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A bouquet of excerpts on WIP Wednesday

I’ve created these tags and pulled out these excerpts for the contest leading up to next month’s launch of Lady Beast’s Bridegroom. I’m planning to do another sharing contest. Share one of my memes on any of your social media, and go in a draw for a great prize. More news about that before the end of next week. Meanwhile, here’s what I will be using for the memes.

A reclusive bride. A reluctant fortune-hunter.

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Could a practical marriage become a love match? Not if their enemies could help it.

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The beauty of a kind heart is the truest kind.

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The mask she wears hides ugly scars, but the true ugliness lies in the hearts of their enemies.

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Peter walked through the London streets, trying to think of some other way out of Arial’s dilemma. He couldn’t reconcile his dignity to the idea of selling himself to a rich wife. On the other hand, leaving Arial to the non-existent mercies of her cousin was impossible. He owed her his help.

***

Marriage was the only quick way to secure safety for his sisters, and the surest.

It helped to further soothe the raw hurt of being a fortune hunter that the lady needed the protection of his name and title. The idea of a convenient marriage had become a lot more palatable in the past hour or so.

She would not have been a beauty even without the scars he could see, and he shuddered to imagine the damage she kept hidden. That was all to the good. His stepmother and her daughter were beauties, and they were shrews.

***

Peter was everything she dreamed of in a husband, but that made it all the more likely she would fall in love with him. Mr. Richards said he was reluctant to marry for money, but she thought he would come to it. He was driven by a strong sense of responsibility, and by love for his two half-sisters.

To marry someone she loved who could never love her. Wouldn’t that be a kind of living hell? Far more comfortable and less immediately dangerous than the one her cousin threatened, but lacerating to the soul, nonetheless.

***

“You look like a fairy princess,” Viv asserted.

Arial thought fairies were frail little creatures, and no-one had ever thought her frail, even before the fire. But when she stepped in front of the mirror, she conceded there was much to be said for Viv’s opinion. It was the gown, of course, and the jewels, and the mask. But she truly did present a gratifying appearance for her wedding. Two impossible things. She’d never thought to have a wedding. She’d never thought to see admiration in the eyes of others.

Would Peter be pleased with how she looked?

***

Peter turned to look. It was Arial, but not the Arial he had left this morning. Dressed in a golden gown with a matching half-mask, her hair dressed high upon her head, his mother’s jewelry catching the light, she was a queen—no, a goddess—beautiful, mysterious, confident, alluring.

***

“I have always thought that ugliness of character, while easier to hide, at least temporarily, must be far more disappointing for a husband than a few physical scars. Far harder to live with, too.”

***

Her voice was steady again. “I think kissing might be pleasant.”

Kissing was pleasant with a temporary lover. Peter feared that kissing Arial was going to be so far beyond pleasant it would shatter his world and remake it. “Kissing can be very pleasant,” he said.

***

In the morning, the half mask was back in place. He expected too much, too soon. She had trusted him enough to give him her body. It would take time before she could bear to be naked with him.

The small bit of distance was to his benefit, too. This marriage was a civil arrangement. He did not intend to spoil it by becoming besotted with his bride.

***

“I imagine people are curious,” Peter said. “Newlyweds,” he added.

Arial very much doubted that was the reason. “Kind of you, Peter. In truth, they want to see the gargoyle with the mask and the man who looks like a fairy prince.”

***

“People judge us both by our looks. I don’t like it, Arial. The way we look is not the sum of us. I don’t see ugliness when I look at you. I see kindness and intelligence. I see the lips that kiss me so sweetly. I see the body that was made to respond to mine.” He leaned across the corner of the table to place a kiss on the corner of her mouth.

“And if all you see of me is an outer shell I did nothing to deserve… I would be very disappointed, lady wife.”

***

Her marriage had turned out exactly as she feared. She had fallen in love with her beautiful, kind, clever husband. That was not part of the bargain, and she could never let him know.

***

Peter saw red. He had no memory of drawing his sword or of crossing the hall, but in seconds, the brute was backing away, whimpering, his hand to a cheek that dripped blood.

And Arial was back in Peter’s arms where she belonged.

