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Danger and adventure on WIP Wednesday

In The Flavour of Our Deeds, I decided I was tired of the hero rescuing the heroine. Here’s Kitty, hunting for her husband, who has been kidnapped.

“You two stay here with the prisoner,” she told Dixon and Henry. “Millie and I will scout the area.” She adjusted her quiver so she could reach it quickly, took half a dozen arrows, and set one into her small hunting bow.

“I should do that, my lady,” Dixon protested. “You are a lady! I can be trusted. I promise.”

Kitty thought she probably could trust the man not to betray them, but she wasn’t going to risk it. “Stay here,” she repeated. “My husband trained me and Millie in woodcraft. We will not be in danger, and will return when we know whether there are guards.”

There were. Two men, sitting on a ledge part way up the rock outside of a cave that was awash with each wave. They were passing a bottle between them as they took it in turns to toss a pair of dice. 

With all their focus on their game, they didn’t see Millie and Kitty creep towards them. Not until Kitty stood, her arrow nocked and her bow drawn. “Hands up,” she said.

Both men reached for the guns that lay beside them. Two arrows flew, and both flinched back, dropping the guns into the wave. One gun had an arrow in the stock. The other arrow had glanced off the other gun and struck its holder in the face.

“Millie, collect their guns,” Kitty commanded.

Her maid put her own gun down and crept forward, taking care not to get between Kitty and the two smugglers. 

“You won’t shoot,” one of the smugglers ventured. “You’re a girl.”

“She did shoot, you fool,” hissed the other.

“And hit exactly what I aimed at,” Kitty told them. “The next two arrows will go into your black hearts. That will leave me two spare and another six that I can reach and fire in seconds. Don’t move. Don’t speak. Don’t think. Millie, fetch the others.”

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Tea with Ella and Alex from A Raging Madness

Her new set of carriage horses were everything the Duchess of Haverford could wish. A perfectly matched set of handsome bay geldings, gentle of nature and trained not only as a team of four, but to work in pairs or even alone.

Aldridge had brought them for her for a birthday present, and the breeder and his wife had delivered them in person, bringing them down from their estate in Suffolk by gentle stages. Lord and Lady Renshaw specialised in providing riding and carriage horses, and were gaining a stirling reputation among the ton. Lord Renshaw, or Alex, was an ex cavalry officer whose courage had been rewarded with the title of viscount and a rundown estate, which they were rapidly building into a prosperous going concern.

Aldridge knew them personally, of course. Alex was a Redepenning, a cousin of Stephen, Lord Chirbury, who was Eleanor’s nephew and therefore also Aldridge’s cousin. His wife was a less well known quantity. Ella had followed the drum as a child, had been married to a baronet, and there had been accusations of insanity around the time of her second marriage. All nonsense, as it turned out. A ghastly plot by her cousins in league with a villain whom Alex had killed in self defence.

As she poured tea for them all, Eleanor questioned them about the bloodlines of the horses and their training. “They will also take a saddle, Your Grace,” Ella said. “A gentleman’s saddle or a sidesaddle. We like our  horses to be ready for any eventuality.

So it was true. Ella was as involved in the stud farm as her husband. Indeed, one of their two most successful studs had been her dowry. “Do you drive, Lady Renshaw?” Eleanor asked, on a sudden whim. At Ella’s nod, she suggested, “Let us have two of my fine new fellows harnessed to the tilbury. We will leave your husband and my son to the brandy they would much prefer to have to their tea, and you shall drive me around the grounds and tell me all about your children.”

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Spotlight on The Golden Redepennings: Books 1 to 4

Published on 24 March: The box set of the first four Golden Redepenning novels. It’s only $4.99 until the end of the month. In February, it will revert to $9.99, which is still a great price for four long novels.

Order your copy today: https://books2read.com/GRbox-set

Here’s more about the series: The Golden Redepennings

And here are the covers of the four books included in the set:

And, finally, one of the early reviews.

I had read books 1 and 2 several years ago. It’s especially good to binge read such a series. I had forgotten how obnoxious and cynical Alex was at times in book 1 – Farewell to Kindness. In book 2 – A Raging Madness – he takes on the role of knight errant and is less bitter than in book 1. (Well, of course. He has admired Ella for years.)

