Book series

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The ‘meet cute’ on WIP Wednesday

meet-cute‘Meet cute’ is a term from Hollywood that has crept into book publishing. It means that moment in a romantic comedy when the hero and the heroine first encounter one another. The implication is that the first meeting is amusing, entertaining, or charming.

Even if you’re not writing romantic comedy, the term can apply, but today I’m just using it as shorthand for the first meeting in your book. My own current works-in-progress have progressively less and less cute about them. The Bluestocking and the Barbarian comes close, with James swooping down to save a child from the path of racing curricles.

With hand, body and voice, James set Seistan at the child and dropped off the saddle, trusting to the horse to sweep past in the right place for James to hoist the child out of harm’s way.

One mighty heave, and they were back in the saddle. James’ shoulders would feel the weight of the boy for days, but Seistan had continued across the road, so close to the racers that James could feel the wind of their passing.

They didn’t stop. Didn’t even slow. In moments, they were gone.

The boy shaking in his arms, James turned Seistan with his knees, and walked the horse back to the gates of the big house. A crowd of women waited for them, but only one came forward as he dismounted.

“How can we ever thank you enough, sir?” She took the child from him, and handed him off to be scolded and hugged and wept over by a bevy of other females.

The woman lingered, and James too. He could hear his father and the others riding toward them, but he couldn’t take his eyes off hers. He was drowning in a pool of blue-gray. Did she feel it too? The Greeks said that true lovers had one soul, split at birth and placed in two bodies. He had thought it a nice conceit… until now.

In Revealed in Mist, David and Prue parted in anger in the Prologue, and meet again for the first time in months in the first chapter. Prue has just saved a young lady from rape.

She put the girl behind her with her free hand, then pulled the door closed. Something thrown banged against it on the other side.

“We must get you to safety,” she told the girl, a very young debutante in a torn white gown, her honey blonde hair falling from its careful coiffure, the delicate oval of her face streaked with tears.

“I cannot… I did not… Everyone will think…”

“Take the child to Lady Georgiana.” Prue started at Shadow’s voice and the girl yelped and clutched at her for protection. Fussing over the girl gave Prue time to catch the breath that had escaped at his sudden appearance. He was leaning against the next door down, half concealed in the doorway. “There’s a small sitting room along there.” He pointed down the passage towards the far end, seemingly unaffected the meeting, while Prue was torn between spitting in his face and throwing herself at his feet to beg him to forgive whatever offence she had caused. “Half way to the corner. Lady Georgiana is in there. She’ll take care of your maiden, and I shall see to the assailant. Who is it?”

And A Raging Madness has the least cute meet of all, as Ella flees confinement and abuse in her in-laws house to beg help from Alex, who she knew long, long ago.

The couch faced the fire, its back to the bed chamber door. The occupant was invisible until they stood right over it, and then there she was, lying on her back, wrapped tightly in a scruffy grey woollen blanket, heavily mired at one end with dried mud. All they could see of the woman was her head, and that was somewhat the worse for wear. Her face was far too thin, with dark patches under the eyes and bruise over bruise along her jaw, as if she had been gripped too hard time after time, week after week. She lay in a tangle of long brown hair, escaped from the plait to which it had been confined.

As they watched, she opened her eyes. For a moment, she stared at them, confused. Then she seemed to recall where she was, and sat up in one convulsive movement, clutching the blanket to her with a bare arm as it fell, but not before Alex had seen she wore nothing but her shift.

“Alex, thank God. You must help me. Please.”

“Lady Melville.” Alex bowed as well as he could, leaning heavily on his stick, hating to show weakness in front of her of all people. But her eyes did not leave his, and she displayed no signs of noticing his infirmity.

“Please,” she repeated, just as someone knocked on the door. She shot off the couch, clutching the blanket, and retreated to the wall, her eyes wide. He had seen such a stance before, people under threat finding a wall for the back, animals at bay, almost dead from fear, but  still searching for escape.

“It is just the major’s breakfast, my lady,” Jonno said, soothingly. But a male voice in the hall belied his reassurance. “Knock again,” it said, loudly, authoritatively. Braxton.

“Please,” Ella begged, one more time.

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Tea with Prue

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Eleanor, Duchess of Haverford, feels a strong sense of obligation to today’s caller. Not that she will say so. Her Grace has engineered a dozen meetings in the past five years, and not once has Miss Virtue raised the connection between them. Perhaps she is unaware of it? No, surely not. But if she wishes to ignore it, then the duchess will comply. The young lady is entitled to her privacy.

