Fabulous news.
Our 2021 Bluestocking Belles with friends anthology won best anthology of 2021 in In’D’Tale’s RONE Awards. You can find out more about Storm & Shelter here including story blurbs and buy links.
Fabulous news.
Our 2021 Bluestocking Belles with friends anthology won best anthology of 2021 in In’D’Tale’s RONE Awards. You can find out more about Storm & Shelter here including story blurbs and buy links.
I’ve just completely revised my Works in Progress page, with a list of the books I plan to publish between now and January 2024. There are fifteen. (At least. In the last six months, I’ve written 270,000 words of the 700,000 word total I’ll need to reach the target, and I have until the end of October 2023 to write the last of the remaining 430,000, so I should be able to squeeze in another book or two.) Take a look and let me know what you think. Is there something you’re waiting for that isn’t on there? Is there anything you’re particularly anxious to see?
I’m currently writing Perchance to Dream and The Flavours of Our Deeds, revising Snowy and the Seven Blossoms and Zara’s Locket, and thinking about The Talons of the Lyon and the Bluestocking Belles ‘Box set for 2023. Perchance and Snowy belong to A Twist Upon a Regency Tale, the same series as the beautiful cover above, Lady Beast’s Bridegroom. See the new A Twist Upon a Regency Tale page for the titles, covers, and blurbs of all four books. The Flavours of Our Deeds is the next book in The Golden Redepennings series. And Zara’s Locket will be in the Belles’ 2022 Holiday box set.
Help spread the word about Desperate Daughters.
Share our contest page and our Bachelor and other memes to any of your social media accounts. Each share gets you an entry into one of the weekly draws and the Grand Prize draw.
Enter the Week One draw here: http://www.rafflecopter.com/rafl/display/bb92b0a64/?
Find memes here: https://bluestockingbelles.net/belles-joint-projects/desperate-daughters/sharing/
Every entry goes into the draw to win:
We’ll draw a winner each week for four weeks.
Every entry also goes in the draw to win:
One of the things I love about writing historical romances is the research. Not just the big important stuff, but the odd bits of knowledge that I come across or look up for a particular story. Do you have an example in one of your books? I’d love you to share in the comments. Mine is the opening to my next story for newsletter subscribers. My newsletter is going out next week, and the story is called The Easter Bonnet.
“Come on, Millie. Put that away and join us,” Sadie tempted.
Millie shook her head. “I can’t,” she said. “I have to finish this.” She held up the bonnet she was trimming.
“You can do it in the morning,” Sadie insisted. “We’re going to drop into the pub for a tot of gin and a bit of a chin wag.”
“I have to deliver it on my way home,” Millie countered. “Madam said the lady is leaving for the country in the morning, and wants to take it with her.”
“Madam should do it herself then.”
Madam was with child, but Millie had been told that in confidence. “I don’t mind,” she told Sarah. “It is going to be very pretty when it is finished.”
Sadie stared at her for a moment then shrugged. “Another time, then.” She whirled around and in moments the door shut behind her and Millie was alone.
She finished attaching the edging. The bonnet was formed in twisted straw, edged in a ribbon that apparently matched Lady Paula Temple’s favourite walking dress. Lady Paula planned to wear them both to Easter services in her home village, for the delight—to hear the lady tell the tale—of the entire community.
Millie picked out another length of ribbon of the same colour but much wider, and began to pleat and pin it around the base of the bonnet, so that the straw would not catch in the lady’s coiffure. Coiffure. Millie said the word out loud, shaping it with lips and tongue. Coiffure was what the upper classes called their hair dos. It must be nice to be a wealthy beauty with an indulgent father and a whole battalion of suitors.
A further length of ribbon, this one in a slightly darker shade. It would go over the join between brim and bonnet, then be gathered into a rosette on each side where it met the base. Two more lengths from the same roll would form the ties to hold the bonnet on.
Quick but careful stitches soon had those in place.
Millie had made herself a bonnet in a similar design, though of much cheaper materials and in different colours. Madam would not object to Millie copying the design, as long as there was no chance of a customer recognising the copy.
Millie snorted. Fat chance of that. The customers who could afford Madam’s creations did not see such lowly beings as a milliner’s assistant.
The silk flowers came next. Pink moss roses, symbolizing perfect happiness and also the confession of love. Daisies for innocence. Blue cornflowers for hope. Myrtle for good luck. Lady Paula had specified these particular flowers. Millie wondered what message she was trying to send and to whom. But perhaps Lady Paula just liked the colours.
Millie secured a single rose, three daisies, and two cornflowers inside the brim, where they would draw attention to Lady Paula’s eyes. The rest would form—soon did form, thanks to Millie’s clever needle—a cascade over the other side, covering the join between brim and crown.
There. Done. Millie set the bonnet back on the hat block and stood back. She walked all the way around where it sat on the table. Yes. It would do.