In all 4 stories there are secrets to be revealed (including surprises for the reader) and many obstacles to overcome, including the reluctance of the main characters to voice their feelings for the other. I felt transported in time and place by these well-paced and carefully crafted stories.

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Masks and Masked Balls in Regency England


Masked balls and masquerades were a popular part of Georgian culture that continued on throughout the Regency.

People attended wearing a mask, and possibly a costume, and the event often included a time for a general unmasking. First, there were the public balls, such as those at some theatres or at Ranalagh and later Vauxhall Gardens. Those could be attended by anyone with the price of a ticket. All the rules we’ve learned about in reading novels set in the Regency were ignored or turned on their head during the masked part of the evening–and were expected to be. Indeed, only the most careless of guardians would allow a lady under their care to attend.

As for private balls, they could be just as bad, though it depended on the host and the guest list. In the Bluestocking Belles collection Holly and Hopeful Hearts, the high sticklers are shocked that the Duchess of Haverford would include a masked ball at her house party, but she is confident that, with the guest list controlled and her and her committee of ladies on the watch, all propriety will be observed. Even so, a naughty maiden in one story is only saved by the good sense of the rakes who outrage her, and in another story, a lowly-born chef borrows a costume to steal a dance–and a kiss in the garden–with a lady.

In less controlled environments, the behaviour was–and was expected to be–much more lively. Propriety, sobriety, and even chastity were ignored once people put their masks and costumes on. In fact, possibly a private affair, where a person might expect to meet only people from their own class, the guests might be encouraged to be even less careful!

In Lady Beast’s Bridegroom, my heroine Arial wears a half-face mask for a different reason… Because one side of her face is horribly scared. She is delighted in the next novel in the series, One Perfect Dance, when her friend Regina holds a masquerade ball, so that Arial will not stand out from the crowd.

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Accidents and mishaps on WIP Wednesday

Nothing like a small hiccup in a character’s travel plans to get a plot going. In this excerpt. Pauline and Vivienne are begging for refuge from the storm, but the servant does not want to let them in.

Thorne shook his head and brandished the rifle. “You cannot come in and you cannot stay here.”

Surely, he would not actually use that thing on them? “You must see that we cannot return down the path in the dark,” she told him. Where was his master? She hoped Peter’s friend would not turn Peter’s sister from his door, much as he might wish Pauline herself to perdition.

Thorne was still shaking his head. “Not my problem. We don’t have visitors.”

Technically not true, since Peter had been here several times since Captain Lord John Forsythe moved so far north, and at least once, he had brought Arial. The man’s brother, the Marquess of Deerhaven, had also visited.

Perhaps Thorne’s objection was to women visitors.

He added some weight to that theory by saying, “You can’t stay here. Unmarried young women with no chaperone? I know what you’re about.”

Pauline was perilously close to losing her temper. She could feel the scalding hot words bubbling up inside her. She breathed deep and forced them down.

Vivienne took her hand. “What are we going to do?” she whispered.

Through the wet gloves they each wore, Pauline could feel Vivienne shivering with the cold. “My sister is wet and cold, and can go no further tonight,” she said. “You will find us a place to sleep out of the rain.”

Thorne sneered. “Or what?”

Beside Pauline, Neil squared his shoulders and opened his mouth, but before he could speak, someone else did. “Or I shall have a word or two of my own to say, Nathaniel Thorne.”

Jane Forsythe scampered back into view, leading the speaker, a woman of about the same age as the man Thorne. “The idea of leaving Lord Stancroft’s sisters on the doorstep in the rain! Or any other Christian out on a night like this. Put that silly gun away and go and light a fire in the blue bedchamber. Come in, you poor dears.” She nudged her husband out of the way, and beckoned them forward.

Pauline kept a wary eye on Thorne as she followed Vivienne into the tower. Neil and Keith, close on her heels, also watched him closely, waiting for him to make a wrong move. He stood there, indecisive, as Betsy dropped the bag she had been carrying.

