Footnotes on Friday

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Paradise is a garden

The Paradise Garden at Hamilton Gardens

Creative inspiration is a strong and wonderful thing. Artists — storytellers in particular — are often asked where their ideas come from. The answer ‘everywhere’, though true, is unhelpful. What questioners really want to know is ‘why did this idea strike you at this time’.

The Greeks credited the muses — nine goddesses who inspired the arts. The Jews spoke of Holy Wisdom. My friend Caroline Warfield calls inspiration the girls upstairs. I tend to blame an infestation of plot elves.

Stories and the elements that enrich the weave of a story are all around us all the time. Most people notice one or two of the hundreds of possible ideas that pass them every day. An author might pick up a dozen. Knowing what to do with them matters more.

Several years ago, Caroline and her beloved visited New Zealand. On the day they arrived, we had lunch at Hamilton Gardens, which has more than a dozen themed gardens: Japanese, English cottage, Chinese, Maori vegetable, formal Italian.

We were both writing novellas for the coming Belle’s Christmas collection, Follow Your Star Home, and in the Mughal garden, I found a unifying idea that later became the inspiration for the title of the book, the name of the kingdom my hero and heroine rule, and one of the locations for the story. My photos of that garden also appear on the cover.

The hero and heroine were the parents of the lead characters in my current series, The Return of the Mountain King, and the novella is now published as a prequel. It is called Paradise Regained. I’m currently publishing the companion volume, about the girl James left behind when he left England, on Mondays. It is called, of course, Paradise Lost. Once I finish the fourth novel in the series, which will be within the month, I’m going to write a happy ending for my poor duchess, call it Paradise Attained, and publish it in a volume with the other two novellas.

Paradise is a garden

The garden we found in Hamilton was a chahar bagh. The term means ‘four gardens’. It’s a quadrilateral layout, with the quarters divided by walkways or flowing water into four smaller parts and a pavilion at one end raised on a terrace. One of the world’s most famous tombs, the Taj Mahal, was originally a chahar bagh, though only two of the gardens remain.

Gardens divided by watercourses first appeared in Mesopotamia, and were later adopted by the followers of Islam. It may have been the Islamic influence that fixed the shape to four, referencing the four gardens of Paradise that are mentioned in the Qur’an. Genesis, too, mentions the central spring that feed four rivers, each flowing into the world beyond. The concept travelled with Islam, so charar bagh gardens are found from India to Morocco.

“In  Chahār-Bāghs,  terraces symbolize  the  cosmic mountains,  the  creation of  the  edifice  or throne  at  the highest level represents the position of God. A great pool is placed in front of the edifice representing the cosmic ocean as the source of all waters which can irrigate the whole garden. The presence of trees, flowers and animals around the edifice complement the figure of the universe” (Farahani, Motamed & Jamei, 2016 — from https://www.researchgate.net/publication/321014499_A_discourse_on_the_Persian_Chahar-Bagh_as_an_Islamic_garden).

The wall is a crucial design feature in making this a Paradise Garden. Indeed, the words para daisa mean walled garden — pairi = around, daeza = wall or brick.

As a gardener myself, I appreciate the protection a wall can offer a garden, and I also think of Francis Bacon’s quote as I garden.

God Almighty first planted a garden. And indeed, it is the purest of human pleasures.

Paradise Regained

In Paradise Regained, you’ll find the heroine, Mahjad, relaxing in the chahar bagh her husband built for her as a wedding present. Mahzad and James have called their kingdom, built high in the Kopet Dag mountains between Iran and Turkmenistan Para Daisa Vada — Paradise Valley. And the story is about temptation — particularly for James.

In discovering the mysteries of the East, James has built a new life. Will unveiling the secrets in his wife’s heart destroy it?

James Winderfield yearns to end a long journey in the arms of his loving family. But his father’s agents offer the exiled prodigal forgiveness and a place in Society — if he abandons his foreign-born wife and children to return to England.

With her husband away, Mahzad faces revolt, invasion and betrayal in the mountain kingdom they built together. A queen without her king, she will not allow their dream and their family to be destroyed.

