Footnotes on Friday

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The lady with the wheelbarrow

My next newsletter subscriber story is in part inspired by a true story that I read many years ago. A man emigrated from England to New Zealand, and then sent for his wife and children to join him. However, when his wife arrived in Dunedin, New Zealand, her husband was not there to meet the ship.

The place he had settled was 120 or more miles away, through rough country trails, in Southland. Our intrepid wife was not defeated, however. She purchased a wheelbarrow, loaded her luggage and the younger children into it, and set off.

History records that she joined him on the farm he was carving out of the wilderness, went on to have more children, and lived to a ripe old age, matriarch of a clan of children, grandchildren and greatgrandchildren.

The enduring memory I have of her, though, is of the woman who did not allow a small matter of four (or was it five) children and 120 miles to stop her, but simply looked for a solution and put it into action. They were tough women, those pioneers.

Maggie’s wheelbarrow tells the story not of a pioneer but of another type of woman, equally tough–a soldier’s wife who followed the drum with her husband. When my Maggie arrives in Southhampton with two children and a long way to go, she buys a wheelbarrow. I hope my subscribers enjoy her story as much as I enjoyed the original.

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Tam Lin and other such faery abduction stories, interpreted for the Regency era

My book Hold Me Fast has just gone up on preorder. It is a dark and gritty story, but the story that inspired Hold Me Fast lends itself to some sordid and heart-stopping detail. The story is Tam Lin (and all its variants), in which a faithful sweetheart is determined to rescue her beloved from the Faery.

I say “story” rather than “stories” because they are, in essence, the same tale told in different ways by different bards, poets, or story tellers. The Queen of the Faeries steals away a human to entertain her and her court. He is sometimes a musician, sometimes a poet, and sometimes both. He is always called some variant of the name Thomas. He becomes the Queen’s lover and remains with her for seven years. (In some stories, it is seven years in faery time, but much longer passes in the everyday world.)

In the tale of True Thomas, the Queen sends him home at the end of his time, with the “gift” that he cannot tell a lie.

In other versions, she plans to offer him to Hell to pay a tax owed by the faeries. Shortly before the tax falls due, he meets Janet (Margaret in some versions), who determines to rescue him. This involves pulling him from his horse during a midnight ride of the faery court and holding him while the Queen turns him into all sorts of dangerous and dire things.

When the Queen realizes she has lost her pet, she loses her temper still further, but her threats and ranting cannot now keep the two lovers apart. Tam (Tom) is saved from his fate and is back in the human world.

This is one of my favorite folk tales, and I wanted to do it justice. As soon as I began to think about the mechanics of Regency-era people with the underlying viciousness and cold-hearted hedonism of the faeries in the oldest tales, I knew I had a group of selfish entitled aristocratic men with too much money and too little conscience. And what is more likely than that a person in withdrawal from drug addiction is going to be changeable, near mindless, and dangerous?

By the way, I use the spelling faery, for the Fae of the old tales do not at all resemble the sweet creatures of more modern stories, with their butterfly wings, and their human-like lives and morals.

Hold Me Fast will be published on 19th September, and can be preordered from Amazon.

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Recipes for Hijinks in A Wallflower’s Midsummer Night’s Caper

Today, my friend Alina K. Field visits us on Footnotes on Friday, with some information about sneezing powder, itching powder and more!

The heroine of A Wallflower’s Midsummer Night’s Caper seizes her first opportunity, a masquerade at her family’s estate, to take revenge on the duke who ruined her first season.

Though the duke has now expressed a desire to court her, she’s not having it. Her first ploy is swapping costumes with her devious younger brother. How embarrassing for the duke at the midnight unmasking when he discovers he’s been romancing a boy!

But she’s planned more. She’ll put sneezing powder (pepper) in his handkerchief, and itching powder in the costume he’s been given to wear. An emetic, syrup of ipecac, available in her family’s still room, can be put in his drink, and the estate’s abundant roses provide shriveled rose hips from which she makes itching powder. However, she puts her foot down at her brother’s plan to dose the hero with the Spanish fly and sweet flag provided by his friend, the local apothecary’s assistant.

Jude has blogged before about the aphrodisiac Spanish fly, made from beetles. Sweet flag, acorus calumus, is an herb with a history of medicinal applications, including aphrodisiac qualities. The plant was introduced to England in the 16th century, so would have been known and available. Besides its healing qualities, it was used by perfumers and as a flavoring agent. My schoolboy character, having learned of the ancient Orientals’ particular use for this herb, is anxious to try it on the hero.

