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Tea with Lady Avery

“Such a nuisance, Perkins,” Her Grace the Duchess of Haverford consoled her coachman. “But I know you will have it repaired as soon as you may.”

She was sitting on a blanket spread over a grassy bank, perfectly comfortable, and had been hardly at all bruised when the coach lost its wheel, as she assured her companion, Adeline.

“I’ve sent to the nearest village, ma’am, but they don’t have a wheelwright, seems like, and Chipping Sodbury is a good fifteen minutes ride, if these coach horses of Lord Aldridge’s will let us ride them. I don’t like to leave you out here in the open, and that’s a fact.”

The duchess looked up at the clear blue sky, and around at the four strong outriders who stood ready to guard her. What Perkins thought might happen to her in this quiet country lane while he and the two footmen attended to the coach, she had no idea. But the coachman refused to send one of the outriders to the market town, and the outriders would not leave her side nor their horses, so Perkins must be on his way or she would be sitting on this bank until nightfall.

“I shall be perfectly comfortable,” she soothed.

At that moment, a man came hurrying into view; a tall young gentleman with a flaming thatch of red hair displayed when his tricorne hat tumbled off in his haste. The gentleman looked familiar, and in moments the duchess had placed him. “Lord Avery,” she called. “How pleasant to see you.”

Lord Avery reached them, after a quick glance that took in the broken wheel and the hovering attendants.

“Your Grace,” he said, bowing. “I am sorry for your troubles. May I offer you the comfort of Avery Hall and the company of my mother while your men see to the coach?”

The duchess accepted with pleasure, and soon she and Adeline had washed, taken advantage of the conveniences, and been escorted down to where the dowager Lady Avery waited in a pleasant sitting room on the ground floor.

“My apologies for not rising to greet you, Your Grace,” the lady said. Ah. Yes. Eleanor had heard that Lady Avery had been injured in the accident that had killed the previous Lord Avery. Eleanor rather thought that the viscountcy was now in better hands, but it would not be polite to say so.

“My condolences on the death of your husband,” she murmured. “Is that a Merlin chair? How clever.”

Lady Avery showed off the attributes of her chair with every sign of delight. “And I am to have one for outside, as well,” she said. “Like the ones they use in Bath, designed for rough paths. The chair designer was here last weekend, and I had the most wonderful time. Oh, but I do run on. Will you and Miss Grenford take tea, Your Grace.”

The duchess accepted on behalf of her and Adeline, but her mind was carefully sorting through the little bits of news and gossip that came to her attention in her copious correspondence. Yes. That was it. “Tell me more about the chair designer, Lady Avery,” she said. “A carriage maker’s daughter, and a talented designer of chairs, I have heard.” And, according to Lady Cresthover, who was in some way related to one of her aunts, the next Lady Avery, however unlikely such a marriage might be.

Minerva Bradshaw, the chair designer mentioned above, is the heroine of Candle’s Christmas Chair, in which Lord Randal Avery does not allow the difference in their social classes to prevent him from courting the lovely woman from whom he is buying his mother’s Christmas present. Click on the book link for more.

I first met Min and her viscount in Farewell to Kindness (which is Rede’s, the Earl of Chirbury’s, story). Min provided the invalid chair that Rede’s cousin, Alex Redepenning, has collapse under him during a vigorous chair based rendition of a line dance. I wondered how a carriage-maker’s daughter with a business making invalid chairs came to marry a viscount, and next thing I knew, a tall skinny viscount with bright red hair turned up at her carriage-maker’s shop to order a chair as a Christmas present for his mother.

More about the history of wheel chairs

Tea with Min

 

 

 

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Bookshop now live

If you take a look at any of the book pages for my published books, you’ll see a new button: ‘Buy from Jude Knight’. That takes you to my book shop, where I plan to have my new releases up a week before anywhere else, to offer discount codes from time to time so you can get my books on special, and to put bonus content, such as deleted scenes and background pieces, into the books (a project I haven’t had time for yet, but it is on the list).