He held her close, kissing her hair, her forehead, her ear, anything he could reach while she was plastered to him, saying over and over, “You are alive. Josiah lied. I knew you would come if you could.”

“Nothing and no one could keep me from you, my dearest love,” he told her.

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Spotlight on A Pirate Duchess

Congratulations to Rue Allyn on the release this coming week of The Pirate Duchess.

The Pirate Duchess: Book 2 of The Duchess Series

They meet during a brawl.

Esmeralda Crobbin first encounters Brandon Gilroy during a brawl. Once their opponents are vanquished, she admires the man’s skill with his fists, his intelligence, and a number of other attributes until she learns that he is a British Naval Officer. He would be eager to see her hang, if he knew she was the American privateer, Irish Red.

Other retailers

Amazon

My comments

Where you were fascinated by Esmeralda and Brandon in the story Wait for Me, in Storm & Shelter, the Award -winning collection from the Bluestocking Belles. Did you want to know how they met, and whether they ever met again? You need to read this book. If you haven’t read Wait for Me, now is your chance to get the whole story.

Esmeralda is on a quest for her past–fulfilling a promise to the pirate who gave her a home, a name, and the love of a father. Her attraction to Brandon is impossible. When they are trapped in a village during a storm, his suspicion of her doesn’t prevent him from falling in love. But each has a mission to complete, and so they part. When they meet again, the secrets between them are exposed one by one, threatening to tear them apart for all time. I was with each of them every step of the way, as these enemies each found it impossible to resist the other. It’s a delightful story, with mystery, adventure, danger, and a whole heap of romance.

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Beauty is in the eye of the beholder

One of the subjects I researched for February’s release, Lady Beast’s Bridegroom, was Regency attitudes to beauty. Remember all those sayings of our mothers and our mothers mothers? You can’t judge a book by its cover. Handsome is as handsome does. Beauty is only skin deep. True beauty is in the soul.

The thing is, most people believed the opposite in the Regency whatever they said. And I don’t know if things are any better today.

Here’s part of the Author’s note I wrote for the book.

Even in today’s more diverse culture, physical appearance makes a huge difference in people’s lives. Being heavily overweight, disfigured (especially in the face), or otherwise not fitting social norms for appearance can count against a person in the job market, in romance, and in dozens of other ways.

The Regency era held that attractive people were more trustworthy, more capable, better adjusted and more worthy in every way. Recent research suggests that things haven’t changed. Across cultures, including our own, people judge others on the basis of their attractiveness, and the idea that ‘beautiful is good’ seems to require a ‘disfigured is bad’ corollary.

Then, as now, assistive technology focused on improving aesthetics as well as function. A wooden hand that mimicked a real one, for example. The disfigurement needed to be disguised or hidden in order not to provoke horror.

Could I write a heroine who evokes the typical horrified reaction to disfigurement that has been recorded through time, and who is, nonetheless, a sympathetic character that we want the hero to love? You be the judge.

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Proposals on WIP Wednesday

I have The Talons of a Lyon ready to go to Dragonblade, and am just waiting till the end of tomorrow in case the last beta reader has some comments. Meanwhile, I wanted to share with you Lance’s third proposal. He mucked up the first two.

“I asked Elaine for some time alone with you, Seraphina. Can you not guess why?”

“Oh,” she said, and to his dismay cast a longing glance at the door before abruptly sitting down on the nearest chair. “You mean to propose again.”

However hard he tried; he could not interpret her tone as encouraging. Nonetheless, he sank to one knee.

She leaned toward him, her hands up as if in protest. “You should not, Lance. You have done so much for me already. I cannot let you sacrifice your chances of a match with someone worthy of you.”

His surge of anger was not at her, but at all the people who had convinced her of her unworthiness, with her father and Lord Frogmore at the top of the list. “It is I who am not worthy of you, Seraphina. Your courage, your devotion to your family, your determination, your dignity—they humble me. As for sacrifice—the shoe is quite on the other foot, but I am more selfish than you. You could do much better than the left-over spare of a duke, whose brother has sons and a grandson to take his place. I’ve never achieved much in my life beyond good manners and a well-tied cravat. I don’t deserve you, but I am asking, anyway. If you will have me, I will be the best husband and father that I can.”

