Review of Dangerous Secrets

Dangerous secretsI’ve just finished Dangerous Secrets, by Caroline Warfield. Here’s the blurb:

When a little brown wren of an Englishwoman bursts into Jamie Heyworth’s private Hell and asks for help he mistakes her for the black crow of death. Why not? He fled to Rome and sits in despair with nothing left to sell and no reason to get up in the morning. Behind him lie disgrace, shame, and secrets he is desperate to keep.

Nora Haley comes to Rome at the bidding of her dying brother who has an unexpected legacy. Never in her sunniest dreams did Nora expect Robert to leave her a treasure, a tiny black-eyed niece with curly hair and warm hugs. Nora will do anything to keep her, even hire a shabby, drunken major as an interpreter.

Jamie can’t let Nora know the secrets he has hidden from everyone, even his closest friends. Nora can’t trust any man who drinks. She had enough of that in her marriage. Either one, however, will dare anything for the little imp that keeps them together, even enter a sham marriage to protect her.

I’ve been looking forward to reading Dangerous Secrets ever since I read Dangerous Works, and I was not disappointed. In the last week, I’ve fallen a little in love with Jamie, with his secret sorrow, his roguish twinkle, and the bone-deep sense of honour that would not let him forgive himself for the past but also would not let him abandon a woman in trouble.

And Nora, the woman he reluctantly came to adore: as a person who want strong determined heroines, I could not wish for a better one.

Caroline Warfield tells an exciting tale. With the well-being and even the safety of a little child at stake, our hero and heroine need to begin a deception that quickly becomes a reality. But Jamie is hiding more secrets than Nora knows, and those who seem friends may truly be enemies.

Compelling characterisations in secondary characters as well as protagonists, descriptions so real I could smell the paved courtyards in the hot sun, and one realistic crisis after another. Thank you, Caroline, for a great read. I’m looking forward to seeing what you’ve done with the third in the trilogy.

Note: Caroline Warfield and I belong to the same writers’ co-operative, The Bluestocking Belles. This review is, however, my honest and unvarnished opinion.

Our choices create us

La Déesse Noire is one of those novels you keep thinking about long after you put it down. To me, the crux of the story is how the four main characters are defined and directed by the choices they make.

Kali Matai was born and raised a tawaif; one of the women entertainers who served those of the highest rank in the Murghal Empire of India. Her life was shaped by the choices made by her tawaif mother and the English peer to whom her mother was given. In England, she is the pawn of powerful men, but when all she loves is at risk, her choices give her a future she believed could never be.

Lord Birchbright once loved a tawaif and gave her two daughters. Given a choice between his forbidden family and the wealth and power waiting for him if he returns to England without them, he abandons them. His choice is to pursue power at all costs.

The book unusually has two male protagonists: Fitz and Rook. They, too, must choose between love and position. One chooses a lonely and ultimately self-centred life. The other is prepared to abandon everything he knows for the woman he loves. I loved them both, but I know which one was the hero.

Kali is one of the most engaging heroines I’ve read. I loved her dignity, her self-respect, her quiet humour, and her sharp intelligence. And I loved how hard it was for her to let her armour down; to become vulnerable; so that she could reach for her dreams. Her happy ending gave me goosebumps. I also very much enjoyed the interesting and believable secondary characters, both the villains and the friends and allies of the heroine.

Mariana Gabrielle has written a book about people on the edges; people discriminated against and even persecuted because they are different. She has done so with skill, sensitivity, and wit. She left me wanting more. I thoroughly enjoyed her Royal Regard and gave it five stars. La Déesse Noire is better. I wish I could give it seven on Amazon and Goodreads, but this is my blog, and my star system can be anything I like. So seven it is.

Disclaimer: I am a member of the same writers’ group as Mari Christie, who writes Regency novels as Mariana Gabrielle, and I was proof-reader for La Déesse Noire. This did not influence my enjoyment of my book. But don’t believe me. Read it for yourself.LDN meme

Jessica Cale talks about sex in historical fiction

Jessica CaleToday, I welcome Jessica Cale to the blog. Jessica is the author of Tyburn and her new release, Virtue’s Lady (see below the article). She describes herself as a recovering journalist with rather a lot of Nick Cave records writing historical romances out of a grey bedroom in North Carolina.

Sex in historical fiction

Sex can be a tricky topic in historical fiction because I think there are a lot of assumptions made about it that aren’t necessarily based on reality. There’s a tendency to believe that people were either better at abstaining or had enormous families, but the belief that the past was inherently more virtuous than the present is problematic. The truth is that people weren’t more sexually repressed or guided by some divine will power, but that the specifics of sex in history are too often neglected in history books because it’s seen as irrelevant, sensational, or controversial.