The Realm of Silence is due out on 22 May, but is available from the book shop now. And if you buy any of the books before I add the bonus content, I’ll send you a free update once I get the new version finished.

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The Georgian population boom

Throughout early modern history, Britain’s population changed at about the same speed as the rest of Europe. A really bad epidemic of the plague would drop the total numbers for a while, but on the whole there was a gradual increase, averaging less than one percent a year up until 1625, then remaining stable for 125 years, then increasing at a slow rate again to take 150 years to double.

Britain followed the pattern until the 1700s. In 1714, George 1, the first of the Hanoverians, came to rule over a country of 5.25 million. In 1760, the population had grown to 6.15 million, a healthy 17 percent at a time population growth in most of Europe was static. But the next 50 years would see a massive change. In 1815, the population was 10.25; almost double the 1714 figure. France in the same period saw a 35 percent increase, and the Dutch figures remained much the same.

Why did the population grow so fast?

Scholars give two reasons why Britain’s growth was faster than that of other nearby countries.

The first was a drop in mortality. Britain had more people because fewer of them died. From early in the eighteenth century, Britain began imposing quarantines on imports and ships sailing from places known to have the plague or other highly feared diseases. Innoculation against smallpox helped, too. People still died of typhus, cholera, and other diseases, but the number of deaths in each epidemic dropped dramatically.

The second was the age at marriage. Before the eighteenth century, the mainly agriculture-based workforce would put off getting married until they could afford a cottage and a small piece of land. Average age at marriage for women was 26 in the 17th century, and for men it was 28.  Fertility drops (on average) after 30, so not marrying until after 26 means fewer children overall.

The enclosure acts changed all that. The biggest landowners scooped up all the land, and people who would have been small-holders had to work for wages or migrate to the new jobs in city manufactories. Our working couples no longer had a reason to wait, so they married earlier and faced the challenges of finding work together. By the 19th century, the average age of marriage was 23 for women and 25 for men. (Not in the aristocracy. They married for different reasons, sometimes as young as 13 or 14.)

Since women now had a longer fertile period in marriage, and less chance of dying of disease, the number of children per couple increased.

In the next 150 years, decreasing infant and maternal mortality meant the British population doubled every 40 years, providing factory workers for industrial revolution and upsetting theorists like Malthus, who thought the upwards curve was the way things had always been, and that it would continue.

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Spotlight on The Moral Compass

Today’s guest is KA Servian, who brings us her book, The Moral Compass.

Florence is a spoilt young woman shielded from the filth and poverty of Victorian London by her father’s money and status. When he suffers a spectacular fall from grace, she must abandon everything, including the man she loves, and start again in the empire’s furthest colony of New Zealand.

Compromise and suffering await Florence in her new home. Against the odds, she finds security and love. But her decision to risk everything to enjoy some of the trappings of her previous life costs her dearly. She must live with the heart-breaking consequences of the choice she has made.

As the first book in the Shaking the Tree series, The Moral Compass begins a journey that Florence will complete in the sequel, A Pivotal Right.

Link to the book on Amazon – it’s discounted to .99c US for all of February. https://www.amazon.com/Moral-Compass-Shaking-Tree-Book-ebook/dp/B076J4YG33/

An extract from The Moral Compass

Jack watched his wife as she sat poker straight in her chair beside the hearth, needle in hand. With deft movements, she worked the black thread through a piece of fine white lawn. He followed her every move, marvelling at her skill.

“What are you embroidering?”

She smiled as she raised her eyes to his and he noted a pink flush appear on her cheeks. “It is a handkerchief for you. I am putting your initials on it.”

“Can I see?”

She nodded, passing the square of fabric to him. He ran his rough fingertips over the intricately worked stitches. “It is beautiful. You have great talent.”

“It is a shame that I wasted so much time learning to embroider as now I have little need for the skill. Mending and general sewing do not require such fine stitching and I am terribly slow.”

He returned the handkerchief to her. “I am sure that with expertise such as this my mended socks will be the most exquisite in the town.”

She sighed. “I suppose so.”