The butler escorts Miss Virtue into the conservatory, where Her Grace and her guest can enjoy the autumn sun and the splendid views of the gardens without suffering the chilly breeze. The duchess rises in greeting.

“Miss Virtue. How kind of you to come.”

Her caller curtseys gracefully, without comment, and seats herself when the duchess invites her to do so. For a few minutes they discuss courteous nothings: the weather, the number of people in Town, the War on the Continent, how Miss Virtue would prefer her tea.

But once she has a fine bone china cup in her hands, Miss Virtue cuts directly to the point in the way the duchess has come to expect and admire. “But I do not wish to take up too much of your valuable time, Your Grace. How may I be of service to you.”

Her Grace suppresses a sigh—will the child never trust her? “I have a commission for you, Miss Virtue, if you are free to undertake it. My godson, the Earl of Penworth, appears to have gone missing…”

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Prue Virtue is a spy for the Crown, but occasionally undertakes freelance commissions. The following excerpt is from The Prisoners of Wyvern Castle, a novella in my free book Hand-Turned Tales (click here for buy links). Prue, disguised as the nurse Miss Tyler, is here on the duchess’s errand, looking for the Earl of Penworth. She finds that he has acquired not only a prison but also a wife.

Prue is also the heroine of Revealed in Mist, coming in December 2016.

prisoners-of-wyvern-smallSeveral minutes passed, and all remained quiet. This might actually work! First, she needed to find a boat small enough for her to handle. Hugging the walls, keeping to the shadows, she began to circle the courtyard toward the deeper darkness that signalled the passageway through the walls. Beyond, the road led down to the docks.

She was nearly there when a woman’s voice spoke behind her. “Do not be alarmed, Lady Penworth.”

Madeline spun around, one hand to her chest to hold her pounding heart in place.

“Who is it?” She could see a vague shape in the darkness, but no details.

“A friend.”

It was not Lady Wyvern, nor—from the accent, which was aristocratic—one of the servants. As she froze, trying to decide whether to run or speak, she heard footsteps and voices approaching from the other end of the passage.

“Quick. This way.” The woman took her hand and pulled her through a doorway, into the room beyond. Just in time. Pressed against the wall inside the door, she could hear them clearly: several men arguing in hushed voices.

“It was the White Lady, I tell you.”

“Rubbish.”

“She was coming out that window. I saw her with my own eyes. It was like a long coil of smoke, twisting in the wind.”

“A long coil of smoke. Listen to him. Next, you’ll be telling us she’s off to join her husband in the dungeon.”

A chorus of guffaws.

“You’ve heard what the islanders say, same as me,” the first voice insisted.

“Yes, and right fools they are, too.”  The speaker pitched his voice in a falsetto. “Ooooh! Moaning in the dungeon. It must be the ghost!” Then, reverting to his own low rumble. “Silly tossers. A good thing Her Ladyship sent the whole lot of them packing.”

The first voice began, “If you ask me…”

Another man interrupted. “You can stand around talking about ghosts all night if you want. I’m for the kitchen and a tot of something hot and strong. Securing those boats was cold work.”

She could make out no more. They were across the courtyard and… yes, they had gone down the steps into the servants’ area Rupert had pointed out from their window.

“Come,” her companion said. “Lord Wyvern is awake and wishes to speak with you.”

“Let me go,” Madeline pleaded. “Now, while the courtyard is clear.”

“I will help you, my lady. That is why I am here. But first, we need to share information. Come with me and see Lord Wyvern.”

“Who are you?” Madeline asked, but the woman gave her no answer, just moved away, surefooted in the dark.

After a moment, Madeline followed her. They climbed the stair until they reached the room where Lord Wyvern lay, propped up on pillows, looking—by the light of the lamp at his bedside—more alert than he had earlier in the day.

The light allowed Madeline to recognise her companion. “You are the nurse. Miss Tyler. You work for Lady Wyvern.”

“I work for Lord Wyvern,” Miss Tyler corrected. “I am here to rescue him, and you and the earl.”

“Lady Wyvern took the earl away. I don’t know where.”

“Dun… jin,” Lord Wyvern said, and Miss Tyler nodded. “They were keeping Lord Wyvern in the dungeon when I was brought here to care for him. I expect that is where they have your husband and the other two men.”

