Kidnapped to Freedom – children throw our hero’s plans into turmoil

Here’s part 2 of my made-to-order story, Kidnapped to Freedom.

You can read part 1 here.

captains cabinVal waited in the shadow of the trees. It must be at least 30 minutes past moon rise. She wasn’t coming. Again. Five years ago, he had waited the whole night, and come back again the next. This time, if he couldn’t carry Phoebe off tonight, he’d have to give up. It had taken him all his powers of persuasion to convince his crew to make one try. They weren’t privateers. The letters of marque that let them take an American ship while the United States and England were at war wouldn’t cover a land raid on a plantation. If she didn’t come, the men wouldn’t agree to a second attempt.

There! Someone was coming. He straightened in anticipation. Yes, it was her—12 years older and a mature women rather than the girl he remember, but even in the moonlight he couldn’t mistake her.

She wasn’t alone. He couldn’t take a herd of children with him! What was she thinking?

He stepped out from the sheltering trees. The mask would hide his face, and his voice had never been the same since Chan tried to strangle him the last time he saw Phoebe close enough to talk to.

“Are you Phoebe?” He was 12 years older too, and a man changed more from 17 to 29 than a woman did, but he couldn’t risk being seen and recognised by anyone on the plantation.

She nodded. He noted that she gathered the children protectively behind her, but the older boy, his face grimly intent, evaded the sweep of her arm and stepped in front. Brave little bantam rooster.

“I was commissioned to take one woman to her brother in Canada, not a parcel of brats,” he said.

“Can’t leave without ma babies, Sir.” Her voice was barely a whisper, but determined.

Her children? All of them? His brother’s children, then, possibly. He surveyed them quickly. Yes the little bantam had the Blake look, and the girl rocking the baby could be a darker version of the childhood portrait of his mother that hung in the parlour.

The men wouldn’t like it, but he was taking them all and be damned.

He met the eyes of each in turn as he said, “You must be quiet. Not a sound. Do everything I say, and I will take you to your uncle in Canada.”

“Perry, give the signal.” He gave the command over his shoulder, not waiting to see if it was obeyed. Perry could be trusted to carry out the raid with maximum noise and minimum damage. He didn’t want anyone actually killed, but he did hope that many slaves would take the chance to escape in the confusion, masking the disappearance of one maid and her children.

He led the way down to the creek, where Jimson stood ready to row them back out to the coast and the waiting ship.

ship

Phoebe startled awake at the knock on the door. Three of the children still slept on the bed in the small but luxurious room. No. It was what Mist’ Finn called a cabin. Venus and Jake were awake, but unmoving in the tangle of little bodies, watching her with anxious eyes. She smiled to reassure them and wished she had someone to reassure her.

Another knock.

When she opened, the little man who had shown them to this cabin nodded at her. “The cap’n wants to see ye, ma’am.”

He’d called her ‘ma’am’ last night, too. Unaccountably, being addressed so courteously made her even more nervous, as if an overseer hid just out of sight waiting to punish her for aping a lady.

“Do I come with you?” she asked.

“He’ll come to ye, Ma’am. In a few minutes, like. To have breakfast with ye and the nippers. He thought ye might want to have a wash first.” The man handed her the jug he was holding, filled with steaming hot water, and crossed the cabin to put the towels off his arm onto the back of a chair.

He turned in time to save the jug as the ship lurched and she lost her balance.

“Ye’ll get yer sea legs soon, ma’am,” he said, not unkindly, and put the jug into a hole that was obviously made for it, next to a basin in a hole of its own.

She had the children and herself washed and tidied before another knock heralded the man from last night. He was still masked, his eyes glittering at her, and his chin and mouth showing, but the rest of his face covered in black cloth.

The little man scurried in behind him, carrying a laden tray that smelled of bacon and fresh-baked bread.

Venus, who had already been looking a little ill, gave a piteous moan. Before Phoebe could react, the masked man, moving with blinding speed, had grabbed the jug that had held their wash water and placed it under Venus’ chin. He was just in time, and Jake was the next to say, “Phoebe, I don’t feel too good.”

Phoebe hurried to feel his forehead. What could be wrong with them? They were never sick!

Some of her fear must have conveyed itself to the masked man, because he said, calmly, “Seasickness, Miss Blake. They will recover once they are used to the motion of the boat.

“Jenkins, remove the bacon, will you? Miss Blake and I will have breakfast in the wardroom with whichever of the children is well enough to join us.”

He was holding the jug with one hand, and calmly supporting the vomiting girl with the other. “Oh, and Jenkins, bring some buckets, please? I rather think this young lady may have imitators.”

You can read part 3 here.

Make Yourself an Expert – Tuesday Talk

Today, Mari Christie and I continue coposting on marketing in a bazillion book marketplace. Her turn today, with Make Yourself an Expert.

I know old-school marketing. I have been working to promote products, people, and services since I was about 15 years old.

