The fault of the poor

The more things change, the more they remain the same. Some of the rhetoric of economists who support the current financial system sounds suspiciously familiar to my history-geek’s ear, and one prime example is the British government’s reaction to the crisis in Ireland in the mid-nineteenth century.

The Great Hunger, as it was known in Ireland, seemed to the British government of the day a fairly minor affair; something the poor had undoubtedly brought on themselves by their improvident dependence on a single crop.

Never mind that it was about all they had time to grow as they laboured for the wealthy, who owned all the land and decided what should be grown there. Wheat crops were harvested and exported, using Irish labour. Those labourers couldn’t afford to buy what they’d grown for their masters, but instead planted potatoes in the small patch of land around their cottages. In 1845, half the potato crop failed in Ireland, but nobody died as a result, partly as a result of government relief efforts. The views of Sir Randolph Routh, the man running the relief programme, make chilly reading when we consider what followed.

The little industry called for to rear the potato, and its prolific growth, lead the people to indolence and all kinds of vice, which habitual labour and a higher order of food would prevent. I think it very probable that we may derive much advantage from this present calamity.

Blame the victim, much?

In 1846, almost the entire crop failed followed by one of the coldest winters on record. The new minority government reduced its relief efforts, and made relief largely dependent on participating in useless public works: roads that went nowhere, walls that surrounded nothing.

From the beginning of 1847, the Tory government came under attack from Disraeli’s Whigs. In response, they introduced soup kitchens, the only really effective response of the entire miserable affair, watery soup being better than nothing. But summer brought the third successive year of crop failures,. The government brought in a Poor Law Act mandating workhouses, but failed to stop the export of corn.

The debates of parliament make chilling reading, as one person after another reflected on the ill effects of helping the undeserving poor, and the need for the Irish to simply make more effort. I get a strong sense of deja vu when I read these remarks in the light of more modern public debates about food, refugee, and other crises where the rich are being asked to share their resources.

That year, Oscar Wilde’s mother had this poem published:

Weary men, what reap ye?
Golden corn for the stranger.
What sow ye?
Human corpses that wait for the avenger.
Fainting forms, hunger-stricken, what see you in the offing?
Stately ships to bear our food away, amid the stranger’s scoffing.
They guard our masters’ granaries from the thin hands of the poor.
Pale mothers, wherefore weeping?
Would to God that we were dead
Our children swoon before us, and we cannot give them bread … We are wretches, famished, scorned, human tools to build your pride,
But God will yet take vengeance for the souls for whom Christ died.
Now is your hour of pleasure
bask ye in the world’s caress;
But our whitening bones against ye will rise as witnesses,
From the cabins and the ditches, in their charred, uncoffin’d masses,
For the Angel of the Trumpet will know them as he passes.
A ghastly, spectral army, before the great God we’ll stand,
And arraign ye as our murderers, the spoilers of our land.

Despite urgent pleas from English officials and others, the government did nothing, many politicians continuing to blame the Irish poor for their own demise. In 1849, as the harvests began to recover in some parts of Ireland, in others the deaths continued. One official enquiry concluded:

Whether as regards the plain principles of humanity, or the literal text and admitted principle of the Poor Law of 1847, a neglect of public duty has occurred and has occasioned a state of things disgraceful to a civilized age and country, for which some authority ought to be held responsible, and would long since have been held responsible had these things occurred in any union in England.

The population of Ireland dropped by half in the fifty years following the start of the famine. Ireland took over a century to recover, and the descendants of those who failed to help when help was needed suffered the retribution of those scarred by the sufferings of their own ancestors. It would be nice to think that today’s politicians could learn from this and other similar tragedies, but I’m not holding my breath.

Suspense on WIP Wednesday

Sweets to the Sweet by Edmund Blair Leighton  

I am currently working on a romantic suspense. It’s a contemporary, and a novella, for the Authors of Main Street Christmas Wishes volume, due out in November.

