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Secret Realm New Year’s blog hop

BookcoverCCC2The contest is over, but Hand-Turned Tales is still free. Read on to find out more.

Welcome to my blog.

Whether you are hopping through the blogs or are a regular visitor to these pages, today you can enter to win here, and click on through the blogs to enter for more great prizes. Or go to the event page, here.

Happy New Year. In 2016, I’m planning to publish at least three novels, plus at least two novellas and other shorter stories and vignettes. First up is a surprise with the Bluestocking Belles in March, to be announced in February (so watch for it. In May, I’m releasing Embracing Prudence, which tells the story of Prue and her colleague and lover David the thief taker—sorry: David prefers the term enquiry agent.

farewell to kindness RGB2I hope you’ll join me often in 2016 to talk about books, and writing, and historical research.

Would you like to win Candle’s Christmas Chair, Farewell to Kindness, or A Baron for Becky? I’m giving away twelve ebooks through a Rafflecopter. To enter, all you have to do is read the excerpt below and answer the question. You’ll get a bonus entry for subscribing to my newsletter, and another for following me on Amazon. When Rafflecopter chooses the 12 winners, I’ll send them a message asking which books they want.

a Rafflecopter giveaway

Here’s the excerpt, from A Baron for Becky.

A Baron for BeckyBecky and Sarah were waiting when Lord Overton arrived at two o’clock, just as he had promised. Becky paused on the doorstep. He had borrowed a curricle from Aldridge; she recognised the horses. It would be a tight fit for the three of them.

Sarah had no such qualms, and was already down in the street, renewing her acquaintance with Prince and Brown Beauty, chattering away to the groom Lord Overton had also borrowed, another old acquaintance.

“We’ll tuck Sarah between us where she will be warm, and out of the wind,” Lord Overton said, correctly interpreting her concern. “Neither of you are large. We will fit.”

It was a tight fit, and at first Sarah shrunk away from Lord Overton. Soon, though, she was telling him everything she knew about the horses, as they made their way through the streets to the park, the groom up behind.

With his focus divided between Sarah and the horses, Becky was free to watch him, and to wonder what life would be like as his wife. If he continued to be kind and respectful, if he were not putting on an act, if this plan of Aldridge’s worked…

By the end of the drive, Sarah and Lord Overton were friends, and he cemented the friendship by producing sugar cubes for her to feed the horses. She went to her governess and the schoolroom in full charity with him.

Lord Overton stood in the hall, smiling, watching her skip up the stairs.

“Do you intend to charm me by charming my daughter, Lord Overton?” Becky challenged.

He turned, laughing. “Is it working, Mrs Winstanley?” Then, serious again, “But no, I wanted to charm her, as you call it, for her own sake. Is she always so quiet and good?”

“She does not take easily to strangers,” Becky said. Sarah had reason to be wary, and Becky would do well to remember it. Still, Lord Overton’s attempt to win Sarah’s favour was more to his credit than not.

He returned for dinner that night, and it became the pattern for their days: an outing in the afternoon, dinner in the evening, and afterwards, cards, chess, or reading together. And they talked. Lord Overton had read many of the same books she enjoyed. He agreed with her views on enclosure. She did not share his confidence in the military genius of General Wellesley, but acknowledged that his own background as an army officer gave him the edge in judging such a thing.

She asked about his estate, and about his daughters, who would be her daughters, too. Perhaps. If she dared…

And at night in her bed, she wondered whether his shoulders were as broad, his hips as slender, as they looked.

Hand-Turned Tales2I also have a free book for you. Hand-Turned Tales contains three short stories and a novella. Just click on the link to find some of the eretailers where you can download it. And I’ll give away a print copy of Hand-Turned Tales to a random commenter.

But the hop isn’t over. There are more great prizes today, and even more in the days to come.

So thank you for visiting, and good luck at Lauren Royal’s website, on the next stop.

Or link back to the event page, here.

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Descriptions in WIP Wednesday

The-Egyptian-room-drawingI’ve spent a large part of my adult working life in commercial writing, creating and editing legal, government, financial, and business documents. When I decided to commit to writing fiction again, I was concerned that the pared back, plain language style I had cultivated so assiduously would bleed over. Could I write a description? Could I transport my readers into another place; cause them to build pictures in their mind of rooms and landscapes and people? I worried.