  • Trade and Consumer campaigns (B2B, B2C)expert-button_forweb-e1345329354880
  • Strategic and tactical planning
  • Design, copywriting, advertising, on- or off-line
  • Collateral material
  • Printing, publishing, distribution
  • Media relations
  • Event planning and management

Talking about any of the above makes no difference at all to sales of my books. (It makes a difference in how I sell my books.)

Where it does make a difference is in selling my services as a marketing consultant, business and technical writer/editor, designer, cover artist, and author PA. And, if I were to write a book about marketing—not outside the realm of possibility—my credentials would help sell it.

Because, after 25 years, there are very few promotion situations I haven’t faced. Because I can explain how to sell in plain English. Because when I talk about marketing a product, past results show it is not a bad idea to listen.

Because I am an expert.

As a writer trying to sell books, making yourself an expert is a great way to create brand recognition and a following. (This should go without saying, but I am not suggesting you can tout yourself as an expert with no expertise to back it up.)

Aside from pursuing an MFA in Creative Writing (or Master’s or PhD in another academic discipline), and looking for a university teaching position, there are any number of other options that will make you a person to take seriously about the business or craft of writing, or both.

Given enough experience, you can (like me) become a professional writer/editor. You could teach classes in less formal settings, like trade groups or online. Some people set up workshops or formal critique groups. Still others work in publishing or printing or distribution, lending value in traditional or indie publishing settings.

But beyond expertise in publishing, you can also sell books by becoming an expert in your subject area or genre. Historical fiction authors are great at this, using blogs to write up their research, or writing nonfiction about their time period. But history doesn’t have to be your subject matter.

Chefs sell cookbooks by feeding people great food. Self-help authors sell books by creating workshops that help people. Motivational speakers sell books by pumping people up at appearances.

Everyone seems to sell books by writing blog posts and articles in their subject area.

You can sell books by winning contests, being written up in your local paper, giving lectures at trade shows, or being interviewed on local television.

It takes, they say, 10,000 hours to become an expert in anything. By the time you are finished writing a book, are you not an expert in—if nothing else—that book?

Amanda Mariel’s witty Scandalous Intentions

AM_ScandalousIntentions_Front_600x900Today, I’m pleased to welcome Amanda Mariel to the blog.

On 18 March, Amanda released Scandalous Intentions, the second book in her Ladies and Scoundrels series. Below, I introduce you to the book and its author, and give you an excerpt.

Scandalous Intentions

When faced with losing his inheritance, notorious rake Lord Julian Luvington sets his sights on Lady Sara. She’s as respectable as they come, just what his father ordered. But the lady shall not be easily won.

She’s determined to marry for love or not at all, and she’ll do anything to obtain the freedom granted to men. A blackguard like Lord Luvington could destroy her hard-won reputation, but marriage to him also offers her the opportunities she can’t achieve on her own. What’s a lady to do?

When Lord Luvington refuses to abandon his pursuit, Lady Sara proposes an arrangement. Only the price may be more than either bargained for. Lady Sara could lose more than her social standing and Julian could lose his heart.

SI RQ newExcerpt

Sarah pushed out a sigh as Lord Luvington lead her toward a stone bench nestled among the lush green hedge.

“Shall we sit for a moment? I wish to explain.” He pressed his arm against her hand then loosened it again.

She looked away. “Very well. Though I cannot imagine what you might say to change things.” Sarah hesitated for a moment, reluctant to release her grip on him before she lowered herself onto the bench. The stone’s cool exterior seeped through her skirts, a welcome contrast to the warmth radiating through her. She rested one hand on her lap and waved her fan with the other.

Lord Luvington positioned himself on the bench a smidgen closer than was proper, angling himself so that he faced her. The fresh spring scents of foliage and flowers took on a heady intensity. She stared fixedly at the hedge in front of her. Her face flamed though she could not credit it to the heat of the atmosphere.

She needed to take control of the situation before it swept her away. “Speak your piece and be done with it. I do not wish to linger here over long.” He flashed a toe-curling grin just before she glanced away.

“What I said in the park was the truth. Is the truth. But there is more to it than just my need of a respectable wife.”

“Do tell.” She lowered her fan to her lap, its ribbons trailing in the breeze, and locked her gaze with his.

“I have come to care for you, admire you, even. You’re a fascinating and attractive woman.”

She plucked at her satin skirts as the heat climbed back into her face.

“It is true that I will not inherit the duchy without a proper society wife. It is the very reason I began looking for one. I shall not deny it, but nor is it the reason I continue to pursue you.” He reached up and brushed a curl that had escaped her bonnet away from her cheek.

His fingers left a tingling trail in their wake, and something inside Sarah began to crumble. She glanced down at the path they had just walked.

“I would like the chance to make this right. Allow me to court you, Lady Sarah. Let us discover if there might be something real between us.”

Cause A ScandalthsthsfShe glanced at him, unsure how to respond. Her mind screamed no, but her heart and soul begged for him. She wanted to reach out and run her hand across his strong jaw, feel his lips pressed against hers, discover what it felt like to be in his arms.

