WIP Wednesdays

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Crisis points on WIP Wednesday

Upstairs, the little maid looks after the children in the nursery. What do the villains plan for them when they have disposed of the women?

Upstairs, the little maid looks after the children in the nursery. What do the villains plan for them when they have disposed of the women?

A few weeks ago, I talked about plotting as the process of asking ‘What could possibly go wrong?’ and then making that happen. This means a story becomes a series of moments where the hero or the heroine (or, perhaps, the villain) is heading for their goal, full steam ahead, when something happens to deflect them.

Of course we, the readers of romantic fiction, know our protagonists will eventually find their way to safe harbour, quite possibly in a far better destination than the one they planned at the start. So we sit back and enjoy the journey. Not so the poor characters who face the cliff-hanger chapter endings, the crises, blocks and turning points, the things that go wrong.

This week, I’d love you to share a crisis or turning point. Mine is from Prudence in Love. Prue and her sister Charity have been packing to leave the house Charity shared with the villainous Earl of Selby now that she has discovered his real character. But Selby and his cronies have arrived before they can escape, and are planning rape and murder. But first, Selby cannot resist showing off to his friends, by demanding that Charity demonstrate for them her competence at fellatio.

She leaned forward, opening her mouth, and slid her eyes sideways to meet Prue’s. It was enough. As Charity grabbed the most vulnerable part of Selby’s anatomy and squeezed, Prue flung herself on the hand in which Annesley held the gun and knocked it upwards. From the stairs, Barnstable gave a yell at the same time as Selby’s anguished scream.

Prue had no time to look at how the other women were faring. Annesley was larger and stronger than her, and close quarters was not how she would win this fight. Still, if she could get the pistol off him, if Charity had enough wits about her to come to Prue’s aid, they might have a chance.

He was forcing the barrel around towards Prue when Charity hit him over the shoulder with an iron pot, and the gun went off with a loud reverberating bang, throwing him backwards.

Prue sprawled where he dropped her, but was gathering her feet beneath her to throw herself back into the fray, when Charity threw herself down between Prue and Annesley. “Prue? Are you hurt?”

The swine had missed, thanks to Charity, but she had not hit him hard enough. He was leveling the pistol again, grinning broadly. On the stairs, Barnstable was dancing in place, complaining. “She bit me! I was going to be nice, little girl, but…”

Selby’s voice was high and strained, as he dragged Charity away from Prue by her hair. “You’ll pay for this, Charrie, you filthy little trollop.”

 

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Scandal and gossip on WIP Wednesday

VFS109732 Ladies Gossiping at the Opera (oil on canvas) by Barnard, Frederick (1846-1896) (attr. to) oil on canvas 39.3x37.4 Private Collection English, out of copyright

Ladies Gossiping at the Opera (oil on canvas) by Barnard, Frederick (1846-1896) 

One useful trope in the historic romance writer’s arsenal is scandal. In the highly structured societies many of us write about, social censure was a powerful sanction. It could ruin lives—not just the lives of the women gossiped about, and occasionally even the men, but also those of their families.

Have you used scandal, or the threat of scandal, as a plot point? Share a bit with us, if you would, in the comments.

Here’s mine, from A Raging Madness.

When Alex finished, Lord Henry turned to Ella. “You have shown exemplary courage, Lady Melville. Thank you for what you did for Alex. This family owes you more that we can ever repay. What are your plans? You may call on our help for anything you need. ”

Ella blushed. “Alex helped me first, my lord. He saved my life, I believe, and certainly my sanity. But I would be deeply grateful for help. I must work for my living, and I thought perhaps Susan might advise me on how to find an employer? I thought I could nurse, perhaps, or be a companion to someone elderly, as I have been these five years.”

“Oh, but…” Susan began, then fell quiet, her eyes sliding to Alex.

Lord Henry frowned. “There may be a more immediate problem, Ella. May I call you ‘Ella’, as my children do? You saved my son’s life and so I quite feel you are part of the family, my dear.”

Ella nodded her agreement, lost for words. The man was the son of an earl, and a brigadier general, and he wanted to include her in his family?

“I have met your brother-in-law, I am sorry to say. He is here in London, and he called on me to demand that I tell him the whereabouts of my son.”