I find that if I strongly visualise something myself, then simply describe it as clearly as possible, it seems to work. And so I go looking for visual inspiration, much of which finds a home on my Pinterest pages.

Below is a description from Embracing Prudence. David is calling on a client. As always, I invite you to post excerpts from your work in the comments, and to share through twitter, facebook, or wherever else you like.

David was shown through a lofty hall by an equally lofty butler, and into a parlour decorated in the Egyptian style. Last month, he had met Rede at the solicitor’s office and then had tea with him at his club, so missing the glory of the former Earl of Chirbury’s decorating style.

The room had been painted black to above head height, with gold detailing. Above that was a frieze easily two feet high; Egyptian pharaohs, slaves, mummies, soldiers, and gods painted in garish colours marching endlessly around the room, with a sublime disregard for any kind of sense or story.

The furniture carried on the theme, with blocky claw-footed pieces upholstered or painted in reds, greens and golds. Every surface, including a couple of ornately painted plinths, carried more Egyptian-inspired decoration: sphinxes, pharaohs’ heads, vases, mirrors in frames; even the candle sconces were sphinxes with holders embedded in their heads.

The door opened behind him; heavier steps than the butler’s.

“It’s ghastly, isn’t it?”

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Why I love writing villains

villain memeI don’t want to think too hard about what this says about me, but I love writing villains.

I enjoy creating characters of any kind, and I’ll happily spend days answering questionnaires about my main characters. I really enjoy seeing the people in my head coming to life on the screen as I type, and I’m often surprised by how strong their opinions are about the way the story should go.

But I particularly love listening to and watching my villains. The brakes come off, and I give them the kind of dialogue that suits their personality: sociopath, or spoilt young man, or self-centered society beauty, or thug.

In the stories I’ve written so far, I’ve had some of each, and my current work-in-progress features a return of the sociopathic society blade, the Earl of Selby, from Farewell to Kindness, and two nasty friends.

Even more than other supporting characters, villains need a complex personality and a convincing backstory. No matter how good the protagonists are, if the villains aren’t convincing, the conflict in the story isn’t convincing, and the happy ending isn’t nearly as satisfying. A good story needs an excellent villain.

Here’s how I write villains:

  1. I pick up things that frighten, worry, or annoy me – in characters on shows, or people in real life. What are the character flaws that cause this response in me? What would the people be like if those flaws were magnified and their good qualities absent or reduced?
  2. I think about the villain’s past. What terrible things have they done in the past? What terrible things have been done to them? Are they victims lashing out or are they just trouble makers? Were they deprived of love as children or were they born that way?
  3. What are their redeeming qualities? Do they love their cat? Collect bone china? Have a soft spot for orphans?

When a reader tells me that they loved to hate my villain, I know I’ve done a good job.

Here’s Selby with one of his closest friends. My heroine Prue has denied them access to her murdered mistress’s bedchamber:

Selby stopped in the doorway and looked straight at Prue for the first time. “Is this the one, Annie?” He didn’t wait for Annesley’s nod, but continued, “I’ll remember you, too. Worth, isn’t it? One day soon, Worth, my friends and I will find out just what you are worth.”

“That’s a good one, Sel,” Annesley said. “Just what you are worth, yes.”

Selby ignored the interjection to peer at Prue in the dimly lit hallway. “Do I know you?”

Prue shook her head. It was true enough. Nobody knew her except, perhaps a little, David.

“She’s the housekeeper, Sel,” Annesley told him. “She probably let you in when you came to see The Diamond.”

“It’s not that,” Selby said. “I have it! She looks a bit like my wife.”

“Which one?” Annesley asked, the question setting him sniggering. “Which one? That’s a good one, Sel.”

Selby stared at Prue a moment more, while she lowered her face to hide her chin; the feature she shared with her sister.

Selby’s next words appeared to be for himself rather than Annesley.

“No. Just the general shape of the face. There must be a thousand women in England who look a bit like Chassie. And she doesn’t have any relative called Worth.”

“Are you coming, Sel?” Annesley said, impatiently. “We can’t swive The Diamond tonight, so we need to find another whore.”

(This post was first published on Caroline Warfield’s blog in July last year.)