Lord Wyvern was a frail shadow of the hearty man Rupert had described, and pale enough to have been in a dungeon these six months. Madeline didn’t understand how his own servants could have allowed such a thing.

“Why did your people let it happen?” she asked him, but it was Miss Tyler who answered.

“His Lordship had an apoplexy. Lady Wyvern saw her moment and removed anyone who might object to her regency while he was ill. Then, when he began to recover… well, she made sure to keep him bedridden. And she hid him, so those loyal to him would not know what she was doing.”

“How could the Ice Dragon hope to get away with it?”

Goodness. She was so used to Rupert’s name for his sister that she said it without thinking. But Lord Wyvern was laughing silently, and even the nurse was smiling.

“A good name for her,” Miss Tyler said. “She is an arrogant woman, Your Ladyship. She makes her plans and assumes the rest of the world will fall into line. She must have been horrified when the King sent Lord Morpeth to see what was happening here, but she and Sir James decided to bully their way through.

“They sent most of the islanders away, to keep complaints and rumours from reaching Lord Morpeth’s ears. That may yet work to her disadvantage, since they are now on the mainland and will be talking to all their friends and relatives. Word will reach the ears of the gentry sooner or later, and people with authority will start asking questions.”

“I cannot wait for that,” Madeline said. “I need to rescue the earl now.”

“Plan?” Lord Wyvern asked.

“Yes, my lady. What was your plan? Do you have a helper? Somewhere to go?”

Madeline shook her head. She and Rupert had no one to help them. But they had a plan, of sorts, and she intended to carry it out.

Miss Tyler saw her hesitation. “Lady Penworth, you are wise to be cautious, but you can trust us. Lord Wyvern, as you know, is as much a victim of the conspirators as you and your husband. And I have been sent by the earl’s godmother to find out what is happening and help if I can.”

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Reflection characters on WIP Wednesday

masqurade-1795‘Reflection’ character is Michael Hauge’s expression. I’m still processing his full-day Story Mastery workshop from the RWNZ Conference, but have already strengthened Revealed in Mist by applying his inner and out journey methodology to the hero and heroine.

The reflection is the person that shows the protagonist when they are acting according to the armour they’ve built around their woundedness, and when they’re reaching into the real person they’re meant to be. As always, you show me yours and I’ll show you mine.

In The Bluestocking and the Barbarian, the heroine’s sister holds up a mirror to her just before this scene, set at the Costume Party.

Sophia frowned at Felicity, who was ostentatiously ignoring her from the other side of the room. They had had words, especially when Sophia had realized Felicity had deliberately sought Lord Elfingham out, accosted him in the garden, rejected him for herself, and sent him to Sophia. Sophia was not taking her sister’s leavings, and so she told her. Felicity, of course, claimed that Elfingham wanted Sophia all along, but Sophia did not believe that for a moment.

Oh, dear. He was coming this way. He stopped to speak to the Persian king, and Sophia took the opportunity to hurry away, putting as many people as possible between herself and her suitor.

He could not possibly be serious, and besides, she had her life all planned. She would never marry. She would be content with her studies and her work for the disadvantaged. She would be an aunt to Felicity’s children and one day to Hythe’s. If Hythe married someone she did not care for, she had money enough to hire a companion and set up her own establishment. She would be free and independent.

Why did such a life suddenly sound dreary?

 

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Holly and Hopeful Hearts

Today is the day, people. At last we’re ready to reveal the box set the Belles have been working on for so many months. I give you:

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When the Duchess of Haverford sends out invitations to a Yuletide house party and a New Year’s Eve ball at her country estate, Hollystone Hall, those who respond know that Her Grace intends to raise money for her favorite cause and promote whatever marriages she can. Eight assorted heroes and heroines set out with their pocketbooks firmly clutched and hearts in protective custody. Or are they?

Read about all eight novellas, and find pre-order links, on the Bluestocking Belles Holly & Hopeful Hearts page.

Today, meet my hero and heroine, James and Sophia.

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james-bbJames must marry to please his grandfather, the duke, and to win social acceptance for himself and his father’s other foreign-born children. But only Lady Sophia Belvoir makes his heart sing, and to win her he must invite himself to spend Christmas at the home of his father’s greatest enemy.

Sophia keeps secret her tendre for James, Lord Elfingham. After all, the whole of Society knows he is pursuing the younger Belvoir sister, not the older one left on the shelf after two failed betrothals.

