Scandal and risk on WIP Wednesday

Scandal is part of the stock in trade of a historical romance writer, and particularly the writer of Regency and Victorian novels, whose stories are set against a rigid, if hypocritical, standard of publicly moral behaviour. If my characters didn’t ignore it, or be accused of ignoring it, my stories would be a lot shorter! Here are the hero and heroine of One Hour in Freedom, ignoring social norms. Or are they?

After she was ready for bed, Ellie sat in a chair by the fire, waiting. He had stopped in the hall as Mrs Blythe showed them to their rooms. From the look in his eyes, he had thought about kissing her, but had changed his mind. Why? Were they still estranged? Was she a fool to hope they could be together again? Surely he had the same questions.

After half an hour, she decided that Matthias was not coming. Does he not realise that they needed to talk? They had both been given rooms in the guest wing, and were the only occupants. Furthermore, when they had come up together after the meeting with Max, she had seen which room he had entered.

Well then. She let herself out into the dim hall and counted doors until she reached the one Matthias had been given. Light still shone under the door. Good. That made things easier. She knocked and listened for a response from inside the room.

The door swung open, and Matthias stood in the opening, his neutral expression dropping for a moment to reveal surprise, then delight and lust, before he reimposed control over his features.

He stood to one side. “Ellie. Please come in.” The huskiness of his voice sent her body humming, as did his state of dress—or undress. He had wrapped a towel around his waist to open the door, but—apart from that scrap of fabric—he was naked.

She swallowed against a suddenly dry throat and walked past him into the room.

“Give me a moment,” he demanded. He went behind a dressing screen. He is quite correct. We need to talk. Ellie took a deep breath and attempted to distract herself by cataloguing the contents of the room. A bed. A couple of chairs by the fire, one of which had a half full glass on the little table beside it. She sat in the other chair, and continued her examination.

A clothes press. A side table under the window. Another by the door. Very similar to her own room, so probably a washstand and some pegs for clothes behind the dressing screen.

Where Matthias was presumably armouring himself against her lustful eyes by hiding his glorious chest and strong legs under clothing. But the sight was graven on her eyeballs, and her efforts to think of something else were not working.

He emerged in a pair of trousers, with a shirt worn loose over the top. “Still undress,” he said, “but not quite as scandalous.”

“Not scandalous at all, under the circumstances,” she pointed out.

“Yes, but the household doesn’t know that, do they?” he argued. “Do you want a whisky, Ellie? Lion brings it down from Northumberland. They brew it in the hills there.”

“I have never tried whisky,” Ellie admitted. “Perhaps just a little. As to the scandal of my presence here, or not… that is one of the things I wanted to talk about.”

Ingenuity on WIP Wednesday

I get them into these situations and then I have to get them out. Fortunately, the plot elves usually come up with something. This is from Weave Me a Rope, which I’m currently writing.

The second day after a beating was always worse than the first. The insulating effect of shock was gone, the bruises were at their maximum, and the stinging cuts were still so raw that the least and lightest of covers caused agony.

Spen lay on his stomach and endured. The housekeeper visited again, and Fielder popped his head in a couple of times, bringing food and drink and taking away the chamber pot. He remained sullen, but was at least no longer actively hostile.

Just after the second meal of the day, Spenhurst heard voices outside of the locked door.

“His lordship said no visitors,” Fielder growled.

Spen strained to hear the response. It was John. Spen recognised his voice but couldn’t hear the words.

“No visitors,” Fielder repeated.

John’s voice again, Fielder gave the same response, and then silence.

So. Spen was to deprived of his brother’s company. Probably as well. If the marquess caught the John anywhere near Spen, it would go badly for the boy. John stayed safe by staying out of the way of the man who was too proud to admit that his wife’s second son was not his get, but too volatile to be trusted not to kill the unwanted cuckoo in his nest if John was anywhere near when the marquess lost his temper.

John, though, hadn’t given up. Spen’s dinner came with a note folded inside the table napkin. It was written on both sides and crossed to keep it small. Spen hid it until Fielder had taken away the tray, then puzzled it out by the light of the candle.

Spen, they won’t let me in to see you. Can you come to the window tomorrow morning at half after six by the stable clock? I will be in the oak tree on the other side of the courtyard. Lady Deerhaven is still taking her meals in her room, but her maid says it is only a bruise to her face. The marquess is leaving again tomorrow. The schoolroom maid heard him order the coach for 10 o’clock. I told Fielder that, and asked to see you tomorrow, but he said his orders were to keep you there and not let anyone in. Your loving brother, John.