Setting the handkerchief down on the small table beside her chair Florence picked up a book with a scuffed brown cover and opened it.

“What is that you are reading?” he asked.

She closed the book, keeping her finger inside, and lifted it so he could see the spine. He squinted at the faded gold letters. They were familiar, but some were backwards to his eyes and he could not make sense of the words they spelt. Shifting in his seat, he moved his gaze to the fire. “I canna read them in the dim light.”

She cradled the book like a cherished child. “It is called Pride and Prejudice.” She smiled. “It is one of my favourites. I have read it many times.”

“Why do you like it so much?”

Florence shrugged. “The hero and heroine are so different and at first they do not like each other, but then love grows between them and—” She looked down and gave a self-deprecating laugh. “It’s silly, really.”

He leaned forward in his seat and placed his hand over hers. “It doesna sound silly. Tell me about the hero. What manner of man is he that he is able to convince the lady to fall in love with him?”

“Mr Darcy seems proud and rude but he is shy and finds it difficult to speak freely of his feelings.” She paused. “But then he performs a great act of kindness for Lizzy, that’s the heroine. Well, more for her family, really. Then she sees him for the man he is and—”

“Is he a …wealthy man?”

She grinned, her eyes sparkling in the firelight. “Oh yes, he’s tremendously wealthy. He owns a beautiful estate called Pemberley. It is when Lizzy sees it for the first time that she realises that he is a man she could truly love.”

Jack released her hand and sat back. “Oh, I see.”

“Would you like me to read to you? I used to read to Mrs Branson sometimes. Her eyesight was fading, but she still enjoyed hearing stories.”

He stretched his long legs out. “Yes, I’d like that very much.”

Meet KA Servian

As a life-long creative, Kathy gained qualifications in fashion design, applied design to fabric and jewellery making and enjoyed a twenty-year-plus career in the fashion and applied arts industries as a pattern maker, designer and owner of her own clothing and jewellery labels.

She then discovered a love of teaching and began passing on the skills accumulated over the years—design, pattern-making, sewing, Art Clay Silver and screen-printing to name a few.

Creative writing started as a self-dare to see if she had the chops to write a manuscript. Writing quickly became an obsession and Kathy’s first novel, Peak Hill, which was developed from the original manuscript, was a finalist in the Romance Writers of New Zealand Pacific Hearts Full Manuscript contest in 2016.

Never one to do things by half, Kathy designed and made the costume for the cover of her first historical novel, The Moral Compass and has made several other costumes from various periods in preparation for the novels that will follow in her Shaking the Tree series.

Kathy has just completed a diploma in advance applied writing. She squeezes writing her novels in around teaching sewing part-time and being a wife and mother.

You can follow Kathy on her website  or Facebook page . Photography is also one of her hobbies. You can view her images on her Instagram feed

 

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Edinburgh underground

This week’s Footnotes on Friday is a cry for help.

I’ve dropped one of my characters into trouble, and I need atmospheric detail and historic fact on the way to getting her out. Are any of you experts in Edinburgh’s underground?

Amy Cunningham, daughter of Susan Cunningham and granddaughter of Lord Henry Redepenning, has been kidnapped and is being held in the cellar of a house somewhere in Edinburgh. She finds that a pile of rubbish hides either a hole or a trapdoor that lets her into Edinburgh’s underground ways, where she has various adventures and experiences before being taken up by an amiable crowd of university students/apprentices/seamstresses or whatever I decide, and escorted to her family townhouse.

But which underground ways?

I’ve narrowed it down to the South Bridge Vaults or Mary King’s Close, both of which were available to me in 1812.

The Vaults are chambers formed in the arches of South Bridge, which was built in 1788. South Bridge was a shopping arcade that bridged a gully, and the 19 arches beneath it contained 120 rooms that quickly filled up with taverns, tradesmen’s workshops, and slum housing. All in the dark, and increasingly illicit and nasty.