Myths about contraception and childbearing

One of the things that surprises people the most about sex in history is that contraception existed before the twentieth century. Condoms had existed since prehistory as evidenced by a 12,000 year old cave painting of the first condom in the Grotte de Combarelle in France, and the Egyptians had spermicidal pessaries and reliable urine-based pregnancy tests thousands of years ago. Sylphium, a sort of giant fennel, was such an effective contraceptive that the ancient world farmed it to extinction within 6,000 years. Condoms came into their own during the Renaissance when they began to take on a form we would recognize today, and Casanova himself recommended them to put ladies’ minds at ease regarding unexpected pregnancy. Condoms were regularly used from that point onward to prevent sexually transmitted disease, especially the epidemic of syphilis that returned to Europe with Columbus from the Americas. The withdrawal method was used, as well, and if that failed, there were a number of herbal mixtures that served as potent abortifacients, the recipes having been passed down through the generations with the earliest known ones coming from Ancient Egypt.

Another misconception is that people wanted to have lots of children. During the Restoration, as many as three in four children didn’t live to see their sixth birthday. Miscarriage, abandonment, and even infanticide were tragically common, as sanitation standards were abysmal and the poor couldn’t afford to have larger families. Furthermore, childbirth was the most common cause of death for women, with almost fifty percent of the female population losing their lives as a direct result of it. For common people, children were as much a burden as a blessing. The average age of marriage for men was between twenty-seven and twenty-eight, and for women it was between twenty-five and twenty-seven, so family sized tended to be naturally smaller, as well.

Myths about virginity, lesbianism, and marriage

It might also surprise you to learn that seventeenth century couples commonly cohabited before they married, sometimes for years, and virginity was not so carefully guarded a prize as it was for the upper classes that required it to ensure succession and inheritance. Women (and sometimes even men) commonly worked as prostitutes, and sometimes only for a short period of time to get ahead before they ultimately settled down or opened a business for themselves. Marriage for the poor could still take place with nothing more than a declaration and a witness.

Interestingly enough, lesbians existed and were tolerated or accepted in Britain over the last few centuries. There wasn’t always a term for it, but girls being unusually close was fairly common and even seen as innocent. What harm could come from a union that couldn’t result in pregnancy? There were even a few cases in the nineteenth century where women were allowed to marry, provided one of them presented herself as a man and attempted to serve the same role in society, which was seen by some as being more valuable and honorable than continuing to live as a woman.

The idea of the past being a time of virginity, strict heterosexuality, and repression is based on nostalgic nonsense. Sure, if your heroine’s life is riding on making a good marriage, she might be sheltered and totally inexperienced, but for the majority of the population, that just wouldn’t have been the case.

And a thought to consider

To wrap up, I’d like to leave you with a fun fact I’ve learned just this week. From at least the middle ages up until the nineteenth century, the female orgasm was believed to be necessary for conception, so the men of the past not only knew what it was, but they were good at making it happen. So much for sex in history being stuffy!

virtuesladyVirtue’s Lady

Lady Jane Ramsey is young, beautiful, and ruined.

After being rescued from her kidnapping by a handsome highwayman, she returns home only to find her marriage prospects drastically reduced. Her father expects her to marry the repulsive Lord Lewes, but Jane has other plans. All she can think about is her highwayman, and she is determined to find him again.

Mark Virtue is furious when Jane arrives in Southwark. In spite of his growing feelings for her, he knows that the crime-ridden slum is no place for a lady. Jane must set aside her lessons to learn a new set of rules if she is survive and to prove to Mark—and to herself—that there’s more to her than meets the eye.

 

Buy Links

Liquid Silver * Amazon * Barnes & Noble * Kobo * All Romance E-BooksiBooks * Goodreads

And meet Jessica on:

Website * Facebook * Twitter:  @JessicaCale * Google+ * Tumblr * Pinterest *  Tsu * Amazon Author Page * Goodreads Author Page

Romance novels are feminist

Dangerous-Books-For-Girls-bigHere’s a book I’m putting on preorder: Dangerous Books for Girls by Maya Rodale. I did her survey last year when she was researching for the book, and I read the preview over the weekend. Here’s an excerpt:

It’s easy to see how women were stifled in the eighteenth and nineteenth centuries: for most women owning property, financial independence, a real education, and a voice in the political process were just not on the table. And while women’s status has changed dramatically for the better in Western society, we’re still Not. Quite. There.