Spen hobbled to the window, but it was too dark to see the clock in the little tower on top of the stables. No matter. Dawn at this time of the year was before six. If he watched for the light, he would be up in time to see John.

That wasn’t hard. He was in too much pain to sleep much at all, and up and restlessly pacing as soon as the sky lightened enough for him to move around the room without bumping into walls or furniture. The little tower room had become a dumping ground for elderly chairs and sofas, all overstuffed and sagging.

John should have waited until the marquess had left. He shouldn’t be climbing the tree at all—though it was a good choice. It was as tall as the tower, and on the far side of the tower from the house, so someone in the tree was likely to go unobserved.

He studied the tree as the sun rose. The growth was at its lushest, with young green leaves and catkins covering and concealing the branches, but Spen knew how strong those branches were, particularly on this side, where the gardeners kept them trimmed so no one could enter the tower from the tree—or, for that matter, escape by the tree from the tower.

Not that the bars on the windows made either possible. The marquess was nothing if not thorough. Spen could open the window, however, and he did.

Spen’s spirits rose. If John was careful, he might be able to get within perhaps ten yards of the tower, and he’d be impossible to see from the ground, should anyone be out and about this early in the morning. It was an easy climb, too. John shouldn’t be attempting it with only one useable arm, but Spen didn’t doubt his agility and balance.

The wait was interminable. Spen crossed the room twice to another window from which he could see the stable, and each time the longer hand had crept only a few minutes. No more. John would arrive, or he wouldn’t. And if he didn’t, Spen would worry about him for the rest of the day.

Despite his watching, he didn’t see John arrive at the tree. The boy’s head suddenly popped into sight, surrounded by leaves.

He was at the same level as Spen, but a few yards away. His intense determined look softened into a grin. “Spen! You’re here! You’re able to move around. The housekeeper said you would be up and about by now, but I was worried.”

“I’m well,” Spen lied. “Nothing for you to worry about, John.”

“Good. What does he want you to do, Spen? The servants say he is keeping you locked up until you sign something, but they don’t know what.”

Spen never knew how much the servants told John, and how much John picked up from the conversations of others because he was good at moving around the huge old house as silently as a ghost. Certainly, though, John was usually way ahead of Spen at hearing any news. “What happened to Miss Miller, John? The housekeeper said she got away safely, but I was concerned the marquess might send someone after her.”

John shook his head. “He didn’t. Not that I have heard. I don’t think she went far, though. Just to the inn at Crossings. The stable boy saw her horses at the inn when he took two of ours to be shod.”

“She is off our land at least. But she must go back to London, John. To her father. He’ll be able to protect her.” Spen hoped. The marquess had a long reach though, as Spen and John both had cause to know. Their mother had died at the hands of highwaymen, or so the world believed. But the marquess had told her sons that he had sent the villains after her and her lover, when Lady Deerhaven had attempted to escape her miserable marriage.

“What does the marquess want you to sign?” John insisted.

“A marriage contract. Between me and Lady xxx. I’m not going to do it. I am marrying Cordelia Milton, even if I have to wait until his lordship is dead. But the more I refuse the more danger there is to her. Go and see if she is at the inn, John. If it is, tell her to go home to her father and stay safe. Tell her I love her and I will come for her as soon as I can.”

“He will make your life miserable,” John warned. He frowned. “We need a rope. If you had a rope, you could lower it and I could send up anything you need.”

Spen looked over his shoulder at the room. No ropes lying around, and if he started ripping up the sheets or the bedcovers, his keeper would notice. “Maybe I could take the fabric off the backs of the chairs,” he mused. “I don’t know if I could get enough pieces to reach the ground, though. It must be close to fifty feet.”

“How many chairs?” John wondered.

“Half a dozen, and three sofas.” The tower room had clearly been used as a dumping ground for broken or tired furniture. As well as the seating and the bed, it held two chests of drawers, a desk, a couple of tables and a wardrobe with only three legs.

John had a furious frown, a sign he was thinking. “Horsehair,” he said.

Spen frowned. “Horsehair?” But then it dawned on him. A couple of years ago, a stable master on one of the estates had taught the pair of them to make bridles from horsehair rope, having first made the rope. “The chairs will be stuffed with horsehair,” he realised. It could work. It could actually work, and it would at least give him something to do.