Mrs. Thorne hovered over Vivienne, helping her remove her coat and bonnet while lamenting their sodden condition. Thorne put the rifle back on a couple of wall hooks and walked off through an interior door, muttering, “It is not as if it was loaded.”

At a nod from Neil, Keith followed the man, and Miss Jane skipped off after them both.

Mrs. Thorne turned her attention to Pauline. “Off with those wet things, Miss Turner. I shall just set the kettle on to boil. And is this your maid?”

“Yes,” Pauline acknowledged. She introduced Betsy and Neil. “Neil’s brother Keith has gone to help your husband with opening up the room.”

Mrs. Thorne looked a bit uncomfortable. “It will just be the one for the two of you,” she said. “And your men will have to share, too. It’s not that we don’t know how to entertain guests, but we are a bit out of practice, and Thorne and I are the only live-in servants, so you see…”

Pauline spoke hastily to reassure her. “Vivienne and I are very happy to share. If you have a pallet, and the room is big enough, Betsy can stay with us as well. We are well able to help with the chores. We are so very grateful you have allowed us to stay.”

“I could not turn you out into that storm,” Mrs. Thorne said. “Even the master would not expect that,” she added, but the crease between her eyebrows hinted she was unsure of the last statement.

Another thought wiped the crease away. “He will have nothing to complain of if you just stay clear of him, which will be easy enough, for he seldom comes out of his own tower, and then only to see Miss Jane. If you keep to your rooms, all shall be well.”

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Tea with Anne and her sons

“No, Stephen,” the Countess of Chirbury said, moving a delicate vase away from the questing hands of her eldest son.

“But Mama,” the little boy protested, “I need a place to hide my soldier. He is an exploring officer, like Papa’s friend, Mr Bear. And if John’s soldiers see him, they will shoot him.”

“Yes, they will,” his twin shouted. Then bit his lip at his mother’s frown. He stood and bowed to the Duchess of Haverford, his hostess. “I am sorry for shouting, Aunt Eleanor.”

“We do not shout in a lady’s parlour,” Anne reminded her son, who sent his impish grin her way and plopped back down on the carpet to turn some of the row of lead soldiers around, presumably so they could better hunt Stephen’s little exploring officer.

“Hide your man behind the cushion, Stephen,” Eleanor suggested. Cushions were much more robust than vases. When she had invited her niece-in-law and sons to tea, she had expected the children would come with attendants to keep them entertained. But apparently Hannah, their nurse, was on her afternoon off, and the nursemaid was a substitute, the usual nursery maid having eaten something that disagreed with her.

The inexperienced girl was out of her depth with the twins. She was sitting in a chair by the window showing a picture book to little Joseph, who at eight months old was regarding the illustrations with dark intense eyes. His father already called the boy ‘the Professor’, and he certainly showed no sign of becoming like his older brothers. At four years of age, they had more mischief apiece than a barrel of monkeys, though Anne would insist, and Eleanor agreed, that they had not an ounce of malice between them. Just boundless energy, creative imaginations, dauntless courage, an inborn need to each outdo the other, and a restless curiosity that led them from near catastrophe to close disaster, so that their father swore he was growing grey before his time.

A voice spoke from her doorway. “Good day, Mama, Cousin Anne, boys. We have a freshly waxed floor in the picture gallery, Cousin Anne. If I promise to keep them away from stairs and anything breakable, may I take my little cousins to test how well it works?”

Anne smiled beatifically at the Marquis of Aldridge, Eleanor’s son. “Would you?”

Aldridge winked at her and addressed her twins. “Boys, put your armies away in their boxes. Your Mama says you may come and play with me.”

“Can we go for a ride in your phaeton, Lord Aldridge?” John asked, as he obeyed the command with more haste than delicacy, throwing the toys into the little leather box they had arrived in.

“I have another plan,” Aldridge said. “You will like it.”

“Is it going to the kitchen to eat plums?” Stephen wondered, his own soldiers–even the precious exploring officer–being tossed carelessly into his own box.

“Something different,” Aldridge told them, holding out his hands. “Something fun.”

With a boy attached to each hand, he nodded to the ladies. “Send a footman when you want to retrieve your savages, Cousin,” he said, and led them away.