Robert Louis Stevenson described the places in his 1878 book Edinburgh: Picturesque Notes:

“…under dark arches and down dark stairs and alleys…the way is so narrow that you can lay a hand on either wall. (There are) skulking jail-birds; unkempt, barefoot children; (an) old man, when I saw him last, wore the coat in which he had played the gentleman three years before; and that was just what gave him so preeminent an air of wretchedness.”

Mary King’s Close is a relict of a much earlier time. In a city enclosed by walls, it’s common for new buildings to be erected on top of old ones, the weight of centuries sinking the past with cellars containing what was once the street or even upper floors of a building. Legend has it that Mary King’s Close, which is under the City Chambers, was sealed up in the 1640’s to prevent still living plague victims from infecting the rest of the city. Another source I found says, more pragmatically, that the City Fathers of the time were worried about losing trade to the New Town so they:

decided to build a grand new Royal Exchange. And they found the perfect spot opposite St Giles Cathedral, with just one small problem – the streets of houses already there. But rather than knocking them down, they took the top floors off and used the lower floors as foundations. Mary King’s Close was covered over and swallowed up into the building’s basement. The sloping ground meant the houses fronting the Royal Mile were destroyed but further down the close whole houses were buried intact. [https://www.ontheluce.com/underground-edinburgh-mary-kings-close/]

People being people, many of the denizens refused to leave, and you could drop into the underground right up until the start of the twentieth century to have a wig made or to buy tobacco.

So which one? And what would it have seemed like to a gently-born if feisty 15-year-old Regency maiden? Can anyone help? Drop me a message on my contact page. I’d love to hear from you.

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Spotlight on Christmas Babies on Main Street

The box set for which I wrote A Family Christmas has its preorder up, and you don’t have long to wait. Christmas Babies on Mainstreet goes live on 12 October. Nine contemporary novellas of between 20,000 and 40,000 words each for only 99c.

Nine individual stories from the bestselling Authors of Main Street – New for the 2017 Christmas Season!

This year, The Authors of Main Street have combined their talent to bring you stories about love, the holidays, and babies from around the world. From the small hamlet of Eastport in Canada, to the gorgeous landscapes of New Zealand, to Main Street, USA… you’ll find the Christmas spirit and warm love stories on every page. And not all of our babies have pudgy little fingers and adorable toes… one of them has hooves and a mane!

Inside this year’s box set, you’ll find Christmas novellas from Kristy Tate, Carol DeVaney, Jill James, E. Ayers, Lizzi Tremayne, Jude Knight, Stephanie Queen, Susan R. Hughes, and Leigh Morgan.

Snuggle up with your favorite blanket, grab a cup of hot chocolate, and let the Authors of Main Street help you celebrate the holiday season.

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Cover reveal Lost in the Tale

I’m nearly ready to release my 2017 collection of made-to-order stories. I have the stories and the cover, and I’m just waiting for the proofread files and a bit of time to set up the pre-release. No date yet, but it looks like it’ll be early September.

The short stories in the collection have only been available as print books, on Wattpad, or to party goers and newsletter subscribers as ebooks. The novella has so far been seen only by the giveaway winner who gave me the ingredients.

Like Hand-Turned Tales, Lost in the Tale will be free at all eretailers as soon as I can persuade Amazon to drop from 99c.

The Lost Wife: Teri’s refuge had been invaded: by the French, who were trying to conquer their land, and by wounded soldiers from the English forces sent to fight Napoleon’s armies. The latest injured man carried to her for nursing would be a bigger challenge than all the rest: he had once broken her heart. (short story)

The Heart of a Wolf: Ten years ago, Isadora lied to save her best friend, and lost her home and the man she loved when he would not listen to her. Ten years ago, Bastian caught his betrothed in the arms of another man, and her guilt was confirmed when she fled. Ten years on, both still burn with anger, but the lives of innocent children and the future of their werewolf kind demand that they work together. (short story)

My Lost Highland Love: Interfering relatives, misunderstandings, and mistranslations across a language barrier keep two lovers from finding one another again. The Earl of Chestlewick’s daughter comes to London from her beloved Highlands to please her father, planning to avoid the Englishman who married her and abandoned her. The Earl of Medford comes face-to-face with a ghost; a Society lady who bears the face of the Highland lass who saved his life and holds his heart. (short story)