“Edwin is here?” Ella said at the same time as Alex said, his mouth curving in a predatory grin, “I would be delighted to meet with Braxton, the hell-spawned bastard.”

At Lord Henry’s raised eyebrow, he muttered an apology, which Susan ignored, saying, “Braxton? You are Braxton’s mad sister!” She patted Ella’s hand again. “Not that you are, of course, I do not mean that. I mean Braxton and his wife have been spouting that story all over town. That their sister is not in her right mind, and that she has been abducted by a…” She trailed off. “Oh dear.”

“Yes,” Lord Henry murmured. “That is the problem.”

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Some like it hot, on WIP Wednesday

Some like their romance hot. Some prefer as few flames as possible and skim over the grubby bits. Some like the warmth so mild that it’s hard to believe the couple are more than just good friends.

Whatever your preference, I’d love for you to share an excerpt that convinces me that your hero and heroine are attracted to one another.

Most of my stories stop at the bedroom door, and even if character development or plot requires a sex scene on the page, I tend to focus on what the couple are feeling rather than what they are doing.

This scene that may or may not end up as part of A Raging Madness is about as explicit as it gets. Ella has just given Alex a great idea about what he can do now that he has left the army.

She heard him shift and drop to the floor, and before she was aware of his intent, he was bending over her. Perhaps he meant to kiss her cheek, but she had turned her face towards the sound of his movement, and his lips dropped on her mouth, paused, and then moulded themselves to hers.

She had been right to be afraid. One touch of his lips and she burned for more, shifting to allow him better access, opening her mouth to welcome his invading tongue. No. Not invading; no conquering assault to batter down her defences, but the long-awaited and cherished advance of a caress that set her aflame, so that she moaned and locked her hands behind his head as if she feared his escape, and he stretched above her on the narrow bed and placed his own hands gently either side of her face.

“Ella,” he said, into her open mouth, and crushed his lips to her again before she could speak, though what would she say? Alex? Yes? Stop?

He was aroused. Though he took most of his weight on his elbows and his knees, still she could feel the length of him poking into her belly. If she shifted, even a little, it would rub the place that burned. Only the cotton of her shift and his shirt kept them apart, and all the good reasons for not lifting both garments out of the way had melted in the heat of his kiss.

Thoughts scattered. She pushed herself up against him, her nipples so hard that the cotton hurt, and it was a good hurt, like the burning he both relieved and heightened as he rubbed his male organ against her, setting her squirming and moaning.

Suddenly he shifted, moving down the bed so he could move her shift sideways down one arm, freeing one breast, and seizing on the nipple with his mouth, his teeth, his tongue.

She moaned again, helpless to keep the sound from escaping, as he used one hand to tease the other nipple, and the other to gather the hem of her shift until her woman’s place was uncovered, and his hand was doing delicious things that narrowed her world to him. To Alex, and his hands and mouth and body, and what was happening to hers.

Until Alex tensed suddenly and raised his head, his hands stilling. Ella suppressed a whimper, caught and subdued the involuntary movement to draw him back, surfaced from the sea of sensation, and finally heard what he had heard. Voices, speaking low. Footsteps. The soft clap of a hand on the roof of the cabin—Jonno’s nightly salute, too soft to wake them but an acknowledgement that they heard more evenings than not.

Jonno and the O’Haras were back from the tavern, and the spell was broken.

She dropped her hands from his shoulders, trying to cover her breast and pull down her hem, blushing furiously in the dark. “I am so sorry, Alex,” she said. Though whether she was sorry to stop or sorry that they had ever started, she had no idea.

After a moment, he pulled away, swinging his legs around so that he sat beside her on the bed.

“I am not that kind of woman,” she said, trying to sound convincing to herself when her whole body was screaming to complete what they had begun.

“Right.” He sounded strained. She could hear him sucking a breath in, then letting it slowly out through his teeth.

“I cannot apologise enough…” Ella began, but Alex interrupted, his voice as courteous as ever, though she could hear the edge in it.
“The fault is mine, Ella. I meant only to salute you for the gift of my future, and I forgot myself. I..” He stopped, and took another deep breath. “I cannot bring myself to apologise. For any impression of disrespect, yes, indeed. I beg your pardon with all my heart if I have offended. But for offending you, not for kissing you.” He stood, and moved away from the bed. She could not make out what he was doing, but he had not returned to his own bed.