Abbie’s Wish has a woman who has retreated to a country town to keep her daughter safe, and three men who’d like to change her mind about letting a man into her life. The tag line says: Abbie’s Christmas wish draws three men to her mother. One is a monster.

How do you create suspense in your story? Give us an example in the comments.

Here’s the second scene from Abbie’s Wish. (The first has Abbie at the fair, making her wish.)

He followed the seller into the garage, which was as filthy, cluttered and disorganised as he’d feared. But the man owned a matching piece to the genuine part he had come to see, and the pair together were worth four times the asking price. Not that he’d let on. Far from it. He had every intention of beating the price down, if only because he was inside this disgusting hole risking septicaemia or worse.

He cast a disgusted look at the sink bench, where car parts, tools, greasy rags, and other bits and pieces lay scattered among plates with congealed food scraps, dirty cups half-filled with cold liquid substances, and a tottering stack of fast-food boxes. He curled his lip at the pinups above the bench — little girls, none of them over ten, the pictures home printed and ornamented with hearts and comments.

Where was the man? He craned to see over a pile of boxes of parts, some labelled, most anonymous but as he did, something about the disturbing montage registered in his mind, and in two short strides he was next to the bench, peering at the little girl with the dark curly hair and the delighted smile.

The same girl was on the next clipping, which had been pinned up first, and half covered so he could see there was someone else in the picture, but not who it was. He checked again to make sure the owner couldn’t see him, then unpinned the top photo. He would have to scrub his hands, but it was worth it. “So that’s where you are,” he murmured to the woman, quickly scanning the paragraph or two of text that went with the image.  He slipped both clippings into his pocket and was back by the doorway by the time the seller had emerged from his search, triumphantly waving the part.

He returned the smile with one of his own. Genuine, indeed. Just what he needed to complete the restoration of his classic motor cycle. A couple of weeks of evenings, and he’d be ready for a road trip. And — he patted the pocket that held the stolen pictures — he now knew just where he wanted to go.

 

Tea with Sophia and others

An excerpt post from The Bluestocking and the Barbarian. Her Grace is having a celebratory lunch with guests when she is interrupted by a new arrival. I’m in the early stages of considering the extra scenes and plot threads to turn this novella into a novel.

***

After dinner, Sophia joined several of the other women in Esther’s room, to help her decide what to wear the following day when she and her Mr. Halévy gave their formal consent to marry.

“Your betrothal,” Felicity said, prompting a whole discussion about how a consent to marry differed from a betrothal, and the differences and similarities between betrothals and weddings in the Church of England, and those in Jewish tradition. Sophia found herself wondering how the Assyrian Christians managed such things.

The consent to marry ceremony the following morning was held in the gold drawing room, with everyone in attendance.

The duchess had offered her own lap desk and quill for the signing and watched all with a benign smile.

Sophia envied Esther and her Adam, who lit the room with their smiles, eyes only for one another, and wished devoutly that she had gone with James.

Before they could sit down to the celebratory lunch that the duchess had ordered and Cedrica had organized, another commotion in the hall disturbed the assembly.

“See who is making such a fuss, Jonathan, please,” the duchess said. “Poor Saunders sounds out of his depth.”

A moment later, the shouting in the hall rose still louder, and Gren was shouting back, though both the visitor and Gren were speaking a language Sophia did not understand. Lord Aldridge hurried out without waiting for his mother’s signal, and his own voice sounded sharply. Silence fell. The guests exchanged glances, and the duchess hurried to fill the void.

“There. Aldridge is handling the matter, whatever it is. Now, Miss Baumann, explain to me what you and the chef have managed to produce for us.”

Esther began awkwardly and then with increasing enthusiasm to describe the dishes on offer, and one by one, the guests began to serve themselves. Sophia, though, caught the duchess sneaking glances towards the door until eventually Aldridge reentered the room and hurried to his mother’s side.

The duchess excused herself and left, to return after a few moments. “A messenger has come to fetch my son Jonathan. If you will excuse me, my friends, I will go and help him prepare for his trip. Please. Continue the celebrations. I will join you again as soon as I can.”

