The Ultimate Escape in Holiday Escapes

On the eve of her wedding, Julia overhears a conversation that gives her doubts about why Oliver wants to marry her. Needing time to think things through, she uses a family secret to flee to the future. Oliver thinks her mother mad when Lady P. explains what Julia has done, but he follows her anyway. It’s his fault Julia is distraught. Besides, he cannot imagine life without her.

Two people from Regency England find adventure in modern London, but the greatest adventure will be learning one another’s hearts.

This delightful novella is the first story in Holiday Escapes, a collection of stories republished from the Bluestocking Belles 2015 box set, which has long been out of publication.

Read more about the box set and preorder from one of the buy links here.

Rotton boroughs and voting reform

The term ‘rotton borough’ was used in England from the eighteenth century. It meant an electoral district where population changes meant a tiny population that had a disproportionate number of Parliamentary representatives for its size. For example, Old Sarum, a borough on the land of the Pitt family, had three houses, seven voters and three Members of Parliament. William Pitt the Elder was one of those MPs. Another rotton borough was Appleby, which William Pitt the Younger was elected to represent when he was 21. The rotton boroughs were valuable properties, and sold for well over market price, since they included the right to more or less elect any Member of Parliament they chose.

At the same time, huge cities had no voters at all, since they had grown in places that historically had tiny populations.

At the time (and through until the late 19th century), voting in England was confined to men who own a certain amount of property. From the fifteenth century, all owners of land worth more than forty shillings were able to vote. Women weren’t specifically excluded, but for the most part they didn’t own land; it belonged to their fathers and husbands.

Voting was regarded as a public service. Those with the responsibility would make their vote known in public, and might expect to be rewarded (or treated)–or threatened, if the vote wasn’t what the strong men of the borough wanted. The secret ballot didn’t come in until 1872.

Rotton boroughs disappeared earlier, in the Reform Act of 1832. Fifty-six Parliamentary Boroughs lost their Members of Parliament, their remaining voters becoming eligible to participate in County elections. The idea that the House of Representatives should be occupied by… well… representatives had taken a great step forward.

 

First Meetings on WIP Wednesday

In fact, in my next two Works In Progress (To Reclaim the Long-Lost Lover and To Tame the Wild Rake), the first meeting in the book is not the first meeting of my couple. But that’s the one I’m sharing, since that’s the one on the page. Can you share one of yours in the comments?

First, To Reclaim the Long Lost Lover. Nate has come to London to find Sarah. Sarah has decided to marry at long last, eight years after she lost Nate.

Nate smiled and nodded, keeping his reservations to himself. Not unless my Sarah is present. But she is not yet in town, so it won’t be tonight. And even if she was in town, she would surely not be visiting the Hamners. Lady Hamner had been a ward of the Duchess of Haverford, and the Dukes of Haverford and Winshire had been feuding since Winshire arrived back in the country with a whole quiverful of foreign-born children.

He allowed day dreams about their next meeting to while away the carriage ride and the wait in the street for other carriages to move out of the way. Libby continued to chatter, but she seldom required a response beyond ‘Is that right’ and ‘If you say so’.

It must have been a good thirty minutes before they were being announced by Lord and Lady Hamner’s butler. Libby led him over to the Hamners to be introduced, and Nate looked around as he crossed the room.

A profile caught his eye. He shrugged it off. He had been Sarah wherever he went for the past eight years, and a closer look always disclosed a stranger. This stranger turned towards him, and he stopped in his tracks, cataloguing changes. The hair was slightly darker. The heart-shaped face he remembered had matured into a perfect oval. The slender body of the long-remembered girl had ripened to fulfill its promise. But, beyond any doubt, Lady Sarah Winderfield stood on the other side of the drawing room, a smile on her lips as she talked with her friends.

Her gaze turned toward him just as Libby tugged on his arm. “Bencham! Are you well?” He let her pull him along, and Sarah’s gaze drifted away. He wanted to cross the room to her; accost her; demand that she recognise him and all they’d once meant to one another.

Some modicum of sense kept him stumbling after his step-mother. Men change between seventeen and twenty-five, he reminded himself. And people who have been through experiences like mine more than most.

Still, of all the meetings he’d imagined, he’d never thought of one in which she didn’t know him.

And then To Tame the Wild Rake.

Aldridge stood as she entered the parlour. He’d chosen a seat on the far side of the room for the door, and he now ordered the footmen to wait outside. “I require a few moments of privacy with my betrothed.” After a moment’s hesitation, they obeyed, leaving the door wide open.

As she took a chair, he murmured, “Are there servant passages near us? Can we be heard if we keep our voices low?”

So that is why he’d chosen a seating group by the outside wall. “Not if we are quiet,” she confirmed.