“It was everything I have dreamed this age,” he said, almost under his breath. This age? He had been dreaming of kissing her this age?

But she had to correct his misconception. “Each other,” she said.

Whatever he was doing—it sounded as if he was putting on his boots—he stopped. “Each other?”

“We kissed each other,” she explained.

The amusement was back when he replied. “We did, and very nicely too.”

“And we cannot do it again,” Ella warned, hoping her regret was not obvious.

“No, I suppose not. I am going to take a short walk, Ella. I won’t go far, but the cold will be… beneficial.”

He had opened the hatch and was leaving before she spoke again, giving him a gift of words in return for hers.

“It was better than I dreamed.”

His only response was a catch in his step before he continued, but a few minutes later she could hear him begin to whistle as he walked the canal path. It took her only a few bars to recognise the tune, and she smiled in the dark, mouthing the lyrics in time to his whistling.

And I will pledge with mine;
Or leave a kiss but in the cup,
And I’ll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove’s nectar sup,
I would not change for thine.

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Sidekicks, Henchmen, and BFF on WIP Wednesday

jiltedI’m writing romances, so my stories need two main characters. And most of them have an antagonist or two to throw barriers in the way of my protagonists’ happy ending. But few indeed are the stories—mine or other people’s—without other people important to the plot because of their supporting role. Today’s work-in-progress Wednesday is dedicated to those others: to the confidants, the best friends, the offsiders, the sisters, even the rivals.

Usual rules. I show you mine, and you show me yours in the comments. This is Jonno Price, the teenage valet of my injured Major Alexander Redepenning (retired). The piece is from the first chapter of A Raging Madness.

Out in front of the house, Alex’s chaise waited, with his man Jonno—stripling boy, rather, barely out of his seventeenth year—leaning against a tree at the head of the horses. Alex was nearly up to him before he jerked fully upright.

“Major!” Jonno’s brain woke a second after his tongue, and he corrected himself. “Mr Redepenning, sir. Are we off, then?”

Alex ignored the slip and the stab of regret it caused. “Back to the inn, Jonno. I’d like to make an early start of it. There’s heavy weather coming, they were telling me, and if we have to hole up until it is over, I’d rather do it in a decent sized town than in an inn at the rear end of nowhere.”

“Right you are, sir. Close lot they have here, sir.” Jonno kept up a comfortable patter as he put down the modified step that allowed Alex to drag his bad leg up into the chaise with the minimum of help from his man. Jonno’s conversational overtures had been rebuffed, no refreshments had been offered to man or beast, and Jonno had been directed to water for the horses only reluctantly, after a direct request.

Alex let the boy’s words wash over him as he settled into his seat stifling a groan. Eight hours on the road followed by all this standing around had inflamed the constant ache he lived with into active knives of pain. Jonno, having folded away the step, led the horses around to face the carriage way, then leapt up beside Alex, released the brake, and chirruped the pair into movement. His unconscious ease of movement made Alex’s command sharper than Jonno deserved.

“Give me the reins. I’m not dead yet.”

Jonno handed them over, wisely saying nothing, though his face spoke for him.

“I don’t drive with my legs, Jonno,” Alex said, trying to sound more conciliatory. With Jonno on the brake, and a tired pair of not particularly fine post horses, he was putting less strain on the damned limbs than he would sitting tense beside Jonno fretting about his incapacity. He had a flash of memory: a carriage race in Syria, every bone and muscle in his body called into glorious service as he and his colonel’s four blood horses swept to victory against the competitors from three other brigades, his own screaming support from every hillock along the track.

Never again. Those days were behind him.

Jonno whistled. “What a beauty!”

The colt paced them in the half light of dusk, whickering at the stranger horses on the other side of the stone wall that closed him in, then tired at the lack of response and kicked up his heels, racing off into the gloom.

Jonno and Alex shared a smile. “A fine yearling,” Alex observed, “and bidding fair to be a racer, I would say. Are we still on Melville lands? He has the look of Captain Melville’s old horse.”

“It’s a Melville field, right enough,” Jonno agreed. “That old oak we’re passing? Marks the boundary, they told me in the village. We’ll be back at the inn in a few minutes, sir.”