Sophia followed her into the hall in time to hear Aldridge say, “If you must go, use my yacht. It stands off Margate, but we can be there in two days, and she is faster than anything you’ll pick up in London. You will not have to wait for the Thames tide, either.”

“What you propose is not safe, my darling boy. The Grand Army is in your way. You could be shot as a spy,” the duchess said. “Why, this friend of yours cannot even give you assurance that the grand duchess will not behead you on sight. It is possible that…”

“Mama, all things are possible.” Gren was lit from within, bouncing on the balls of his feet as if his joy were too big to contain. “All things but one. I have tried living without the woman I love, Mama, and that, that is impossible. Anything else, I can do. Wait and see.”

“I have sent a message to the stables,” Aldridge said, “and another to my valet telling him to pack for us both. Mama, we shall rest overnight in London then leave at first light for Margate. If you have any messages, write them now.”

“Take me.” Sophia did not know she was going to speak until the words were from her mouth.

“Lady Sophia?” Lord Aldridge was frowning.

“You are right,” Sophia told Gren. “Only one thing is impossible, and that is living without the man I love. I should have said yes. I will say yes. Take me to London, Gren, and to James.”

Gren looked at his brother and then back at Sophia. “We shall be travelling fast,” he warned.

“All the better.”

“What shall Hythe say?” the duchess asked.

“I hope he shall wish me well, but I am going, Aunt Eleanor. If Lord Aldridge will not take me, then I shall catch a mail coach.” The decision made, she would not let anything stand in her way.

Lord Aldridge spread his hands in surrender. “Say your farewells, then, Lady Sophia. We leave in thirty minutes.”

Story lengths and tropes on Sunday

Those of you who subscribe to my newsletter will know that I put a short story in each issue: one I write specifically for my newsletter.

I say ‘short’, but I’ve never yet managed to get under 4,500 words, and I average around 7,000.

What keeps a story short is limiting it to one plot line and a tight focus on the main characters. No haring off in a dozen different directions as I so love to do in novels, and no time for deep examinations of the character’s motivations and past history. Beyond that, a short romance — one just long enough to read over a cup of coffee — should still give that ‘aaah’ moment.

A novelette — 10,000 to 15,000 words — allows more characterisation and a plot line that takes longer to wind to a conclusion, but not more than one. In a novella — 15,000 to 45,000 words, let’s say — the writer can stretch a bit more, with interesting secondary characters and maybe one subplot.

And so we go. I’ve also written short novels (45,000 to 80,000 words) and long novels (anything over 80,000 words). What I haven’t done — yet — is a short short. Very short stories are an entirely different animal. They comprise The best take the shape setup, complications, twist, with the twist coming in the last paragraph. I love to read well written short shorts. I really really want to write one.

Meanwhile, I’m beginning to write my short story for the September newsletter. It is called The Ruby Cuff links, and stars a man who is marrying an ugly duckling heiress in order to save his impoverished estate. Until he hears that the ruby cuff links he once loaned to a friend might once again be within his reach. Want to hear more? Subscribe to my newsletter.

Hydrotherapy and fashion

Buxton Crescent — built for the spa trade

I’ve been doing some research for the novella I’m writing, The Beast Next Door. It is set in the spa town of Bath, and in a nearby village, so I’ve been looking at spa towns.

Bath is possibly the best known in Regency romance writing, but it is by no means the only one.

Cheltenham was very popular in the day, especially after George III took the waters there in 1788. Royal Leamington in Warwickshire was also popular with the Georgian wealthy. In Derbyshire, Buxton was popular, its Crescent offering accommodation, shops, restaurants and assembly rooms for dancing and gossip. Tunbridge Wells in Kent was another place for the Regency belle and beau to see or be seen. (It was, purportedly, discovered in 1606 when a young nobleman with a raging hangover tasted the water and felt miraculously recovered.)