An Excerpt from The Bluestocking and the Barbarian

Chapter One

A country road in Oxfordshire
April 1812

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They heard the two curricles before they saw them, the galloping hooves, the cacophony of harness and bounding wheels, the drivers shouting encouragement to their teams and insults to one another.

The Earl of Sutton turned his own horse to the shoulder of the road and the rest of the party followed his lead. As first one racing carriage and then the other careened by, James Winderfield murmured soothingly to his horse. “Stand, Seistan. Stand still, my prince.”

Seistan obeyed, only a stamp of the hind foot and muscles so tense he quivered displaying his eagerness to pursue the presumptuous British steeds and feed them his dust.

From their position at the top of what these English laughably called a hill, James could see the long curve of the road switching back at the junction with the road north and descending further until it passed through the village directly below them.

One of the fool drivers was trying to pass, standing at the reins—legs broadly astride. James hoped no hapless farmer tried to exit a gate in their path!

Seistan clearly decided that the idiots were beneath his contempt, for he relaxed as James continued to murmur to him.  “You magnificent fellow. You have left us some foals, have you not, my beauty? You and Xander, there?”

The earl heard his horse’s name and flashed his son a grin. “A good crop of foals, if their handlers are right. And honors evenly divided between Seistan and Xander. Except for the stolen mares.” He laughed, then, and James laughed with him.

Once the herd recovered from the long sea voyage, many of the mares had come into season. Not satisfied with his allotment, Seistan had leapt several of the fences on the land they had rented near Portsmouth, and covered two mares belonging to other gentlemen. And most indignant their owners had been.

“They did not fully understand the honor Seistan had done them, Father,” James said. Which was putting it mildly. When James arrived, they had been demanding that the owner of the boarding stable shoot the stallion for his trespass.

The earl laughed again. “I wish I had been there to hear you explain it, my son.”

ikon-_golden_akhal_teke-stallionA thirty-minute demonstration of Seistan’s skills as a hunter, a racer, and a war horse had been more convincing than any words of James’s, and a reminder of the famous oriental stallions who founded the lines of English thoroughbreds did the rest. In the end, he almost thought they would pay him the stud fee he had offered to magnanimously cut by half.

But he waived any fee at all, and they parted friends. Now two noblemen looked forward to the birth of their half-Turkmen foals, while James had delivered the herd to his father’s property in Oxfordshire and was now riding back to London to be put to stud himself.

“Nothing can be done about his mother, Sutton,” his grandfather, the Duke of Winshire, had grumbled, “but marry him to a girl from a good English family, and people will forget he is part cloth-head.”

The dust had settled. The earl gave the signal to move on, and his mount Xander took the lead back onto the road. James lingered a moment more, brooding on the coming Season, when he would be put through his paces before the maidens of the ton and their guardians. One viscount. Young, healthy, and well-travelled. Rich and titled. Available to any bride prepared to overlook foreign blood for the chance of one day being Duchess of Winshire.

Where was the love the traveling musicians spoke of? At least his cousins had adamantly turned him down. Not that he had anything against the twin daughters of the uncle whose inconvenient death had made his father heir and him next in line. But they did not make his heart sing.

The racing curricles had negotiated the bend without disaster and were now hurtling towards the village. Long habit had James studying the path, looking to make sure the villagers were safely out of the way, and an instant later, he put Seistan at the slope.

It was steep, but nothing to the mountains they had lived in all their lives, he and his horse, and Seistan was as sure-footed as any goat. Straight down by the shortest route they hurtled, for in the path of the thoughtless lackwits and their carriages was a child—a boy, by the trousers—who had just escaped through a gate from the village’s one large house, tripped as he crossed the road, and now lay still.

It would be close. As he cleared one stone fence and then another, he could see the child beginning to sit up, shaking his head. Just winded then, and easier to reach than lying flat, thank all the angels and saints.

Out of sight for a moment as he rounded a cottage, he could hear the carriages drawing closer. Had the child recovered enough to run? No. He was still sitting in the road, mouth open, white-faced, looking as his doom approached. What kind of selfish madmen raced breast to breast, wheel to wheel, into a village?

With hand, body and voice, James set Seistan at the child, and dropped off the saddle, trusting to the horse to sweep past in the right place for James to hoist the child out of harm’s way.