He was examining her in the way that always made her restless — a steady look from intent hazel eyes, as if he could see her innermost thoughts. “You asked to see me,” she reminded him, to put an end it.

That broke his gaze. His lids dropped and he laughed, a short unamused bark. “And you would like to see me in Jericho. Straight to the point, then, Lady Charlotte. Your mother told my mother that you are being threatened with dire consequences if you do not marry me.”

He leaned forward, meeting her eyes again, his voice vibrating with sincerity. “I have never forced a woman, and I don’t plan to do so. I will not take an unwilling wife.”

Lola tried to hide the upwelling relief, but some of it must have shown, for he sighed as he sat back, his shoulders shifting in what would have been a slump in a less elegant man. “It is true, then. Given a choice, you will not have me.”

Lola had not expected his disappointment, the swiftly masked sadness. Before she could measure her words, she leapt to reassure him. “It is not you. I do not plan ever to marry.”

He grimaced. “So my mother tells me. Is there nothing I can say that would change your mind? You would be an outstanding duchess.”

No. She really wouldn’t. Like everyone else, he only saw the duke’s granddaughter, not the woman within. Perhaps, if he had been a man of lesser estate, if he had spoken about affection and companionship, she might have risked it. Not love. Lola didn’t trust love.

Again, he read something of her mind, for he sighed again, and gave her a wry smile and the very words she wanted. “We were friends once, my Cherry, were we not? Long ago?”

Her resolve softened at the nickname he had given her that golden summer, before it all went wrong.  “I was very young and you were very drunk,” she retorted.

He huffed a brief laugh. “Both true. Still, we could be friends again, I think. I have always hoped for a wife who could also be my friend. Is it my damnable reputation? I am not quite the reprobate they paint me, you know.”

Lola shook her head, then rethought her response. His reputation might outrun his actions, but he was reprobate enough, and the lifestyle he brushed off so casually had destroyed her brother. “Not that, though if I were disposed to marry, I would not choose a rake. Marriage is not for me, however.” Should she tell him? “I cannot be your duchess, Aldridge.”

Tea with the father of the lady in the latest scandal

Brighton, August, 1813

The owner of the inn ushered James into the private parlour Eleanor had rented for this meeting.

“Is this the gentleman, my lady?” His question was perfunctory, and the way he looked at Eleanor could best be described as a leer. She didn’t bother to correct his form of address, but merely nodded her reply. “Thank you. That will be all.”

The leer broadened. “There’s a key in the lock, but you won’t be disturbed. I’ve given orders.”

James held the door open, and his frown must have penetrated the foolish man’s thick skin, for the innkeeper left with no further comments. James shut and looked the door behind him, then faced Eleanor with a shrug and a smile. “Small-minded fool.”

Now that they were alone, Eleanor lifted her veil. “James. It is good to see you.” They had crossed paths at the Pavilion the previous evening, but she had been with Haverford, and even the mere nod she gave him in passing had fetched a fifteen minute rant from her husband that ended only when the Prince Regent summoned him.

James bowed over her hand. “I am pleased to see you, my dear. You are looking well.”

Her fingers tingled where he touched them, and she allowed herself the momentary indulgence of the wish that the innkeeper’s assumptions were true. But she was a married woman and her honour would not allow her an affair. Not that James had ever hinted at desiring such a thing. He was still in love with his dead wife, and if he desired a bed partner, England abounded in younger and lovelier women than her, and many of them would be delighted to accommodate a handsome duke, with or without a ring on their finger.

“Shall we sit?” James prompted.

Eleanor shook off her thoughts, and took the chair by the tea tray she had ordered. Or should that be coffee and tea tray? James had returned from the East with a taste for thick black coffee, and she poured it for him just the way she had learned he liked it, then prepared her own cup of the gentler beverage.

As she carried out the ritual, they exchanged family news, while she wondered how to introduce the subject that had prompted her request for this meeting.

He gave her an opening when he mentioned his daughter Ruth. “She has been in quarantine in the north—a trip to a school that Sutton’s wife sponsors turned into a battle with smallpox. But all appears to be well, and young Drew has gone to escort her back to the family.”

“I had heard, James. And what I heard concerns me. Unkind gossip is insisting that she has been staying unchaperoned in the home of a widower with a fearsome reputation–a monster who killed his own wife and who is shunned by the entire county for his ravages amongst their women.”

James could summon a fearsome scowl when he chose, but he had never before turned that ducal glare on her. “Lies!”

“Of course, and I am happy to play my part in saying so. But it would help to know what small modicum of truth the lies are built on, so I can more effectively demolish them.”