Harrowgate in North Yorkshire was famous throughout the eighteenth and nineteenth century, and visitors often included European royalty.

Some spas didn’t really take off until the Victorian era. Charles Darwin was a fan of Great Malvern in Worcestershire. In Powys, Wales, more than 30 springs made Llandrindod Wells a popular resort, especially after the coming of the railway. In the Highlands, Strathpeffer came into its own in the 1870s.

And those are just a drop in the bucket!

Out of the mouths of babes on WIP Wednesday

One of the excellent roles children can play in fiction is truth teller. Too young to consider consequences or balance risks, they blurt out whatever they find interesting, and then we have the fun of writing our characters reaction. So in this week’s WIP Wednesday, I’m looking for excerpts that involve a child telling the truth when one or more listeners would prefer them to remain silent.

My excerpt is from Unkept Promises.

The captain had arrived home in the early hours of the morning. Mia had to admit he had been considerately quiet, and she would not have heard him if she’d not been lying awake. Once she was up, she ordered the servants to be quiet about their work. Let the man sleep in on the first full day of his leave. If nothing else, an hour or two’s extra sleep might grease the path of the conversation she and Jules needed to have.

She was reserving judgement about their future: unwilling to risk a dream, afraid of wasting the opportunity. Perhaps he had good reasons for all the actions that offended her, as with going out to dinner on the first night he and she were in the same country in seven years.

Last night, Adarinta was muttering bitterly about her father’s defection and Mia was silently agreeing with her, though trying not to let a hint of her opinion show, when Perdana stopped his sister’s compaints. “The captain did not wish to leave us, Ada, but he is an officer in His Majesty’s Navy, and when the admiral orders him to come to dinner, it is his duty to obey. You are an officer’s daughter. It is your duty not to complain.”

Mia avoided letting her wince show, too, she hoped. Or perhaps not, for Adarinta appealed to her. “But it is unfair, is it not Ibu Mia? I wanted Papa to stay with us.”

“The Royal Navy protects the seas for the King,” Mia replied. “That is what your father does, and your Uncle Rick, and the admiral too. Imagine if the ships could not sail because a captain wanted to stay with his little girls, and Napoleon sailed past in his ship with all his soldiers!”

“That would be bad,” Perdana agreed. “Our ships are the oak wall that protects Britain and all of its lands, at home and abroad.”

“Yes,” Mia agreed. “And the mothers, wives, and children of our brave sailors must let them go, and smile, and never complain at their leaving.” She had learned that lesson in her father-in-law’s household. He and her brothers-in-law were all naval or army officers. Her sister-in-law was a naval widow; her husband having been killed in the North Sea in a battle against French ships. Men needed to go heart-whole to war, confident that their women would provide a safe and welcoming home to which they could return.

Perdana rewarded her sentiment with a smile. “Ibu Mia knows,” he told his sisters.

 

Run, don’t walk, to buy Unexpected Wife

I was introduced to Caroline Warfield’s books when I read her first published novel, Dangerous Works, and within a few pages knew she was giving me everything I want in an historical romance. Well-rounded characters I cared about. Stories soundly grounded in historical fact, including real challenges and issues consistent with the times. Interesting plots with unexpected but logical twists. A solid passion between the hero and heroine ending in a commitment that I can expect to last well beyond the last page of the book.

Each book in the Dangerous series just got better and better, and the novella A Dangerous Nativity was just plain funny, besides. I loved the three delightful boys and their plan to put on a nativity scene with animals in all the parts.

You can imagine how excited I was when she spoke about Children of Empire, in which the three boys, now grown and estranged (thanks to a vicious lying harpy), each have a book. The story of Canadian timber baron, Rand, is told in The Renegade Wife. Fred, who went into the army, meets the love of his life in The Reluctant Wife. Charles, the Duke of Murnane, appeared in the story for each of his cousins. Good as they were, each better than the last, I was holding out to hear what happened to Charles. And I wasn’t disappointed.