But the greatest threats to their marriage and their lives together is the widening distance between them. To win Paradise, they must face the truths in their hearts.

Find buy links at Books2read https://books2read.com/paradiseregained

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This video shows the Paradise Gardens section of Hamilton Gardens. The chahar bagh is on from 3:12 to 3:46, but the rest are lovely, too.

https://youtu.be/OmbwDsBF7y4

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Excerpt

The courtyard had been designed to catch and hold the fickle warmth of the mountain sun. Even in early winter, Mahzad and her ladies chose to settle in the pavilion, out of the direct heat, though the children and their nursemaids played on the paving by the cross-shaped pool at the centre of the garden.

James had ordered it built: a paradise garden on the Persian chahar bāgh model, centred on water and divided into four quadrants, each richly planted in vivid colours. It had been her wedding present, and somehow, their tribe had managed to keep it a secret from their queen, though the qaḷʿa, the citadel, buzzed with intrigue until James had brought her here, blindfolded.

It had been full summer, and the garden had been glorious but not as beautiful to her eyes as the face of her husband, eyes alight with mischief, with love, and with a promise for later that night when the court was asleep. They had crept down when the qaḷʿa fell silent, giggling when the patrolling guards politely averted their eyes. Mahzad was confident their eldest son, Jamie, had been conceived that night.

She had been so in love, had been convinced that James had forgotten the English woman for whom he was exiled from his home and had fallen in love with her.

Eleven years and eight children later, her love was deeper and stronger than ever, but she no longer believed that James returned the feeling. He was fond of her, yes. He respected her as his wife and queen, katan to his kagan, but the passion of the soul? No. She reached for it with her own and met only the barrier of blank civility with which he armored himself from the world.

When he was home, he was distant if polite, and he had not been home in more than seven months. His trips away had become longer and longer, his letters home more and more formal. He was about the business of their kaganate, which prospered under their rule, but he had never before failed to be home for a birth of one of their children.

Mahzad dropped a kiss on baby Rosemary’s dark hair, handed the sleeping baby to the hovering nursemaid, and sent one of her ladies to summon her secretary. She had work to do. She was co-ruler of their people and did not have time to waste mourning the fickleness of men.

The messenger was only halfway down the long side of the garden when Patma came hurrying down the steps from the zenana, the women’s section of the palace. Even from the other end of the garden, Mahzad could see that her secretary was agitated about something. She had lost the calm she had adopted as chief of Mahzad’s scribes, her usual elegant glide abandoned for a walk that bordered on a run, her eyes wide with excitement. She was not surrounded by the bevy of undersecretaries who carried her desk and writing tools, prepared her ink, ran her messages, and made copies of lesser documents.

No. There they were, just stepping out of the long doors onto the zenana’s terrace. Patma must have hurried some distance to have so outstripped them.

The secretary did not pause when she passed Mahzad’s messenger, speaking over her shoulder as she skirted a small child pushing a toy pony and hurried up the steps to the pavilion. She stopped at the top of the steps to kick off her footwear before venturing on to the rugs that lay everywhere and then composed herself enough to offer a polite greeting, bowing as she said, “Peace be upon you, my queen.”

“Peace, most excellent of scholars,” Mahzad responded, inclining her head as she waited for the younger woman to burst with whatever news she carried.

(The original version of this post was written for Highlighting Historical, Caroline Warfield’s blog, in 2019.)

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Working men of the ancient highway

A Thames waterman soliciting for passengers

From ancient times, boats have used the Thames as a highway, carrying goods and passengers to, from, and around London. The Romans built the first bridge between their city of Londinium and what become Southwark. It was of wood, and needed to be replaced many times until the stone bridge was built in the twelfth century.

That bridge, the famous London Bridge of the nursery rhyme, with its shops and houses, remained the only bridge until Westminster bridge was built until 1750. In all that time, wherrymen and lightermen and their boats of all sizes remained the main way of crossing the river or of negotiating up and down its current. Wherrymen carried passengers; lightermen goods and cargo. By the sixteenth century, some 40,000 men made their living on or around the river. In this century, too, an Act of Parliament regulated the fares wherrymen could charge, and another, a few decades later, appointed a ruling body, the Company of Watermen and established seven year apprenticeships.