It has been nearly a century since the Equal Rights Amendment was proposed and it hasn’t been ratified to the U.S. Constitution. Women still do not receive equal pay for equal work. We are still debating whether women can have control over their own bodies—but insurance will gladly cover all the Viagra a man wants. Our academic institutions and respectable media predominantly study and review literature by men—and they definitely don’t cover genre fiction, like romance. That’s just America. China has one child policies resulting in an overabundance of boys. In Afghanistan, families without sons encourage their daughters to live as boys (the practice of Bacha Posh), because it’s shameful to be a girl or to have a girl. Again and again we see women considered less—unless it’s in a romance novel.

Because of this high valuation of men and low valuation of women, we’re more comfortable talking about one, lone man instead of a genre that speaks to the hopes and dreams of millions of women.

This isn’t about bashing dudes. Romance readers love men. There are even men that love romance novels. Romance novels are all about two individuals meeting and loving and living as equals. It’s not even just about men and women and heterosexual relationships. Romance novels featuring LGBT characters are written and read and becoming increasingly popular. Romance novels are about two people discovering their best, true selves and finding a loving, egalitarian relationship.

But when the subject of romance novels comes up and we talk about Fabio, we are really talking about a cultural tendency to value dude stuff more than lady stuff. We are showing our fear of love and pleasure. And we are sidestepping a conversation about possibly the most revolutionary, feminist literature ever produced.

Take a look for yourselves. Fabulous stuff.

Tropes and storytelling

CarolineToday, I’m pleased to welcome Caroline Warfield to my blog, to post about tropes and storytelling, and to tell us a little about her latest release. And read to the bottom for news about her giveaway!

Jude has written eloquently about the classic tropes, archetypes, and storylines that underlie storytelling in general and romance novels in particular.  It made me pause a bit to consider which ones influence my own writing.

Both of my published books and my work in progress are have English characters and are set in the Late Georgian/Regency era. It might be easiest to begin with what I don’t write.   I avoid very young virginal heroines.  I avoid the “marriage mart.” I have little interest in the reformed rake.  I have also avoided impoverished orphans, inheritance issues and compulsive gamblers, at least so far. While some of my characters have titles, none of them could be defined in terms of power and its uses and abuses, as is often the case. Each of the books, however, uses a classic story line.

romeDangerous Works could be called a spunky bluestocking story, except Georgiana’s pain as a frustrated scholar runs deep and her dedication is fierce.  The classic story is that of the hero (or in this case heroine) who is repeatedly foiled but keeps trying. She pushes forward for years in the face of family resistance, a system that excludes her from so much as a decent library, and the academic snobbery of Cambridge. Ultimately, with the help and love of Andrew, the hero, she succeeds.

Rome - Caroline's postAnother classic storyline is the one in which actions in the past by the hero or heroine eventually catch up with them, and they must pay their debt.  In Dangerous Secrets a terrible mistake haunts the hero, Jamie from the very beginning.  He runs as long as he can. His love for Nora actually makes him run harder, but it catches up with him in the end and he has to resolve it.  This story does have some common story elements: a wastrel father, a stern vicar, a widow recovering from a bad marriage, a wise older woman friend, and an evil count.

In my work in progress, Dangerous Weakness, the hero, Glenaire, is forced to journey in search of Lily who is pregnant with his child.  It is certainly a hero in search of treasure story. However, the oh-so-perfect marquess is thrust into one alien situation after another, peeling off layers of London refinement. He has to fight his way back to normal life, and, of course, redefine what he wants that life to be.

There are no new stories in any genre. My job as an author is to create flesh and blood, imperfect characters that come to exemplify the traits of true heroes and succeed in completing the challenges presented to them by the storyline. I hope my readers find that I’ve succeeded.

About Dangerous Secrets

Dangerous secretsWhen a little brown wren of an Englishwoman bursts into Jamie Heyworth’s private hell and asks for help he mistakes her for the black crow of death.  Why not? He fled to Rome and sits in despair with nothing left to sell and no reason to get up in the morning. Behind him lie disgrace, shame, and secrets he is desperate to keep even from powerful friends in London.

Nora Haley comes to Rome at the bidding of her dying brother who has an unexpected legacy. Never in her sunniest dreams did Nora expect Robert to leave her a treasure, a tiny blue-eyed niece with curly hair and warm hugs. Nora will do anything to keep her, even hire a shabby, drunken major as an interpreter.

Jamie can’t let Nora know the secrets he has hidden from everyone, even his closest friends. Nora can’t trust any man who drinks. She had enough of that in her marriage. Either one, however, will dare anything for the little imp that keeps them together, even enter a sham marriage to protect her. Will love—and the truth—bind them both together?

Available on Amazon

US http://tinyurl.com/ph56vnb

UK http://amzn.to/1Gd9Im9

Canada http://amzn.to/1bbDxde

Euro http://amzn.to/1LrSLru

About Caroline Warfield

Caroline Warfield has at various times been an army brat, a librarian, a poet, a raiser of children, a nun, a bird watcher, a network services manager, a conference speaker, a tech writer, a genealogist, and, of course, a romantic. She is always a traveler, a would-be adventurer, and a writer of historical romance, enamored of owls, books, history, and beautiful gardens (but not the act of gardening).