“I have to go,” John said. “I need to be back in my room before the maid comes. I’ll try to get to Crossings today, Spen. See you here tomorrow?”

Tea with the duke

“Mama,” said the Duke of Haverford, strolling into his mother’s private parlour, “I have come to ask a favour.”

”Sit down, Anthony, and let me pour you a cup of tea,” the Duchess of Winshire replied. Since she abandoned widowhood to marry again, she did not see nearly as much of her son as when they lived in the same house. “What can I do to help you?”

Haverford accepted tea, prepared just the way he liked it, and two of the three tiny iced cakes that his mother adored. She had a standing order with Marcel Fournier, the proprietor and chef at Fournier’s Tea Rooms. Haverford thought of suggesting that his darling wife also placed such an order. They really were delicious.

Mama waited patiently until he had eaten the first cake, then raised one eyebrow in question. “It is for Lion, Mama—the Earl of Ruthford. Or, rather, for one of his exploring officers and the man’s wife.”

“Is this to do with that man who calls himself the Kingpin?” Mama asked. “Dorothea, Ruthford’s countess, was telling our ladies about it just a few days ago. Lion and his men think the villian is one of us, Anthony. Dorothea wanted to know the names of men who had suddenly came into money without a known source.”

“It is the same case, Mama. They have reason to believe that Lady Blakeley is involved in some way, and they want to set up a situation in which they can talk to her without the villain knowing. The couple I mentioned? The Kingpin is threatening their child.”

Mama was too polite to snort, but her expression said clearly that she thought the plan misguided. “I am quite prepared to believe that Margaret Blakeley is involved in villainy, but I very much doubt that she is a minion. That woman doesn’t take orders from anyone.”

“Be that as it may, the plan is to give her a titled neighbour who invites her to tea. Something quite normal and casual that neither she nor any of her friends will regard as suspicious. They need a genuine person. Someone who is in Debretts but isn’t well known in London, preferably isn’t in England ,and won’t mind if Lion’s man’s wife pretends to be her.”

“That is easy,” replied Mama. “Eloisa Ormond. My second cousin on my mother’s side. She has not been in England since we were girls. Her father married her off to the Earl of Ormond the year before I married your father, and lived in Scotland until she was widowed ten years ago. She has been travelling ever since. Her last letter was sent from a place called Bali, which is, apparently, in the East Indies.”

“Cousin Eloise,” the duke repeated. “Mama, that is perfect.”

Spotlight on Snowy and the Seven Doves

Will Snowy be able to prove his identity, claim his birthright and make Margaret his viscountess before his stepfather succeeds in eliminating him forever?

The child found beaten and half dead in an alley has grown to a man. Seven soiled doves rescued him and raised him in their brothel. Now he must rise above his origins to hunt down the enemy who tried to kill him.

When she found herself in the wrong place at the right time, Lady Margaret Charmain’s life was saved by the man she knows as Snowy White. So when his self-titled aunt asks Margaret to help him make his way into the ton, she agrees to help, not knowing he intends to use the opportunity to confront his wicked stepfather.

Margaret upends Snowy’s negative conceptions about Polite Society, especially as her associates and friends come to his aid and to help him reclaim his stolen title from Viscount Snowden. Before long, he realizes his destiny includes her as his wife; after all, she wakened him to his true self with her kiss.

But the fraudulent Lord Snowden will stop at nothing to hide his misdeeds, even murder.

Published 10 August. Purchase now: https://amzn.to/3TIM5in

Excerpt

Snowy had to admit that the countess sounded as if she knew her herbs. Besides, Jasmine could do with the help. She was the oldest of the seven soiled doves who had pooled their resources to start the House of Blossoms. (“Soiled doves” was one of the politer terms the gentlemen visitors used for the women who serviced them.) Jasmine had been having unpleasant cramps during her woman’s inconvenience for as long as Snowy could remember, and they had become worse in the past three years. He hoped Lady Charmain’s remedy would give her some relief.

Like Poppy and Lily, Jasmine no longer accommodated the gentlemen visitors. Her piano playing, though, was a favorite entertainment for those who were waiting for the girl of their choice, recovering from a bout of mattress thrashing, or just spending an evening out.