“As may easily be imagined, they formed very much of a caste by themselves… They were a rough, saucy, and independent lot, if we may judge from allusions to them which occur in the novels, comedies, farces, and popular songs of the last century.” —Old and New London Vol 3

The coat of arms of the Company of Wherrymen and Lightermen

As London grew in the second part of the Georgian era and on into the Victorian years, more and more bridges were built. Still, the Thames remained a vital thoroughfare, for both pleasure and business. In the Regency, there were still over 3000 wherries (or water taxis) plying their trade in London.

Slowly, in the Victorian years, as more and more bridges connected the city to the increasingly well maintained road network and railways began to stretch over and under the river, the importance of the watermen diminished. Today, they still have more than 900 members who ply their ancient craft of the Thames, albeit mostly in a ceremonial role.

Im my novella, Melting Matilda, my hero argues about the fee that a waterman wants to charge when Charles and Matilda want walk on the frozen Thames. (The fee and the role of the watermen is accurate, the conversation is fictional.)

On Monday the thirty-first, the Thames was a complete field of ice from London Bridge to Blackfriars Bridge. The watermen, who had been barred from their usual profession for most of the month by the dangerous ice floes, quickly organized to test and then to control access to the ice. When Matilda went down to view the area she and Lady Hamner had chosen for the Haverford marquee, they demanded payment for helping her and her party over the small rivulet that had formed at the bank.

“That is outrageous,” complained Charles, at her elbow as had become usual.

“Na, jes’ think about it,” the waterman coaxed. Matilda focused to translate his thick accent into words she could understand. “People pay us to take them on the river. Doesn’t matter whether it is wet or dry. We did the same twenty odd years back, and before that, I reckon.”

“Were you here for the last Frost Fair,” Matilda asked? He certainly looked bent and wrinkled enough, what she could see of him in his greatcoat, cap, and scarf.

“That I were, me lady. And this bids fair to be a better one, it does.”

Charles paid the couple of sixpences the man demanded, and then Matilda pointed out that he had now received the value of a boat ride. “Would you escort us, and tell us about the last Frost Fair, and what you expect for this one?”

They spent half an hour listening to the waterman’s stories while they looked for a good site for the marquee and its subordinate tents—far enough from the main booths and activities of the fair that access was easy to control, and yet close enough that the ticket-holders could stroll the fair at their pleasure.

“That was clever,” Charles noted, as they settled themselves back under the furs in his sleigh. “You’ve convinced the watermen to keep that part of the ice clear, and have negotiated a fee to make entry to the ice free to anyone who shows a ticket.”

Matilda was pleased, too. “They shall do very well out of it: a lump sum deposit before the event and another afterwards, and all they have to do is keep our space clear, let our servants onto the ice to set up, and pass people who show a ticket on the third of February. Not that I grudge them. Imagine being unable to earn a living because the river you depend on freezes solid.”

“You are a remarkable woman, Matilda Grenford,” Charles said.

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City liberties and marriages of the fleet

Now that I’m aware that the different London entities exist, I keep noticing bits of information about the relationship between the City of London (the City), the City of Westminster (called Town by the Polite World), the County of Middlesex and Southwark, not just historically, but right through to the present day.  For example, I was watching a documentary on Jack the Ripper, which pointed to his straddling the boundary between the City and Middlesex. Having two different police forces involved hampered the investigation. A news item at the time of the death of Prince Phillip the Duke of Edinburgh speculated about the death of the Queen, and claimed that, historically, the City of London is not part of the United Kingdom after a new monarch is proclaimed, until it choses to be so when the Lord Mayor swears fealty to the king or queen, and that part of their charter is that the monarch must ask permission to visit. (I’m not saying that’s correct–in fact, I did a bit of research and I think the conclusions the news article drew misinterpreted the facts.)

Nonetheless, the City of London is a peculiar place, which retains much independence as a result of medieval agreements, beginning in 886 and repeated down through time.