If you’d like to make your own itching powder, there are other choices besides rose hips. Here’s a step-by-step tutorial. Keep these recipes away from the children!

A Wallflower’s Midsummer Night’s Caper

Release Day June 11, 2024

Heat rating: PG-13

As Midsummer Night’s magic unfolds and passions rise, will a repentant duke be well and truly punished, or will a vengeful wallflower be caught in her own game?

A Midsummer Night’s masquerade at her family’s country home presents the Honorable Nancy Lovelace with the perfect opportunity for revenge against the man who ruined her first London season—a man she’s known since childhood, a man she’d once thought she loved. With the help of her crew of younger relatives, she’ll give him his comeuppance.

Thanks to his bad behavior, Simon Crayding is now known to society as the Swilling Duke. When an old school chum invites him for a Midsummer Night’s party, he jumps at the chance to lick his wounds among friends and apologize to his friend’s sister, Nancy, because apparently, he’s done something to hurt her, he just doesn’t remember what.

It soon becomes clear that Nancy will not easily forgive. Never one to resist a challenge—or a beautiful lady—Simon vows to persevere. As the night unfolds and passions rise, will Simon be well and truly punished, or will Nancy be caught in her own game?

First Kiss

Nancy lifted her skirts and tiptoed along the dark passage, willing herself to proceed in a stately manner, with her hem and her hair wreath minding their places.

She had been doing so well, so very, very well, quelling the nervousness twitching through her… Until that first step from the carriage when she’d knocked the poor footman’s wig askew.

She took a long breath and assumed the ramrod posture that was her defense against the busk in her stays—as well as all the other worries unsettling her.

The dancing would start soon, and she would so love to dance the first set.

There’d be no more tripping. No more ripped clothing. No more embarrassing awkwardness.

If only she and Mama were not virtually alone in this crowd of strangers.

Not that the ball guests were all strangers to her mother. Though Mama had been absent from London these last two years since Papa’s death, she’d kept up her correspondence with friends and acquaintances.

Mama would find someone to lead her daughter out. Someone young, Nancy hoped, but not too fashionable. Not eager to wed, because she wasn’t at all ready to spend hours drinking tea or being driven in the park. She could drink tea and go for drives at home, and there were far too many interesting museums and theaters in London to waste time on mere courting. Her friend from school, Sally Simpkins, was in London as well, though Mama had advised restraint about socializing with the daughter of a Drury Lane actress, never mind that the woman was considered respectable.

It had seemed a trifle unfair. Sally was as much a lady as any of the ton, and she’d know exactly how to act with the crowd gathered here, no matter how high the title.

Oh, for a familiar dance partner. Her brother, George, wouldn’t mind if she stepped on his toes; her brother, Fitz, would laugh if she made a wrong turn. The same was true for Rupert and Selwyn.

Or… what about Simon?

Thoughts of him sent emotions spiraling in her, longing twining with annoyance, and strands of hurt and embarrassment befuddling her, so that when she turned a corner, she stumbled against a large body with a startled squeak.

“Here now. What’s this?”

Powerful hands matched the deep masculine voice and set her back, steadying her. She looked up, astonished, and her heart swelled and threatened to burst. All the mixed emotions evaporated, and joy flooded her. Dark hair spilled over one blue-gray eye and the full lips pursed together in a frown.

He’d come for her. Simon Clayding—Duke of Something now, but he would always be Simon to her—Simon was here.

“It’s you,” she said. “I’m so s-sorry. I’m as clumsy as ever. B-but… you’re here?”

Perhaps he would dance with her. Perhaps she should ask him.

“’Course I’m here.” He blinked, as though trying to focus. “Question is, why are you here looking like a fresh young thing ready for your come-out?”

“S-Simon?”

“Simon?” He muttered a foul profanity she’d heard only on the rarest of occasions spilling from one of her brothers’ mouths. “Demmed Percy told you my Christian name, I suppose, and sent you along. One of his pranks. Well, madam, you’re a pretty thing, and I mean you no offense, but I’m not going to be sidetracked tonight. I’m not interested.”

A wave of misery stilled her tongue and drove the breath from her. She’d loved Simon Clayding since her brother George brought him home from school that first holiday fifteen years ago when she’d been not much more than a baby.