Social Media Links

Web http://www.carolinewarfield.com/

FB  https://www.facebook.com/carolinewarfield7

Twitter @CaroWarfield

LibraryThing http://www.librarything.com/profile/CaroWarfield

Amazon Author http://www.amazon.com/Caroline-Warfield/e/B00N9PZZZS/

Good Reads http://bit.ly/1C5blTm

Bluestocking Belles http://bluestockingbelles.com/who-we-are/caroline-warfield/

To enter Caroline’s prize giveaway, go to: http://www.carolinewarfield.com/dangerous-secrets-blog-tour-2015/

An Interview with Adolph Fouret, Monsieur le Duc de Malbourne, and Madame Michelle Lemaître

Mariana Gabrielle, author of Royal Regard, provides us with an insight into her duc de Malbourne, in this account of an interview by a researcher of her imagination.

While researching the remaining French noble families scattered across Europe, I have interviewed hundreds of émigrés from Scandinavia to Portugal and Ireland to the Austrian Empire. While other scholars are focused on dynastic details, I am fascinated by the human condition.

After thirteen requests to meet with Adolph Fouret, Monsieur le duc de Malbourne, the last surviving member of la famille Fouret, I was invited to his small manor house near Dover, inherited from his late duchess. While the house is no more than thirty rooms and two stories, the surrounding property encompasses tenant farms, a fishing village, a quarry, and a sizable parcel of woodland.

According to diocesan records, Monsieur le duc is past fifty, but apart from hair greying at the temples, might be at least ten, even twenty, years younger. His face remains relatively unlined, his figure tall, back straight, and limbs well-muscled, perhaps a sign of continued interest in swordplay, such skill still legend in Paris.

malbourneWe have been joined by Madame Michelle Lemaître, presumably his paramour, if not wife in common law. As we settle into worn wing chairs in a rarely used parlor, Madame Lemaître pours a fine hock, welcome refreshment on an overly warm day.

Monsieur le duc seems disinclined to idle chatter, waiting patiently for me to begin, never asking me directly to state my business. Madame Lemaître, however, makes it clear by manner and gesture that she would prefer not to entertain company, particularly not mine.

Research indicates you lost most of your immediate family during the Revolution.

“All,” he clarifies. “I lost all of my close relations. Four sisters, their husbands, and all of my nieces and nephews went to the guillotine, twenty-six in total, two still babes. Also, four aunts, two uncles, and nineteen first cousins murdered. My wife and child as well, if one believes fear can cause death in childbed.”

After long minutes of silence, Monsieur le duc hands his glass to Madame Lemaître to refill. As she does, her dagger-like glances attempt to cut out my tongue. His dark eyes, by contrast, are dull and motionless, staring past me, face chiseled from ice above his entirely black ensemble.

“It is not enough Monseigneur must live through this?” She finally snaps. “You come to stir up old troubles, long buried? Finish your questions and leave him in peace.”

Sipping the wine slowly, carefully, he awaits the next question as though I, myself, am a guillotine.

What is your greatest fear?

Monseigneur is not a coward,” Madame Lemaître growls, staring down her nose at me until Malbourne clicks his tongue.

Ma chére, the gentleman is not so unwise as to call me a coward.” The look on his face first demands, then accepts, an apology to the lady, whose indignation remains palpable.

Once satisfied his honor is intact in her eyes, he taps the back of her hand and says simply, “I am a Fouret; I fear nothing.”

RR memeWho is the greatest love of your life?

“I have never thought love so important I should count its worth.” Madame Lemaître’s face turns away, eyes downcast, shoulders tensed. “Romance is for peasants who have no money to keep them warm, nor family name to bring them notice.”

His idle index finger tucks a strand of loose hair from her coiffure behind her ear, drawing her attention back to him.

What is your most treasured possession?

His fingers tighten on Michelle’s knee as he shrugs, “I was able to save a folio of sketches by Jean Clouet when I escaped the Revolution. It has been in my family almost 250 years.” His hand slips under hers next to her leg, intertwining their fingers. Her lips turn up infinitesimally.

Where would you like to live?

His nostrils flare and the heel of his latchet shoe begins tapping against the floor, stopping only when she grips his hand so tightly two sets of knuckles turn white.

Forcing his gritted teeth apart, he finally answers, “Had verminous peasants not overrun my family’s land during the farmers’ uprising, I would be living now at le Chateau de Fouret in the Vosges Mountains. This estate…” He waves his hand about the small, dusty room. “This manor house is a hovel.”