Medicine: a woman’s place

For my current work-in-progress, I’ve been looking at women physicians in history. My heroine is a doctor, informally trained as an apprentice to other doctors and through private tutorials. Most of this learning took place in her parents own kingdom in the Central Asian mountains of Kopet Dag, or in nearby Iran. This was certainly the path to knowledge for most female practitioners of medicine in Western history. Was it feasible for my Ruth?

In short words, yes. Looked at from the point of view of gender politics, the history of medicine in most cultures has been depressingly similar. Women have done most of the work and got the blame for things going wrong, while men have got the education, the pay and the glory. That might seem quite a large claim, but think about it. Women were responsible for the management of a household, which included care of the sick and treatment of minor injuries. Even today, who usually puts band aids on the cuts and kisses the bruises better? On a community level, someone usually had a greater interest in and better knowledge of herbs and their effects than others, and that person would pass on her knowledge. When home care failed, those who couldn’t afford a university educated doctor or even a surgeon-barber would see the local herb-wife.

A particularly successful healer might find herself something of a threat both to those doctors and to the local religious authorities, who, in many cultures, ran the universities and licensed the doctors. So women’s knowledge was downplayed or discredited. The only part of medicine that women were encouraged to practice was midwifery, until men began to take that over, too.  Until recently, the contribution of women has been largely ignored in medicine, as in other fields.

“How amazing is this [that patients are cured at all], considering that they hand over their lives to senile old women! For most people, at the onset of illness, use as their physicians either their wives, mothers or aunts, or some [other] member of their family or one of their neighbours. He [the patient] acquiesces to whatever extravagant measure she might order, consumes whatever she prepares for him, and listens to what she says and obeys her commands more than he obeys the physician.” Sā’id ibn al-Hasan (died 1072)

Nonetheless, the tradition of female physicians and healers goes back to ancient times. There’s a story of a woman in Greece around 2400 years ago who went to Alexandria to train, since the Egyptians had female doctors, and was so successful when she got back to Athens that she was arrested for breaking the law. Her female patients mobbed the court and they had to let her go. (In another version of the story, she trained privately with a sympathetic doctor, and practiced disguised as a man. Other doctors, jealous of her popularity with female patients, accused her of sleeping with them. In court, she stripped off to show she was female.) Be that as it may, we know that Greece had women practicing medicine, as did the Romans.

Most cultures have left traces of elite women who practice medicine–women who are born into a physician family and grow up as apprentices in the trade, or who have access to the wealth and education to defy the norms.

In Britain, we know of at least one woman who attended university as a man and practiced medicine for more than 50 years. She was identified as a man after she died in 1865. Other women were accepted (reluctantly) into the profession because they had qualified in universities overseas. One woman was harassed and abused right through her medical course at Edinburgh university and was awarded a Certificate of Proficiency when she completed the course, rather than the degree given to her male counterparts. She went to Berne, and then to Dublin, and returned with a qualification that allowed her to be registered as a doctor.

In the Ottoman empire, men had several recognised roles in medicine: physician, surgeon, ophthamologist. Women did not have access to formal training or formal recognition, and female medical practitioners were all called midwifes, whatever form of medical care they offered. But nonetheless, women practiced medicine, learning from family or other mentors and private tutors. Indeed, given the strict segregation at the highest level of Ottoman society, female physicians must have been essential on the women’s side of any great house.

My interest, though, is in Iran and its sphere of influence, the Turkmen tribes to the north and east. Did the same apply there? It certainly did in medieval times. I’m still trying to track specific sources for the late eighteenth and early nineteenth century, but meanwhile I’m following the usual cultural pattern in my Ruth’s training.

Ashbury pursed his lips and she waited for him to lecture her on her presumption, but he surprised her with a question. “Minnich tells me you are a physician. Where did you train, Lady Ruth? In the same place as you acquired your warlike attendants? Somewhere in the East, I assume?”

She inclined her head in agreement. “I apprenticed with several healers, including a physician who trained at a teaching hospital in Baghdad. I have also studied with Western physicians, though not since my family arrived in England.” She sighed. “I am well qualified to attend your niece, my lord, even though I am a woman.” And you have no one else, she wanted to tell him.

His eyebrows jerked upwards in response. “That’s not — I am not questioning your abilities, my lady.” His short laugh held no amusement. “I cannot afford to, after all. I have no alternative to offer.”

 

Do children have a place in romance? Work in Progress Wednesday

‘Black Monday or the Departure for School’, 1919. After William Redmore Bigg (1755–1828)

Somehow, I find myself including children in my stories. Perhaps it is because I am a mother and a grandmother and I write what I know. Or perhaps that putting children into the equation of a marriage adds an extra element with huge potential for plot and character development. However that may be, I’m back into blogging again with another Work in Progress Wednesday invitation. If you have children in your current work in progress, how about giving us a sneak peak by posting an excerpt in the comments?