With its powerful City-wide authorities of the Lord Mayor and the Courts of Aldermen and Common Council, its overlapping local jurisdictions of wards and parishes, and the separate corporations of the guilds, the City was governed differently and more intensively than any other part of the metropolis. Throughout the century, the City successful defended its independence from all other forms of metropolitan government, as exemplified in its exemption from the 1792 Middlesex Justices Act. [London Lives: https://www.londonlives.org/static/CityLocalGovernment.jsp]

One result of the ancient liberties that the City enjoyed was that certain places enjoyed the residue of rights granted to the religious institutions that previously thrived there, and were exempt from ordinary laws. The example you’ve probably heard of allowed what they called Fleet marriages.

Various bylaws made prosecution of Fleet clergy impossible, even for conduction bigamous or over-hasty wedding services, and so the Liberty of the Fleet became the Las Vegas wedding chapel of London… It was possible to walk in, sign and get out in under fifteen minutes, as the mammoth number of records for the period show: over a quarter of a million in fifty years. Marrying ‘at the Ditch-side’, as it is called on some certificates, might not have been romantic but it was fast, fuss-free and didn’t require parental consent. [Georgian London: Into the Streets. Lucy Inglis]

On sundown on 24 March 1754, the Hardwicke Marriage Act became law, bringing in rules about parental consent, and guidelines for banns, licenses, and church celebration. That day, the Fleet Chapel recorded close to one hundred marriages, but the Liberty of the Fleet was over.

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Lies, spies, and unsung heroes

Colonel Edward Despard was arrested before he and his radical friends could seize the Tower of London as part of a revolutionary strike against the Crown.

We’ve loved our spy fiction for over 100 years. The early years of the twentieth century saw the start of the genre, with Kim, by Rudyard Kipling, several books by Joseph Conrad, The Scarlet Pimpernel, by Baroness Orkzy, even some of the Sherlock Holmes stories by Sir Arthur Conan Doyle.

Sexy heroes, thrilling encounters, mysterious beautiful women, and ghastly villains. Spy novels had it all. How things have changed.

Disreputable and dishonest

In the past, spying was a murky hidden business, and spies despised as liars who sold their honour. The British Secret Service was not founded until the twentieth century, and before that spies were seen as dishonest and disreputable. Yet without them, the history of England would be very different.

Henry VIII and Elizabeth I both had spymasters whose extensive spy networks helped keep their royal majesties on their throne.

John André was a British Army officer hanged as a spy by the Continental Army during the American Revolutionary War for assisting Benedict Arnold’s attempted surrender of the fort at West Point, New York to the British.

Sir Anthony Standen—torn between loyalties

One of those spies was a Catholic refugee from Protestant England, whose reports on the Spanish Armada allowed the English to attack the Spanish Fleet at Cadiz. Drake fired ships and sunk galleys, putting the invasion off for years.

Poor Sir Anthony Standen. His love for England and his love for his faith conflicted, and — although he eventually returned to his home country — he was not welcomed by a grateful nation. Indeed, though he was sent on further spying missions, he was also imprisoned for a time in the Tower of London.

It is an interesting juxtaposition: his sterling work for the Crown did not (in the eyes of some) prove his patriotism, but rather his lack of moral fibre. He spied, therefore he could not be trusted.

Spying at home as well as abroad

Walsingham and his successors were as likely to spy on Englishmen as on enemies from abroad. William Pitt the Younger, in more than tripling the amount spent by the government on spying and infiltration of potentially rebellious organisations, was walking in well-trodden footsteps. The budget passed through the hands of a few civil servants at home, and ambassadors and military commanders abroad, with no more accounting than this oath.

I A.B. do swear, That the Money paid to me for Foreign Secret Service, or for Secret Service in detecting, preventing, or defeating, treasonable, or other dangerous Conspiracies against the State…, has been bona fide, applied to the said Purpose or Purposes, and to no other: and that it hath not appeared to me convenient to the State that the same should be paid Abroad. So help me GOD.

A secret part of the Post Office opened, read, and copied mail, especially mail from foreign governments. And both amateur and professional informers reported on their neighbours.

Systematic spying

Napoleon employed a network of spies, under the Minister of Police, Joseph Fouche, who had survived the two previous regimes and would survive the Empire to serve the restored monarchy.

