always, feeling as if he had been assaulted by a friendly and affectionate hurricane.
Over dinner, he laid all honestly before her. Well, perhaps not all. The lovely widow, betrayed by George, the three sisters, the little daughter. No need to mention that he’d played fast and loose himself with the lady’s virtue. Just that he needed to rehabilitate her. Just that he wanted to marry her and she had refused.
“She has refused you, Rede?” Her Grace was surprised. “But you are handsome, titled and charming. And rich. What does she object to?”
Rede hadn’t been able to work it out, either. “I know she cares for me, Aunt Eleanor. But she keeps saying no. The first time—to be honest, the first time I made a disaster of it. I told her… I gave her the impression that I only wanted her for a wife because she was too virtuous to be my mistress.”
Her Grace gave a peal of laughter. “Oh Rede, you didn’t.”
“I’m afraid I did. But the second time I assured her that I wanted her for my Countess.”
“And you told her that you loved her,” the Duchess stated.
“No. Not exactly. I told her I wanted to keep her safe. I told her I wanted to protect her.”
“I see. And I suppose you think if you bring her into society, she will consent to marry you?”
“I don’t know, aunt. I only know that she deserves a better life than stuck in a worker’s cottage in the back of nowhere working as a teacher so she can one day give her sister a decent life. If she won’t have me… Well, she has been to see a lawyer about a small inheritance she has coming. I thought perhaps I could make it a bit bigger. Without her knowing.”
“You do love her,” said the Duchess, with great satisfaction.
“Yes, but… Yes.” There were no buts. He loved her. At least he hadn’t told her so. He had no taste for laying his heart on the floor for her to walk on.
“You need to tell her so.” The Duchess echoed and denied his thinking, all in one short sentence. “She is probably afraid that you are marrying her out of a misplaced sense of duty. You are far too responsible, Rede.”
“No, she couldn’t think that. Could she?”
“Who knows? Well, I will do it. I cannot have my niece-in-law having her babies in scandal. I take it there is the possibility of a baby? You would not be feeling so guilty otherwise.”
Rede was without a response for a long moment, finally huffing a laugh. “Aunt Eleanor, a hundred years ago you would have burnt as a witch,” he told her.

Eleanor reads the words over my shoulder and laughs. “Silly boy,” she observes. “But it all turned out in the end.”

“And then you helped Becky and Hugh,” I reminded her. A shadow passes over her face. That also turned out in the end, though perhaps not for Eleanor’s son, the Marquis of Aldridge.

By that time, Eleanor Haverford had embedded herself into my Regency world. She appears again and again, always helping, always protecting the defenseless and supporting the cause of true love.

From her wistful look into her cup, I know what she is thinking. I know the question she wants to ask.

“Will it ever be my turn?” The room hums with the unspoken words.

I can’t answer; those stories are not written yet, although I’ve begun them. Things change as I’m writing. I can’t imagine that the one-word answer will reverse, but she will want details, and I need to write the six-novel series, Children of the Mountain King, to find out for certain whether it will ever be Eleanor’s turn.

I hope so. She deserves it.

by

Dancing and other moves in WIP Wednesday

The chair of the panel I was on last week writes television scripts. “These people all write full books,” he told the audience in his introduction. “I just write a few words and somebody else makes the pictures happen.” In a novel, we need to describe the action in a way that lets the reader see it. They make the pictures happen, but we provide the raw material in our words. This week, I’m inviting you to post excerpts that describe activities — fighting, riding, dancing or whatever else your characters are involved in. Mine is from To Wed a Proper Lady, and describes a dance.

At last, it was time for their dance; a country dance in the long form, which was fortunate, for they would have time for conversation in the privacy formed by the music and the concentration of the other dancers. First, though, James could take his turn with her in the patterns of the dance, his hand holding his hers, his gaze fixed on her fathomless brown eyes. A pattern of two couples followed, a swapping of partners, and then back to circle with Sophia before they separated once more, each to their own row.

The couple leading the line wove in and out of the dancers before promenading back up the middle of the rows, and setting off the patterns again: each couple meeting and circling, two couples, swapped partners, and back to Sophia again before the lead couple danced away down to the other end of the rows and the next couple began the sequence over again.

In their turn, he and Sophia would find themselves odd pair out at the end of the rows, and would stand aside for several minutes. Meanwhile, James enjoyed Sophia’s grace, the fleeting touches of her hand, even the sway of her body against his when they linked elbows in passing. Under the blazing candlelight, he could not tell whether the flecks in her pupils were green or gold, but her hair certainly glinted gold as the well anchored curls in her coiffure bounced with the vigour of the dance.

At last, came their turn to lead the line, and then to circle around to the back, there to stand and rest for a few minutes. James kept his eyes on the other dancers, rather than allowing them to feast on her as he would prefer.