In the dim light of a wall sconce, his gaze darkened and held hers, despite his proclaimed lack of interest.

Perhaps… Simon hadn’t seen her in nine years. He didn’t recognize her. He had her confused with someone else.

Reasoning trickled back into her senses, bringing along the strong scent of brandy.

Of course. He was completely foxed.

She licked her lips, preparing to set him straight, but as she opened her mouth, a spark lit his eyes and turned up the corners of his mouth.

And then he tugged her, pressing his lips to hers, pressing his chest to her… to her…

Breath left her in a whoosh as he angled his mouth over hers, nibbling and then entering her with his tongue, inflaming desire, demanding surrender.

She gripped his broad shoulders but instead of steadying her, their solidness sent heat spinning through her.

Simon was kissing her. Simon. The first man to kiss her. At a public ball. He cared for her. He hadn’t forgotten. He meant to mar…

“There.” He set her back as suddenly as he’d swooped down on her.

A tendril of hair fell over her cheek, the same one that a maid had just pinned.

“That’s all you’ll get from me. Go back and tell Percy we’ve had our tumble, if you will, and demand payment from him. Get you gone before one of the servants sees you and throws you out on your arse.”

He turned her around and smacked her bottom. She staggered against the wall, righted herself, and turned back ready to give him a piece of her mind.

But he’d disappeared.

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Cornwall and Cornish in Hold Me Fast

The story I’ve just sent to the publisher is at least partially set in Cornwall, so I needed to do some research to make sure I did justice to the county. Tin has been mined in Cornwall for four thousand years, right to the end of the twentieth century. Other metals, too. By the mid-nineteenth century, overseas competition made the Cornish mines less profitable, and so many miners and their families emigrated that the Cornish have a saying. “A mine is a hole in the ground with a Cornishman at the bottom”.

In my research I discovered that Cornish (Kernewek) is one of those languages that has been brought back from extinction in the past fifty years. It is still classified as critically endangered. In the sixteenth century, many people in Cornwall spoke only Kernewek, and objected strongly to the English Book of Common Prayer becoming the sole legal form of worship in England.

The so-called Prayer Book Rebellion was harshly put down. The language declined in the next two centuries, for several reasons, but at least in part because the local gentry adopted English so that they would not be considered disloyal and rebellious.

By the end of the eighteenth century, very few people (and perhaps no young people) spoke Kernewek.

Names are a different matter. Both first names and surnames are passed down through the generations. My hero and heroine have Cornish first names, as do several of the other Cornish characters.

As to the bogs and mires that play an important part in the story, Bodmin Moor has numerous peat deposits, as well as spectacular granite outcrops. Blanket bogs are peatlands that cover crests, slopes, flats, and hollows of a gently undulating terrain. Valley mires are areas of water-logged deep peat in valley bottoms or channels.

Good advice to walkers is to test the depth of any wet or shaky ground before you step on it.

I hope readers who live in Cornwall will enjoy what they recognise and forgive any errors.

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The Barbary Pirates and coastal villages

The Italian places attacked by pirates between 1516 and 1798. Naturally, people tended to move inland, and to steep places that were harder to attack. Think of that next time you see an Italian village on a steep hill.

In my new release, Hook, Lyon and Sinker, the hero’s life is completely changed by Barbary pirates.

The Barbary states were a collection of North Africa states along what was known as the Barbary Coast. Through until the early 19th century, these states sponsored three kinds of economic activity that other nations eventually ended by force: slave-taking, abduction for ransom, and a protection racket.

The ships that operated out of their ports attacked ships of other nations sailing in the Mediterranean and out into the North Atlantic and also conducted raids into coastal areas in the Mediterranean, the west coast of North Africa, and what is now Europe.

They took goods, but also people who would either become slaves or–if they had wealthy relatives–be offered for ransom. Some of the slaves were offered for redemption, and various charities were set up in Europe and the United States to collect money to buy these captives out of slavery.

Muslims being forbidden to enslave (or even rob) other Muslims, the corsairs attacked any underprotected European or American ship that strayed into their path, thus combining the religious duty of harrying the infidel with the economic pleasure of making a profit.

Except when those ships came under the third kind of activity. The protection racket was an agreement that their ships would not attack ships showing the flag of a nation or merchant who had paid tribute to stop such attacks.

It was not until France took over Algiers in 1830 that the last of the barbary pirates ceased operating out of those ports.