Magnus and the Christmas Angel: Scarred by years in captivity, Magnus has fought English Society to be accepted as the true Earl of Fenchurch. Now he faces the hardest battle of all: to win the love of his wife. A night trapped in the snow with an orphaned kitten, gives Callie a Christmas gift: the chance to rediscover first love with the tattooed stranger she married. (short story)

The Lost Treasure of Lorne: For nearly 300 years, the Normingtons and the Lorimers have feuded, since a love affair ended in a curse that doomed dead Lorimers to haunt their home, the Castle of Lorne.

Now the last Marquis of Lorne, the last of the Lorimers, is one of those ghosts, and the Duke of Kendal, head of the House of Normington, holds the castle.

Kendal doesn’t care about the feud or the ghosts. He wants only to find the evidence that will legitimate the son his Lorimer bride bore him before her death, and to convince his stubborn housekeeper to marry him.

But the time allotted to the curse is running out, and his happiness depends on finding the Lost Treasure of Lorne before the 300 years draws to a close. (novella)

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A chance in the spotlight

I’ve been doing my accounts over the holidays, which has been slightly depressing.

I first published just over two years ago, and here are my figures for the entire period to 31 December 2016.

Total downloads from eretailers, all books: 78,700

Approximate number of words published: 470,000 (around 200,000 a year)

Approximate number of hours spent researching, writing, editing, or proofreading: ten hours per week on average

Total income after all expenses: minus NZ$1,500.
(I’ve paid for developmental editing, professional proofreading, photos and cover design, advertising, and a whole heap of other things.)

So that’s it. I’m losing around $1 for every hour I spend writing stories.

I didn’t expect to make an instant success

Which is just as well, really. Like everyone, I hoped I’d be discovered the day I published my first book, but I knew it is an overcrowded market and I’m an unknown living on the edge of nowhere. I figured I needed to get four novels out there before I began to  make an impact, and the fourth is almost finished, and still several months from publication.

Big hugs to all the wonderful readers who have joined me this early in the journey. Your comments, emails, and reviews have given me the rewards and the confidence I needed to continue.

I have a publishing plan and a marketing plan, and the hope that sooner or later my writing will actually pay enough that I can do it full time, instead of fitting it into the gaps of a busy life.

Little known authors face some disturbing trends

  1. The book market is crowded, and becoming increasingly so.
    Books never go away. Ebooks and print on demand books cost nothing for the retailers to carry, and so they remain on the lists.
    The lists at Amazon abound in silliness like 50 page 99c books that finish with cliffhangers and are followed by four more of the same kind. And authors who apply keywords with every regard to finding a little populated list, and none to accurately representing the story.
    Anyone can publish, and — with the loss of traditional gatekeepers such as purchasing agents and editors — many people serve their writing apprenticeship right out in public, without any more editing than their Mum provides, and with a spellchecker their only proofreader.
  2. Amazon will dominate the market for the foreseeable future, and they serve their own interests, not those of readers or authors.
  3. Many readers expect books to be free or no more than 99c, and will complain at paying more. I say this with some trepidation I saw a comment just a few days ago from someone castigating an author for commenting about people signing up for a newsletter to get a free book then unsubscribing. “Authors should be grateful people are reading their books,” this reader said.
    Here’s why you should consider buying at least some of the books you read.
    On the other hand, I give away a lot of free stories, always have at least one free book, and post weekly on Wattpad so I can share at least some of my stories with those who can’t afford to pay. I agree with Shannon Thompson on this one.
    On the other hand, if you download pirated books, on your head be it.

What does this mean for readers?

You might not much care. Writers will continue to write, no matter whether, in the balance, they are losing money. So you’ll always have new books to read. The greats will keep writing, and you can always save for their books or get them from the library. And a few authors will persevere and have the good fortune to be picked up by libraries and prominent reviewers so you find out about them.

