Tea with Eleanor: Paradise Lost Episode 3

Haverford House, London, March 1812

If she had said ‘yes’, what would have happened? He had a curricle in the mews. They could have left that night, straight from the garden where they’d slipped out for a private conversation. Haverford would not have assaulted her on her way back inside. James would not have challenged him to a duel, wounded him, and been exiled a step ahead of the constable.

Eleanor carefully replaced the rose and took out the letter her maid had brought her the afternoon after Haverford’s horrifying assault had been followed by the announcement of her betrothal. The maid had hidden it under the tray cloth when delivering her breakfast so that the footmen who guarded her bedroom door didn’t see it.

My dearest, dearest love

My father is in it, too. He says that Haverford is to have you, as soon as he has recovered from his wounds.

I wish I had never challenged the duke, or that I had shot to kill. I meant only to defend your honour; to show he could not speak of you as if you were his possession. Even a husband should hesitate to show such disrespect to the woman he has promised to cherish above all others, and so I told him. ‘You are not even her betrothed,’ I told him, ‘and the last man on earth to deserve her’. I am very sorry, Eleanor. I lost my temper, when I should have been thinking of the best way to press my case with your father.

Now, the devil is in it, my father insists that I must flee the country. He says Haverford will have me arrested for shooting him, and Father won’t lift a finger to stop him.

Come with me, Eleanor. The ship my father has organised leaves in two days, but I have a friend who can get me away tomorrow night. I promise I can look after you. I’ve sold the little estate my mother left me, so I have funds. We will go to the Continent. I can find work, I know I can, and we will be together. I know it won’t be what you are used to or what you deserve, but I love you, and you love me. Is that not worth fleeing for?

Meet me by the oak near the back gate of your garden as soon as the house is quiet tomorrow evening. I will be there. We have to be on the ship in time to sail with the dawn, and by the time your household wakes, we shall be gone down the river, and out to sea.

Come with me, my love.

Yours forever

James

Her father’s voice, in her memory. I’m not throwing you away on a third son, Eleanor Creydon. Winderfield is a fribble; a useless pup. Haverford wants you, and I’ve accepted him. Forget Winderfield.

The letter was yellowed with time, and Eleanor, too, had faded with age. But she had not forgotten. She would never forget.

Had she been brave enough or clever enough to break out of her room and evade the guards outside her door and patrolling the garden, Eleanor would not have been left with her reputation in tatters, refusing to marry Haverford and unable to marry James.

If she had continued to refuse, had stayed true to her memories of him, and had not finally given way to her sisters’ pleadings—for Lydia assured her that marriage would free her from the tyranny of her father and Helene had been set firmly on the shelf because of Eleanor’s scandal—she would not have spent thirty-four years married to a monster. But her father and the Duke of Winshire told her James was dead, and after that it didn’t matter what became of her?

They were mistaken, or they lied. Almost certainly, they lied. Now, James was back in England, and she would need to meet him and pretend that they hadn’t broken one another’s hearts so many years ago.

A few tears fell onto the letter, and then the Duchess of Haverford packed everything away, dried her eyes and returned the box to its place.

Weeping over the past and fretting over the future never helped. She had children who loved her, friends, important work in her charities, and a full and busy life.

She smiled at her reflection in the mirror. Her complexion had returned to normal, and her sense of herself, too. The girl who mourned James had become a woman she rather liked. How could she regret any part of the path that led here?

Mad as a hatter

The fur trade goes back into the mists of time. Animal skins were a useful source of warm and durable clothing, and back before the human population swelled and fur animals were hunted to the scarcity and even extinction, the supply must have seemed inexhaustible. Even so, by the 17th Century most European populations were severely diminished, and the eyes of European traders turned to the United States. In particular, traders wanted beaver pelts, not for the pelt or even the leather, but for the fur. Beaver fur provided the highest quality felt for hat making. It is tight yet supple, and holds its shape.