Take everything I said about Dangerous Works and magnify it. The Unexpected Wife stars my beloved Charles, as wonderful as ever, and a heroine who is worthy of him. Zambuk is brilliant, passionate, magnificent — and deeply frustrated at the constraints on her as a woman. Together, they face the challenges posed by her opium-addicted brother, rogue Western traders determined to break the Chinese ban on opium, a Chinese magistrate dedicated to stamping out the vile trade, small-minded gossip, and Charles’s wicked wife.

Who could ask for more? A sigh-worthy ending goes without saying in a Warfield book. And I know I’ve said it before, but this is Caroline’s best yet.  Can’t wait to see what she does in her next series.

Giveaway

To celebrate the launch, Caroline will give a copy of any of her books to one randomly selected person who comments. They can choose from the books found here: http://www.carolinewarfield.com/bookshelf/

 

The Duke of Murnane expects work to heal him. He doesn’t expect to face his past and find his future in China

Charles Wheatly, Duke of Murnane, accepts an unofficial fact finding mission to the East India Company’s enclave in Canton, China on behalf of the queen. He anticipates intrigue, international tensions, and an outlet for his grief over the death of his young son. He isn’t entirely surprised when he also encounters the troublesome offspring of his mentor, the Duke of Sudbury, but the profound love he discovers for the determined young woman is unforeseen and untimely. Charles certainly doesn’t expect to also face his troubled marriage in such an exotic locale. The appearance of his estranged wife in the company of their enemy throws the entire enterprise into conflict, and tensions boil over when the woman he loves is put at risk by his wife’s scheming—and the beginnings of the First Opium War.

Zambak Hayden seethes with frustration. A woman her age has occupied the throne for over a year, yet the Duke of Sudbury’s line of succession still passes over her—his eldest—to land on a son with neither spine nor character. She follows her brother, the East India Company’s newest and least competent clerk, to Macau to protect him and to safeguard the family honor—if she also escapes the gossip and intrigues of London and the marriage mart, so much the better. She has no intention of being forced into some sort of dynastic marriage, and she may just refuse to marry at all. The greed and corruption she finds horrifies her, especially when her brother succumbs to the lure of opium. She determines to document the truth. When an old family friend arrives she assumes her father sent him. She isn’t about to bend to his dictates nor give up her quest. Her traitorous heart, however, can’t stop yearning for a man she can’t have.

As an epic historical drama unfolds around them, both Charles and Zambak must come to terms with a love that neither expected.

PREORDER LINKS (ebook only) — published 25 July

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Excerpt

At the mention of Jarratt her stomach clenched, and a vile taste crept into her mouth. “What else,” she rasped.

Charles looked down. His sigh sounded deep and weary. “Elliot fears the Chinese response will eventually ensnare an English user or dealer. If they arrest someone or threaten violence he may be forced to act.”

If Thorn is as closely allied to the opium dens as Jarratt implied—and out of his senses from the narcotic—he could be… cow turds!

“Charles, I have to get to my brother. I can’t leave him in Jarratt’s circle.”

The duke’s eyes held hers until she felt him boring into her soul. He put out a comforting hand, and she gripped it to steady herself. “How exactly do you propose to do that, Zambak?” he asked.

“Jarratt said to come back. I’ll go tomorrow. He implied Thorn might be well, might be willing to come with me.”

“We’ll go tomorrow,” he corrected.

She stiffened in outrage for a moment before Jarratt’s face leered at her in memory, and she sagged toward Charles. When he cupped her cheek with one hand and searched her face, she thought for an insane moment he meant to kiss her. Absurd. Charles is a married man, and we’re friends. Only friends.

“We’ll go together, Zambak. We will get Thorn help together.”

Together. Relief flooded her. She had thought that accepting help made her weak, but the tenderness in the duke’s eyes gave her strength.