One mighty heave, and they were back in the saddle. James’ shoulders would feel the weight of the boy for days, but Seistan had continued across the road, so close to the racers that James could feel the wind of their passing.

They didn’t stop. Didn’t even slow. In moments, they were gone.

The boy shaking in his arms, James turned Seistan with his knees, and walked the horse back to the gates of the big house. A crowd of women waited for them, but only one came forward as he dismounted.

“How can we ever thank you enough, sir?” She took the child from him, and handed him off to be scolded and hugged and wept over by a bevy of other females.

sophia-rembrandt_peale_-_portrait_of_rosalba_pealeThe woman lingered, and James too. He could hear his father and the others riding towards them, but he couldn’t take his eyes off hers. He was drowning in a pool of blue-gray. Did she feel it too? The Greeks said that true lovers had one soul, split at birth and placed in two bodies. He had thought it a nice conceit, until now.

“James!” His father’s voice broke him out of his trance. “James, your grandfather expects us in London.” The earl lifted his top hat with courtly grace to the woman, and rode on, certain that James would follow. Not the woman; the lady, as her voice and clothes proclaimed, though James had not noticed until now.

A lady, and by the rules of this Society, one to whom he had not been introduced. He took off his telpek, the large shaggy sheepskin hat.

“My lady, I am Elfingham. May I have the honor of knowing whom I have served this day?”

She seemed as dazed as he, which soothed him a little, and she stuttered slightly as she gave him her name. “L-L-Lady Sophia. Belvoir.” Unmarried, he hoped. For most married ladies were known by their husband’s name or title. And a lady. He beamed at her as he remounted. He had a name. He would be able to find her.

“Thank you, sir. Lord Elfingham.”

“My lady,” James told her, “I am yours to command.”

For more of our stories, see our individual blogs:

A Suitable Husband, by Jude Knight (this story links the others and is featured in the Teatime Tattler)

Valuing Vanessa, by Susana Ellis

A Kiss for Charity, by Sherry Ewing

Artemis, by Jessica Cale

The Bluestocking and the Barbarian, by Jude Knight

Christmas Kisses, by Nicole Zoltack

An Open Heart, by Caroline Warfield

Dashing Through the Snow, by Amy Rose Bennett

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Unequally yoked? Love across the boundaries on WIP Wednesday

brakespearew-youngloversDo you have a pair of star-crossed lovers? If so, what makes their union impossible? Different classes? Different races? Different faiths? Feuding families? Warring countries?

Today on Work-in-progress Wednesday, I’m looking for excerpts in which characters show the chasm they must bridge before they can be with their loved one. My piece is from my story in the Belles 2016 holiday box set.

Ah. Here was his goddess, approaching across a generous entrance hall that appeared at first glance to be full of people, though in truth he counted eight, not including the pair blocking his way inside.

“Felicity, you put me to the blush.” She turned from her sister to address the girl in spectacles. “Allow me to present Lord Elfingham, Miss Ellison.” Then she regarded him with wary eyes. “Have you come for the house party, Lord Elfingham?”

James gathered the wits that had scattered at Lady Sophia’s approach and told his tale of a lame horse and the need for shelter until he could diagnose and fix the problem. The other ladies and gentlemen stopped their work of hanging ribbons, garlands, and wreaths from every available vantage point, and gathered around to be introduced to the scandalous barbarian suddenly in their midst.

James smiled, nodded, and exchanged pleasantries, moving farther into the hall, his back prickling as he found himself surrounded by these polite strangers.

“There is a horse in the forecourt, and it will not move. Odd looking beast. Small head and too long in the back. And one blue eye! Whoever heard of a horse with blue eyes?”

James turned toward the voice at the door, and met the eyes of Nathan Belvoir, Earl of Hythe.

For all his youth—Hythe was three years Sophia’s junior and seven years younger than James—he was head of the Belvoir family, and James would prefer to have his blessing to court the man’s sister. From the hostility in young earl’s blue eyes, it would not be forthcoming.

“My horse,” James explained mildly. “Seistan.”

“The horse is lame, Hythe,” Lady Felicity told her brother, “so Lord Elfingham cannot travel on tonight.” She turned to the young woman in spectacles who had entered behind Hythe. “Will you inform the duchess, Cedrica?” The girl nodded and went back outside.

“He cannot stay here, either,” Hythe declared, his brows almost meeting as he frowned. “You should have stopped in the village, Winderfield, or whatever your name should be. The duchess will not want your sort mixing with her guests.”