I’ll soldier on, too, doing my 200,000 words a year until I can retire and write full time. I’ve published three novels (and almost finished writing a fourth), five novellas, and a number of short stories, so if I could triple my output, I’d be doing that each year, once I write full time.

But remember that, in one sense, readers do pay for every book an author gives away, or every book sold at 99c (for a 35c royalty). They pay in the books the author doesn’t have time to write, because of the day job.

Can you help the authors you love?

You can help the authors whose work you most enjoy, and it doesn’t have to take much time or money. Read our books and tell us what you think of them
. Write reviews, even a couple of sentences. Tell your friends about our books. Ask for them at your local library. The world has many undiscovered authors worthy of a chance in the spotlight. And in the new world of independent publishing and ebooks, the power to direct the beam lies with you, the readers.

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#MFRWAuthor blog challenge: A long hot Christmas holiday

My Summer holiday is officially over, and the working year begins again on Monday. What better time to begin a 52-week blog challenge? One post a week on one of the themes below.

This week’s challenge is ‘A few of my favourite things’. What are my favourite things about a New Zealand Christmas?

Time with my personal romantic hero. I’ve been on holiday and his workload is down. Our wedding anniversary is two days after Christmas, and after 45 years of marriage, I love the guy more than ever.

Fresh berry salad. That’s a family favourite. Strawberries, red currants, raspberries, boysenberries, cherries (okay, I know they’re not a berry, but they’re red), blackberries, blueberries… they’re all in season, and mixed together and served in the crystal bowl we were given as a wedding present, they’re delicious. And a traditional centrepiece to our dessert at Christmas dinner.

Hot dry days. Okay, this is New Zealand, and if you don’t like the weather, wait a minute. But we’ve had some hot dry days!

Time to catch up on things I don’t normally have time to do. We now have a drain across the front of the deck, I’ve made a start on tidying the sewing room and have sorted out a bag of clothes to donate, and I’ve updated my asset list for the will kit. I’ve also been to see two exhibitions at Te Papa, our national museum.

Time with friends and family.

Yes. Christmas holidays are the gift of time.

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Tea with Cedrica

monday-for-teaCedrica stared out of the window, but she saw nothing of the scene before her: the rectory garden, bounded by a low wall, and beyond it the village lane; the gray church through a small gate to her left, and on the right another gate leading to the rectory orchard.

The view was as familiar to her as the shape of her hand—she had known both her whole life. But she sat and looked into the future, and which was unfamiliar and had no shape at all.

Whatever was she to do?

At least here, the villagers knew what to expect from Papa when he wandered off, visiting from cottage to cottage all over the district, bewildered that the parishioners of his youth were not there to greet him; that his beloved Hannah, Cedrica’s mother, was nowhere to be found.

The children and grandchildren of those parishioners would bring Papa back home, where—until today—he recognised his daughter and came back at least a little to himself.

Today, he had stared at her blankly, and become angry when she insisted that she was Cedrica. “This is a cruel joke,” he told her, with great dignity. “I must insist you leave before you upset my wife by taunting her with her childless state.”

In the end, cook had taken him upstairs and put him to bed, and Cedrica had come to the study, filled with memories of the kindest father in the world. Her long-awaited birth had killed her mother, but her Papa made sure she never wanted for affection. How many evenings had she played on this very hearth rug while he wrote his sermon? Here, he told her stories, taught her to read, helped her with her first stumbling letters. Here, as she grew older, they worked side by side, Cedrica proud to help her father with his careful little monographs on English wild flowers, and his letters to other botanists all of Europe.

Where were they now, all those friends with whom he had corresponded? She had written to them and to everyone else she could think of when she and the good people of the village could no longer hide their dear rector’s increasing confusion. Few had replied. Those who did sent only good wishes.

Good wishes would not save Papa from the bishop’s plans to put them out from the only home Cedrica had ever known. Oh, his letter was polite enough. The new rector would require the rectory. Mr Cedric Grenford would be better off in a place where people of failing minds were cared for. The bishop would be happy to write Miss Grenford a recommendation for a position. Perhaps as a companion to someone elderly?