The English system was much more ad hoc. Spies, yes, and many of them, but probably no central co-ordination, though William Savage makes a good argument for the central role of The Alien Office.

Overseas, diplomats and military commanders took the fore. We know the names of some of the diplomatic spymasters who plotted against Napoleon: William Wickham in Switzerland, Francis Drake in Munich and later Italy.

Noble spies

Colquhoun Grant was one of the Duke of Wellington’s most famous exploring officers.

Wellington had ‘exploring officers’, who would have challenged you to a duel had you dared to call them spies. They were officers and gentlemen, and if they did creep behind enemy lines to collect information, they wore their uniforms to do so. Wearing a disguise or other forms of deception would be beneath their code of civilised behaviour.

But Wellington (and other military leaders) also had other intelligence gatherers who were less particular. Did some of them include members of the great aristocratic families of England? If so, we would not expect to find out from the records. Such a secret would reflect badly on those families, and would never be disclosed.

Spies of romance

So we are free to imagine that the romantic heroes and heroines of our modern stories might represent some, at least, of the spies whose reports on Napoleon’s troops, movements, and intentions saved England from invasion. Or who uncovered plots at home.

I’ve written a spy or two, both for and against England. Prudence Virtue is one. She first appeared in The Prisoner of Wyvern Castle, then in Revealed in Mist, and currently in my latest work in progress, To Claim the Long-Lost Lover as the wife and business partner of David Wakefield, Aldridge’s half brother. Watch out for her adventures.

References:

Ioffe, Alexander: Espionage During the Napoleonic Wars. On The Dear Surprise: http://www.thedearsurprise.com/espionage-during-the-napoleonic-wars/

Rice, Patricia: Spies in Regency England. On Word Wenches http://wordwenches.typepad.com/word_wenches/2010/03/spies-in-regency-england.html

Savage, William: The C18th British Secret Service under Pitt. on Pen and Pension: https://penandpension.com/2015/02/24/the-c18th-british-secret-service-under-pitt-1/

Secrets and Spies, National Archives Exhibition: http://www.nationalarchives.gov.uk/spies/spies/default.htm

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Mad as a hatter

The fur trade goes back into the mists of time. Animal skins were a useful source of warm and durable clothing, and back before the human population swelled and fur animals were hunted to the scarcity and even extinction, the supply must have seemed inexhaustible. Even so, by the 17th Century most European populations were severely diminished, and the eyes of European traders turned to the United States. In particular, traders wanted beaver pelts, not for the pelt or even the leather, but for the fur. Beaver fur provided the highest quality felt for hat making. It is tight yet supple, and holds its shape.

Hats, like other forms of dress,  played a large role in reflecting one’s social  identity.  The shape and style of one’s hat indicated to a passerby one’s profession, wealth, and social rank and position.  Color, shape, and material all carried specific meaning.  In Ecclesiastical heraldry, for example, a red, wide-brimmed hat clearly  indicated that its wearer was a cardinal, and  interactions required a specific social protocol.  In  seventeenth century England, the shape and style of one’s hat reflected political and religious affiliation.  Due  to the expense of a beaver hat, being able to purchase one made a visual statement about one’s wealth and social status. [A brief history of the beaver trade: https://humwp.ucsc.edu/cwh/feinstein/]

Felt is made by applying heat and pressure to a collection of fibres, and beaver fur is particularly suited for felting because of the way the strands of fur stick together. The following video shows the way the process has worked for the past 100 years. It was much harder before the fancy machines.

Back then, the guard hairs were plucked from the pelt by hand, then mercury was brushed over the pelt to roughen the fibre and help each hair to stick to the next. The pelt was dried and then shaved.

The resulting fluff was mixed and then carded. Carding is a process of raking to get all the fibres running in the same direction. Next, the hatter weighed out the quantity of fluff he needed for a particular style of hat.

The fluff then went through a process called bowing to begin the process of sticking all the fibres together. The object was to create two large oval sheets about 4 feet long, 3 feet wide and 6 to 12 inches high, called batts. Now the hatter used heat, pressure (from his hands), and moisture to compress this batt. The process released mercury, which the hatter absorbed. Over time, hatters developed mercury poisoning, which is where we get the phrase, mad as a hatter. By the time this part of the process ends, the two batts have been put back together into a large cone, as you saw in the video.