“Spend the rest of the party in my company, Lady Sarah. Grant me one afternoon to change your mind.”

A wave of tingles ran down her and congregated in her abdomen at his smile. This was dangerous, and she knew it. And yet…

Buy Links:

Amazon * Amazon.UK * All Romance * Kobo

Meet Amanda Mariel

author poicAmanda Mariel dreams of days gone by when life moved at a slower pace. She enjoys taking pen to paper and exploring historical time periods through her imagination and the written word. Her hobbies include reading, writing, crocheting, traveling, photography, and spending time with her family. Some of Amanda Mariel’s favorite places in the continental U.S. are Harper’s Ferry West Virginia and Sea Brook New Hampshire. She loves the history that surrounds them and visits every chance she gets.

Amanda Mariel lives along the Lake Huron shore line in northern Michigan with her husband and two kids. She holds a Master of Liberal Arts Degree with a concentration in literature and has a long standing love affair with sugary junk food.

Facebook * Blog * Email * Twitter * Amazon Author Page * Goodreads * Street Team * Website:  * Newsletter

Kidnapped to Freedom – Phoebe risks all

Here’s the first part of Tiffany Reid’s made to order story, Kidnapped to Freedom. Her specification: A buccaneer (secretly a wealthy plantation owner) kidnaps an heiress for political reasons and keeps her aboard his ship. He wears a mask so she falls in love with him though she doesn’t see his face on the ship. The characters are all siblings: The eldest is strong willed, happy, rebellious, passionate and feisty. She is the one who is kidnapped. The middle child is her sister, 18 months younger: soft, carefree, all kids and animals love her, but fiercely protective and loyal. The youngest is their brother. A very eligible bachelor who is extremely witty, funny, handsome, with the best heart; he is very protective of the sisters who constantly pick on him (in good ways). The one who is kidnapped loves tall, dark, and handsome with brown eyes.

Michael_Zeno_Diemer_-_A_frigate_off_the_coast_near_Rio_de_Janeiro,_Brazil

Phoebe hurried from shadow to shadow behind the row of cabins. The full moon had risen. She was late. Why did Massa Paddy have to send for her tonight of all nights! He was drunk, which was no surprise, for he’d been drunk since the Master died. The drink, though, had left him limp, for which he blamed her, until the punishment he administered excited him enough to finish.

Then he’d collapsed on top of her, and it had taken time to edge out from under his weight.

Under the constant susurration of the cicadas, she could hear murmurs of conversation inside the cabins. He wouldn’t look for her when he woke; he would assume she’d gone back to the cabin she shared with the children.

Had he made her miss her chance? Their chance—for she wouldn’t go without the children.

Phoebe felt some of the tension leave her when she saw them waiting for her behind their cabin. Venus balanced little Patricia on her hip, and Joe cradled Baby. Jake ran to meet her, taking her hand for the few steps back to her family.

Now if only whoever it was had waited. If only it was true and not a trap. Phoebe hoisted one of the bundles she and Venus had hidden here earlier this morning before work.

“Jake, take this bundle, and Venus, give me Pat-a-cake, and take the rest of our things.” The three-year-old didn’t stir during the transfer, just settling her head into the curve of Phoebe’s neck. She slept like a rock, that girl, just like Massa Paddy, who’d sired her.

She led her little flock down the path that led into the woods. She was putting a lot of trust in the letter the peddler had slipped to her three weeks ago. But what choice did she have? Miz Nettie was going to sell them to the slave trader—Phoebe and all of the five children left to her.

When she first made the threat, Phoebe had hoped it was just the sorrow speaking. Miz Nettie had been wild with grief since her husband fell from his horse and died, followed in short order by Ol’ Massa Blake, his father, who took an apoplexy when Mist’ Chan turned up dead. Or at least Miz Nettie had been wild since the will was read.

But she meant her threat. Massa Paddy said the trader was coming this way next week. He was sorry, he said, because he was fond of Phoebe, but her sewing skills would mean she would fetch a high price and find a good place, so she wasn’t to worry.

Not to worry? Not to worry about her children being taken from her and sold away, probably down the river? Venus, at nearly 12, was old enough and pretty enough to catch a master’s eye, and Joe already did a man’s job in the fields, but at least Massa Paddy had a reason to treat him fair.

Please God the letter is true, please God. It had been her constant prayer these last weeks. Please God it was from her brother as it seemed to be. It would read like nonsense to anyone else opening it, but she knew.

“To the gentle Lady of the Lake. Sir Morien bids you, on the night of the first full moon after the natal day of the loathsome Sir Kay, to go to the place where the Parfait Knight shared his tales of chivalry, and from thence to seek the Holy Grail.”

She read, but not well. She couldn’t ask for help, but she managed to puzzle most of it out. The names she’d seen before, long ago when she learned to read. What was ‘natal day’? She fretted over that one for a week, until she overheard a visiting preacher comment how sad it was that the Master had died on his natal day.