A surprising number of gentlemen came to the House of Blossoms merely to play cards, listen to the music, enjoy Poppy’s cooking, and talk. Lily, who had been one of the most sought-after courtesans of her generation, taught the girls that listening to their clients with every sign of fascination was an even more important skill than those they exercised upstairs.

Other residents of the house were also troubled each month by the same complaint, if not as badly. If the poultice proved successful, it would make a difference to them, too.

Snowy relaxed once he saw how Lady Charmain addressed Poppy. He knew she was polite to Lily, but Lily had a presence about her that demanded respect. Even the most drunken and arrogant of lordings spoke respectfully to Lily’s face, whatever they might say behind her back.

Poppy was a different matter. She had no such air of command, though she certainly demanded perfection from the girls who worked in the kitchen. She still spoke with more than a trace of the accent of the county from which she hailed. And she was a cook—a lesser being in the eyes of the likes of the countess.

But Poppy had a kind heart and a happy outlook on life. Of the seven women who had raised Snowy, she was the one he had gone to with a scraped knee or hurt feelings. She had always had an encouraging word, a hug or a kiss, and something delicious to eat. So even though Snowy was protective of all the original Blossoms, Poppy had a special place in his heart.

Lady Charmain had greeted her with courtesy. The countess was now paying serious attention to Poppy’s questions and answering them politely. She even laughed when Poppy made a joke. Perhaps, she was not that bad, after all.

 

Tea with Margaret

Eleanor, Duchess of Winshire, invited Margaret, Countess Charmain to stay on after the meeting. Eleanor did not know Lady Charmain well, and was keen to remedy the lack. She already knew that the lady was an unusual young lady.

It was not that she had inherited an earldom in her own right. That was simply an accidental combination of the historical wording of the earldom’s founding documents and the lack of a male heir in the current generation.

Nor was it that, young as she was, she ran her estates and investments with confidence, efficiency and flair — better, in fact, than most men of her age. Eleanor took it for granted that a lady was just as capable as a gentleman with the same training and education, and that women in their early twenties were often more sensible than their male counterparts.

One point of interest was that the countess was a skilled herbalist. Two of the young people in Eleanor’s new family by marriage ran a clinic on the outskirts of a London slum, and both Ruth, her husband’s daughter, and Nate, her husband’s nephew-in-law, spoke highly of Lady Charmain’s knowledge and her empathy for those she treated.

The other was that the lady had — or so gossip suggested — turned down every proposal she had received through the last two seasons. Did she intend to remain single? Or was she disappointed with the crop of husbands currently on offer. Eleanor hoped to find out. She would be happy to put Lady Charmain in the way of meeting young men with more interests than the cut of a coat or the conformation of a horse.

As it happened, Lady Charmain spoke before Eleanor could introduce the topic of her possible spouse. “Your Grace, I am glad you asked me to stay on today. I have something to ask you. I have accepted your invitation to your annual debut ball. I wonder if I might bring a gentleman as my escort?”

“Of course, my dear,” said Eleanor, wondering who it might be. Gossip linked Lady Charmain’s name with that of Lord Snowden, who was more than twice her age, and with his son, who was nothing but a cub, still wet behind the ears.

Lady Charmain blushed, which was interesting. “The fact of the matter is, that he is not in Society, Your Grace. You should know that, while his behaviour is that of a gentleman, his birth is… In fact, I do not know what his birth is, but he works, Your Grace.”

“I have no problem with that,” Eleanor said, amused. “People must eat, after all. Indeed, I have more respect for a gentleman who earns his own living than one who is idle while living on credit.”

Lady Charmain looked as if she wanted to say more. She bit her lip as she thought about it.

Eleanor was even more amused. Clearly, there was a tale to be told. “Go on, Lady Charmain. I am hard to shock, I assure you.”

“He is the book keeper in a br– in a house of ill repute,” Lady Charmain blurted, then blushed a fiery red and covered her lips with the fingertips of both hands.

A sentence guaranteed to set off alarm bells! But Lady Charmain was a grown woman, and not one of Eleanor’s family or protegees. Best to proceed cautiously. “And what is this gentleman to you, may I ask?”

“I owe him a favour,” Lady Charmain explained. “He saved my life, you see. He has asked to escort me to several Society functions, which seems a small return on so great a service.” She heaved a sigh. “Let me tell you the whole. It is, after all, what I came here to do, since I could not think it right to possibly cause a stir without warning you.”