Then comes planking–dipping the cone into a very hot solution of diluted sulfuric acid, beer-grounds and wine sediments, then working it by hand on planks around the kettle and doing it all over again until the felt was half its size.

After that came blocking, dying, stiffening, brushing, and lining, till at last the hat was ready for the market. The shape of hats changed according to fashion (some of which are explored in the following video). The process remains much the same, except without the mercury poisoning.

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Reporting Society gossip and scandal in the Regency era

When we first set up the Bluestocking Belles website, we had the idea to turn our blog into a gossip sheet, where we and other authors could spread gossip about characters from historical romances. The Teatime Tattler has now been going for six years, and this year it (or rather an unknown correspondent) plays a starring roll in our box set, Storm & Shelter.

In truth, as far as researchers can tell, newspapers totally devoted to scandal and gossip were a feature of 18th Century publishing, and reappeared in the 1820s. But in the Regency era, the antics of the upper classes were far more likely to be outed in cartoons posted in the windows of print shops, or in pamphlets devoted to a single story. Society news, and even scandal, does appear in the newspapers we have from those times, but in a column in amongst the war news, shipping news, reports on politics, weather reports, advertisements for everything under the sun, and all the rest.

That said, hundreds of papers came and went during the late Georgian period, from the end of the 18th Century to the ascension of Queen Victoria, so who knows?

Interested to know more?

Contest: Identify the Teatime Tattler Reporter

Guess the identity of the reporter snooping on the people trapped in the Queen’s Barque and the good people of Fenwick on Sea. You’ll find clues in the eight charming novellas in the collection Storm & Shelter.

All correct answers will be entered for the prizes listed below. The winners will be selected at random. Open internationally.

  • Grand prize: $100 gift card
  • Second: a made-to-order story by Jude Knight and Caroline Warfield
  • Third: winner’s choice of an electronic copy of any of the earlier Bluestocking Belles’ collections.

The contest closes on 23rd April at midnight New York time, and prizes will be drawn on 24th April.

Go to the Belles’ website for more information.

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Spinsters, ape leaders, and old maids

We writers of historical romance are usually also writing about marriage. Marriage may not be the goal of our heroes and heroines when the story starts, but most books (mine included) expect love and marriage to go hand in hand, or at least to come together by the time the story is done.

Yet many women in real life were single.

For a start, out of a population of 16 million, more than 300,000 British men died in the Napoleonic wars between 1804 and 1815. That’s a huge number of men of marriageable age – probably close to 1 in 12. Men were also more likely to indulge in risk-taking behaviour in their leisure, and to belong to risky occupations, further increasing the gender imbalance.

And men were not subject to social stigma if they did not marry, and had easy access to many of the benefits of marriage (with one in five women in London, according to some researchers, earning their living from the sale of sex).

So even if our late Georgian miss wanted to marry, she may not have had the opportunity. Jane Austen wrote to her sister, Cassandra:

‘There is a great scarcity of Men in general, & a still greater scarcity of any that were good for much.’

Beyond that, though, our Miss may not have wished to marry. Married women had few rights. The principle of coverture — that a woman was ‘covered’ by her husband’s protection and authority — meant that women lived at the mercy of their husbands, physically, emotionally, and financially.

Yet what is remarkable, unmarried women were more legally independent than the married ones. Single women could own property, pay taxes to the state, and vote in the local parish, none of which married women were allowed to do. [Women in the middle class in the 19th Century]

And the health risks of pregnancy concerned many women. With a maternal death rate of one in 1000 live births, and an average of five children per mother, women had a two or three percent chance of dying in or shortly after childbirth.

Yet there was also pressure to marry. For a respectable woman to have her own home almost always meant marriage, unless she had particularly enlightened or indulgent male relations. For the rest, being single meant living in the home of a relative, and being subject to the authority of the male head of the house.  Besides that, being single carried a stigma, at least in the upper classes and in the growing middle classes who trumpeted their status by insisting on their own women being confined to the domestic sphere.