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Wickedness on WIP Wednesdays

9ba02bf02563af86012883795a80af1cIn our fictional worlds, virtue triumphs—it is probably just as well, therefore, that the villains don’t know they’re fictional, so they lay their mischievous, selfish, or downright wicked plans, sure that they will win the day.

Today’s work-in-progress Wednesday is dedicated to the ways they act. I’m looking for an excerpt—I say eight to ten lines, but whatever you need to give us a feeling for what’s going on—that shows your villain (male or female, an irritation or an evil danger) doing something that displays their real character.

My current work-in-progress is the story of David Wakefield, best friend of Rede, the hero of Farewell to Kindness. David and his heroine are private detectives back when the name for such people was thief taker, and Embracing Prudence (set earlier in the same year as Farewell to Kindness) includes one of the villains who so complicated life for Rede and Anne.

Here is the Earl of Selby. He has just blackmailed the courtesan into giving him a night in her bed.

“Tiv won’t be happy,” the Earl gloated.

“You will be, my Lord. I guarantee it,” Miss Diamond replied, her voice a husky purr.

The Earl caught up his hat and walking stick, and in one fluid movement, backed the courtesan against the wall, trapping her with his stick held across her neck.

“I’ll collect on that guarantee,” he said, his own purr sounding of threat rather than promise.

Miss Diamond did not react, standing impassively within the cage he’d formed of his body. He leaned the last few inches and slowly, deliberately, licked the side of her face, from her jaw up to her eyebrow, then grimaced.

In another supple twist, he was off her and heading for the door.

“Don’t wear powder tomorrow night,” he instructed, as he left.

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The top ten reasons I read (and write) write historical romance

I read to learn

  1. textile-mill-cotton-1834-granger“Those who cannot remember the past are condemned to repeat it.” (George Santayana)
    Through the lens of history, we can more clearly see our own times. The Regency and Georgian eras fascinate me. There was a growing disparity between rich and poor, privatisation of public good properties, wars and rumours of wars, rapid technological changes with unpredictable outcomes. Sound familiar?
    Although I write to entertain, I also write to inform, and in doing so to hold up a mirror to our own times.
  2. “The past is a foreign country; they do things differently there.” (L.P. Hartley)
    The similarities are challenging; the differences are fascinating.
    I continually trip over things in my reading and my research for writing that astound, horrify, or delight me. Did you know that between a quarter and a half of all women in the early 19th century had ‘Mary’ as one of their first names? That an estimated one in five women in London made income from the sex trade? That the man who invented one of the world’s earliest self-propelled wheelchairs did so after demonstrating another invention: the world’s first roller skates?
    I love to read about history, and now I’m not wasting time, I’m doing research.
  3. “I like reading novels because it provides insight into human behaviour.” (Claire Danes)
    We learn about people by meeting them; by watching them. In historical novels, the people we meet face different challenges to our own, have been moulded by a different culture, must react to a different context.
    But they are still people. I want to read about people who are real to me while I’m in the book, and stay with me when I close it.
    I know I’ve captured a character when my readers discuss their motives and their beliefs. It’s enormously thrilling when someone explains to me why one of my characters thought, felt, or did something, and I have an ‘Aha’ moment because the thought is new to me but they’re right.

I read to be entertained

  1. lovecouplegfairy003b“These boys in books are better.” (Carrie Hope Fletcher)
    Knights, Dukes, Earls, handsome rogues and pirates; what’s not to like? Let’s face it; gorgeous men in cravats and knit pantaloons are hot. And hot men who are considerate and respectful are even hotter.
    Fletcher’s song points out that real life men can’t live up to the standard set in Twilight, Deadly Instruments, and the like. And any girl who stays single till she finds someone as good as her book boyfriend is in for a long wait.
  2. “I read for pleasure and that is the moment I learn the most.” (Margaret Atwood)
    Reading taught me that the kind are rewarded, that perseverance will win in the end, that love is worth striving for. That you can start a fire with spectacles and that sharks can’t swim backwards. That lying on a frozen over pond spreads your weight so you are less likely to break through.
    Ideas; concepts; principles; facts. I’ve learned all of those from reading. I read for pleasure. And I write books that I hope others will read for pleasure; books with strong determined heroines, loving heroes, compelling story lines, and convincing challenges.