Seraphina stood to stamp one foot. “You shall not say such things. The left-over spare, indeed! No one could have done what you have done for me. Ever since you gave me hope that day in the park, you have always known exactly the right person to help me, and how to persuade them. If not for you, I would still be living in Pond Street, separated from my children, my reputation in ruins. I am so grateful, Lance. That is why I cannot take further advantage of your generosity.”

Lance felt like stamping his own foot. Might have, if he’d not still been on one knee. “Dammit, woman, I am not being generous. I love you.”

She sank back into her chair, one hand fluttering over her chest. “What did you say?”

He felt his cheeks heat. “I beg your pardon, Seraphina. Language unbecoming. I don’t know what came over me.”

She waved his apology away. “Not the curse, Lance. You said… did you really say you love me?” Tears trembled in her eyes, but she was smiling, almost glowing.

“I love you,” Lance repeated, hope almost choking the words. He swallowed hard and continued, “I cannot imagine facing the rest of my life without you. Will you marry me, Seraphina? Even if it is just because you need a guardian for your children, let it be me. I will ask nothing you are not prepared to give. Only the privilege of being your husband, of loving you.”

She slipped off her chair to kneel before him, slipping her hands into his. “I want to give you everything,” she told him. “I love you, Lance.”

“You will marry me?” Lance needed her to say the words, so he could start to believe them.

Her smile spread. “I will marry you.”

His eyes focused on her lips, turned up towards him, and his mouth lowered almost without his volition. “I am going to kiss you, my love,” he warned her.

Seraphina said nothing, but lifted her mouth to meet his.

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Spotlight on Duke in All But Name

Duke in All But Name (Book 1 of The Entitled Gentlemen)

By Caroline Warfield

Secrets and lies threaten to pull them under, but a forced marriage may be their salvation.

Gideon Kendrick grew up as the despised bastard son of the Duke of Glenmoor. Exiled to the mines by his father, he has not only survived but thrived and prospered. He lives apart, wanting nothing to do with the duke, the estate—or anything in his past, except his younger brother Phillip, the new duke.

When Phillip disappears, leaving behind a letter asking his brother to care for his affairs, Gideon can’t refuse. Armed with authority making him the duke in all but name, he returns to the scene of his worst memories, facing vicious rumors and his family’s past. He also finds a grasping would-be heir, a steward with secrets, and a woman who stirs in him a desire he thought buried with his beloved wife.

Mia Selwyn lives in the shadows, an unwanted poor relation in the house of her viscount uncle. When her cousin’s hoydenish attempt to meet the supposed heir sees her drenched, ill, and in need of nursing, Mia is sent to care for her. Though warned to stay clear of the despised Kendrick, she is drawn into the dark undercurrents among the mismatched collection of residents and enthralled by the enigmatic Mr. Kendrick.

She quickly realizes he is not the monster he is rumored to be, twisted in body and mind. Instead, he is a resilient resourceful man with a deep love of family. As family, household servants, and villagers take sides on whether Gideon is the source of all the estate’s problems or its salvation, Mia and Gideon forge a partnership.

Together they struggle to unravel secrets and the tangle Phillip left behind, and in the process, find a future for themselves.

Buy now or read on KU: https://www.amazon.com/Duke-Name-Entitled-Gentlemen-Book-ebook/dp/B0BJS3GDN7/

My comment: Warfield goes from strength to strength. I loved Gideon in The Defiant Daughter, and I’m thrilled to see him with a heroine worthy of him. Every book that Warfield writes, I think she has created the best heroine yet, and now Mia! What can I say? Brilliant. Add Gideon’s gorgeous children–Warfield writes the best children in romance–and a couple of slimy villains. What more does one need for a happy afternoon inside a book? Buy and enjoy!

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Tea with a new granddaughter

Outside of the nursery they may be the Duchess of Winshire and the Duchess of Haverford, but leaning over the ornate and much befrilled cot, Eleanor and her daughter-in-law were merely Grandmama and Mama.

“She is so beautiful, Cherry,” Eleanor exclaimed. “Look at the little darling.” Her voice slipped into the higher register that is natural to even the most dignified of ladies when speaking to a tiny infant. “Are you smiling? Are you smiling at your Grandmama? You are, Sally. Yes, you are.”