“He is very good with them,” Anne told Aldridge’s mother. “He will make a good father one day.”

 

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Spotlight on A Curio for the Count

A Curio for the Count

By Elizabeth Ellen Carter

Raised as an Englishman, Armand Danger, Comte de Ytres, is troubled by a dream from his childhood that leaves him speculating on his French past.

He is convinced an elaborate clock belonging to his late father, executed in the French Revolution, holds the answers he seeks.

Miss Jade Bridges works as a valuer in her family’s London antiques shop and auction house. One day she receives mysterious letter from an anonymous client willing to pay any price for a very specific statue clock.

While in pursuit of the clock, Jade and Armand meet and there’s immediate attraction. But how can it amount to anything when they are rivals for the very same object?

As the couple grow closer and attraction deepens, they agree to join forces to find the timepiece together.

Then an antiques dealer is killed. It appears someone else is willing to extract a fatal price to possess the clock for themselves.

What is it about this curio for the count that someone is willing to commit murder for it?

Release date 19th January: https://www.amazon.com/Curio-Count-Gems-London-Book-ebook/dp/B0BQ4C6DHK

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A bouquet of excerpts on WIP Wednesday

I’ve created these tags and pulled out these excerpts for the contest leading up to next month’s launch of Lady Beast’s Bridegroom. I’m planning to do another sharing contest. Share one of my memes on any of your social media, and go in a draw for a great prize. More news about that before the end of next week. Meanwhile, here’s what I will be using for the memes.

A reclusive bride. A reluctant fortune-hunter.

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Could a practical marriage become a love match? Not if their enemies could help it.

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The beauty of a kind heart is the truest kind.

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The mask she wears hides ugly scars, but the true ugliness lies in the hearts of their enemies.

***

Peter walked through the London streets, trying to think of some other way out of Arial’s dilemma. He couldn’t reconcile his dignity to the idea of selling himself to a rich wife. On the other hand, leaving Arial to the non-existent mercies of her cousin was impossible. He owed her his help.

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Marriage was the only quick way to secure safety for his sisters, and the surest.

It helped to further soothe the raw hurt of being a fortune hunter that the lady needed the protection of his name and title. The idea of a convenient marriage had become a lot more palatable in the past hour or so.

She would not have been a beauty even without the scars he could see, and he shuddered to imagine the damage she kept hidden. That was all to the good. His stepmother and her daughter were beauties, and they were shrews.

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Peter was everything she dreamed of in a husband, but that made it all the more likely she would fall in love with him. Mr. Richards said he was reluctant to marry for money, but she thought he would come to it. He was driven by a strong sense of responsibility, and by love for his two half-sisters.

To marry someone she loved who could never love her. Wouldn’t that be a kind of living hell? Far more comfortable and less immediately dangerous than the one her cousin threatened, but lacerating to the soul, nonetheless.

***

“You look like a fairy princess,” Viv asserted.

Arial thought fairies were frail little creatures, and no-one had ever thought her frail, even before the fire. But when she stepped in front of the mirror, she conceded there was much to be said for Viv’s opinion. It was the gown, of course, and the jewels, and the mask. But she truly did present a gratifying appearance for her wedding. Two impossible things. She’d never thought to have a wedding. She’d never thought to see admiration in the eyes of others.

Would Peter be pleased with how she looked?

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Peter turned to look. It was Arial, but not the Arial he had left this morning. Dressed in a golden gown with a matching half-mask, her hair dressed high upon her head, his mother’s jewelry catching the light, she was a queen—no, a goddess—beautiful, mysterious, confident, alluring.

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“I have always thought that ugliness of character, while easier to hide, at least temporarily, must be far more disappointing for a husband than a few physical scars. Far harder to live with, too.”

***

Her voice was steady again. “I think kissing might be pleasant.”

Kissing was pleasant with a temporary lover. Peter feared that kissing Arial was going to be so far beyond pleasant it would shatter his world and remake it. “Kissing can be very pleasant,” he said.

***

In the morning, the half mask was back in place. He expected too much, too soon. She had trusted him enough to give him her body. It would take time before she could bear to be naked with him.