Sir Morien—the name that Mist’ Phineas had given her brother Cudjo in the long sagas they had played out at his directions in these very woods. Mist’ Finn was the Parfait Knight, of course, and they readily agreed to refer to his older brother, Mist’ Chauncey, as Sir Kay. The Holy Grail, to them all, was freedom.

This was her third note in the 12 years since Mist’ Finn had run away, taking her younger sister and brother with him. The first, some 18 months after they left, was just five words. ‘We found Avalon. All safe.’ The second, five years ago, had offered escape ‘at the abode of the Lady of the Lake’. The little harbour where Mist’ Finn had kept his sailboat might just as well have been on the moon for all the chance she had of reaching it.

But this time, the meeting point was right here on the plantation.

They were heading for the Woods House, behind which, in stolen moments, Mist’ Finn had taught the three of them to read using the books about the Arthurian legends that he so loved.

Please God she was not too late. Please God it was not a trap.

Read part 2 here

A Baron for Becky is done

I’ve made the final beta reading changes. I’ve sent it off to a couple of trusted readers for their comments. I need to give it one more read through when I’m fresh, and then it goes to the proofreader.

A Baron for Becky is done. It started to be a novella, then a long novella, and now a short novel. But it’s done.

That’s all I wanted to say.

the-beginning

Anne Stenhouse and Daisy’s Dilemma

Jude, I’m delighted to be visiting your blog so far away in geographic terms and here in electronic ones, on publication day. If any of your readers wish to leave a comment saying why they’d like a copy of Daisy’s Dilemma, then I’ll select a lucky winner from their number at the end of today’s launch celebrations. Daisy’s Dilemma is e-reader only, but most formats are available.

Anne Stenhouse writes dialogue rich historical romance with humour and a touch of thematic mystery from her Edinburgh home which she shares with her dancing partner husband.

Daisy’s Dilemma – released today, 16 June

There’s an excerpt below in the questions, here’s the blurb:

Daisys Dilemmal 300dpiLady Daisy Mellon should be ecstatic when her brother, the earl, allows Mr. John Brent to propose. She’s been plotting their marriage for two years. However, she is surprised to find herself underwhelmed and blames their distant cousin, Reuben, for unsettling her.

In the turmoil caused by the earl’s impending wedding, it becomes obvious that there is a hidden enemy within the family. Tensions rise as the great house in London’s Grosvenor Square fills with relatives.

Reuben Longreach wonders whether the earl understands the first thing about Daisy’s nature and her need for a life with more drama than the Season allows. It’s abundantly clear to him that Daisy and John are not suited, but the minx accepts his proposal nonetheless.

Meanwhile Daisy hatches a plan to attach Reuben to her beautiful, beleaguered Scots cousin, Elspeth. Little does she know that Elspeth is the focus of a more sinister plot that threatens Daisy too.

Will Reuben be able to thwart the forces surrounding Daisy before she is irretrievably tied to John? Will Daisy find the maturity to recognise her dilemma may be of her own making before it’s too late?

 

Buy links

Daisy’s Dilemma from Amazon UK  * Kobo  * Amazon ca *  Amazon au * Amazon US * Amazon NZ

Social media links

Novels Now blog

Facebook

 

An interview with Anne Stenhouse

  1. When did you begin to write, and why?

100_4686Most writers will say they’ve always written or at the very least they’ve always been story tellers. I think that’s true of me. I remember having a lovely time at a school camp holding the entire dormitory in my fictional hands as I spun an oral tale about something or other. Can’t remember at this distance in time what it was. I do remember the power and pleasure of the silences and the sudden bursts of laughter or deep collective sighs. I’ve always enjoyed crafting the written word for speech and I suppose that’s why I enjoyed writing plays. I could say I think in conversations as I replay the day’s encounters and change them over and over. And now – novels like Daisy’s Dilemma in which I let rip with the dialogue.

I do think speech and the things we do while speaking create wonderfully dramatic scenes and I hope there are a few in all my books that take readers back whenever they see one of the titles come up. Of course it’s impossible to really know how they spoke in the early nineteenth century, but it’s good fun using appropriate vocabulary words and adding lots of ‘ma’ams’ and ‘your lordships’. I’m also not averse to a bit of inversion – of speech and grammatical patterns.

  1. Why do you write in your chosen genre or genres?

I write ROMANCE because that’s the intense one-to-one relationship I’m most interested in. I may read detective fiction, but I don’t enjoy thrillers where the central relationship, hunter and hunted, is of necessity warped. This is not to say I don’t craft villains whose interest in either the Hero or Heroine might be unhealthy. I do and my villain, Sir Lucas Wellwood, in Mariah’s Marriage, remains one of my favourite created characters. Mariah’s Marriage was my debut novel and Lady Daisy of Daisy’s Dilemma, began life there.