Hats, like other forms of dress,  played a large role in reflecting one’s social  identity.  The shape and style of one’s hat indicated to a passerby one’s profession, wealth, and social rank and position.  Color, shape, and material all carried specific meaning.  In Ecclesiastical heraldry, for example, a red, wide-brimmed hat clearly  indicated that its wearer was a cardinal, and  interactions required a specific social protocol.  In  seventeenth century England, the shape and style of one’s hat reflected political and religious affiliation.  Due  to the expense of a beaver hat, being able to purchase one made a visual statement about one’s wealth and social status. [A brief history of the beaver trade: https://humwp.ucsc.edu/cwh/feinstein/]

Felt is made by applying heat and pressure to a collection of fibres, and beaver fur is particularly suited for felting because of the way the strands of fur stick together. The following video shows the way the process has worked for the past 100 years. It was much harder before the fancy machines.

Back then, the guard hairs were plucked from the pelt by hand, then mercury was brushed over the pelt to roughen the fibre and help each hair to stick to the next. The pelt was dried and then shaved.

The resulting fluff was mixed and then carded. Carding is a process of raking to get all the fibres running in the same direction. Next, the hatter weighed out the quantity of fluff he needed for a particular style of hat.

The fluff then went through a process called bowing to begin the process of sticking all the fibres together. The object was to create two large oval sheets about 4 feet long, 3 feet wide and 6 to 12 inches high, called batts. Now the hatter used heat, pressure (from his hands), and moisture to compress this batt. The process released mercury, which the hatter absorbed. Over time, hatters developed mercury poisoning, which is where we get the phrase, mad as a hatter. By the time this part of the process ends, the two batts have been put back together into a large cone, as you saw in the video.

Then comes planking–dipping the cone into a very hot solution of diluted sulfuric acid, beer-grounds and wine sediments, then working it by hand on planks around the kettle and doing it all over again until the felt was half its size.

After that came blocking, dying, stiffening, brushing, and lining, till at last the hat was ready for the market. The shape of hats changed according to fashion (some of which are explored in the following video). The process remains much the same, except without the mercury poisoning.

First kiss on WIP Wednesday

How about a kiss, folks? Put your excerpt in the comments so we can all see it. Mine is from To Claim the Long Lost Lover, which is finally wending its way up to the crisis.

For eight years, memories of their kisses and embraces had fueled her dreams. Tender at first, almost tentative, this kiss set those memories in the shade from the start, and as the heat rose and his free hand pressed her closer; as she spiraled into a a space out of time and place where nothing existed by him, the memories slipped away to be replaced by new ones.

Somehow, the brandy glasses were gone, and both of his hands were on her, and hers on him, untying and stripping off his cravat, fumbling undone the buttons of his waistcoat, pulling his shirt from his pantaloons so she could slide her hands up under it, to stroke and caress his warm firm skin, silk over steel, much more of it than back when he had been a skinny youth just shooting up from boyhood and still inches short of his adult height.

Such random thoughts surfaced and drifted away as he released her for long enough to wriggle out of his waistcoat, pull the shirt over his head, all the while kissing her as if the touch of her lips was keeping him alive.

Then his hands were on her again, and he was kissing her neck and then lower. With her bodice now completely unfastened, her gown slipped down her body to pool around her feet, and she kicked free of it and curved her spine so that he had room to continue to feast while she pressed the rest of her body to his.

The knock on the door was repeated twice before either of them surfaced enough to notice.

Tea with Eleanor: Paradise Lost Episode 2

The garden of Creydon House, 1777

Lady Eleanor Creydon traced the words in the water that puddled on the stone rim of the fountain. “Lady James Winderfield.” Her lips curved in a tremulous smile. The man she loved was asking her father for her hand, and would soon come to ask her.

“I have made an appointment to meet your father tomorrow,” he had whispered in her ear last night as they promenaded down the centre of the double line of dancers. Then, as they passed one another, a few moments later, “You know what I want to ask him, my darling.”

She circled the girl at the head of the ladies’ line, barely aware of the other people in the room, conscious only of James and the words that set her heart thumping. Only years of practice kept her moving gracefully back around to meet James again, her arm stretched high, her hand ready for his brief clasp and her ears for another burst of whispered words.

“It is what you want?”