The baby, highly amused at the faces Eleanor was pulling, chortled.

“She is so precious,” Eleanor added.

The child’s mother was wearing a frown. “Anthony says that he does not mind that she is a girl,” she said.

“No more he should,” Eleanor replied, stoutly. The next words were cooed to the baby. “She is a little blessing, and he adores her from the tip of her sweet little toes to the dear little curls on her head.”

“He does.” Cherry sounded uncertain, and Eleanor dragged her attention from the dear little angel to focus on the mother.

“Cherry, he will has five nephews to be duke after him. He married you because he loves you, knowing the pair of you may never have children, and has never regretted his choice. He did not expect a child, and is over the moon with this one. Believe me. He is my son.He adores this little miracle, and would not change anything about her.”

Once, long ago, Eleanor had tried to talk Cherry out of accepting Haverford’s offer of marriage, knowing that Cherry had been told a disease had made her unlikely to carry to term, and being convinced her son would resent a barren wife.

She had been wrong. She had castigated herself many times for putting doubts in her beloved daughter-in-law’s mind, since they surfaced to torment Cherry every time a pregnancy failed.

“Come, darling,” she suggested, “let us send for a pot of tea and sit and talk. You shall tell me what is worrying you, and I shall rattle on about how happy we all are that Sally is a beautiful, healthy, little girl.”

She picked the baby up and cradled her in her arms. “You darling, darling child. You are going to be a heartbreaker, I can tell. Your father’s eyes and the curls your father cuts off lest anyone call him pretty! You shall be wooed by every nobleman in Great Britain. Yes, and Europe, too!”

That made Cherry laugh. “Her father swears that he will turn Catholic, just so that he can lock her up in a convent when she turns fifteen.”

Eleanor dropped a kiss on the little girl’s petal soft skin. “Do not you worry, Sally. Mama and Grandmama will make Papa behave.”

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Just like clockwork

When I was a child, we used to go every December to Wellington to see the windows at Kircaldy and Stains, the big department store, where each window contained a different animated scene, which we had to follow in order, as they told a story. It was a different story each year, and to me as a child, they were beautiful, exciting, and an important part of Christmas. More recently, I took my grandchildren to see the same windows in the same shop. (My children did not grow up in Wellingon.)

The department store closed in 2016 after 152 years, but some of the automata live on at the Wellington Museum.

I’ve had simpler automata as toys. A monkey that played a drum when wound up. A ballerina that danced when a jewelery case was opened. Automata have always fascinated me.

Perhaps that’s why I have made the hero of the book I’ve just sent to beta the creator of clockwork automata. They were a sensation when they first appeared in the 17th century, and remained popular with wealthy collected and intrigued patrons throughout the 17th, 18th and 19th centuries. And, as I’ve just indicated, into the 20th, though from the Victorian age on, they tended to be powered rather than clockwork.

The history of mechanical figures goes back into legend and through various accounts of the last 2,500 years. Stories of moving statues, mechanical men, and automated birds who sang pop up in accounts from Ancient Greece and Biblical Judea, Persian and China, the Ottoman Empire, and other places. But we are concerned with Europe in the 18th and 19th century, where they were a sensation with wealthy collectors and influential patrons. Many even went on tour. The History of the Automaton Mechanical Miracles describes three by Pierre Jaquet-Drois, built between 1768 and 1774:

Each figure is 28 inches tall and performs a range of realistic actions. The draughtsman draws four different pictures, including a portrait of Vaucanson’s royal patron, Louis XV. The musician plays upon an organ, while the writer — made of more than 6,000 separate components — can be programmed to pen any message of 40 characters or fewer, making him in the eyes of many the true progenitor of the modern computerised android.

The three automata toured Europe for many decades, advertising the firm that built them, which prospered.

France remained a centre for automata building, moving to powered automata in the second half of the 19th century. Germany and Switzerland also had their great makers.

Clocktower automata like the one in my book are also know as glockenspiel, though the name refers to the instrument that makes the sound rather that the figures. As my hero says, it is made of bells or small pieces of metal struck be hammers. Not the one in Stratford in New Zealand, which is a town not far from where I’m writing this blog post. The town website says:

Since 1999, the clock tower has been entertaining passersby with a short Shakespearean performance four times a day.