Her own version of the hat was trimmed with violets. Innocence, modesty, remembrance. The violets were the least damaged of all the silk flowers being sold at half-price, because they had been damaged by an accident with a bucket of water. She had parted with a hard-earned a sprig of myrtle at full price, because good luck was worth it.
Happy New Year! It has been a couple of peculiar years in a row. A global pandemic is not necessarily the best time to sell our home of 20 years, move to another town, buy a new house, and do a complete renovation inside and out. By the time I published To Tame the Wild Rake in September, I was weary to the bone. The plot elves hung on for a few weeks to see a novella finished for the next Bluestocking Belles (with Friends) anthology, and then packed up to begin an early holiday.
How did your 2021 end? And how has it started?
For me, the holiday is over. We saw the last tradesman finish his work just before Christmas. Since then, we’ve almost finished all of the tasks we’d set out to do ourselves, but the pressure is off and we can set our own pace. On the story front, the plot elves are back and so am I.
I’m starting back into my regular blogging schedule, so check back here on Monday’s for Tea with Duchess of Haverford, on Wednesdays for an excerpt from one of my works in progress, on Fridays for snippets from my research and on Sundays for my news or book news from other authors. Do check out my I love guest authors page if you’d like to appear on my blog or in my newsletter.
I have three works-in-progress on the go, and I’ve others lined up to pick from when I finish any of those. I’m signed up for several more anthologies, and also for some stories in series with other authors. And I’ve started a new series of my own (more about that later).
Paradise at Last, which suffered when the plot elves decamped, is one of those works. I hope to have it finished and ready for ARC within the next week. Here’s a sneak peek. The scene is between Eleanor and her son, just before Christmas in 1815.
She owed her son an apology. She had already acknowledged her wrong-doing to Cherry, and been forgiven. But how could she tell her son of her remorse when he avoided her, and spoke to her only with distant politeness?
She would have to ask him for a private audience, but before she nerved herself to do so, he made the request himself. She followed him to the library, and allowed him to close the door behind them.
“Haverford, I have apologised for interfering between you and Cherry, but I would like to do so again. I have known all along that I was wrong to go privately to Cherry as I did. You are adults, and I should have said what I thought to both of you and trusted you to make your own decision. I am truly sorry for the distress I caused you.”
Haverford opened his mouth, but before he could speak, Eleanor put up a hand to stop him. “I have a second apology to make, Haverford. Watching you and Cherry together in the past week shows me that I was wrong again—wrong to believe that your love for Cherry was less deep than hers for you. Wrong to think that you would fall out of love once you had achieved your prize. All I ever wanted was for both of you to be happy. You are perfect for one another, and I shudder to think how close I came to preventing that happiness.”
For a moment, Haverford said nothing, his mouth hanging slightly open as if the words he’d planned to say had dissolved on his tongue. Then he gave a slight shake of his head. “Thank you, Mama.”
“I will never interfere again,” Eleanor promised. Perhaps that was a bit rash. “At least, I will try my very best.”
Haverford’s smile was small, but it reached his eyes. “I shall not ask such a sacrifice, Mama. Both Cherry and her mother have pointed out what a marvelous gift you have for interfering, as you call it. All I ask is that you consult us first on any plans you have that involve us and that you promise not to proceed without our agreement.”
Eleanor’s eyes were wet. She blinked to clear them. “I can promise that,” she agreed.
His smile broadened. “Come on, Mama. We have a house to decorate.”
He offered her his hand to help her rise, and his elbow to escort her back to the ballroom, just in time to see a footman moving a ladder away from the arched doorway. A kissing ball hung in the middle of the arch. Cherry stood looking up at it, and she glanced their way and smiled to see them together.
Haverford put his arm around Eleanor, reached up for a mistletoe berry, and pressed a gentle kiss to her cheek. “I love you, Mama,” he told her. “Merry Christmas.”
And it was.
Just a quick note to apologise for the break in posting. We’ve been flat out at our place. The painting is nearly all done, and we’re on a sprint to Friday, when the carpet goes down. I have two more small jobs to do, then I’m taking the computer down and putting it safely away until all the furniture is back in place. Possibly the weekend.
Stay well, folks.
Zara’s name was drawn from nearly six hundred entries in the draw. She has won a print copy of To Wed a Proper Lady, a US$50 Amazon gift card, a personal card from me posted from New Zealand, and a made-to-order story. Zara got to decide on one character, one object, and a story trope. She has asked for a spirited heroine that is loyal to those she loves, adores animals and books. Her object is a locket, and the story trope is friends to lovers. I’m looking forward to coming up with something that uses those ingredients.
Thank you to all the people who entered. I hope you’ve had fun. I certainly have. And I think we can agree that Aldridge’s happy-ever-after has been well and truly celebrated.
A couple of weeks ago, I had a lovely time on Zoom talking to Elizabeth Ellen Carter about redeeming rakes, unredeemable rakes, and my Marquis of Aldridge.
Here’s the interview.
Check out Elizabeth’s channel for other great interviews.
https://www.youtube.com/channel/UCHbPv1zpUfKsHaCL__oaWRQ