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Animals on WIP Wednesday

woman-at-the-piano-with-cockatoo-by-gustave-lc3a9onard-de-jonghe-1870My friend and fellow Bluestocking Belle Caroline Warfield is fond of owls, and is thinking of putting one in her next book. She comments that she has had sheep, goats, a dog, a cat, horses, and a number of chickens, but not an owl.

My books have been relatively deficient in animals. One heroine’s daughter had a pet rooster, I wrote a short story about a pet cat, and horses are common. I had wolves in another short story, but they didn’t stay wolves for long, and were not pets. And, of course, The Raven’s Lady has a raven in it.

But animals feature in two current works-in-progress.

  • In my novella for the Belles’ holiday box set, I have a kitten. The housekeeper’s cat has produced a litter, and several of them will pop on in various stories in the set.
  • And two horses feature in the novel I’m writing at the moment: the heroine’s colt, which she has to leave behind when she escapes her bullying relatives, and the canal boat horse, Daisy.

Do any of your stories have animals? Share them here, in the comments. Here’s my kitten from The Bluestocking and the Barbarian.

When he left his chamber, three gold tassels depended from the front of each boot, and proved a tempting target. A kitten darted out from under an occasional table when James stopped to close the door behind him, and took a flying leap at the tassels, as James discovered when he felt the sudden weight.

He took a careful step, expecting the small passenger to drop away, but it buried its claws and its teeth into its golden prey and glared up at him.

“Foolish creature,” he told it going down onto the knee of the other leg so that he could reach it and remove it, carefully lifting each paw to detach the tangled claws. “These gaudy baubles are to attract my lady, not a fierce little furry warrior.” He lifted the kitten in one hand, and held it up to continue his lecture face to face. “Now where do you belong, hmmm? Have you wandered off from your Mama? Do you belong to this house, I wonder, or did you come with a guest?”

The kitten squeaked a tiny meow.

“No, little one. I will not put you down to chew my tassels, and to trip one of the great ladies or be trodden on by one of the gentlemen. You are a pretty little fellow, are you not?” He tucked the cat against his chest and rubbed behind its ears, prompting a loud rusty purr incongruously large for the small frame of the kitten.

Focused on the kitten, he was still aware of footsteps approaching and looked up to see Hythe, who looked uncomfortable in a tight fitting jerkin over short ballooning breeches that allowed several inches of clocked stocking to show between the hem of the breeches and the thigh-length fitted boots. The short robe, flat cap, and heavy flat chain gave a further clue, and Hythe had tried for authenticity by stuffing padding under the jerkin—a pillow, perhaps?

“Henry the Eighth?” James ventured, half expecting Hythe to walk past without speaking, or make another intemperate verbal attack.

Instead, the younger man nodded. “My sister Felicity picked it. Er… I wanted to speak with you… I owe you an apology, Winder… Er… Elfingham. My sister Felicity told me that… Well, the fact is I made an accusation without checking my facts.” Hythe nodded again, clearly feeling that he had said what he needed to say.

“Very handsome of you, Hythe,” James said.

Hythe ran a finger around inside his collar, flushing slightly. “Yes, well. The thing is… You will tell Sophia that I apologized, will you not?”

Ah. Clearly Sophia had expressed her discontent.

“Sisters can be a trial, can they not,” James said, and Hythe warmed to the sympathy.

“Just because she is older, she thinks she can…” He visibly remembered his audience. “Sophia is of age, and will make her own decisions. But I think it only fair to tell you that I have advised her to wait until after the hearing at the Privileges Committee before she makes any decision.”

James inclined his head. He could understand Hythe’s position. He hoped he could persuade Sophia to ignore the advice. Time to change the subject. He held up the little kitten.

“Do you happen to know where this little chap belongs?”

Hythe flushed still deeper. “So that’s where he got to. He… ah… appears to be mine. In a way. The housekeeper’s cat had kittens and this one seems to have adopted me. Little nuisance.”

But Hythe’s hands were gentle as he took the kitten from James, and he tucked it under his chin, his other hand coming up to fondle the furry head.

“I’ll just put him back in my room so he doesn’t get in anyone’s way.”

Hythe retreated back down the hall. James could not hear individual words, but from the sound of his voice, he was giving the kitten a loving scold. And James had managed to have what almost amounted to a conversation with his intended brother-in-law. He would count that as a win.