I read to escape, to take a micro-holiday

  1. discountticket“I have never known any distress that an hour’s reading did not relieve.” (Charles de Montesquieu)
    I lived more than 50 years with an undiagnosed condition that gave me chronic tiredness and constant pain. In that time, I raised four children, two with serious health conditions, and fostered two others. We entered adolescent hell with one of them and didn’t emerge for ten years. Reading allowed me the break I needed.
    When people say that historical romance (or science fiction, or fantasy, or mystery novels) are escapism, I agree. Any book that captures your imagination allows you to escape whatever distress you may be in. The best books strengthen and inform you, sending you back into reality better able to deal with your challenges. But even the most flagrant chewing gum for the mind gives you time to recharge.
  2. “You can travel the world and never leave your chair when you read a book.” (Sherry K. Plummer)
    And not just the world! I want to go somewhen else for my book holiday. Travel, so we are told, broadens the mind. In historical romances, I am able to travel to another time. In the hands of a good writer, I experience the sights, the sounds, the smells, and the stories, and all without the risk of plague, pressganging, or death by tooth infection.
  3. “Reading is a discount ticket to everywhere.” (Elizabeth Hardwick)
    I dream of a life of leisure, with nothing to do but flirt with rakes and dance at balls. I’d undoubtedly hate it in practice. I like being busy and useful. But I can have that in a book, and then walk away, back to my real life.
  4. “There’s no real ending. It’s just the place where you stop the story.” (Frank Herbert)
    I like happy endings. Some other writers like tragic endings, or even no ending at all. In my view, happy endings are better. Every writer has to choose where to start and where to stop the story, so why not choose the bit that feels good?
    The romance novel’s ‘happily ever after’ is not about perfect resolution of all problems; it’s about convincing the reader that the protagonists will support each other through whatever problems arise.

I read to learn to write better

  1. how_to_read_a_pile_of_books“I believe that writing is derivative. I think good writing comes from good reading.” (Charles Kuralt)
    Reading good books gives us the sound of good language. It teaches us how plots work, how to show character rather than telling it, how to make choices that show the theme of the book, how to use words to create atmosphere, how to write dialogue that sizzles.I believe I need to do two things to be a good writer. Read a lot. Write a lot. That’s all.

(Originally written for Nicole Zoltack’s blog)

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Food and drink on WIP Wednesday

Silver06Here in New Zealand it is Christmas Eve, and I’m about to make the first of a number of celebratory salads for Christmas dinner. In honour of the role that food plays in our celebrations, I thought I’d post a piece about food. But if your characters manage to get through your work in progress without eating, perhaps you have a drink or even a foodless celebration to share with us.

Here’s mine, from Embracing Prudence. Not a celebration, but certainly food—with an added ingredient in one of the items:

She transferred the contents of the tray to a table beside Miss Diamond’s chair: the pot, a cup, a plate of neatly sliced ham, cheese, pickles, and bread, and a plate of tiny iced cakes. Madame watched and Miss Diamond sat compulsively eating one marzipan shape after another. “That will be all,” Miss Diamond said. “Dupont will serve me.”

Dupont followed Prue across the room and closed the door firmly behind her.

Would there be time to get into the book room while they were occupied? She could at least find out whether she could easily pick the lock with the tools she had been carrying in her apron pocket all afternoon.

She had just taken them from her pocket and bent to examine the lock when a loud scream from below sent her jerking upright then plunging back downstairs.

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Writing realistic rakes in romantic fiction

This post was first published on Quenby Olsen Eisenacher’s blog as part of my blog tour for A Baron for Becky.

Casinova

In modern historical romantic fiction, the hero is often a rake who sees the error of his ways when he falls in love with the heroine, and—after undergoing various trials—becomes a faithful husband and devoted family man.

Most of those rakes, I suggest, are not rakes at all. They’re what we today would call womanisers or players, but they’re not rakes in the sense that the term was used in Georgian and Regency England. Our rake heroes sleep with multiple lovers (either sequentially or concurrently) or keep a series of mistresses, or both. But back then, the term signified a much more disreputable character. It needed to. Otherwise, most of the male half of Polite Society would have been defined as rakes. And a fair percentage of the female half.