So that might explain romance, why historical? Like many girls, I spent my teenage years reading copiously. In my case, I devoured Jean Plaidy, although today I can’t stand Tudor history and apart from the wonderful Bess of Hardwick, give them all a wide berth. Then came Jane. Austen, of course. Her work is penned at that moment when English became the modern language I recognise. The world she knew was changing so much and so fast. Women were poised to begin the fight for recognition as people, not adjuncts.

Georgette Heyer was next and I have a hardback collection. So, once you run out of the favourites – you need to roll up the sleeves and create your own.

  1. Do you base any of your characters on real people?

Not consciously, no. However, I was approached by the clever fundraisers of St John’s Church in Edinburgh to donate the chance to be a named character in my next book. I agreed and two chances were put forward. So, look out for the Edinburgh neighbour and the Edinburgh family’s coachman in Daisy’s Dilemma.

Basing characters on real people who are alive is a no-no these days. I think in times past writers had a lot of fun, mostly harmless, picking up foibles and simply changing a letter or two in either the first or second name. I’m sure some of them also settled a few scores. Personally, I need to craft. I may recognise a person whose life really needs artistic recognition, but they won’t be interesting enough if you simple put their character traits down on paper. You need to dig a little, embroider a little (for farce, a lot) and make them not just interesting oddities, but compellingly interesting oddities.

  1. What’s your favourite scene and why?

My favourite scene in Daisy’s Dilemma comes near the beginning of the novel and shortly after those Edinburgh relatives mentioned above arrive in the great London townhouse of Daisy’s brother, the Earl of Mellon. Daisy’s older cousin, Elspeth Howie arrives and her appearance, in dowdy tweed and acres of shawls, appals Daisy. But, she is bred to be a hostess and a hostess never makes her guest feel out of place or uncomfortable. Here’s a wee taster:

Daisy’s dilemma, Anne Stenhouse, editor Judy Roth

“Stephens, can someone assist Miss Howie.”

“Don’t worry about me, Lady Daisy,” the girl said, but relinquished a leather grip, two books, a stone hot water pig and a paper wrapper that looked to hold the remains of some bread, when the butler came closer. Daisy watched in fascinated horror while Stephens transferred the haul to a footman. She heard a step coming smartly along the garden passage behind her, Reuben, and saw the smile light Elspeth’s violet eyes when she recognised him.

“Why, it’s cousin Reuben.” Elspeth unwound a shawl from her shoulders and another from around her waist. She allowed a maid to catch them as they slid floor-wards. “I didn’t know you were staying, too.”

Reuben surged forward and enveloped Elspeth. Daisy, surprised by this show of intimacy, stepped aside. When had they met, she wondered. How had they come to know each other so well that a polite bow and curtsey was by-passed in favour of this warmth?

****

We’ll leave them there for the moment.

All for one and one for all – Tuesday Talk

Mari Christie offers us these thoughts on marketing in the Bazillion Book Marketplace.

collaborationsquidoosmall-300x300As I work through a long list of marketing plan headings for my upcoming book release—Product, Place, Price, Promotion, et al—some things strike me again and again as similar to what I have been recommending to clients for 20 years: press kits, events, giveaways…

That said, in some ways, the direction has turned 180 degrees. For instance, given the pool of new books on Kindle, even separated by genre, for a new, unknown author, the traditional start of any marketing plan, “analyzing the competition” and “creating a competitive advantage,” is ludicrous. (“I’d like to take market share from all 1,678,423 authors ahead of me on the Amazon Rankings…”)

Further, Big Publishing no longer provides significant marketing budgets for new authors, in some cases requiring we pay not only for trips to conferences, books for signings, etc., but also for simple editing and proofreading, because they no longer want to pay salaries for in-house editors. Make no mistake, any part of the process they can force from our pockets, they will—with no compunction.

A quick scan of the television lineup any night of the week should tell us that when this model places us in competition with each other, it makes money for the media conglomerates that run American entertainment, including books. (Like in reality TV, one person will win a quarter-million-dollar prize and everyone else goes home with nothing. Amazon, however, like a television network, brings in money no matter how many books we sell.)

To counteract this corporate manipulation:

Eliminate the idea of competition.

One can differentiate a book to some extent with good cover design, solid proofreading, smart keywords, price promotions, and (if a buyer gets so far as the words) good writing, but your good writing means nothing anymore until it generates 4- and 5-star reviews in the hundreds. Even then, regular sales are a long shot even professionals can’t guarantee for well-known authors, much less an indie writer who has nothing but the fortitude to finish writing a book and the temerity to publish it.

In place of the traditional American sales model, let us all agree now that we aren’t in competition with each other, and we are (almost) all in the same leaky boat. Loyal readers in your genre will read lots of authors’ books in a lifetime. Yours might or might not be one. Don’t begrudge success where any of us find it and support each other’s efforts.