Following the striking of the tower bells at 10 a.m., 1 p.m., 3 p.m. and 7 p.m., carved figures of Romeo and Juliet emerge from doors within the tower. As they do so, a recording begins of some of the most famous lines from the Balcony Scene, backed by some suitably Elizabethan music. Six different figures emerge in total (three of Romeo and three of Juliet) during the five-minute mechanized performance, with the last set standing hand in hand. The music plays throughout, with various lines from the play.

The music, along with the lines from the play, is piped out from a modern(ish) sound system. It is not played using a traditional carillon system of bells as found in more authentic towers of this type.

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First meeting on WIP Wednesday

First meeting in the book, that is. They first met a decade earlier, and the picture he formed of her was not positive. When she turns up at his house seeking refuge, he suspects her of ulterior motives, and is certain she must be causing trouble. After fretting about it all morning, he goes to find them, sure they won’t have stayed in their room, as his housekeeper assured him they would.

He heard nothing in the house. No voices, no movement. Down the main central passage he went, from one end of the main wing to the other, and then up the branch passage that led to the other tower.

When he reached the other end of the main wing, he knew he had been right. The visitors had not stayed put. He could hear them downstairs in Mrs. Thorne’s kitchen, laughing and talking. What on earth were ladies like that doing in the kitchen? Making a nuisance of themselves, he’d be bound.

He wasn’t going to be kept out of his own kitchen by a pair of Society ladies. And if they were bothering Mrs. Thorne, they could simply get back to their rooms, and so he would tell them.

He walked down the servants’ stairs to the kitchen, which was in the lowest level of the main wing of the house. It and its associated store rooms were the only part of the main wing in regular use, though Mrs. Thorne had women from the village up several times a year to give the whole place a good clean.

When he reached the bottom of the stairs, he was struck dumb by the sight of a pretty young lady in a simple day gown slicing a loaf of bread, while an older one whom he recognized as Miss Turner was helping Jane to sprinkle powdered sugar over the top of a cake.

That was the most startling part of the scene, though all of those currently in the kitchen were busy. Another strange female, presumably the maid, was buttering the slices as Lady Vivienne cut them, and a large lean man had stopped setting the empty end of the table with crockery and cutlery to eye him suspiciously.

Jane looked up from the cake and flung up her hands, scattering sugar all over Miss Turner. “Papa!”

Mrs. Thorpe twisted her hands in her apron and eyed him warily. “Captain, sir.”

John heard her, but couldn’t tear his eyes off Miss Turner, who was nothing like the besom of his imagination. She wasn’t even much like her former self except in general appearance, somewhat modified by the passage of time. The haughty female who had been bosom friends with his former betrothed wore her discontent on her face and looked down her nose at the world.

This older version of the woman he had met years ago was altogether softer. More rounded, for a start. Eight years ago, she had been slender to the point of gaunt. The extra weight was distributed in all the right places, too, which he shouldn’t be noticing.

Nor was she dressed in the height of fashion. In fact, he was fairly certain he had seen the dress under the capacious apron that had caught most of the sugar. If he was right, and it was one of Mrs. Thorne’s, she certainly didn’t seem to be bothered by it.

She was laughing as she dusted sugar off her nose and cheeks. When she darted out a tongue to taste her own lips, he tore his eyes away, embarrassed by his reaction.

“Papa, did you come to have some of my cake? Miss Turner and I made it our own selves!”

There was only one possible answer. “I would love some cake you made, Jane of mine.” For his darling girl’s sake, and not because he was at all interested, he added, “Will you introduce me to our guests?”

Jane went to jump down from the chair she was standing on and realized two things in swift succession. First, that she was still holding the sieve of powdered sugar. Two, as she turned to hand it to Miss Turner, that the lady was had been soundly dusted.

“Oh dear,” Jane said. “I threw sugar on you.”

“These things happen,” Miss Turner said, with a twinkle in her eye. “You were excited to see your Papa.” She took the sieve and held out the other hand to help Jane jump to the floor.

Jane grabbed John by the hand and pulled him towards the table. “Lady Vivienne and Miss Turner, may I present my Papa, Captain Forsythe?”