***

This scene relates my coming release, Snowy and the Seven Doves. (Out next Thursday) Here’s the flashback to Snowy’s rescue of Margaret.

She is walking through a narrow alley in the dusk, her mind still on the patient, a badly beaten woman, whom she had visited in a tumble-down building in the stews.

Without warning, men appear out of the darkness. Her footman goes down before either of them can react, felled by a cosh to the head. She shrinks back against a wall, and they gather around her, hooting and laughing, enjoying her fear. She understands little of their thieves cant, but she is not a fool. She knows what they have in mind.

She stands over the footman’s unconscious body, jabbing at her attackers with her umbrella, vowing to inflict as much pain as possible before they take her.

Suddenly, another man is there. An incredibly handsome man, with close-cropped dark hair and the build of a Greek god. Two of her five attackers go down under his assault, out of the fight.

She fights the other three at his side until they flee. He turns to her, and she looks into his grey eyes and prepares to thank him. He speaks first.

“What the hell is a lady like you doing here? This is not Mayfair, princess. You cannot walk around the slums as if you own them.” A well-educated voice. The tones of a gentleman of her own class. An indignant reply is on the tip of her tongue, but before she can say a word, her mind disappears down a spiral of darkness.

Family disapproval in WIP Wednesday

They talked for a few minutes more, and when Spen mentioned that he was showing Cordelia around the house, John asked if he could come.

“I am tired of seeing the same rooms over and over,” he said. “I won’t be able to come down once the guests arrive, even if the marquess is not expected home until later in the week.”

That was a curious thing to say. Did John mean he was not allowed from his rooms? Perhaps the marquess was an overprotective father, but nothing in the little Spen had said about him fitted that conclusion. Indeed, Cordelia had the impression that Lord Deerhaven was harsh and demanding.

Eventually, no doubt, her curiosity about the man would be satisfied. She shivered again at the thought. “He will not be happy about us,” Spen had said. “But what can he do? I shall reach my majority in five months, and if we have to wait, then that’s what we’ll do.”

As they retreated back down the stairs and out into the public rooms of the house, Cordelia put the marquess out of her mind and asked John about his schooling, and what activities he liked best. They arrived back on the floor where she and Spen had started, and turned away from the guest wing to go in through a door and across what looked like a drawing room. “One of the parlours,” Spen said, dismissively. The other side of the room had a long row of doors. Spen opened one near the middle. “These fold back to join the two rooms together,” he explained, as he led the way into yet another drawing room.

John was explaining the relative roles of heavy and light cavalry—it was his ambition to be a dragoon officer. He stopped on the threshhold. “Are you going to show Miss Milton the picture gallery, Spen?” he asked.

“I thought we’d start there,” Spenhurst said. “I wanted to show her the portrait of Mama.”

The enthusiasm had drained from John’s eyes.

“Wait for us here,” Spen suggested, but John braced his shoulders and followed them through the door.

This room had two doors on the opposite wall, and Spen opened the one on the left. It led to a long gallery, with statues between narrow windows on one side, and portraits all the way along the wall on the other.

It was very like the room in Cordelia’s dream and to her eyes, the unsmiling people in the paintings looked as unhappy with her presence as she anticipated. Do not be foolish, she scolded herself. You are an invited guest. Lady Deerhaven was welcoming and John is a delight.

John was eyeing the portraits with less enthusiasm than Cordelia felt—even with apprehension. If Spen noticed, he showed no sign of it. He led them two thirds of the way along the room, and stopped before a little portrait that was squeezed between two large ones. “Mama,” he said.

The countess had a kind face, Cordelia decided. She was portrayed seated on a stone bench, with a garden behind her, and a boy leaning against her knee. Cordelia didn’t need to ask whether he was Spen or John. Cordelia knew the shape and colour of the lady’s eyes, because she looked into their likeness whenever she was with Spen and dreamt of them when she and Spen were apart.

The little boy was dressed as a gentleman of the previous century, in breeches almost the colour of his eyes, and a matching coat over a pale brown waistcoat. His shirt had a wide lace trimmed collar, with a narrow dark blue ribbon around the v-shaped neckline under the collar and tied in a bow at the bottom.

“How old were you when this was painted?” she asked him.

“Six,” he said. “Perhaps six and a half.”

Cordelia moved closer, putting a hand on the frame as she examined the painting. “She died when you were ten,” she commented, remembering what he had said. She looked away from the painting in time to see a frown exchanged between John and Spen.