James schooled his face to show no reaction. At least two insults in as many sentences: the denial of his title and his legitimacy, and the “your sort” comment. Sophia would doubtless be displeased if he challenged Hythe, or simply punched him.

Or punched Wesley Winderfield, who was grinning like a loon at Hythe’s elbow. Weasel Winderfield was some sort of a distant cousin and had been heir presumptive to the Duke of Winshire after the untimely deaths of the duke’s three sons one after the other, and then of his eldest son’s heir, his only known grandson. Weasel was most disappointed when Winshire’s third son proved to be not nearly as dead as reported, the inconvenience of his return compounded by the tribe of offspring he presented to his father when he arrived in England.

Weasel’s presence here was unfortunate but not unexpected. He was an acolyte of the man most determined to prove James a bastard: the man who owned this house, the Duke of Haverford.

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You can’t choose your relatives on WIP Wednesday

au_bistro_at_the_bistroI’m deep in edit mode for Revealed in Mist, and I think I’m improving it. Sibling relationships are a big part of the story—Prue’s with her sisters, and David’s with his half-brothers. As the saying goes, you can choose your friends, but you can’t choose your relatives.

I’ve just edited chapter two, where David meets the Marquis of Aldridge for the first time in years, so I figured I’d make relatives the focus of this week’s post. Here’s a short excerpt. Feel free to post one of your own in the comments.

He frowned at the fire in the small hearth. The private parlour he had hired was small and shabby, but at least its size made it easy to heat. And it was neutral ground, which mattered. David hadn’t had a prolonged conversation with his expected guest in a decade and a half.

He must have been seventeen or eighteen on the last occasion, staying at Haverford Castle in Kent between the end of the school term and his first term at university. The Duke of Haverford’s son and heir, the Marquis of Aldridge, would have been 12. The day had begun happily enough with the boy tagging along while David went out after small game with a gun. It had ended with David beaten and driven from the property.

Aldridge had tripped and knocked himself out, and Haverford, finding David leaning over his unconscious heir, had not waited for explanations.

Once the young marquis left school and entered Society, they met from time to time, usually when the Duchess of Haverford insisted on David coming to one of her entertainments. Her husband, the duke, was almost always engaged elsewhere, but her sons often attended. They paid their mother the courtesy of not being rude to her protégé, and he responded with the same polite reserve.

He was expecting Aldridge now. Older brother to one of the courtesan’s lovers. David’s despised father’s oldest legitimate son. His half-brother.

A knock on the door heralded Aldridge’s arrival. A maid showed him into the private parlour. He’d clearly been treating her to a display of his facile charm; she was dimpling, blushing, and preening.

David examined him as he gave the girl a coin “and a kiss for your trouble, my darling.” The beautiful child had grown into a handsome man. David had heard him described as ‘well-put together, and all over, if you know what I mean.’ The white-blonde hair of childhood had darkened to a guinea gold, and he had his mother’s hazel eyes under a thick arch of brow he and David had both inherited from their father.

Aldridge navigated the shoals of the marriage market with practiced ease, holding the mothers and their daughters off, but still not offending them, and carrying out a gentleman’s role in the ballroom with every evidence of enjoyment.

But his real success, by all accounts, was with bored widows and wives, where he performed in the bedroom with equal charm, and perhaps more pleasure. Society was littered with former lovers of the Merry Marquis, though he had the enviable ability to end an affair and retain the friendship.

Aldridge ushered the laughing maid out of the room and closed the door behind her, acknowledging David’s appraisal with a wry nod.

“Wakefield. You summoned me. I am here.”

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Foiled again on WIP Wednesday

cottageGiven how little actual writing I’ve done in the past fortnight, I thought an excerpt about frustrations would be a good idea. You know what I mean? Your characters are bowling along, their plans all in place, when bam. Something happens. Your villain sees his schemes come crashing down around his ears. Or your heroine’s dreams seem to dissolve in smoke. Or your hero’s future, which was secure, turns to custard.

Show me yours and I’ll show you mine. This one is from Revealed in Mist. The villain (one of them) and his cronies have the heroine and her sister trapped, and the villain is determined to show his power. He overreaches, of course, as villains do. The sister is not as cowed as she pretends. But just when we thought he was foiled, the tides turn again.