The stigma showed in the labels applied to single women whose age made them unlikely to wed. Spinster was originally a job title. By the early 19th century it was applied to unwed women who were past their first youth, and had begun to collect adjectives such as ‘withered’, ‘sour’, and ‘old maid’. The term ape leader comes from an English saying that women who fail to do their duty by marrying and procreating are doomed to lead apes in hell. The term ‘old maid’ is also derogatory. A maid was originally a term for a young girl, so an old maid hasn’t accepted the responsibilities of adulthood. (Note that the terms for a bachelor are not perjorative.) ‘On the shelf’ — that is, put into store because nobody wants it — comes a bit later, in the late 1830s, but the basic idea is the same: women who don’t marry are failures.

Indeed, I can’t help but feel that, since men held all the power in a marriage relationship, they needed such insulting attitudes to corral women who would otherwise refuse to be part of the marriage market. (Of course, any romance writer could have told them that a modicum of respect and affection would better serve their purposes.)

It’s hard to tell how many women were single. Marital status was not systematically collected in statistics until the middle of the century. But at that time, one in three women were not married. Florence Nightingale commented on the general belief that women had no more important role than to marry and have children.

Women are never supposed to have any occupation of sufficient importance not to be interrupted, except “suckling their fools”; and women themselves have accepted this, have written books to support it, and have trained themselves so as to consider whatever they do as not of such value to the world as others, but that they can throw it up at the first “claim of social life”. They have accustomed themselves to consider intellectual occupation as a merely selfish amusement, which it is their “duty” to give up for every trifler more selfish than themselves.

Women never have an half-hour in all their lives (except before and after anybody is up in the house) that they can call their own, without fear of offending or of hurting someone. Why do people sit up late, or, more rarely, get up so early? Not because the day is not long enough, but because they have “no time in the day to themselves”.

The family? It is too narrow a field for the development of an immortal spirit, be that spirit male or female. The family uses people, not for what they are, not for what they are intended to be, but for what it wants for – its own uses. It thinks of them not as what God has made them, but as the something which it has arranged that they shall be. This system dooms some minds to incurable infancy, others to silent misery.

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Most of the women in Storm & Shelter are past the Regency concept of the marital use-by date, and at least two are certain they will never marry.  The book is on presale and to be published next Tuesday. Grab it while it is only 99c, and read about the two fleeing heiresses, one of them ‘ruined’, the widow, the pirate, the teacher, and the lady’s maid. And more. Eight great novellas.

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Before the assembly line

A couple of weeks ago, I wrote about the numbers of horses that post inns in the Regency needed to have to provide the fresh horses needed by travellers. Another point that seemed startling to me the first time I heard it pointed out, and that is nonetheless blinding obvious is that carriages were mostly made to order, and each was individually crafted. No assembly line back in those days. No ordering a Kia Nero or a Toyota Hi Ace, and having nothing to pick but the colour.

Just think about the implications of that. Your furniture would probably be made by the local carpenter (unless you were handy, in which case you might do it yourself, or wealthy, so could afford to buy from one of the elite furniture makers). Perhaps the man in the next village had a name for his chairs, and you might save up and take a trip there next time your brother-in-law could loan you his cart. Which, by the way, would itself have been probably been purchased from the maker.

I find it somewhat mind boggling. In New Zealand, and I am assuming in other parts of the world, if we buy a house that hasn’t been built yet, we assume we’ll be able to move a door here or there, upgrade the tapware, change the size of the kitchen island, shell out a bit more for a conservatory instead of a deck.

As I noted several years back in a post about carriages.

Carriages, even more than custom-made cars today, varied according to the needs and tastes of the owner around certain defined features. Number of wheels. Number of passengers. Seat for a driver-groom or not. Type of axle, wheel, and spring. Height from the ground. Open or closed. Rain cover or no cover. One horse, two, or up to six. And lots more.