Author bio

Award winning author Caroline Warfield has been many things: traveler, librarian, poet, raiser of children, bird watcher, Internet and Web services manager, conference speaker, indexer, tech writer, genealogist—even a nun. She reckons she is on at least her third act, happily working in an office surrounded by windows where she lets her characters lead her to adventures in England and the far-flung corners of the British Empire. She nudges them to explore the riskiest territory of all, the human heart.

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Rounding the Cape of Storms

Action off the Cape of Good Hope by Samuel Scott

The English twice took over the Cape Colony at the southern end of Africa, first in the late 18th Century and then in the early 19th when they came to stay. Both times, it was part of the war with the French. Both times, the intent was to secure an important refueling spot on the sea route to India, and to secure the route against enemy shipping.

The Dutch East India Company (VOC) had the first of these goals very much in mind when they founded the colony in the 17th century, nearly 200 years after the first Europeans sailed into the region.

In the fifteen century, the Silk Roads — the land route for trade with the East — was becoming more difficult for European traders. The captain of that first expedition, Portuguese explorer Bartolomeu Dias  called the point off which the route turned East Cabo de Boa Esperanca, the Cape of Good Hope, because he hoped the route would clear the way to India, avoiding the land route. The name was bestowed on the way back. Stormy conditions meant he didn’t see the Cape on his way east, but once he had sailed far enough to confirm that the coast had turned to head northeast, he returned, and had a clearer view on the way back.

The Cape is the point at which a warm current from the Indian Ocean meets a cool current from the Antarctic, so storms are common and dangerous, which won the Cape its other name, Cape of Storms.

Problems and miscommunications with the local people, the Khoi, made the Portugese wary, and it was another 100 years before the Dutch took the plunge and founded a settlement on the west coast just north of the Cape of Good Hope.  The VOC initially intended a supply station, but when company servants asked for dispensation to set up private farms, they changed their minds. They brought in slaves and settlers, and built a fort to protect the colonists from invasion.

In 1795, the French took over the Netherlands, and the exiled Prince of Orange asked his English hosts to secure the colony, which they cheerfully did, gave it back when a peace was signed, then reinvaded after Napoleon took over the Netherlands again.

This time, they were there to stay, with many more storms in their future.

(I’ve been half living in the Cape colony in 1812 all this month. My hero is stationed there as part of the naval force patrolling the waters.)

Animals in WIP Wednesday

The children in my current Redepenning novel, Unkept Promises, want a pet, and I’m inclined to give it to them. The question is what. A kitten or a puppy? Or something more exotic? A parrot? A monkey? A snake, maybe? They are in South Africa, but whatever I give them will need to go home to England with them.

Have you got an animal in a WIP to share with us? Post an excerpt in the comments.

Just to be going on with, here is the dog in my newsletter subscriber short story The Bookworm and the Beast, which I’m about to start rewriting as The Beast Next Door. Once rewritten, it will be a novella for the Belles’ Valentine’s Day box set.

Charis was struggling to hold onto her indignation at Eric’s deceit, especially with his eyes so intent on hers. He was so close. If she leant forward just a bit, she could have one of those heart-stopping kisses. But she did not want to be a countess, did she? Did she, if it meant she was Eric’s countess?

She frowned, just as the door burst open again, this time propelled by Ugo, one hundred pounds of wet mountain shepherd dog, barking his delight at having found Eric — yes, and Charis as well.

In moments, the sisters had joined them. Mama, too, all of them screeching when Ugo stopped his frantic greetings to his master and Charis long enough to shake himself, and to spray the whole room with his burden of rain.

At last, Ugo overcame his excitement enough to listen to the wrath in Eric’s voice, and to slink behind Charis’s sofa, sliding underneath enough to rest a cold wet chin on her foot. “I am sorry, Mrs Dalrymple,” Eric told Mama. “He must have slipped his collar and followed me.”

Mama managed a weak smile. “He is a– a handsome beast, is he not?”

“He is a wicked creature, who thinks charm will fish him out of well-deserved trouble,” Charis said sternly, fixing her beloved with a stern frown.