It was enough. As Charity grabbed the most vulnerable part of Selby’s anatomy and squeezed, Prue flung herself on the hand in which Annesley held the gun and knocked it upwards. From the stairs, Barnstable gave a yell at the same time as Selby’s anguished scream.

Prue had no time check how the other women were faring. Annesley was larger and stronger than her, and close quarters was not how she would win this fight. Still, if she could get the pistol off him, if Charity had enough wits about her to come to Prue’s aid, they might have a chance.

He was forcing the barrel around towards Prue when Charity hit him over the shoulder with an iron pot, and the gun went off with a loud reverberating bang, throwing him backwards.

Prue sprawled where he dropped her, but was gathering her feet beneath her to throw herself back into the fray, when Charity threw herself down between Prue and Annesley. “Prue? Are you hurt?”

The swine had missed, thanks to Charity, but she had not hit him hard enough. He was levelling the pistol again, grinning broadly. On the stairs, Barnstable was dancing in place, complaining. “She bit me! I was going to be nice, little girl, but…”

Selby’s voice was high and strained, as he dragged Charity away from Prue by her hair. “You’ll pay for this, Charrie, you filthy little trollop.”

 

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Entertainments on WIP Wednesday

_DDI5334At the weekend, I attended a workshop on Regency dance at the Romance Writers of New Zealand conference. And on the way home, I read Mary Balogh’s Only Beloved, which is partly set at a house party, where people find ways to entertain one another and themselves.

No tv, no internet, no radio. If you wanted music, you sang or played an instrument. The local sporting events were keenly followed. And gathering together often meant long journeys, so once people arrived, they made the most of it. The tutor at the dance class suggested that balls finished in the early hours of the morning, because people didn’t want to go home until dawn lit the sky and made travelling easier, and I’ve read that many country assemblies were scheduled for the two or three days around a full moon.

For today’s work-in-progress Wednesday, I have an excerpt from A Raging Madness. Alex and his family are taking Ella out in London. But any type of leisure activity anywhere in time or place is welcome. I’ll show you mine and you show me yours.

The event was a ball at Haverford House, a monstrous palace of a place and the home of the Duke of Haverford and his duchess. The Duchess of Haverford was an old friend of Lord Henry’s and welcomed Ella warmly.

“Henry has told me what you did for Alex, Lady Melville, and,” she gave her hand to Alex who bowed over it with courtly grace, “I can see for myself how much improved you are, you rogue. Lady Melville, you have my gratitude and my support.”

Her Grace was supported in the receiving line by the notorious Marquis of Aldridge, who greeted Alex with a nod, Susan with a peck on the cheek, and Ella with an elegant bow.

“I am delighted to make your acquaintance, Lady Melville,” he said, and Alex stiffened beside her, but the man’s flirting did not bother Ella. It was an automaton’s reflex, with no predator’s purpose behind it. Lord Aldridge was not interested in her.

Ella’s mourning precluded dancing, but she enjoyed watching the colourful couples turning and swooping in the patterns of the dance.

“Dance if you wish, Alex,” she told her escort when Susan had been swept onto the floor by a naval captain she knew. But Alex demurred. “I am claiming privilege of injury, Ella, and will beg you to come sit by me and keep me entertained while I rest.”

He did not look strained, or in pain. “Is your leg troubling you?” she asked, but he did not answer directly.

“Last time I danced, I could not walk at all. Did I tell you? I took to the floor in an invalid’s chair, with Jonno to provide the push.” He grinned at the memory. “Great fun, it was, with my partner standing on the platform of the chair to be twirled. It did not end well, sadly. A villain sabotaged the chair while I was at supper, and it collapsed as I threaded the line.”

He chose an alcove where they could continue to watch the dancers, and he told her more about his adventures in the resurrected chair.

“You may meet the maker when you come to Longford for Christmas. She is a frequent guest at the Court, I understand.”

Ella was intrigued. A maker of invalids’ chairs who was not only a welcome visitor to an earl and his countess but also a woman?

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Danger on WIP Wednesday

assaultI’ve finally found the right name for my novel about Prudence and David. Revealed in Mist, to be followed by Concealed in Shadow. The first one is sitting with the developmental editor, but I’ll announce a publication date as soon as I know one. Meanwhile, today I’m posting a piece from it: a moment when my heroine is in danger.

As always, I’m inviting you to post an excerpt from your WIP; any type of danger, and any level, from mild social embarrassment to death-threatening (or, as in this one, what has been called a fate worse than death).