What is your greatest regret?

His face twitches as though trying to stop the sneer manifest in his voice. “That I did not execute every peasant in Alsace in 1785.”

What do you consider your greatest achievement?

Monseigneur is sixteenth in line for the French throne,” Madame Lemaître exclaims, as proud as if he had discovered a cure for the Black Death. Her hand flies to her mouth, apparently unsure if she should boast on his behalf. The incline of his head both reassures and confirms her claim, and his thumb caresses hers.

What is the quality you most like in a man?

“I find men, on the whole, an inferior breed.” His hand smooths a wrinkle in Madame Lemaitre’s sleeve, trailing a fingertip down her forearm. “Women are much more satisfactory companions.”

What is the quality you most like in a woman?

RR meme2“That must depend, monsieur,” he laughs, “whether the woman will grace my bedchamber or my dining hall. For a lover,” he says, tugging at a lock of Michelle’s greying red hair, “I prefer a flame-haired wench of loose morals who will meet my appetites.” When she blushes, he taps the tip of her nose and almost smiles.

At the smallest movement of her head toward his shoulder, he shifts away and the hair pull becomes a warning to keep her place. “Were I to take a second wife, which is not my inclination, I would seek a woman whose conduct will bring credit to me, a noblewoman of sophistication and refinement.”

Madame Lemaître sniffs and turns her shoulder to Malbourne, but at a sharp pinch to her arm, she turns back, watching his face closely, stopping her motion when he raises a brow. As she settles against the back of the sofa, he rests their joined hands on her thigh.

“In either case,” he says, attention on Madame Lemaître, eyebrow still raised, “I value obedience most highly. It is best for females to be subject to the will of their fathers or husbands, lest their capricious natures bring them to harm.”

What is the trait you most deplore in others?

“I detest commoners. They are lazy and stupid and smell of pigs.”

Clearly, given her heavy rural Lorrain accent, Madam Lemaître is not of noble birth, but a stark nod denotes complete agreement.

“The bourgeoisie, though, are grasping, ill-mannered vipers.” Ignoring the flush on her cheeks, the only indication thus far of her pedigree, he continues, “It is hard to know which is worse.”

What do you consider the most overrated virtue?

Madam Lemaître laughs aloud before he answers, an ironic twist to his lips, “Chastity is a ridiculous notion, but for faithful servants of God and unwed noble daughters.”

On what occasions do you lie?

“You say now Monseigneur is a liar and a coward?” Madam Lemaître tugs at his wrist, as though to pull him out of the room. “He is cousin to the Kings of France, monsieur, and you are no one.” She waves her hand as though to sweep me from the room. “Not a horse dropping on Monseigneur’s shoe.”

With a firm jerk, he reseats her at his side and silences her outburst. “Noblemen do not lie,” he says, with the barest twitch of his shoulder.

At her harrumph, he adds, “Clearly, I must remove Michelle before she does you some injury. I should not like to be you, monsieur, should she find reason to use teeth and talons in my defense. Ma doux pute has a sharp tongue but her fangs, they are like rapiers.

“If you do not believe me…” he says, a teasing note in his voice, tugging at the knot in his black cravat, “I can show you…” The corners of his lips turn up, closer to a smile than at any time since my arrival, seeking her reaction from the corner of his eye. For a moment, he appears inexplicably young, like a small boy playing a prank.

She slaps at his knee and giggles, so he abandons his mischief and they rise, Malbourne holding her snug against his side. One of her arms reaches around his waist; the other rests lightly on his hip, and with her head tucked under his chin, he absently caresses her cheek. Placing a kiss on the crown of her head, he says, “I expect, monsieur, you can find your way out.”

To learn more about le duc, read Royal Regard.

10344772_332286826980418_8952381697101373143_nAfter fifteen years roaming the globe, the Countess of Huntleigh returns to England with her dying husband. She soon finds herself plagued by terrible troubles: a new title, estate, and sizable fortune; marked attentions from the marriage mart; the long-awaited reunion with her loving family; and a growing friendship with King George IV.

Settling into her new life, this shy-but-not-timid, not-so-young lady faces society’s censure, the Earl’s decline, false friends with wicked agendas, and the singular sufferings of a world-wise wallflower. Guided by her well-meaning husband, subject to interference by a meddlesome monarch, she must now choose the dastardly rogue who says he loves her, the charming French devil with a silver tongue, or the quiet country life she has travelled the world to find.