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Antagonists on WIP Wednesday

maxresdefaultI do enjoy writing a good villain. Not all of my books have one. Sometimes, the only obstacles to the hero and heroine come from within, or from their life circumstances. Overcoming those can be hard and the journey can be satisfying, but for a true hiss-boo moment, with rotten tomatoes flying from the audience and ladies fainting in the gallery, we need a moustache-twirling, hand-rubbing, snickering,  wicked villain.

So what does your WIP hold? Is your antagonistic force a person, and is that person a villain? Share an excerpt that shows him or her in all their dreadful glory! (And if you don’t have a villain, share your antagonist anyway.)

Here are two of my villains, from A Raging Madness. Ella is escaping from the window of her bed chamber, and stops at the bottom of the climb for a rest.

Inside, a very long way away on the other side of the gentle fog that embraced her, two people were talking. Constance and Edwin. It did not matter. They were silly people, anyway. Gervais had not admired his older half-brother; a matter in which he and Ella were in rare accord. The two men shared a mother, but little of that kind, gentle woman showed in either son: the one a bullying, often violent rake; the other a sanctimonious Puritan—but another bully for all that. Not as much so as his wife.

The bully was bullied. Ella suppressed her giggle. Sssshhh. Mustn’t make a sound. She was running away. Soon. First she would have a little sleep.

But as she closed her eyes, her own name caught her attention. Constance and Edwin were talking about her? She forced herself to concentrate, to listen.

“No, Mrs Braxton. Ella will not convince them she is sane. I have chosen with care, I tell you. I visited six asylums before this one, and this is perfect for our purposes. The doctor in charge has promised to keep her dosed, and even if he does not, the place itself will drive her insane. If you saw it, heard the noise… Yes, my dear, I can assure you, our plans are sound.”

Constance answered, the whine in her voice grating against Ella’s eardrums. “But what if you are wrong, Edwin? If she convinces someone in authority that she is sane, prison will be the least…”

“No, my dove. Not at all. No one at the asylum will listen to her ravings, and if they did, what of it? Who will they tell? Even in the worse case, all we need do is say her mind was turned after mother’s death, and how glad we are that she is well again.”

“I do not know.” The frown was heavy in Constance’s voice. “But we cannot keep her here. I trust Kingsford, but the other servants may start to murmur. It will drive her insane, you say?”

“It will. I guarantee it. I hesitate to mention it, Mrs Braxton, it not being a topic for a lady’s delicate ears…”

“Spit it out, Edwin. What?”

“My own treasure, I am given to understand that the attendants avail themselves of the, er, charms of the patients, and even do a, er, trade with the nearby town. Not, of course, with the approval of the medical staff. No, of course. That would be most unprofessional. But it is most enterprising of them, and serves our purposes rather well, dear sister being a comely woman.”

Ella puzzled this out. Surely Edwin did not mean that the attendants forced the women, and prostituted them?

“Ah. Very good,” Constance said. “The woman is horribly resilient. Any decent gentlewoman would have succumbed to madness long since with all your brother put her through, and what has happened since. But surely even she is not coarse enough to withstand multiple rapes.”

“The doctor will be here tomorrow,” Edwin said, with enormous satisfaction. “And she will be safely tucked away where she can do no harm.”

Their voices faded as they moved away, clearly leaving the room since the window went dark.

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What went wrong in WIP Wednesday

What could possibly go wrong?

What could possibly go wrong?

And I didn’t choose the title of this post to acknowledge that it isn’t even Wednesday. Today, I’m using a writing tip as my starting point for the day’s theme.

When writing, don’t ask yourself what happens; ask yourself what goes wrong.

If nothing goes wrong, there isn’t a plot, and every plot is a series of obstacles, external or internal, between the protagonists and their goals.

So please share a few lines in your WIP where things seem to be going as they should but suddenly turn pear-shaped.

My excerpt is from the second book in The Golden Redepennings series, A Raging Madness. Alex and Eleanor have stopped in a village so that Alex (who has large chunks of shrapnel floating around in his thigh) can rest and Eleanor can go through the worst of the withdrawal from the opiates her horrible relatives have been forcing down her throat. But Alex has just met someone that Ella knows; someone who believes her brother-in-law’s claims that she is insane. Note that Alex, a product of his time, tries to avoid a direct lie.