Looking up, she nodded, and the anxiety cleared from his eyes as they met hers. How could he be unsure of her? She had no further opportunity to reassure him. They had to part and dance down the outside of their respective lines, and the music drew to a close before they could speak again.

Her mother had been waiting, and hurried her away. The Earl of Farnmouth, her father, had decided it was time to leave the ball.

Eleanor had lain awake in the night, thinking that tomorrow would never come, but at last the sun had come up, and the interminable morning had passed.

James was with her father now, shut in the earl’s study. Soon, surely, the earl would send him out into the garden. The answer would be yes, of course. As the daughter of an earl, she knew her worth, but James was third son of a duke; a duke, furthermore who was a friend of her father.

Eleanor cast a glance at the house and frowned slightly. Her father would say yes. Of course, he would. Only last week, he had interrupted her dinner with her mother to announce that he expected a very eligible offer for Eleanor’s hand. “I am pleased with your daughter, countess,” he had told her mother. “Betrothed only two months after her debut. You are to be congratulated, madam.”

He had not spoken to Eleanor, but he seldom did, nor had he given a name. Who could it be but James? James was her most ardent suitor. Indeed, since the rapscallion son of the Duke of Winshire had made her the object of his devotion, the rest of her court had fallen away. They had been callow boys, in any case, standing up with her because of childhood friendship or because she had become fashionable.

James was a man, not a boy — twenty-four years to her seventeen. He was unbelievably handsome, charming, clever, funny, and dearer to her than anyone she had ever known, even her older sister. And he had chosen her! She clapped her hands and spun in a circle, unable to contain her delight.

Soon he would come. She composed herself on the stone bench opposite the path by which he would enter the garden. How would he propose? On one knee? Sitting beside her? The thought had her up on her feet again, too excited to stay still, peering down the path.

“Eleanor!” It was a hiss just a hairsbreadth above a whisper.

She spun around. James had come from the other direction. Well, no matter. She hurried towards him; her hands outstretched. He scowled, his eyes blazing in a white face. “James? What is the matter?”

He clasped her hands and pulled her after him into the shadows of the yew walk, where he wrapped his arms around her and rested his chin on her hair. “Eleanor, I love you. I love you more than life itself. You believe me, do you not?”

Eleanor pulled away, but only enough to peer into his eyes. “James? What did my father say?”

James groaned.

“James, you are frightening me. Did he say we must wait?”

“Eleanor, he says that he has given your hand to the Duke of Haverford,” James blurted.

Eleanor’s breath stopped, and the blood surged in her ears as her heart pounded. Her sight grew dark at the edges, and the enormous yew hedges swayed towards her as if to batter her into the ground. By force of will, she fought off her faintness. “But… but he is old,” she stammered, “and a wicked libertine, and cold as ice.” She stamped her foot. “I don’t want him, James. I love you. I love you, James.”

“Shush, my love,” James begged. “We must be quiet. Farnmouth told me I could not see you again, but I had to, Eleanor. I’ll find a way. I promise. You love me, and I love you. I will ask my father to help. He is friends with yours. Surely Winshire can persuade the earl.”

“Yes!” Eleanor’s heart gave another enormous thump, this time with relief. “We will be together?” she asked.

“We will marry,” James promised. He bent his head and his lips touched hers. It was a gentle, reverent salute, but Eleanor pressed closer and the kiss changed, James’s lips still soft, but questing, moving, devouring. His tongue pressed the seam of her mouth and swept inside when she gasped. Again, the darkness hovered, but this time it was a welcoming warmth, a giving and taking of sensation, a merging of selves so that Eleanor no longer knew who sighed and who moaned, or how long they stayed intertwined.

The whistling of a gardener brought them back to themselves. “I must go,” James told her. “Stay strong, my love. We are meant to be together, and I will find a way.”

“We are meant to be together,” she agreed.

The wealth issue

Hall of Mirrors at Versaille, France, 17th century

I have a problem with writing about wealthy aristocrats or oligarchs.