  • Seek out and connect with other authors for critique, sharing of information or research, or just for moral support. Join online and real-time groups, lists, and trade associations created for authors in general, your genre in particular. These groups exist all over the internet and in every city and state (or whatever regional boundaries exist in other parts of the world).
  • In real-life and online trade groups and on indie author promotional sites, contribute, volunteer, and become part of the community. Make friends online and they will be more likely to help you promote yourself. (Social media best practice, by all accounts, and a well-known marketing strategy since the dawn of the capitalist system. Besides, how rude—and ineffective—is it to continually post promos to groups that have no vested interest in you?)
  • Give advice when you can, and don’t be stingy with your “Lessons Learned.” We all started somewhere. (To be clear, only give advice about things for which you are qualified.)
  • Go to other indie authors for services when you can—book publishing and otherwise—and barter if you are so inclined. (Personally, if I could find another experienced professional editor to trade manuscript services, I would be over the moon.)

Collaborate.

Marketing alone is as dangerous as “groupthink,” plus, it is more expensive, more time-consuming, and more depressing when it isn’t going well. Instead of “going it alone,” share marketing concepts and stay engaged with other authors, especially in your genre. Among relatively unknown entities, more new customers will be reached by co-promotion (e.g. multiple authors throwing a communal launch party) and/or cross-promotion (e.g. two authors posting contests on each other’s blogs to win copies of both books).

As matters of regular marketing practice, consider these:

  • Be each other’s first readers and reviewers. Pay it forward by leaving reviews.
  • On social media, Like/Follow/Pin/Comment/Share each other’s work. (I am now in the habit of Liking any author page that comes across my Facebook news feed, about 10 a day, and have created a Pinterest board titled, “Other Authors’ Books.”)
  • Support reviewer blogs and social media, and Like, Comment on, Retweet, and Share reviews, announcements, giveaways, blog posts, etc. (Share this blog post! :-))
  • Support independent indie author promo sites like Microcerpt, KindleMojo, or AuthorShout, as well as the obvious, well-funded players in the market, like Amazon or Goodreads.
  • Coordinate release dates, social media “parties,” even promo sale dates, to maximize potential audience. (November 26, come to a Facebook party for my new release, Royal Regard, and at least two others in the romance genre!)

Some of these practices may seem counter-intuitive, given how steeped most of us are in the idea of zero-sum marketing, but the sales world has changed (don’t I know it!). We can no longer rely on publishers to promote us, and even if we are unprepared for the new marketing process, it is prepared to make money from—and, if we play our cards right, for—us.

Keep your sales in your own pocket. Keep your marketing under your own control. Keep the indie marketplace one that acts as a cohesive whole, rather than allowing the traditional model to pick off one of us after the other until only one person has the quarter-million-dollar prize.

Heather Boyd and An Improper Proposal

HeatherBoyd_200I’m delighted to welcome Heather Boyd to the blog. Heather has a new release out: Improper Proposal, book 6 in her Dangerous Rogues series. Read on to find out more about Heather, for an extract, and for links to the new book.

1. When did you begin to write, and why?

I began writing in 2008. It was either write or go mad from the stories swirling around in my head. I had owned a bookshop, which meant I had access to all kinds of amazing works. When that ended, I had way too much time on my hands. Since my imagination just wouldn’t stay quiet I wrote a story… and it was terrible. Everyone in it had to have a scene in their point of view (something not recommended). I listened to advice, learned my craft until I thought I was ready. Like most authors, there were rejections. I’m not big on quitting so I let the bad roll off my back and kept going. And I’m still learning. Perseverance and a thick hide is a good trait for an author to have.

2. Why do you write in your chosen genre or genres?

Before I was a writer, I read in a lot of genres. Fantasy and science fiction stories were essential to surviving my 4 hour daily train commute to the paying job. Reading made the miles blur nicely. But it wasn’t until I worked in the bookshop that I found romance. Regency romance novels were the first books that made me laugh out loud. Not something I usually do around other people. Once I’d stripped the store of its best, I knew that’s where I had to focus my writing energy. There is nothing quite like a regency for escapism, strange medical practices, and heroines deserving a wonderful hero. It’s loads of fun to write around the rules of what was considered proper in the early nineteenth century and see how far you can bend them.

3. Do you base any of your characters on real people?

My usual answer is to say not directly. Sometimes I’ll be inspired by something I see or hear around me and that might go in with a twist. Everyday life inspires so many creative endeavors. My kids wrestling inspired a funny/sad scene in my most recent book, An Improper Proposal, but I applied it to older pair of men.

4. Who is your favourite character in the book you’re showing us today?

I always love the men. Lord Louth, the hero of An Improper Proposal, has been running in and out of my other stories for quite a number of years as a best friend character. He’s been fun and it was wonderful to finally work on his love life and give him his own happy ever after. Of course, the man did want to be difficult about my matchmaking efforts but I had my way with him in the end.