Ella sat at the table under the window, where she could peer around the curtain at the garden without being seen. No rector yet. Down below, Alex had moved her chair so he could watch the path from the house. He was eating her toast, and drinking tea from the cup Jonno had poured her. After a moment’s hesitation, she lifted the window, just slightly. There. If they talked in the garden, she would hear the whole conversation.

She flinched at the sound of the door knocker, and fought the urge to run across to the other side of the house to see who was calling.

“See who that is, Jonno, would you, since our landlady is out?” Alex said calmly, and he had buttered and jammed another slice of toast before Jonno ushered two men out into the garden. Yes. The rector, and the other must be his friend, the local vicar.

From this angle, she could see Alex’s face, but not the rector’s. She could hear their voices, though.

“So! You are this Mr Reid. What are you playing at, Redepenning, and what have you done with poor Lady Melville?”

At the last question, Alex, whose eyes had been twinkling, sobered. “Lady Melville? She is still missing then? Surely you do not think I…?” He stood suddenly, looking so affronted that the rector took a step back. “Rector, I must protest. What sort of a gentleman would take advantage of a woman of frail mental capacity? I am not such a villain!”

He subsided back into his chair, waving the piece of toast he still held at the other seating around the table. “You will excuse me; the walk tired my leg. Please. Take a seat, gentlemen. Can my servant fetch you tea? I regret that our landlady is from home, but I would happily convey a message.”

The vicar sat, while the rector remained standing. “Mr Reid, or is it Major Redepenning…?”

“Mr Redepenning, in fact. I have sold out, sir, because of my injury. But I beg you to keep my true name a secret. A lady’s reputation, you know, though I am embarrassed to discuss such a matter with a man of God.”

The rector sat then, and rushed into speech, leaning towards Alex in his urgency. “Yes. Well that is the point, is it not? This so called lady; this Mrs Reid. If she is not Lady Melville, who is she? Eh? Who is she? That is the point.”

Alex, amusement lighting his face, said, “Jonno, is Mrs Reid still off on her walk?” He dropped his voice, confidingly. “You would be reassured if you could meet the lady, gentlemen, though I do not suppose she would be pleased with that solution. Alas, I fear I have been a disappointment to her. Hence the walk! And last time she lost her temper, I did not see her for months. Still, you are welcome to wait. I am sure she will return.”

He dropped his voice, and Ella had to strain to hear him. “She is not happy about her condition,” he confided. “Well. And one cannot blame her, of course.”

“Her condition?” The rector seized on the words. “She is ill?”

“Oh yes,” Alex confirmed. “That is why we stopped in this village. The motion of the carriage… One hopes the child is her husband’s, distressing though the thought is. It would be most unfortunate were it born with fair hair like mine. Or the Redepenning blue eyes. That would be hard for a husband to overlook, do you not think?”

“Sir!” The vicar rose to his feet, almost spitting with shock and horror. “I take leave to tell you, sir, that you are a despicable cad.”

(And yes. I’ve been missing my usual WIP Wednesday posts because things went wrong. But hey. Life.)

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Babies and children on WIP Wednesday

29e344e7e89a24d7c75d422b5a5b5aedPerhaps because I’m a mother and a grandmother, I tend to have children in my novels. Such were the times, that an author can easily write a story without ever including scenes with children, leaving them safely out of sight and out of mind in the nursery or schoolroom — but I like them.

So, with apologies to those who can’t play, this week’s work-in-progress Wednesday is looking for the little people. Post me an extract with the child or baby in your work-in-progress (or published novel, if your current WIP doesn’t have any).

Here’s mine, having breakfast after an eventful night.

Aldridge watched Antonia eat.

Gren was sitting beside her eating bacon, eggs, and toast as if he had been starved for months, and it was to him that Antonia addressed the question.

“Uncle Gren, why does He keep looking at me?” The initial capital was audible. “Is he my uncle too, like you and Uncle David?” Gren stopped, a fork halfway to his mouth. He put it down while he considered the question, looking from Prue to Aldridge.

It was Aldridge who answered. “Yes, Antonia. I am your uncle.”

She slipped from her chair and gave him a polite curtsey. “I am pleased to make your ’quaintance, Uncle. How do you do?”

He bowed, gravely. “I am well, thank you, Miss Virtue. How do you do?”