Since the invention of agriculture, sumptuous living has depended on the poverty of others. Wealth inequality began when the first ruler of a city state set some of his people to work in the fields and some to bop on the head any field workers who might object to the assignment, while he and his favourites got looked after. Sure, they had the tough job of telling everyone else what to do, and of going out to fight other city states when one side or the other wanted to extend their power and their authority. Conspicuous consumption led to envy on the part of others and a lust for a share. But for the peasants in the field and the servants scrubbing the pots, who was on top made very little difference.

Those of us who grew up in middle-class enclaves in Western countries after the second world war tend to forget this reality. In the 1950s and 60s, the oligarchs of our nations were carrying on the practice of centuries, exporting the exploitation of workers to poorer countries where their misery was out of sight. And few of us moved among the poor of our own countries often enough and humbly enough to recognise that theories about self-inflicted poverty where lies to protect the rich.

In the 18th century, Adam Smith wrote:

‘Wherever there is great property, there is great inequality. For one very rich man there must be at least five hundred poor, and the affluence of the few supposes the indigence of the many.’

In France in that century, the five hundred poor had had enough. Conspicuous consumption led to envy on the part of others and a lust for a share. The excesses of the French Revolution were horrible. Innocent people died in their masses, and their wealth or lack of it, their guilt or innocence, didn’t make a shard of difference. I’m delighted that the United Kingdom, from which my family lines come, managed to avoid following the French path to the guillotine. At least some of the British leaders saw the danger and shared power in a way that didn’t happen in France. Also, the government suppressed any hint of revolution with a ruthless hand. And the English middle-class had power enough and wealth enough not to follow their poorer brethren into blood, fire, and gore.

It was a fairly close run thing, at times.

The Music Room, Brighton Pavilion, England, Regency era

The noble classes about whom most of us Regency authors write had huge inherited wealth, though the value of agriculture-based enterprise was waning, leading to brutal land grabs through the enclosure acts and the Highland clearances. Even those who behaved fairly to their tenants came to their wealth through dubious means.

‘It is very well known that in England (and the same will be found in other countries) the great landed estates, now held in descent, were plundered from the quiet inhabitants at the conquest. The possibility did not exist of acquiring such estates honestly… That they were not acquired by trade, by commerce, by manufactures, by agriculture or by any reputable employment is certain. How then were they acquired? Blush, aristocracy, to hear your origin, for your progenitors were Thieves…When they had committed the robbery, they endeavoured to lose the disgrace of it, by sinking their real names under fictious ones, which they called Titles. It is ever the practice of Felons to act in this manner.’ (Thomas Paine)

A new class of industrialists and merchants were growing fortunes on the backs of sugar and tea plantations staffed by slaves, factories and mines staffed by underpaid workers including children as young as five, and gunboat diplomacy around the globe. In the middle of the 19th century, John Stuart Mills wrote:

‘The social arrangements of modern Europe commenced from a distribution of property which was the result… of conquest and violence: …the system still retains many and large traces of its origins. The laws of property have never yet conformed to the principles on which the justification of private property rests. They have made property of things which never ought to be property, and absolute property where only a qualified property ought to exist. They have not held the balance fairly between human beings, but have heaped impediments upon some, to give advantage to others; they have purposely fostered inequalities, and prevented all from starting fair in the race.’

Mills believed (and so do I, for that matter) that there’s nothing wrong with owning stuff that you’ve acquired through your own personal efforts. But owning twenty or fifty or eighty times as much as the average Joe? While paying starvation wages? That can’t be right.

So I make my aristocrats supporters of philanthropic causes, and I send them into Parliament to fight for fairer laws. They wear expensive clothing and surround themselves with the expensive trappings of their status, but I try to make them thoughtful about such things. It’s a balance.

But it’s a hard one, especially as I watch the 21st century repeating the mistakes of the past eleven thousand years. We have our own Palaces of Versailles, our own Brighton Pavilions.

Manhattan Townhouse, 21st Century

The richest United States families have an average income of 80 times the income of the average worker, and every country of the world has its own oligarchs, who would rather spend money on security and protection that share what they’ve managed to acquire.

It just isn’t fair.