5. What’s your favourite scene and why?

In An Improper Proposal, Iris Hedley asks for training as a mistress. Lord Louth disagrees with her chosen career, but he’s not offering her a better life with him. In fact, thanks to events around his daughter’s birth (she’s illegitimate) he’s never getting married. They’d already discussed the pros and cons of her decision to become a mistress to a limited extent, and then proof of the pitfalls of a scandalous life comes rolling straight at him in a baby carriage (pushed by Mrs. Hughes). It was awkward for him but revealed the one thing Iris longed for most—children and a family of her own.

An extract from An Improper Proposal

AIP_Cover533x800Martin leaned toward her ear and pitched his voice low, eager to change the topic of conversation. “Have you thought what you would do if you became pregnant to a protector?”

“I would keep the child,” Iris said immediately. Her brow furrowed and she glanced over her shoulder toward Mrs. Hughes’s retreating back. “I’ve no idea if it’s the done thing or not but that is my answer.”

“You would allow your child to suffer an irregular birth?”

She licked her lips. “I should not like to see them suffer of course, but that is likely what will happen, isn’t it?”

“Very true, and yet there are some gentlemen who would do the right thing.” Martin would have married Vivian if he’d been given the choice. “What if your protector were to propose marriage to give the child his name? Could you marry the man if you did not love him?”

“Many women do marry for a title rather than affection.” A tiny smile twisted her lips. “I would have to consider the matter at that time, of course.”

He stopped. “You would hesitate to live a respectable life?”

“Well, I cannot say with any certainty what I would do at this moment. I’ve not even begun to be a mistress.” She smiled cheekily. “Perhaps he picks his toes at the dinner table and drinks custard with his pork chops.”

After that point, the conversation goes further downhill. LOL Thanks for having me. xx

About Heather Boyd: Bestselling author Heather Boyd writes sizzling regency historical romance that skirt the boundaries of propriety to keep readers enthralled until the wee hours of the morning. She has published over twenty novels and shorter works.

Connect with Heather: Website | Twitter | Facebook Page | Mailing list

An Improper Proposal
Distinguished Rogues, book 6
Regency Historical Romance
Release date: June 9, 2015

About the book: In order escape a devil’s bargain penniless spinster Iris Hedley requires private lessons in seduction to become a wealthy man’s mistress. No stranger to scandal or bad choices, Lord Louth is convinced Iris is headed for heartbreak and sets out to prove surrendering to wicked pleasure can have unwanted consequences.

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Quick update on writing progress

Not this dayI am bowling along, happy as a lark, and then… life.

Encouraging Prudence is languishing at the moment. The plot elves deserted me along with the tooth the dentist pulled last Monday. Poor Prue, who I left sleeping in David’s bed way back in April, still hasn’t woken up to see the note David left her. But I’ve printed the 43,000 words I have so far, and this weekend I’m going back to the beginning to get reaquainted with the story.

Gingerbread Bride, one of the two books I abandoned Prue for, is my novella for the Bluestocking Belle‘s Christmas anthology. I had trouble finding the ending, but I made it on the fourth try, and it is now with two of my Belle colleagues, who are beta reading it.

I have novellas from two of them for the same anthology. I’ve read them once, and am looking forward to reading them again this weekend, and sending my colleagues my comments.

The other book that nudged its way to the top of the queue is A Baron for Becky, which I’m releasing in August. It’s due to the proofreader on 19 June, and I’ve heard back from more than half the beta readers and made the tweaks they’ve suggested, so I’ll meet that deadline easily. I’m leaving it alone this weekend.

I’m planning a quiet weekend to let the jaw finish healing, but next week I’ll have Becky out the door and can focus on Prue. I’ve been asked to launch her novel at BookTown in Featherston in October: my first ever in-person book launch. Which means the first draft needs to be finished by the end of July so I have time for all the editing and book production work. More news about BookTown to come!

The Raven’s Lady – the villains foiled, our hero rewarded

Part 4 of The Raven’s Lady, the short story I wrote as a prize for Crystal Cox.

You can read part 1 here.

You can read part 2 here.

You can read part 3 here.

Frederick_Morgan_-_Off_for_the_HoneymoonThe planning session devolved into an argument over a different topic; first Felix against Joselyn, and then—when Joselyn convinced the others of the sense of what she said—Felix against the officers and part-time smugglers alike.

Felix did not want Joselyn taking her usual place down on the beach at the head of her women. Indeed, if Felix had his way, all of the women would be replaced with his trained soldiers.

Joselyn and her helpers agreed that the soldiers would form the main part of the workforce on the beach, disguised in skirts and with concealing shawls to keep their masculine features from giving away the ambush. But, Joselyn insisted, she needed to be there, head uncovered and face seen, so that the villains would believe they had her trapped. And her supporters insisted on joining her.

She was right. Felix knew she was right. He hated placing her in danger, but she was essential to the success of the plan.

Reluctantly, he had to agree.