Imagine that being the case with your carriage, your saddle, your furnishings, your clothing, even. Very little ready to walk out the door of the shop with the purchaser; most of it custom made, though increasingly factory production was being used to turn out cheaper and more uniform goods for what was called at the time ‘the middle sort’ — those who occupied the economic territory between the poor, who made do with second hand or cast offs or went without, and the gentlefolk, who at least tried to maintain the appearance of wealth, even if the substance wasn’t there.

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Research in the background

River Alde near Aldeburgh Suffolk, one of the sources for Storm & Shelter’s fictional village of Fenwick on Sea

Research helps me to keep my fictional world contract with my readers. All fiction requires readers to suspend disbelief—to accept the reality of the story while they are reading. The writer’s part of the contract is not to jar the reader out of that disbelief.

Since I write historical fiction, that means creating historical worlds that are a recognisable simulacrum of the setting I’ve used and people of the type I’ve use in that particular place and time. And that means research.

In my Children of the Mountain King series, research took me to Iran in the (European) eighteenth century. The fall of one dynasty and the rise of another became part of the plot. So did the Kopet Dag Mountains north of Iran, and the Silk Road, some arms of which pass through those mountains.

I watched movies, documentaries and YouTube clips to get the feel for those places, and read contempary and more recent books about them.

For the first novel, I also read up on Akhal Teke horses, the modern day descendants of the Turkmen horses that were famous for their endurance, faithfulness, and intelligence. The second took me into medical training in the Middle East and Central Asia, and required a close examination of smallpox symptoms, historical treatment and likely progress.

That second novel comes out in less than a fortnight.

Storm & Shelter, the anthology that comes out next month represented a different kind of challenge. Because all eight of us were writing stories set in the same village, using common characters and settings and the same storm, we needed a common body of research.

The story resource we came up with included:

  • a list of historical events in the time period of the stories
  • accounts of historical floods in the area chosen for our fictional village
  • images and descriptions of buildings typical of the area at the time of our setting
  • maps and floor plans adapted from real world originals
  • and more.

All of that needed research. Here, from our story resource, is the fictional setting that resulted.

The village of Fenwick on Sea lies scattered along a road that sprawls along the peninsula between a coastal beach and the river that was once its reason for being. An inlet still remains where the river was, a harbour for the fishing fleet and the occasional ship, blown of course by the irascable North Sea winds. The river itself is long gone, moving like a disgruntled lover to a more favoured town much further north.

The village sprawls across the boundaries that once could barely contain a bustling town, dreaming of past glories. The network of causeways that once criss-crossed the salt marshes has dwindled to a single road from more inland regions. The coastal road turns where once a bridge crossed the faithless river, to skirt the inlet and continue north until it eventually reaches Lowestoft and Great Yarmouth.

Many of the public buildings recall more populous times, not least the Norman church and the Tudor inn, The Queen’s Barque. Most of the cottages of the former town have tumbled to ruin, many now obliterated by the thrift of the surviving villagers, past and present, who have pressed their materials into use. The nucleus of the town comprises the church and its vicarage, the inn and two rows of cottages, one half-timbered with a slate/tile roof and one plastered with a thatched roof. One of the cottages has a general store on the ground floor.

A mere twenty families still eke out an existence fishing, farming, providing goods and services to one another, or all three. Most of the young men have gone to war in the navy or the army. Of those who remain, more than a couple support the local smuggling enterprises alongside their parents and grandparents.  The inn also serves as a brewery and a bakery. The village has a farrier and a general store.

The village also serves an even more scattered population of farms that combine crops and livestock, grazing cattle in the marshes and sheep on the sandy heaths. They grow grain, and particularly barley and wheat, but even the high demand for grain caused by the war has not helped to make them prosperous, as the landholdings are small, and distances to market across rough roads make selling their produce hard.

There is a local manor; a minor house of a peer who has many. Neither he nor his family have visited in many years. The house is half a mile from the village, on a knoll between the vanished river and the coast, and is kept in order by a staff comprising a housekeeper and half a dozen servants. The housekeeper regards herself as the highest ranked lady in the district, and the keeper of public morals, and has a cadre of supporters. The innkeeper’s wife forms the nucleus of those who oppose her pretensions. If the vicar had a wife, she would outrank them both, but even so, both ladies are more than willing to help him find one.

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