“We lost her when I was ten and John was three,” Spen confirmed.

A panel in the wall a few yards away swung open, and a woman in a maid’s gown, cap and apron poked her head out. “Master John!” she said in a loud whisper. “His lordship is coming. Quickly!”

Spen tensed and cast a glance down the gallery towards the door in the far end. “The marquess is home?” he questioned. The maid nodded.

John was already at the panel door. He stopped to look back at Spen. “Do you want me to stay?”

“No,” Spen said. “Get back to your room before he sees you. I’ll come once we’ve seen him and let you know what happened.”

John climbed through the panel and it closed. “Do not be afraid, Cordelia,” Spen said. “He will probably shout, but I will not let him hurt you.”

Cordelia’s alarm was climbing. “Spen?” Her questions were tumbling over themselves, jamming up in her brain. Why did the maid come to fetch John? Would he be in trouble for being out of his chambers? Certainly, he had looked frightened, and then as determined as a knight errant when he offered to stay.

Why did John think she might be afraid. Why would the marquess shout? Would he try to hurt Cordelia, a guest in his house? Did he know she was his guest? How could Spen stop his own father if the man was intent on violence?

She lifted her chin. Did Spen think she was a frail damsel who fainted at a harsh word? She wasn’t.

At that moment, the door at the far end of the gallery was flung open so violently that it crashed against the wall and a bulky shape loomed in the doorway.

Tea with Margaret and Pauline

Lady Charmain looked none the worse for her awful experience, though her friend Miss Turner hovered over her as if she might collapse at any moment. Eleanor, the Duchess of Winshire, was acquainted with the two of them. Lady Charmain she knew very well. Eleanor had been friends with her mother. Miss Turner was more of an unknown. She had not impressed at first meeting several years ago, but had remained with her step-brother after her mother and sister were exiled for crimes against him and his wife. From all accounts, Miss Turner had not put a foot wrong since. Eleanor believed in second chances and would give the woman the benefit of the doubt.

She knew about the other woman in the room, too, though they had not met. Miss Trent was a personal guard, hired from Moriarty Protection to defend Lady Charmain after several attacks on her betrothed. Unusual to have a woman in that role, but how clever. Miss Trent could follow Lady Charmain into places no man could or should go.

“The men have gone downstairs to interview the scoundrel who slandered Lady Charmain,” reported Sophia, wife to Winshire’s eldest son and therefore Eleanor’s daughter-in-law. “They will join us in time to share a pot of tea, Aunt Eleanor. Jamie will have coffee, of course.”

Eleanor was not going to discuss the nasty scene in the ballroom that had led to the incarceration of the man Sophia rightly called ‘the scoundrel’. She knew just the topic to introduce to lighten the mood. “How are plans for the wedding, Margaret, my dear? Have you chosen your gown? I am so looking forward to witnessing the occasion.”

(This scene wasn’t in Snowy and the Seven Doves, out on August 10th. Instead, we follow Snowy down into the cellars. “First, they visited the Duke of Winshire, where Margaret and Pauline were scooped up by Lady Sutton and taken upstairs to visit with the duchess. Miss Trent followed behind the ladies, as silent and inconspicuous as a shadow.” After the scene in the cellars, “Snowy and the duke joined the ladies. They were discussing the wedding; apparently, the duke and duchess would be in attendance. Snowy wondered if the invitation had originated with the duchess, but since Margaret seemed happy, he said nothing. They then went for their drive in the Park. It was almost anticlimactic that nothing happened.” Not that this was the end. Indeed, 20% of the book and the worst attack of all remained to be told.)

Disaster on WIP Wednesday

In the novel I am writing at the moment, my hero has been locked in a tower for weeks. To see him, his beloved has climbed a ladder he wove of horsehair. But alas, his father has returned to the estate unexpectedly.

For the second time in minutes, the door burst open. This time, his father filled the doorway, lifting his head to sniff the air. “You have had a woman in here,” he noted.

Cordelia must be about half way down. A little more time, and she would be able to escape. Provided the old tyrant hadn’t thought to post people at the bottom.

Spen shrugged. “A tavern girl. A man has needs.” Inside, he winced at comparing the glory of his afternoon to a meaningless transactional encounter.

The marquess stepped into the room and gestured to the footman who followed him. “Search the room. Find the girl.”

“Do you intend to deprive me of all comforts?” Spen asked his father, to prolong the conversation and keep his father’s attention from the window.