By the time Cyril returned from his errand, all was prepared. Tonight, they would trap the Black Fox.

raven

Cyril clearly expected an outcome much more to his liking. He could hardly contain his glee when both Joselyn and Felix claimed tiredness early in the evening and retired to bed. And they had to hastily conceal themselves behind trees when he came crashing noisily down the path towards the clifftops, muttering to himself about tonight being the last night.

Reaching the clifftops themselves, they watched him hurry away down the path towards the village.

“I don’t want you going down there, Josalyn,” Felix told her. He wasn’t going to stop her. She had as much at stake as he—more, given her love for these people. But he wanted her to know he was reluctant.

Had she been this frightened for him, knowing he had gone to war? If so, he’d have to spend the next fifty years making up for his unthinking cruelty in staying away so long. He smiled at the thought of that, and she smiled back.

“I will be careful. And if the smugglers come this way, you will be in more danger than I.”

In the event, the Black Fox split his forces, and attacked from the sea as well as the cliff top. For a few minutes, Felix was too busy to worry about Joselyn, but once the thugs on the cliff top were subdued, Cyril among them, he hurried down the path to the beach, where clumps of people wrestled in the moonlight.

As he reached the sand, a sudden loud shout stopped him in his tracks. “I have the woman, and I’ll kill her if you try to stop me.”

It was the Black Fox, his arm around Joselyn’s neck, brandishing a pistol in his other hand. He was backing towards the rowboat he had arrived in, two of his henchmen flanking him on either side.

“Not another step!” the Fox shrieked at the soldiers following him. The rest of his crew were gone, subdued by the soldiers or Joselyn’s women. But no one dared approach these three!

Felix’s heart was in his throat, blocking his breath and pounding like the French cannon at Waterloo. He couldn’t attack without risking Joselyn, but if he didn’t attack, they’d take her with them to who knew what horrid fate.

At that moment, there was a loud caw. Immediately, and so fast that Felix couldn’t afterward untangle the order, a large black feathery missile hurled itself into the Black Fox’s face, Joselyn gave a twist and vicious upward punch into a portion of the Fox’s anatomy that made Felix wince, two shots rang out, and the two henchmen fell.

Within moments, it was all over, the smugglers captured and the raven marching up and down the beach cackling his satisfaction at his timely intervention.

Felix, with difficulty. restrained himself from wrapping Joselyn in his arms in front of half his tenants and all his soldiers. He’d never been so frightened in all his life. Thank God she was safe!

The Black Fox was hauled off in custody, along with his surviving men and Cyril, his co-conspirator.  They would face the magistrate on the morrow.

Joselyn and Felix walked home together through the dawn. The raven had flown off about his own affairs, and the housekeeper had gone on ahead, arm in arm with the farmer’s wife.

“Joselyn,” Felix said, “I have explanations to make, and excuses. I let everyone think I was dead because that was the best way I could serve in the war against Napoleon, but I didn’t think about how it would affect you. Dare I hope that you will forgive me? I will spend a lifetime making amends if you will permit.”

Joselyn was silent for a long time. He was wrong then. He had hoped she was beginning to like the adult him, at least a little. Eventually, she spoke.

“You seem very certain that we would suit,” she stated.

“I know we would suit,” he said. “Certainly you suit me. I did not think there was a woman in the world who so combined courage, intelligence and spirit with beauty and kindness. I wish for a chance to convince you I can make you happy. May I court you, Joselyn?”

She was silent again, but a quality in the silence gave him hope, and he waited patiently.

“I did not know there was a man in the world who valued spirit and intelligence in a woman. Certainly I have not before met a man who would allow me to lead my troops into battle, even though he wished to protect me.”

“I didn’t want you to go,” Felix admitted.

“But you respected me enough to agree,” she said.

She was silent again.

“I daresay, now that my last surviving relative is dead, my trustees will find me somewhere else to live,” she said after a while. “I cannot, of course, stay here as a unmarried woman in the house of a bachelor.”

That was true, Felix supposed, his heart sinking. He hadn’t thought of that. Would she leave him, then?

“I never knew… Felix, you really do want me, don’t you? Not just my money?”

“Joselyn, I’ve not taken my officer’s pay in eight years, and it has all been soundly invested along with my prizes. Believe me, you are the treasure I want, not your money.” He moved to take her back into his arms, but Joselyn stopped him with her hand.

“Then I wonder,” she looked down shyly, “if you would consider marrying me first, Felix, and courting me after?”

raven

So it was that Joselyn Bellingham and Felix Maddox were wed as soon as the bans could be called. And if there were some who questioned the sudden change in Viscounts, and wondered at the reappearance of one who had been thought dead these six years the older servants and villagers soon put them right. And if some said the bride should not have lived in the groom’s house that last fortnight, Viscountess Maddox’s supporters told them to hush their mouths. And if some raised their eyebrows when the bride was escorted down the aisle by a large raven, Viscount Maddox didn’t care a jot. After all, he said, the raven had found him his bride and saved him his bride, and that was all there was to that.