 

The marriage business on WIP Wednesday

It is the nature of romance that a couple find love, within marriage or without, before the vows are exchanged or after. Of course, historical romance stretches the canvas. Throughout history, people have married for reasons other than love: security, family arrangements, the need for an heir, the desire for companionship and children. In my current work in progress, I have examples of several such approaches.

In my first excerpt, my sisters are discussing a marriage for companionship and children.

“It will have to be the right sort of person. And even if you find someone who will become father to your son and keep your secret, people will talk,” Charlotte warned.

Sarah shrugged. “As Uncle James says, people can talk all they like, but if they can’t prove anything, and if the leaders of Society accept him, the scandal will disappear.”

There would be difficulties. The chief among them, finding someone. The right person needed to be tolerant, supportive, respectful of women, understanding of a youthful mistake with consequences. She doubted she could find such a paragon in society, so she would have to look outside.

Even once she discovered suitable candidates, she would need to audition them very carefully. If they refused what she asked of them, she could not marry them. After that, their silence and their co-operation would be imperative.

“Darling, what of Nate?” Charlotte asked.

“I have to believe he is dead,” Sarah said. “He has been gone eight years, Charlotte. In all that time, he has never tried to contact me. If he is still alive, he doesn’t want me. Elfingham said he took money to leave me, and at first I thought he lied, but eight years, Charlotte!”

Charlotte nodded. She, more than anyone, knew that their brother had been unreliable. “Very well,” Charlotte said, settling herself back on her cushions and picking up her pen and the pad of paper on which she had been making notes. “Let us make a list.”

The father of the hero has made a marriage for an heir, and it hasn’t worked out for him.

“You need a wife, Bentham. Three sons, m’ brothers had between them and all of them single.” Nod. Nate could agree that his cousins had been single.

“You need to marry some well-behaved girl with wide hips,” Nate’s father insisted, “and bed her till you get a son on her.”

Nate’s father, Earl of Lechford thanks to the marital dereliction and deaths of his three nephews, was determined that the Lechford line would continue through what he insisted on calling ‘the fruit of my loins.’ He would have been happy to bypass his banished son, except the well-behaved girl he’d taken to wife once he inherited had produced three sickly daughters at twelve-month intervals, birthing the third with such difficulty she was unlikely to ever get with child again.

That left Nate, whom he reluctantly remembered and set about retrieving, setting the hospital where Nate worked into turmoil by searching for him under Nate’s honorary title as heir. To be fair, being called Bentham was better than ‘fruit of my loins’, as if Nate existed only by reference to his father. Mind you, that was certainly Lord Lechford’s view. His world had revolved around himself when he was merely the Reverend Miles Beauclair, third son of an earl and the vicar of three little villages on the ducal estate of one of the earl’s friends. His world view had not expanded when he came into his unexpected inheritance.

And in the third excerpt, we meet the sisters discussing their list, and why one man should not be on it.

“Aldridge probably is ready to set up his nursery,” Charlotte noted. The cross through Aldridge’s name had been the subject of some debate. The twins agreed that the duke’s terminal illness meant Aldridge must be in need of a bride, but otherwise disputed his suitability for Sarah.

Charlotte argued that Sarah was not seeking a love match, and that Aldridge met all her specifications for a husband.  “He would be a kind, courteous, and respectful husband, Sarah. He is not out for your money or your social position—he has more than enough of both. You get on well with his mother. And they have so much scandal of their own that they’re hardly likely to cavil at yours.”

Sarah countered with all of the marquis’s well-known character flaws, and then won the argument with a sneak attack. “Besides, while I do not want a husband who loves me, nor do I want one who has been dangling after my sister these past four years. He wants you, Charlotte, not me. Besides, even if I was prepared for the embarrassment of being married to a man who loves my sister, I doubt if Aldridge is going to accept such a substitution.”

Tea with Eleanor: Paradise Lost episode 1

Paradise Lost is a collection of vignettes covering the life of my Duchess of Haverford from her debut and marriage to the return to London of the man she was not permitted to marry. I put it together for my newsletter subscribers. Some of the vignettes have been used here on Monday for Tea before; most haven’t.