The small bit of distance was to his benefit, too. This marriage was a civil arrangement. He did not intend to spoil it by becoming besotted with his bride.

***

“I imagine people are curious,” Peter said. “Newlyweds,” he added.

Arial very much doubted that was the reason. “Kind of you, Peter. In truth, they want to see the gargoyle with the mask and the man who looks like a fairy prince.”

***

“People judge us both by our looks. I don’t like it, Arial. The way we look is not the sum of us. I don’t see ugliness when I look at you. I see kindness and intelligence. I see the lips that kiss me so sweetly. I see the body that was made to respond to mine.” He leaned across the corner of the table to place a kiss on the corner of her mouth.

“And if all you see of me is an outer shell I did nothing to deserve… I would be very disappointed, lady wife.”

***

Her marriage had turned out exactly as she feared. She had fallen in love with her beautiful, kind, clever husband. That was not part of the bargain, and she could never let him know.

***

Peter saw red. He had no memory of drawing his sword or of crossing the hall, but in seconds, the brute was backing away, whimpering, his hand to a cheek that dripped blood.

And Arial was back in Peter’s arms where she belonged.

He held her close, kissing her hair, her forehead, her ear, anything he could reach while she was plastered to him, saying over and over, “You are alive. Josiah lied. I knew you would come if you could.”

“Nothing and no one could keep me from you, my dearest love,” he told her.

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Spotlight on A Pirate Duchess

Congratulations to Rue Allyn on the release this coming week of The Pirate Duchess.

The Pirate Duchess: Book 2 of The Duchess Series

They meet during a brawl.

Esmeralda Crobbin first encounters Brandon Gilroy during a brawl. Once their opponents are vanquished, she admires the man’s skill with his fists, his intelligence, and a number of other attributes until she learns that he is a British Naval Officer. He would be eager to see her hang, if he knew she was the American privateer, Irish Red.

Other retailers

Amazon

My comments

Where you were fascinated by Esmeralda and Brandon in the story Wait for Me, in Storm & Shelter, the Award -winning collection from the Bluestocking Belles. Did you want to know how they met, and whether they ever met again? You need to read this book. If you haven’t read Wait for Me, now is your chance to get the whole story.

Esmeralda is on a quest for her past–fulfilling a promise to the pirate who gave her a home, a name, and the love of a father. Her attraction to Brandon is impossible. When they are trapped in a village during a storm, his suspicion of her doesn’t prevent him from falling in love. But each has a mission to complete, and so they part. When they meet again, the secrets between them are exposed one by one, threatening to tear them apart for all time. I was with each of them every step of the way, as these enemies each found it impossible to resist the other. It’s a delightful story, with mystery, adventure, danger, and a whole heap of romance.

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Beauty is in the eye of the beholder

One of the subjects I researched for February’s release, Lady Beast’s Bridegroom, was Regency attitudes to beauty. Remember all those sayings of our mothers and our mothers mothers? You can’t judge a book by its cover. Handsome is as handsome does. Beauty is only skin deep. True beauty is in the soul.

The thing is, most people believed the opposite in the Regency whatever they said. And I don’t know if things are any better today.

Here’s part of the Author’s note I wrote for the book.

Even in today’s more diverse culture, physical appearance makes a huge difference in people’s lives. Being heavily overweight, disfigured (especially in the face), or otherwise not fitting social norms for appearance can count against a person in the job market, in romance, and in dozens of other ways.

The Regency era held that attractive people were more trustworthy, more capable, better adjusted and more worthy in every way. Recent research suggests that things haven’t changed. Across cultures, including our own, people judge others on the basis of their attractiveness, and the idea that ‘beautiful is good’ seems to require a ‘disfigured is bad’ corollary.

Then, as now, assistive technology focused on improving aesthetics as well as function. A wooden hand that mimicked a real one, for example. The disfigurement needed to be disguised or hidden in order not to provoke horror.

Could I write a heroine who evokes the typical horrified reaction to disfigurement that has been recorded through time, and who is, nonetheless, a sympathetic character that we want the hero to love? You be the judge.