Before she could react, he had ripped at her neckline, popping buttons, tearing the fabric, and exposing her corset and the curve of her breasts.

“Well, well,” he said. “You are a delicious little thing, aren’t you?”

Prue managed to keep her voice calm and level. “If you’ll wait downstairs with your friends, Sir, I will let Lord Jonathan know you are here.”

“Oh, let Annie wait. I’ve an appetite, and you’ll do to satisfy it.” He was pulling her skirts up as he spoke, and the hard shape pressing into her belly left no doubt about his intentions. “You’ll do very nicely.”

“No, thank you, Sir,” Prue said. “That is not part of my duties.”

“Don’t think about it as duty, little darling. Think about it as pleasure,” then, as she tried to twist sideways to escape him, “No, no, no. Naughty. Keep still or I’ll have to hurt you.”

“Let me go, Sir, or I’ll scream.”

“You think the whore will care? I’ve had her maids before. She growls a bit, but what’s she going to do? Serves her right for teasing us all and only dancing the kipples with Selby. And that bumptious squirt, Gren. Blame her, if you do not like it. Now keep still.”

Prue had been keeping her hands flat against the wall, not wanting him to immobilise them. Now she stilled her body as commanded, but let one hand creep carefully towards the cap that covered her hair.

She would need to be quick. He had her skirts bunched almost to the top of her thigh and was fumbling at the buttons of his fall with his other hand. If he noticed what she was doing… no, he was looking down, focused on the mounds he had exposed.

There. She found the long hat pin, a sharp pointed skewer made to her own specifications for occasions such as this. In one movement, she swept it out of her hair and in an arc, flipping it in her hand on the way, to jab it point first into the nearest buttock.

With an eldritch shriek, he let go of her, and she twisted under his arms and retreated up the next flight of stairs, facing him from that vantage point, the skewer at the ready.

“You bitch! You stabbed me!” he shouted.

The weapon he had intended to use on her, disclosed by the unbuttoned flap of his breeches, had not yet been discouraged by the sudden attack. She gestured at it with her hat pin.

“One step closer, and this goes into that.” The full length in the right place could kill, but a threat to his family jewels was more likely to get his attention than one to his life.

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Kisses on WIP Wednesday

kissing_by_splashofrainbowFirst, or one of many; gentle, passionate, hungry, demanding, or affectionate; welcome or not so much: hit me with a kiss from your work-in-progress.

Here’s mine, from the book that is with the editor and currently called Prudence in Love (which may, at any moment, become Revealed in Mist.)

Mrs. Allen was just enquiringly anxiously about whether she should hold dinner when Allen opened the door to Prue and her sister. David was in the hall in moments, barely aware of moving, but he halted, unwilling to embarrass Prue by embracing her in front of her sister and the servants.

Prue had no such qualms. She stopped in the midst of untying her bonnet and flung herself towards him, her face alight with welcome, stopping just within arms reach.

“You are here! I thought perhaps tomorrow… Oh, David, I am so glad to see you.” At that, as if she could not contain herself any longer, she held out both her hands, and he lifted them with both his own and pressed a kiss on the gloved backs, all the time drowning in the glow of her eyes.

“Let us give them a moment,” Prue’s sister murmured to the Allens, and she climbed the stairs while they went back downstairs to the service rooms.

David drew Prue into his study, and carefully shut the door before seizing her for the kiss he had been imagining this past month. She met his passion with her own, returning his assault on her lips with a bruising assault of her own, her hands meanwhile sliding up under his waistcoat to clutch him to her as if she would pull herself right inside his flesh.

He pressed her against the wall beside the door, one of his own hands cupping her buttocks and the other, at first clasped around her shoulders to hold her to him and protect her back, now creeping to lift her skirt that they might, indeed, bury themselves in one another.

Impatiently, she dropped one of her own hands to fumble at his buttons.

“Prue,” he murmured. “Oh, Prue, how I’ve missed this.”

A knock on the door froze them both. “Mrs. Allen will be serving dinner shortly, Prue,” her sister called. “Do you not wish to change? Or at least take off your bonnet and coat, and wash your face and hands?”

David met Prue’s eyes, smiling tenderly. Her redingote was in a heap on the floor behind her, and her bonnet was gone. Ah yes. There it was, tossed onto his desk on the other side of the room, though he had no memory of removing it.

“I had best take my hands off you, Prue, or I shall make us both late for dinner, and your sister shall scold.”