Buy/Review Links

Smashwords * Amazon * iTunes * Barnes and Noble * Kobo * Goodreads

Social Media 

MariWebsite * Facebook * Twitter * WordPress blog * Pinterest * Amazon Author Central

Goodreads Author page

Author Bio

Mariana Gabrielle is a pseudonym for Mari Christie, a mainstream historical and Regency romance writer. She is also a professional writer, editor, and graphic designer with twenty years’ experience and a Bachelor’s in Writing from the University of Colorado Denver, summa cum laude. She lives in Denver, Colorado with two kittens who have no respect at all for writing time.

An interview with Susana Ellis

P13 copyToday, I’m welcoming another Bluestocking Belle to the blog. Susana Ellis writes sweet regency romances. She says she has always had stories in her head waiting to come out, especially when she learned to read and her imagination began to soar. Voracious reading led to a passion for writing, and her fascination with romance and people of the past landed her firmly in the field of historical romance. Susana lives in Toledo, Ohio in the summer and central Florida in the winter.

Read on to find out about the box set she is launching, with other authors, on 1 April, for a description of her story in that set, and for my interview with Susana. Her contact links are at the bottom of the post.

Beaux, Ballrooms, and Battles

The stories in Beaux, Ballrooms, and Battles are sweet Regency romances with Waterloo themes.

You are all invited to

Amazon buy link

400 x 600About Beaux, Ballrooms, and Battles

Beaux, Ballrooms, and Battles is a celebration of the bicentenary of the showdown between Wellington’s “Infamous Army” and Napoleon’s Grande Armée.

 A collection of nine sweet Regency stories of courage, hope, and the miracle of love surviving in uncertain times, brought to you by nine distinguished historical romance authors.

Jillian Chantal • Téa Cooper • Susana Ellis • Aileen Fish • Victoria Hinshaw • Heather King • Christa Paige • Sophia Strathmore • David Wilkin

 About Lost and Found Lady

 On April 24, 1794, a girl child was born to an unknown Frenchwoman in a convent in Salamanca, Spain. Alas, her mother died in childbirth, and the little girl—Catalina—was given to a childless couple to raise.

Eighteen years later…the Peninsular War between the British and the French wages on, now perilously near Catalina’s home. After an afternoon yearning for adventure in her life, Catalina comes across a wounded British soldier in need of rescue. Voilà! An adventure! The sparks between them ignite, and before he returns to his post, Rupert promises to return for her.

But will he? Catalina’s grandmother warns her that some men make promises easily, but fail to carry them out. Catalina doesn’t believe Rupert is that sort, but what does she know? All she can do is wait…and pray.

But Fate has a few surprises in store for both Catalina and Rupert. When they meet again, it will be in another place where another battle is brewing, and their circumstances have been considerably altered. Will their love stand the test of time? And how will their lives be affected by the outcome of the conflict between the Iron Duke and the Emperor of the French?

An interview with Susana Ellis

When did you begin to write, and why?

Learning to read was like a lightning bolt to my imagination. I read everything I could get my hands on from that day forward. When I was nine I used to write plays for my friends and me to act out at recess. With all that was going on in my head, it seemed natural to write them out, but in those days the chance of becoming a published author seemed remote, so I became a teacher. I’ve only begun writing seriously for publication in the past three years, since leaving teaching.

Why do you write in your chosen genre or genres?

History and the way people lived in the past has always fascinated me. I want to know how they thought, what they did everyday, what they wore/ate/read, where they traveled, who they married and why, and pretty much everything. I’m especially fascinated by the courtship ritual—how they become acquainted and fall in love and marry first before falling into bed. I find it so much more romantic that way.

Do you base any of your characters on real people?

Not usually, although the characters in my story Lost and Found Lady (in the Beaux, Ballrooms, and Battles anthology that releases April 1, 2015), are based loosely on Harry and Juana Smith. Harry was a brigade major in the Peninsular War who met Juana (a descendent of Ponce de León) after the Battle of Badajoz, and married her four days later. Like Harry, my hero is one of Wellington’s Explorer Scouts, and like Juana, my heroine is a Spanish girl. But that’s where the resemblance ends. Rupert and Catalina have their own story to tell.

Who is your favourite character in the book you’re showing us today?

Catalina, because she refuses to accept the bleak life she faces as an illegitimate peasant girl with little hope of a decent marriage. The marriages she observes in her daily life aren’t particularly appealing, and for a while, she envisions finding freedom in a convent.

 What’s your favourite scene and why?

One of my favourites is in the beginning where Catalina mentions to the priest who teaches her that she would like to emulate Sor Juana de la Cruz of 17th century Mexico, who became a nun because she couldn’t otherwise study and write as she wanted. Although 150 years have passed, she reflect sadly that the role of women hasn’t changed all that much. And while many things have changed since 1812, equality has still not been reached, and will not be in my lifetime, I fear.

What was the hardest scene to write and why?