***

Chapter One

Haverford House, London, March 1812

The Duke of Haverford slammed the door on his way out, but it wasn’t his temper that left his duchess trembling in her chair, her limbs so weak she could do nothing but sit, her chest hurting as she tried to force shallow breaths in and out. She had grown so used to his tantrums that she barely noticed.

“Your Grace?” Her secretary held out a hand as if to touch her then drew it back. The poor girl — a distant cousin just arrived from Berkshire — was as white as parchment. “Your Grace? Can I get you something? Can I pour you a pot of tea?”

Brandy would be welcome. A slight touch of amusement at Millicent’s reaction to such a request helped soothe Eleanor’s perturbation. “I should like to be alone, Millicent,” she managed to say. A lifetime of pretending to be calm and dignified through grief, anger, fear, and desperate sorrow came to her rescue. “Can you please send a note to Lady Carew to ask her to hold me excused today? Ask her if tomorrow afternoon would be acceptable.”

Once the girl left the room, casting an anxious glance over her shoulder, Eleanor stood and crossed to her desk, stopping before the mantel when her reflection caught her eye. If Millicent had been pale, Eleanor was worse — so white that dark patches showed under her eyes, eyes in which the pupil had almost swamped the iris.

It was the shock. Perhaps she would have that cup of tea before she fetched the box.

She poured it, and then added a spoonful of sugar. Two spoonfuls. She normally took her tea unsweetened, with just a slice of lemon, but hot sweet tea was effective in cases of shock, was it not?

With the cup set on the table by the chair, she spent a few minutes moving panels of wood in her escritoire, until the secret compartment at the back opened. It was large enough to contain boxes of various sizes, several small stacks of paper tied with ribbon into a bundle, and a dozen cloth bags.

She had to move some of the contents out of the way to reach what she wanted. The first of the boxes to be hidden in what she called her memory cabinet. She hadn’t taken this one out since the afternoon of the day Grace and Georgie had told her — oh, some 15 years ago — that James still lived.

James had returned to England.

Haverford could shout as much as he liked about Winshire’s heir being an imposter, about all the world knowing that the youngest son of the family had died in Persia three decades ago and more. But Eleanor had known almost as soon as Winshire’s daughter and daughter-in-law knew that James still lived. Of course, he would come home now, when Winshire’s other heirs had died. She should have expected it. Why had she not expected it?

Words from Haverford’s rant came back to her as she sipped her tea and looked through the few treasures she had kept all these years, sacred to the memory of their doomed courtship. Winshire says the man is his son. The ribbon she wore in her hair the first time they danced. He lies, of course. A dried rose from a bouquet he had sent her. The man has a pack of half-breeds that he claims are his children. Several notes and two precious letters, including the one in which he asked her to elope. Barbarians as Dukes of Winshire? Over my dead body! A handkerchief he’d given her to dry her eyes when she cried while telling him that they must wait; that her father would come around. Better to see the title in the hands of that idiot Wesley Winderfield than handed over to some cloth head.

She had kept several brief notes about nothing in particular. ‘I saw these and thought of you’, on a card with a bouquet of sweet spring flowers. ‘Save me a dance at the Mitford’s tonight?’ ‘I saw you in the Park. You rode like a goddess.’ They did not have to be signed. They were all from James, and short because they had been passed to her in secret.

She cradled the rose, fragile and faded. I remember.

Reporting Society gossip and scandal in the Regency era

When we first set up the Bluestocking Belles website, we had the idea to turn our blog into a gossip sheet, where we and other authors could spread gossip about characters from historical romances. The Teatime Tattler has now been going for six years, and this year it (or rather an unknown correspondent) plays a starring roll in our box set, Storm & Shelter.

In truth, as far as researchers can tell, newspapers totally devoted to scandal and gossip were a feature of 18th Century publishing, and reappeared in the 1820s. But in the Regency era, the antics of the upper classes were far more likely to be outed in cartoons posted in the windows of print shops, or in pamphlets devoted to a single story. Society news, and even scandal, does appear in the newspapers we have from those times, but in a column in amongst the war news, shipping news, reports on politics, weather reports, advertisements for everything under the sun, and all the rest.