Antonia considered this. “I am sad to be leaving my chickens and my pondering tree, but I think the journey will be a very great a’venture. We are travelling a long way and will have a new home where people do not call names, Auntie Charity says. And it is closer for Mama to visit, Mama says.”

“Sit and eat your breakfast, child,” Charity told her. “Lord Aldridge says we must leave soon.”

Aldridge accepted a loaded plate from Cook and took it to sit on the other side of Antonia. Soon, they were engaged in low-voiced conversation. The Aldridge charm, Prue noted, worked as well on six-year-olds as it did on grown-up females.

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Proposals on WIP Wednesday

I’m posting a proposal scene today. The lady in question is the heroine of Never Kiss a Toad, the book I am cowriting with Mari Christie, who writes historical romance as Mariana Gabrielle and who is a colleague of mine in the Bluestocking Belles. Sally is Lady Sarah Grenford, only daughter of the Duke of Haverford, who you may know as the Marquis of Aldridge. The man tendering the proposal is the novel’s villain.

Post your proposals, folks. I’d love to read them. And don’t forget to share!

c399bc77cf3488d42d075b56376e52c4“I think that funeral-faced wine merchant’s son wants to propose, Sally,” Etcetera told her. “Shall I make an excuse to leave the two of you alone?”

“Do not dare,” Sally warned. “I will make your life hell if you do.”

The genial giant pose slipped briefly, and it was the Nordic warrior who asked, “Do I need to break his neck for you, cousin?”

“Just do not leave me alone with him, Etcetera. I do not like the man, and I do not trust him.”

But in the week leaving up to Christmas, Crowhurst behaved like a gentleman, apart from frequent florid compliments and a tendency to treat any opinions she offered in conversation with patronising amusement. Though if those two behaviours were not gentlemanly, there were few true gentlemen in Society.

So when he found her alone in Command Central on the day before Christmas, she merely greeted him and asked him to put his finger on the ribbon that she was attempting to make into a bow. All her usual helpers were off about the great house on decorating tasks or out with Elf and Uncle James who were captaining the Yule log team. Yule logs, in fact, since no fewer than three would burn from this evening until Twelfth night: one in the chief parlour, one in the Great Hall, and one in the ballroom.

Even Etcetera had deserted her, since his mother and father, the Archduchess of Erzherzog and her consort, had arrived with their younger children.

“What are you making?” Crowhurst asked, though the bunches of mistletoe berries carefully bound among the silk ribbons and paper flowers should have made it obvious.

“We were short one kissing bough,” Sally told him. “I am remedying the defect. It is to go in Grandmama’s drawing room, so I want it to be particularly lovely.” She frowned at the bough, trying to visualise it in place. “I think it is nearly done.” She had chosen ribbons of a deep turquoise blue and a delicate pale green, and flowers in gilt paper and a softer cream tissue, all woven together on the white-washed bough with silver cords.

“I wish to just attach these glass baubles to catch the light.” They were the latest fashion—blown glass fashioned into little ornaments intended to be displayed on Christmas trees after the German fashion the royal family had adopted.

“Yes, very nice. But if it needs to be special, perhaps you should wait until one of your usual helpers returns, Lady Sarah. I am sure they would be better qualified to advise you than I.” Crowhurst’s little huff of laughter was self-deprecating.

“I am not expecting any of them for an age,” Sally said, most of her focus on binding the baubles so they were firmly attached and displayed to best advantage. “I will be finished in a moment, and then, if you are not otherwise occupied, Mr Crowhurst, perhaps you could give me a hand to carry it to Grandmama’s parlour while she is occupied with Aunt Margarete and Uncle Jonathan.”

“The Arch-Duchess,” Crowhurst said, as if he were checking which Aunt Margarete she meant, “and your father’s brother. They have arrived then?”

“Yes, thereby depriving me of all those not off somewhere decorating or out with Uncle James. You did not wish to go out with the duke to bring in the Yule log, Mr Crowhurst? There!” She sat back, satisfied with her work, and at the next moment startled to her feet as Crowhurst suddenly fell to one knee.

“Lady Sarah, I can remain silent no longer,” he declaimed.

“Please, Mr Crowhurst, do not continue.”

Crowhurst ignored her. “I am inflamed by your beauty, your charm, your wit, and I flatter myself that you are not indifferent to me. Lady Sarah, dare I hope you will favour me with your hand?”