“I intend to do everything necessary to bend you to my will, you ungrateful scoundrel,” the marquess replied. “Where is your brother?”

“How would I know?” Spen asked. “He was here when I was locked up. Got send home with a broken arm. Has he gone back to school? Home to Benthorpe?” He couldn’t help the scorn that coloured his voice

He braced himself as his father swung a hand back for a blow, but one of the servants shouted. “There are ropes my lord. I think it’s a ladder.”

“Haul it up and look, man,” the marquess scolded.

“I cannot, my lord. Someone is on it.”

The marquess strode to the window, his eyes narrowed. “Coming up or going down? But why? Ah! I see.” He grabbed the loose bar and pulled it out, then managed to get his head through the gap to look down the tower wall.

Spen managed two paces towards the marquess before men grabbed him and dragged him backwards again. 

“It’s a boy,” the marquess was saying, sounding bewildered, then chortling, “No, a girl dressed as a boy.” He pulled his head back and glee in his eyes as he said, “and I think I know her name.” He held out his hand. “Someone. Pass me a knife.”

“No!” Spen shouted as he struggled, but the two men holding him didn’t let go. “No, my lord. Don’t do it!”

The marquess managed to get one arm and his head out the window. Spen could see him sawing back and forth as he countinued to speak. “Did you think I would not hear that Milton has interfered with justice for that trespasser who was spying for your little slut?”

He snorted. “The magistrate has the nerve to tell me I cannot have him hanged or transported for his villainy, and that my imprisonment of the man was punishment enough. My illegal imprisonment! Can you believe it? Who does the magistrate think he is dealing with? Ah.” A shriek from below, short and sharp, coincided with the marquess’s sigh of satisfaction. 

He moved to the second rope, and Spen imagined Cordelia clinging to the rungs as the ladder,  collapsed with one of its uprights gone, twisted and turned. “Don’t,” he moaned.

“What do I find when I stopped at the village inn today,” the marquis went on, “but the magistrate with Milton’s solicitor, and both of them demand to know what I have done with Milton’s daughter. Of course, I did not know what they were talking about. Now, of course, I do.”

He pulled back again, to grin at Spen. “Three quarters cut through. Let us leave the bitch’s destiny to fate, shall we? If the rope holds, she spins for a while until I feel like sending someone to retrieve her. If the rope breaks, she dies.”

Another scream came as he finished speaking. The marquess looked out of the window again. “Oops,” he said. His grin was wider as he turned back into the room. “Well, my son. It seems that your impediment to the marriage that I wish is no longer a problem.”

Introductions in WIP Wednesday

 

This is an unused scene from Crossing the Lyon, my contribution to Night of Lyons. I had to write 7,000 words before I found the start of the story, so I thought I’d share some of the words I took out. My heroine has knocked on the door of the hero seeking shelter against the stormy night.

Ursula thought about the Beaumont brothers as she draped her wet clothing over a laundry rack that hung from the ceiling near the stove. They knew she was a woman; she was certain of it. She had seen the realisation dawn on first the one, and then the other.

There. That was the last item. At least, apart from the bandages, everything she wore was made originally for a man. She was not hanging a female’s unmentionables in a gentleman’s kitchen.

She should go out and face them. She quailed at the thought, but took courage from Mr Roy Beaumont’s recognition of her dilemma and the consideration that came up with the scullery as a solution.

She was alone in a house with three men she did not know. On the other hand, she was warm and dry.

No one knew where she was. If she disappeared, her employers might notice when she did not turn up for work, but only Nora would miss her and make an attempt to find her. And Nora was three hour’s ride away, in London, and not expecting to see Ursula again for another five days.

On the other hand, the brothers Beaumont did not look or behave like monsters. Those who worked for them thought well of them, and in a small community, it was hard to hide misbehaviour of the sort she feared.

In any case, unless she wanted to go back out into the storm, she had to trust them, at least to a degree. However, before she left the kitchen, she took a knife from a rack and hid it in the folds of her robe. Her preferred clothing kept her safe from most who employed a handyman-gardener, since few actually looked at her and saw her.

Most, but not all. She had been forced to defend herself several times, though she wondered if she would have fought so hard if any of them had actually asked instead of merely attempting to take.