I don’t usually write about battles, but when your hero is in the army at Waterloo, you can’t leave the readers hanging! I agonized over the scene for several days. My mother told me somebody was going to have to die, meaning one of my characters. I told her no happy ending ever had a character die in the end! But they did see the grim side of things, with all the dead and wounded after the battle, and I imagine those images won’t leave their memories any time soon.

What is the most memorable book you’ve read in the last three months, and why has it stayed with you?

I’ve been reading Georgette Heyer’s The Spanish Bride, which is largely an account of the adventures of Brigade-Major Harry Smith and his Spanish bride Juana as they traipse around the Iberian Peninsular with the British army. Believe it or not, I do a lot of my “research” from reading fiction. It’s so helpful to get a glimpse of what it was like to follow an army, which you don’t get from non-fiction sources.

What do you like doing in your spare time?

Reading, cooking, traveling, blogging, and, of course, writing.

What was your favourite book when you were a kid?

I used to read Nancy Drew books voraciously, so much so that I used to get punished for reading “too much.” My mother used to tell me one chapter a day was enough, and I always told her it was impossible to do that because the chapter always ended with a hint that something exciting was going to happen in the next one.

If you could give that kid one piece of advice, what would it be?

The sky is the limit—don’t let yourself be intimidated by the impossible.

Where do you want to be in 10 years’ time?

Alive, in good health, and still writing. If you’re asking about my plans for becoming a best-selling author, well, that would be great and I’ll still aim for that, but I won’t consider my writing career a failure if that doesn’t happen.

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Why book reviews matter

Book-review-imageWhen I published Candle’s Christmas Chair as a free Novella way back in the middle of December last year, I set myself a stretch target. 10,000 downloads by the beginning of April when Farewell to Kindness was published? Unlikely, I thought, but wouldn’t it be magical?

As readers of this blog know, my expectations have been blown out of the water by the actual figures. I was at 10,000 by halfway through January, and today’s download figures stand at just over 44,000. That’s a lot of books!

Now, Candle is a free book, and it’s impossible to know how many of those copies are languishing in a TBR dungeon on someone’s Kindle or iPad.  But let’s say that a quarter of the people who downloaded the novella have actually read it. Let’s say 13,000, just so my next piece of arithmetic is easy.

So how is it doing in the review stakes? Duplicates make it hard to get an exact figure, but between the various Amazon sites, Goodreads, and other book eretailers, Candle has around 130 to 140 reviews. (Hah! Now you know why I picked 13,000!)  It’s all very rough, of course, but I’m guesstimating that one reader in 100 has written a review.

How reviews help readers

Do you read reviews? Lots of people do. Finding out whether someone else liked or disliked a book (and, more importantly, why) can help you to choose between the huge array of books available. With over a million fiction ebooks on Amazon, some sort of filtering system is essential.

Here’s a comment from a reader I found when researching for this article:

As a reader, I tend to look at the range of ratings for a book, in the first instance. If they are wide-ranging, to me that says, ‘this could be a good book, but just doesn’t float everyone’s boat’. If they are all of a low-rating, then chances are the book might be missable! Difficult however, when there ARE only one or two reviews – it is good to see a number of reviews to get a feel for the book’s reception.  [Cathy Speight commenting on Book reviews: are they important)

How reviews help writers

Reviews offer writers a lot. Reviews (good, bad or indifferent) make a book easier to find by pushing it up through the rankings in google search and on the sites of eretailers. Good reviews encourage writers to keep writing. When someone in a review mentions something that shows they know what I was trying to do, the glow can last for days. For example, I loved the review that mentioned my favourite gift that Candle gave to Min, and said how romantic the reader found it. I thought it was romantic, too! I loved that bit. I’m so glad the reader did.

Bad reviews help writers too. I wrote about this in another blog, but suffice to say I can learn from valid criticisms, and simply accept that tastes differ and not everyone will like what I write. Bad reviews still count for search rankings, and a well written bad review that says why a reader didn’t like a book may even attract a reader who enjoys what the review writer didn’t.

How to write a review

So please, if you’ve read a book (not just mine, any book), write a review. Especially, write a review if you have strong feelings about the review. Here are some tips from Amazon on how:

  • Include the “why”: The best reviews include not only whether you liked or disliked a product, but also why. Feel free to talk about related products and how this item compares to them.
  • Be specific: Your review should focus on specific features of the product and your experience with it. For video reviews, we recommend that you write a brief introduction.
  • Not too short, not too long: The ideal length is 75 to 500 words. Video reviews have a 10-minute limit, but we recommend 2 to 5 minutes to keep your audience engaged.
  • Be sincere: We welcome your honest opinion about the product–positive or negative. We do not remove reviews because they are critical. We believe all helpful information can inform our customers’ buying decisions.