The pompous ass. She had done everything she politely could to discourage the man. Impoliteness, then. “No, Mr Crowhurst, I will not.” Never mind that nonsense about being conscious of the honour and so on. It was not an honour at all to be desired for one’s prominent relatives and one’s fifty thousand pounds a year.

Crowhurst surged to his feet and wrapped both arms around her, pulling her tight against his body. “No need to be shy with me, sweet dove. I know you want me as much as I want you.” Sally, one arm trapped, tried to push him away with the other, but he was much larger and stronger and would not release her.

“Let me go this instant! What has got into you?”

“You have, tempting heart-breaker. Your teasing has driven me beyond manners. I am crazed by you, unkind Angel. You must be mine.” He had captured the hand with which she had tried to claw his eyes, forcing it behind her back until he could grasp both her wrists in one hand, pulling her tight against his body. He laughed when she struggled. “That’s right, little treasure. Wriggle against me. Did Abersham leave you the innocent you seem, I wonder? Shall we find out?”

Fear was rapidly winning over fury. She could scream, but no one would hear.

by

Scandal on WIP Wednesday

Horse and riderBy 1 May, I need to have finished the first draft of my novella for the Bluestocking Belles’ next holiday box set. I’ve made a start, posted below. The story (The Bluestocking and the Barbarian) features a hero whose very existence, let alone his courtship, is a scandal to the English ton.

So post me an excerpt about scandal, and share with us all.

“Limp,” James Winderfield said to his horse. “Limp, my lovely, my treasure, my Jewel of the Mountains.”

Seistan obeyed his master’s hand signals, and limped heavily as they turned through the gates of the manor, and began the long trek along the dyke that led between extensive water gardens to where Lady Sophia Belvoir was attending a house party.

In his mind, James was measuring his reasons for being here against his reasons for staying away.

His father had commanded him to marry before his grandfather the duke died of the disease that consumed him, and Lady Sophia was the other half of his soul. He had felt the connection on his third day in England, when they first met, and nothing since had changed his mind. Surely he was not imagining that she felt it too?

On the other hand, Lady Sophia’s brother had threatened to beat him like a dog if he approached either of the Belvoir ladies. The house was owned by his father’s greatest enemy: the man who was challenging James’ legitimacy in the House of Lords. The party would be full of aristocrats and their hangers on, ignoring him until they found out whether he was a future duke or merely the half-breed bastard of one. And Lady Sophia had told him that neither she nor her sister Felicity wished to speak to him.

Her eyes spoke for her, though, finding him as soon as he entered a room, and following him until he left. Blue-grey eyes that veiled themselves when he caught them watching, in the longest soft brown lashes he had ever seen. She was not, as these English measured things, a beauty: her arched nose and firm chin too definite for their pale standards, her frame too long and too slender. They preferred dolls, like her sister, and Sophia was no doll.

The family needed him to marry a strong woman, one with family ties to half the peerage of this land they somehow belonged to, though he had first seen it four months ago; one who was English beyond question and English nobility to her fingertips.

James needed to marry Sophia. When their eyes first met, as he handed her the child he’d rescued from the path of a racing curricle, the shock of their connection had nearly knocked him from his horse. Him. Who had been riding before he was weaned! And then to find she had all the connections his family could desire! Surely their love was fated?

The house came into view—a great brick edifice rising four stories above the gardens, and glittering with windows. Nothing could be less like the mountain eerie in which he had been raised, but he squared his shoulders and kept walking, soothing Seisten who reacted to his master’s hesitation with a nervous sideways shuffle.

“Hush, my Wind of the North. We belong here, now. What can they do, after all?”

Beat him and cast him out, but from what he’d heard of the Duchess of Haverford, that was unlikely to happen.

“It is, after all,” he reminded his horse with a brief laugh, “the season of goodwill.”

The stables were off to one side, on a separate island to the main house. At the fork in the carriage way, James hesitated, tempted to take Seistan and see him cared for before chancing his luck at the house. If they invited him in, he would need to leave his horse to the servants while he consolidated his position.

But if they turned him away, he might need to remove himself at speed, Seistan’s limp disappearing as fast as it appeared. Besides, in the Turkenstan mountains as in England, one did not treat a private home as a caravanserai. He must be sure of his welcome before he took advantage of their stables.