We are talking of a time when one in five women in London earned their living from the sex trade, guide books to the charms, locations, and prices of various sex workers were best-selling publications, men vied for the attention of the reigning courtesans of the day and of leading actresses, and both men and women chose their spouses for pedigree and social advantage then sought love elsewhere.

In those days, a rakehell was defined as a person who was lewd, debauched, and womanising. Rakes gambled, partied and drank hard, and they pursued their pleasures with cold calculation. To earn the name of rake or rakehell meant doing something outrageous—seducing innocence, conducting orgies in public, waving a public flag of corrupt behaviour under the noses of the keepers of moral outrage. For example, two of those who defined the term simulated sex with one another while preaching naked to the crowd from an alehouse balcony.

Drunkenness certainly didn’t make a man a rake—the consumption of alcohol recorded in diaries of the time is staggering. Fornication and adultery weren’t enough either, at least when conducted with a modicum of discretion (which meant in private or, if in public, then with other people who were doing the same thing).

Lord Byron earned the name with many sexual escapades, including—so rumour had it—an affair with his sister. His drinking and gambling didn’t help, either. But none of these would have been particularly notable if they had not been carried out in public.

The Italian adventurer Giacomo Casanova mixed in the highest circles, and did not become notorious until he wrote the story of his life.

On the other hand, William Cavendish, 5th Duke of Devonshire, lived with his wife and his mistress, who was his wife’s best friend. The three did not share the details of their relationship with the wider world, so there was gossip, but not condemnation. Devonshire is also rumoured to have been one of Lady Jersey’s lovers (the mother of the Lady Jersey of Almack fame).

I planned for my Marquis of Aldridge to be a real rake: a person whose behaviour, despite his social status as the heir to a duke, causes mothers to warn their daughters about him. On the other hand, I didn’t want him to be a totally unsympathetic character. After all, not only is he the only hero on the scene for the first half of the book; he’s also going to be the hero of his own book after he has been through a few more trials and tribulations.

He has had mixed reviews since A Baron for Becky was published. Most reviewers like the rogue, and are asking for his story, while still acknowledging that he is a libertine. One or two dislike him heartily, and one said:

Note to author: your main characters were very interesting but you hinted at some type of redemption for one particular character that I just cannot fathom. I challenge you to make me like him better because I disliked him throughout the story.

Now there’s a challenge I can’t refuse!

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Missed opportunities in WIP Wednesday

regency lady and gentlemanSince I’m a day late, I thought I’d post a few lines about missed opportunities. This could be a meeting that didn’t happen, or words that were not said that could have saved a misunderstanding, or an action not taken, or anything else that could have meant the story’s happy ending came much sooner (bad for the characters, but great for the readers!)

Here’s mine. I needed two bits, from different chapters and different POVs. (And the incident they both refer to was last weekend’s Teatime Tattler post.)

As always, I look forward to reading your pieces. Please post in the comments, and share.

First Prue:

She would be calm; professional; indifferent. She would never let Shadow know how much she longed for him; how often she replayed that final scene between them, searching for the words that would lead to a different outcome. Perhaps if she had stayed… No. He had made his opinion of her quite clear, and she could not trust a man who did not trust her.

Then David:

He’d gone upstairs looking forward to seeing her again more than eagerly than he wished to examine. The guarded look on her face, the stiff way she held herself, stopped him in his tracks.

And her voice. Calm. Devoid of emotion. As if that passionate night had never existed. Or as if it meant nothing to her…

Perhaps, while David had spent five months longing for her, she had moved on, and his presence was an embarrassment.

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Things I’m grateful for one year on

Thank-YouA  day or two shy of one year ago, I dipped my toe into the water of indie publishing, wrestling with the intricacies of kindle direct publishing and the infamous Smashword’s Meatgrinder program to put Candle’s Christmas Chair up into the e-retailers in time for Christmas.

Nearly 70,000 downloads later, Candle is about to be replaced as my permafree by Hand-Turned Tales, three short stories and novella currently at those same two organisations waiting for their review and approval.

And in the meantime, I’ve published two novels (Farewell to Kindness and A Baron for Becky), half-completed another (Embracing Prudence), and written Gingerbread Bride, a novella published in the Bluestocking Belles box set, Mistletoe, Marriage, and Mayhem. The box set has sold close to 11,000 copies, and raised upwards of US$3,500 for The Malala Fund.