An interview with Sherry Ewing

11086780_10206606130775444_1686985195_oToday, I’m starting something new: interviews with guest authors, starting with my friend and fellow Bluestocking Belle, Sherry Ewing.

Sherry Ewing is a self-published author who writes historical and time travel romances to awaken the soul one heart at a time. Her three books are all currently on bestseller lists on Amazon, and her latest release, Only For You, is currently in the top 20 on a historical romance list.

Sherry, when did you begin to write, and why?

Although I wanted to be an author for as long as I can remember, I didn’t actually start writing until 2008 when a friend of mine asked why I hadn’t written that novel I always wanted to write. Since my children were for the most part grown, I had the time to throw myself into the manuscript. It’s a total train wreck since I’ve learned so much in the past several years on the craft of writing, but I hope to edit it in the next several months with a release in early 2016.

Today, you’re showing us Only For You. (See below for an outline and buy links.) Who is your favourite character in the book?

It’s hard to determine whether my hero or heroine is my favourite characters since I love them both. But if I must choose, then it would be Katherine. She’s a modern day woman thrown back in time who quickly adapts to her new surroundings as she begins her life with her very medieval husband.

What’s your favourite scene and why?

Katherine and Riorden share their dreams so there is one dream scene in particular, when they think that all hope is lost, that is very memorable to me towards the end of Only For You. But I’ll let your readers find it out for themselves since I don’t want to give any spoilers.

Most writers start as avid readers. What was your favourite book when you were a kid?

I’m probably dating myself when I tell you I read The Flame and the Flower by Kathleen E. Woodiwiss as a teenager. It was my first historical romance and I’ve been hooked ever since. She is most likely the reason why I write in this genre today. She was my ideal author and I wanted to write wonderful stories that carried me away to another place in time just as she did.

If you could give that kid one piece of advice, what would it be?

Just because an English teacher tells you that your writing will never amount to anything, don’t let that stop you from going after your dreams of becoming an author. Keep on writing and never give up. It may take years for those dreams to become reality, but in the end it will be worth it!

Only For You – A medieval romance with a hint of time travel, Release date March 17, 2015

One gorgeous cover!

One gorgeous cover!

Katherine de Deveraux has it all, or so she believes, when she begins her life with her husband Riorden. But as she settles into her duties at Warkworth Castle, she finds that an easy life is not only difficult but downright dangerous to her well-being.

Consumed with the haunting memories of his father, Riorden must deal with his sire’s widow who just happens to be his ex-lover. Yet how could he know just how far Marguerite is willing to go in order to have the life she feels they were truly meant to live?

Torn apart by circumstances neither Katherine nor Riorden could ever imagine, Time becomes their true enemy even while Marguerite continues her ploy to keep Riorden at her side. With all hope lost, will Katherine and Riorden find a way to save their marriage and have their happily ever after ending, or will Katherine be whisked back to where Time truly feels she belongs?

Buy Links:

Amazon; Barnes & Noble; iBooks; Kobo; Amazon Australia; Amazon Canada; Amazon UK

Find Sherry on social media:

Website & Blog: http://www.sherryewing.com

Bluestocking Belles: http://bluestockingbelles.com

Facebook: https://www.facebook.com/sherryewingauthor

Pinterest: http://www.pinterest.com/SherryLEwing

Twitter: https://www.twitter.com/sherry_ewing

Tsu: https://www.tsu.co/sherryewing

Dangerous Works by Caroline Warfield

Bluestocking BellesI bought Dangerous Works a few days ago so that I would be able to read it before the next in the series was published, and I devoured it in two bites (going and coming on my commuter train). It is one of those books where the writing is so good you don’t notice it. I was immersed in the story, and time flew by. I dragged myself from the world of Andrew and Georgiana with difficulty, and couldn’t wait to plunge back in.

Georgiana is a woman in her mid-30s living alone because the only man she ever wanted (and the only man who ever wanted her) left without explanation years earlier. She lives for her scholarship – translating and giving a voice to the women poets of ancient Greece. When she finds that her suitor – the only person ever to encourage her work – has returned, she seeks his help with her translation.

Andrew joined the army many years earlier because he couldn’t marry Georgiana. Scarred and still suffering from his most recent injury, he is unhappy to find that the old feelings are still there, stronger than ever.

I sympathised with Andrew, I understood Georgiana, and suffered with them both as they faced gossip, scandal, her powerful family and their own misconceptions. Thank you, Caroline, for a thoroughly satisfying read. Now for Dangerous Secrets!

Disclaimer: Caroline and I are both members of the Bluestocking Belles, a group of 8 regency writers. And I’m so glad to be associated with such a good writer!