That said, hundreds of papers came and went during the late Georgian period, from the end of the 18th Century to the ascension of Queen Victoria, so who knows?

Interested to know more?

Contest: Identify the Teatime Tattler Reporter

Guess the identity of the reporter snooping on the people trapped in the Queen’s Barque and the good people of Fenwick on Sea. You’ll find clues in the eight charming novellas in the collection Storm & Shelter.

All correct answers will be entered for the prizes listed below. The winners will be selected at random. Open internationally.

  • Grand prize: $100 gift card
  • Second: a made-to-order story by Jude Knight and Caroline Warfield
  • Third: winner’s choice of an electronic copy of any of the earlier Bluestocking Belles’ collections.

The contest closes on 23rd April at midnight New York time, and prizes will be drawn on 24th April.

Go to the Belles’ website for more information.

Lessons from the Albatross

I used to live on the same peninsula as this breeding colony of royal albatrosses, (I lived nearly 20 kilometres away at the city end). What amazing birds they are. Pairs return to the place of their choice every two years to lay a single egg and take turns in keeping the egg warm and in feeding the fledgling. It’s a long process. Up to two and a half months from laying the egg to hatching, a further eight to nine months before the juvenile bird takes flight. The young birds will be gone for six years, flying up to 1800 kilometres in 24 hours, never touching land in all that time.

When they do come back to a breeding colony, it’ll be several years before they are ready to breed. They spend a couple of years socialising in groups, in a dance like form of communication. Over time, they’ll show a preference for one partner, and the dance will  become unique to each couple. They don’t stay together when at sea, but every two years, they go home, reconnect, mate, hatch out an egg, and raise a chick. For life. Only if one of the pair dies will they choose another mate.

Albatrosses have traditionally been regarded as harbingers of storm, but also good luck, a guide out of the storm to shelter. Another reason why they’re a good symbol for the Bluestocking Belles’ latest project, Storm & Shelter, which took flight yesterday. Like the albatross, it was around two and a half months in the egg, from signing the group contract to delivery of story for first beta in mid August (unlike the albatross, it has eight parents, including Grace Burrowes, Alina K. Field and Mary Lancaster, who joined us for the project).

Like the albatross — it took a lot of hard work on the part of its parents, and substantial practice, before it took flight eight to nine months after hatching. Yesterday, in fact. It is currently soaring, far from land, to the rarified levels of the book market.

It’s doing well. It has dozens of reviews, has scored well on Amazon for weeks, even edging up to #1 a few days ago, won a Crowned Heart for Excellence from InDTale Magazine, and is on a couple of Listopia lists at Goodreads. It looks like we might just miss lists like the top ten on USA Today or Publisher Weekly (unless we pick up quite a few hundred sales in the next few days, particularly on Apple and Barnes & Noble). But our little fledgling has spread its wings and is on its way. It’s out of our hands, now. It’s over to you, its readers.

Fly, little albatross.

When a storm blows off the North Sea and slams into the village of Fenwick on Sea, the villagers prepare for the inevitable: shipwreck, flood, land slips, and stranded travelers. The Queen’s Barque Inn quickly fills with the injured, the devious, and the lonely—lords, ladies, and simple folk; spies, pirates, and smugglers all trapped together. Intrigue crackles through the village, and passion lights up the hotel.

One storm, eight authors, eight heartwarming novellas.

Buy Links:

Amazon US: https://amzn.to/3kgRmLG

Apple Books: https://apple.co/3lZYHja

Barnes & Noble: https://www.barnesandnoble.com/w/storm-shelter-bluestocking-belles/1137958115?

Kobo: https://bit.ly/3o0z977

Google books: https://play.google.com/store/books/details/Grace_Burrowes_Storm_and_Shelter?id=TNMhEAAAQBAJ

Books2Read: https://books2read.com/u/b5k2pO

 

International:

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BR: https://amzn.to/3dEnWo0

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IN: https://amzn.to/3o6c42Q