In desperation, Cedrica had written to the last person her father would wish help from—the distant cousin whose great grandfather had banished his son, her own grandfather, for the unpardonable crime of falling in love outside of his class and station.

But the Duke of Haverford, head of the Grenford family, had not replied.

Movement on the lane caught her attention; a magnificent coach, pulled by four black horses, perfectly matched down to the one white fetlock. The equipage was slowing, stopping, one of the two footmen up behind leaping down to open the door with its ornate crest, and put down the carriage steps.

First through the door was a tall man immacutely dressed in a coat that hugged his broad shoulders and pantaloons that hugged… Cedrica schooled her eyes to turn back to the door, as the man himself did, holding out his hand to assist a lady to ascend. A very fashionable lady.

A great lady, as Cedrica would have known by her wise eyes and her kind face, even without her escort, the carriage, and the servants.

The footman opening the gate, and the gentleman gave his arm to the lady and led her towards the rectory door.

Cedrica shook herself. The door. With cook upstairs and the maid on her half day, Cedrica must answer the door, and there. That was the knocker.

Refusing to speculate; refusing to hope; Cedrica hurried into the hall and checked her appearance in the tiny mirror. Reddened eyes. Old fashioned dowdy clothes. She could smooth her hair back under her cap, and she did, but she could do nothing about the rest.

With a sigh, she answered the door.

“Please tell Miss Grenford that the Duchess of Haverford has come to call,” said the man, barely glancing away from the duchess.

“I will… That is, I am…” Cedrica trailed off. She was sure the duchess had never in her life opened her own door. Despite her embarrassment, she could not take her eyes off her illustrious visitor.

The duchess was shorter than her, and elegant in a redingote of a deep wine red that matched the silk flowers inside the brim of her straw bonnet. Yes. Cedrica had been correct. The lady’s eyes were kind, her mouth curving in a gentle smile.

“I think, Aldridge, that this is Miss Grenford. Miss Grenford, allow me to present your cousin, my son, the Marquis of Aldridge.”

Startled, Cedrica turned to look at the man that most of England called the Merry Marquis. He did not look like a dissolute rake. Although, to her knowledge, she had not before met a member of that tribe.

He bowed, a graceful gesture at odds with his dancing hazel eyes.

“Miss Grenford, your humble servant.”

Servant. What must two such aristocrats think of her opening her own door? Cedrica blurted, “It is the maid’s day off, and cook is sitting with Papa.” She could feel her own blush, heating her all the way from the roots of her hair to her- her chest.

“Aldridge, find the kitchen, dear, and put on the kettle,” Her Grace ordered. “Miss Grenford—or may I call you Cedrica? Cedrica, come and sit down, my dear, and you and I shall have a cup of tea and discuss the safest place for your Papa, and the best place for you. You have family, Cedrica, and we will not let you down.”

Cedrica, following her new sponsor blindly into the shabby parlour, could not stop the tears, and in moments she was in the duchess’s arms, crying on her shoulder.

“There, there, Cedrica. You have been very brave, but you are not alone any more,” the duchess assured her.

It was a great deal to take in, but the situation was too strange not to be believed. A duchess was sitting in her parlour, the shoulder of her gown damp with Cedrica’s tears. And in her kitchen, a marquis was making the tea. Cedrica’s sobs stopped on a shaky laugh.

“I beg your pardon, Your Grace.”

“Call me Aunt Eleanor, Cedrica. For we shall become very close, you and I. I have what I think you need, my dear. And you are just the person that I need.”

EDITED TO ADD THE FOLLOWING

Cedrica Grenford is the heroine of A Suitable Husband, a novella in the Bluestocking Belles’ holiday box set, Holly and Hopeful Hearts. The vignette above is a prequel to the novella. Cedrica also appears in the other novellas in the set, as does Her Grace. That rogue Aldridge wanders in and out of the pages, too. Find out more on the Bluestocking Belles book page.