Mine is from To Mend the Broken Hearted. My hero, Val, is helping in the sickroom, where two of the sick are the little girls he is responsible for. They were born after he was posted overseas, and have been at school for the entire three years he has been home. Mirrie is at the sore throat stage of the smallpox, by the way, hence the staccato delivery.

He entered the room as quietly as he could. The sickest of the schoolgirls was coughing bitterly as a maid tried to encourage her to drink something for her throat. The adult patient was sleeping. The two girls Val was responsible for had reached an arm across the gap between their beds, their hands held in the middle. They lay, each on the edge of their own bed, facing one another, talking in scattered words with long pauses between.

“I met Father.” That was Mirabelle. She had her mother’s build; small-boned and slender, but the blonde hair could have come from either side.

“Nice?” Genevieve was also fair-haired, but with the heavier build of the Ashbury line.

Mirabelle moved her head in a shallow nod. “Kind. Looks a bit like Uncle. But not angry. Kind, Genny.”

“Did you ask?”

Mirabelle shook her head. “Not yet.”

Genny roused enough to insist, “He can’t send us away again while we’re sick.”

“Kind,” Mirrie insisted.

“You think he will let us stay home?”

Mirrie nodded. “Kind,” she repeated

Val concealed his wince. He had no right to the child’s good opinion. He’d done his best to forget the pair of them, even resented Mirrie’s monthly letters because he was honour-bound to think about her long enough to write a cursory reply.

He backed to the door again, and called, “Greetings, ladies. I am on my way to bed, and thought I would come to wish you a day of healing.” The words took him across the floor to the bedsides of the two girls. He smiled at Genevieve. “I know who you are. You are Genny, my brother’s little girl.”

“Lord Ashbury,” the child answered, hope and hesitation mingled in her eyes.

“Uncle Val,” Val suggested. No doubt purists would have a fit to hear a child use such casual address, but hearing their opinion of his brother — angry? what had the old devil put them through? — made him determined to distance himself from the name Mirrie had known the man by. What did Genny call her father? Not Papa, Val was certain.

Genny rewarded him with a smile. “Uncle Val.”

“Rest, my ladies,” he told the two of them. “I need to talk to your attendants, and then I’m off to bed, for I was up all night helping Lady Ruth. I will see you this evening, and will hope to find you both much better.”

Spotlight on Music on the Waters

St Magnus Cathedral, and its organ, play a central part in Music on the Waters, the latest novel from Caroline Warfield. The video above gives the history of the cathedral.

I love stories about two people groping their ineffectual way towards an understanding, and this is a delightful one. The hero is a successful businessman, but hasn’t been quite as successful in understanding his now deceased wife. He needs help with his wild children, especially the daughter who seems increasingly distant. But he is certainly not interested in another meek conventional wife who won’t express an opinion of her own.

Ann appears on the surface to be such a woman, but Alec first sees her when she is playing the organ — can he coax her to be, with him, the vibrant passionate woman she becomes when she plays?

Ann is the daughter of a bullying father, well used to everyone telling her that her thoughts, feelings, tastes, and opinions are wrong. She has learned to hide her appreciation of, and talent for, the music of the great masters. Instead, she teaches and conducts saccharine ballads, while yearning for something more. She has no idea what Alec is up to, but she doesn’t trust it.

The outcome of this romance was never in any real doubt, but the steps and missteps in the developing relationship are wonderfully satisfying, and Warfield has also given us a delightful supporting cast, including a trio of engaging children.

You won’t regret buying this story (for a mere USD99c, or free on KU). Without the twists and the life and death situations of Warfield’s great Children of Empire series or her compelling Christmas Hope, it nonetheless left me with a smile and a warm heart. Perfect comfort reading.

Music on the Waters

Sir Alexander Bradshaw needs a wife, a sensible woman to manage his unruly sons and sullen daughter. No suitable candidates appear, however, and Alec resigns himself to spend another long, dark Orkney winter companionless. When an acquaintance suggests a music teacher might occupy his daughter, he embraces the idea.

Ann Dunwood travels to Orkney for the opportunity to play the Kirkwall organ. For the beauty of the instrument, Ann endures the conservative choir members who wish to perform the most banal of hymns; she’s done it before. She knows how to fade into the shadows and keep to her place.

When he happens upon Ann in the cathedral, Alec is enchanted by the woman at the keyboard, who fills the room with a Bach fugue. Yet, when the music ends, the object of his fascination turns into a demure mouse. Alec determines to reignite the passion he glimpsed in her and fill his home with music.