After all, ruined was ruined. She worked for a living. She dressed as a man and did manual labour. Her father had killed himself rather than face his own failures. Her sister worked as a seamstress, which in the eyes of many meant she must be a harlot, as many seamstresses were, poor things, their wages being so low.

Still, virtue—and, to be honest, pride—had kept her and Nora from taking the expected path of those who were ruined. So far. Though tonight, she was so cold, that she might do anything asked of her just to keep from being turned back outside into the rain.

Ursula put her hand on the door to the parlour, took a deep breath, and opened the door.

The Beaumont brothers confirmed her belief they knew she was a woman by standing as she entered the room.

“Come and sit by the fire,” Mr Roy Beaumont invited, waving to a chair between the two the brothers were occupying.

She did as he suggested, taking heart that he offered her a chair of her own. She could feel the heat of the fire on her face and on the hands she stretched towards the flames, but still the cold racked her core, and she shivered.

“Would you like a brandy to help warm you?” Mr Roy asked.

“Just a little one,” Mr Ban Beaumont warned his brother, then turned his gaze to Ursa. “Unless you are used to brandy, Miss Ursa? A little is a good idea, but too much may leave you with a sore head in the morning.”

She was right. They had realised she was female. No point in dissembling. “Ursula,” she volunteered. “My name is Ursula Kingsmead. And yes, I will try a little brandy.” Anything to feel warm again.

Mr Roy crossed the room to a tray with decanters and glasses, and Mr Ban took a rug from the back of a sofa by the window and brought it to her. “Tuck this around you, Miss Kingsmead. Or is it Mrs? Or Lady?”

“Miss,” Ursula admitted. She and Nora had still been in the schoolroom when her father died and the creditors had seized everything. Since then, they had had offers, but not for marriage.

She wrapped herself in the blanket, and accepted the brandy. The brothers stood until she remembered the manners she had been taught so long ago. “Please. Won’t you sit down?” she said.

Mr Roy was correct. The brandy spread its warmth down her throat and into her chest. The blanket Mr Ban had provided also helped. She sat huddled in the blanket, sipping from her glass, and staring into the flames. Bit by bit, the shudders stopped as she began to warm.

The brothers made no effort to engage her in conversation, instead, they spoke to one another, casual conversation about what each had been doing during the day. Mr Roy had been out on one of the tenant farms, helping a horse that was foaling. He owned the horse, apparently, and had high hopes for the foal. “She is as beautiful as her mother, Roy, and if she is as fast, we’ll have twice the chance to breed the stallion we need.”

Mr Ban had been to London for a meeting about some sort of a container that would revolutionise—Mr Ban’s words—food preservation.

“I said I would have to consult with my partner,” Mr Ban concluded.

“Does it taste any good?” Mr Roy asked. “Will there be a market for it?”

“Military,” Mr Ban said. “The army will leap at it. Navy, too. Preserved food on a long march or a longer voyage? It will taste better than dried meat and beans, I should imagine.”

“Good point. We should try some, Ban. But if it is in the least edible, I say we invest.”

Investment. Horse breeding. Farming. Mr Beaumont senior may have lost most of the family’s money, but apparently the brothers were making it back again. Ursula wished she could have done as well. It had been all she and Nora could manage just to keep body and soul together.

At least Nora had a safe place to live with her employer. The dressmaker valued Nora’s skills, but her protectiveness towards Ursula’s sister also suggested an affection to which the woman would never admit.

Ursula, on the other hand, had come back from her Sunday visit to her sister to find the shack in which she had been living had burned to the ground while she was out, and with it everything Ursula owned that wasn’t on her back.

Thank goodness she had worn her man’s disguise for the trip to and from London, for if she had gone to work these past two days dressed as a woman, she would already have been fired.

Her sigh attracted the attention of the brothers.

“Are you back with us, Miss Kingsmead?” asked Mr Roy.

“Are you hungry, Miss Kingsmead?” Mr Ban said, at the same moment.

She looked from one to the other. “I do not wish to be an imposition,” she said, even as her stomach growled.

Mr Roy grinned, and got to his feet. “I’ll take that as a yes.” He left the room.

“It is no trouble, Miss Kingsmead,” Mr Ban assured her. “Our cook always leaves plenty for us for supper, and my brother and I have eaten. You will not object to eating in here? I could light a fire in the dining room…”

Ursula was not sure that she could force herself to leave the warmth of her cocoon of blankets. “I have no objection,” she said, faintly.

Mr Ban smiled, and put another log on the fire.