So with more than 75,000 downloaded ebooks in my first year as a published romance writer, it’s time to give thanks.

Thanks for my family. For my wonderful husband, who ever and always supports and encourages me. For my sister, who is my first reader. For my family, who accept my neglect with amused tolerance.

Thanks also for the other wonderful authors I’ve met and worked with. For the Bluestocking Belles, without whose support, friendship, encouragement, and incitement, I would not have accomplished nearly so much this year, and especially for Mari Christie and Carol Roddy, my partners in many different kinds of theoretical mayhem. For the Romance Writers of New Zealand, who gave me my first conference, my first award, and my first official role in our industry. For all the writing friends I’ve made on FaceBook and Twitter and in Real Life.

And, of course, thanks for my readers. For the beta readers who coax and cajole me to do my best. For the Belles Brigade, who support all the Belles so magnificently. For the subscribers to my newsletter and my blog. For followers on FaceBook, Twitter, and Pinterest. For anyone who has left a review of any of my books, or even a comment when we’ve passed one another in cyberspace letting me know that my words have struck a chord.

Thank you for a wonderful 2015.

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Meet-cute on WIP Wednesday

passerbyThere’s a discussion going on over on Facebook about whether the hero and heroine should meet in the first few pages in a romance novel, and I’m having my usual reaction to the ‘should’ word. But at least I have my topic for work-in-progress Wednesday!

How did your hero and heroine meet? Give me a few lines from your work-in-progress, and I’ll give you mine from Hand-Turned Tales, which comes out next week. (First meet in your work-in-progress. It’s okay if they’ve met before.)

Hand-Turned Tales has four stories in it: three short and a novella, so here are my meetings.

First, The Raven’s Lady.

The lady Felix was supposedly here to consider as a wife was pretty enough, he supposed, if one liked milk-and-water misses who never looked up from their plates, and who answered every conversational sally with a monosyllable or a giggle.

She had, sadly, changed from the lively child he remembered. But that was long ago, almost another life. She had been nine, and he fourteen, the last time they parted.

The only interesting thing about her now, as far as he could see, was the raven she kept as a pet.

Then All That Glisters.

She stumbled and would have landed in the mud, if firm hands had not suddenly caught her. As it was, in putting her hands out to break the expected fall, she had dropped her burdens. The shopping basket fell sideways, tumbling fruit, vegetables, and the wrapped parcel of meat into a waiting puddle. The bundle from the haberdashers that she carried on her other arm, thankfully, stayed intact and landed on a relatively dry spot.

She took all this in at a glance, most of her attention on her rescuer. A craggy face bronzed by the sun, amused brown eyes under thick, level brows, a mouth that looked made for laughter. He was bundled against the cold wind in a greatcoat, muffler, and cloth cap.

Kidnapped to Freedom.

There! Someone was coming. He straightened in anticipation. Yes, it was her—twelve years older and a mature women, rather than the girl he remembered, but even in the moonlight, he couldn’t mistake her.

She wasn’t alone. He couldn’t take a herd of children with him! What was she thinking?

He stepped out from the sheltering trees. The mask would hide his face, and his voice had never been the same since the last time he had been close enough to Phoebe to speak, when Chan tried to strangle him for the presumption.

And finally, The Prisoners of Wyvern Castle

The earl held out his hand, and Madeline reached for it. Even through her gloves and his, she could feel the strength in his hand, and he made no allowance for the difference in their sizes, so that she had to lean back against the weight of him as he pulled himself up. He was tall, this new husband of hers who couldn’t wait to abandon her at the altar. Tall, lean, and handsome. But very young.

“Thank you, Miss, ah, Countess. What is your name again? I am sorry. I was not listening.”

Madeline had been listening. He was Rupert Frederick George Arthur John Fleming, 7th Earl of Penworth, and Viscount of Clearwater.

“Madeline,” said Graviton, helpfully. “The family calls her Mad.”

Graviton called her Mad. Her mother, who had been all the family to love her, called her Linnie, and she had been Miss Graviton to the rest of the world. No more. Mother was dead, and Miss Graviton was gone, too, wiped out by a few words and her signature on the marriage register.

Your turn.