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Tea with Cedrica and Sophia

Today’s post is an excerpt from To Wed a Proper Lady, the novel I’m creating from The Bluestocking and the Barbarian.

Several days after her arrival in London, Sophia followed the liveried footman through the ornate splendour of Haverford House paying little attention to the treasures around her. What could Her Grace mean by the cryptic comment in her note of invitation?

I have someone for you to meet and a job that I think you will enjoy.

The thought crossed her mind that her godmother might be match-making, but she dismissed it. Aunt Eleanor would never be so obvious. Still, when she was ushered into the duchess’s private sitting room, she was relieved to see that the room held only Aunt Eleanor and a younger woman – a soberly-dressed girl perhaps a year or two older than Felicity.

Something about the face, particularly the hazel eyes behind the heavy-framed spectacles, identified her as a Haverford connection. Another of the duke’s poor relations, then. Aunt Eleanor had made a calling of finding them, employing them, discovering their yearnings and talents, and settling them in a more fulfilling life.

“Sophia, my dear,” the duchess said, holding out both hands in welcome. Sophia curtseyed and then clasped her godmother’s hands and leaned forward to kiss her cheek.

Her Grace immediately introduced the poor relation. “Sophia, allow me to make known to you my cousin Cedrica Grenford. Cedrica is staying with me for a while, and has been kind enough to help me with my correspondence and note taking.” The undoubtedly very distant cousin was the duchess’s secretary, in other words.

Cedrica served the tea, enquiring timidly about her preferences. She seemed overwhelmed by her surroundings. She addressed Sophia as ‘my lady’ in every other sentence, and had clearly been instructed to call the duchess Aunt Eleanor, for she tripped over every attempt to address her directly and ended up calling her nothing at all.

“Please,” Sophia told her, “call me Sophia as my friends do. Aunt Eleanor’s note suggests we shall be working together on whatever project she has in mind, and we will both be more comfortable if we are on first name terms.”

The duchess leaned forward and touched Cedrica’s hand. “May I tell Sophia some of your circumstances, my dear? It is pertinent to the idea I have.”

Cedrica nodded, and Her Grace explained, “Cedrica is the daughter of a country parson who has had little opportunity to set money aside for his old age. When he fell into infirmity, Cedrica wrote to ask for her cousin’s help, as was right and proper, and I was only too happy to have her here to be my companion, and to arrange for her dear father to be comfortably homed on one of our estates.”

Very much the short version of the story, Sophia suspected. Cedrica was blinking back tears.

The duchess continued, “As it turned out, Cedrica has a positive gift for organisation, and is extremely well read. She is proving to be an absolute genius at my secretarial work; so much so that Aldridge has threated to hire her from under my nose to assist with the work of the duchy.”

Cedrica protested, “He was only joking, Your Gr… Aunt… um. Who has heard of such a thing!”

“That brings me to my point, dear,” Aunt Eleanor said. “Cedrica is entirely self-educated, except for a few lessons at her mother’s knee before that dear lady passed beyond. Why, I ask you? Are women less capable of great learning than men? Cedrica is by no means an exception. You and I, Sophia, know a hundred women of our class, more, who study the arts and the sciences in private.”

Sophia nodded. She quite agreed. Part of Felicity’s restless discontent came from having little acceptable outlet for her considerable intelligence.

“I have done what I can in a small way to help my relatives,” the duchess went on. “Now, I want to do more. Sophia, Cedrica, I have in mind a fund to support schemes for the education of girls. Not just girls of our class, but any who have talents and interests beyond those assigned to them because of their sex and their place in life. Will you help me?”

In the discussion that followed, Cedrica forgot her awe at her exalted relation and that lady’s guest, and gave Sophia the opportunity to see the very gifts Aunt Eleanor spoke of. In a remarkably short time, the young woman had pages of lists — ideas for the types of project that might be sponsored; money raising ideas; names of people of who might support the fund; next steps.

“We are agreed, then,” the secretary said, at last, losing all self-consciousness in her enthusiasm. “The duchess will launch the fund at a Christmas house party and New Year Charity Ball to be held at one of her estates.” She glanced back at her notes. “Our first step will be to hold a meeting at a place to be decided, and invite the ladies whose names I’ve marked with a tick. The purpose of the meeting will be to form a committee to organise the event.”

She sat back with a beaming smile, clutching her papers to her chest.

“An excellent summation,” the duchess agreed. “My dears, we have work to do, but we have made a start; a very good start.”

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Spotlight on Unkept Promises

It’s on preorder. My story of Mia Redepenning and her reunion with her absent husband, and what happened next, is finally with the proofreader, and I’m setting up a publication plan as we speak. Read on for an excerpt. See my book page for the previous three books, and The Golden Redepennings web page for more about the series. And all my novels are on 50% discount at Smashwords this month.

Unkept Promises

Book 4 in The Golden Redepennings series

She wants to negotiate a comfortable marriage; he wants her in his bed

“… oaths and anchors equally will drag: naught else abides on fickle earth but unkept promises of joy.” Herman Melville

Naval captain Jules Redepenning has spent his adult life away from England, and at war. He rarely thinks of the bride he married for her own protection, and if he does, he remembers the child he left after their wedding seven years ago. He doesn’t expect to find her in his Cape Town home, a woman grown and a lovely one, too.

Mia Redepenning sails to Cape Town to nurse her husband’s dying mistress and adopt his children. She hopes to negotiate a comfortable married life with the man while she’s there. Falling in love is not on her to-do list.

Before they can do more than glimpse a possible future together, their duties force them apart. At home in England, Mia must fight for the safety of Jules’s children. Imprisoned in France, Jules must battle for his self-respect and his life.

Only by vanquishing their foes can they start to make their dreams come true.

Buy links:
Smashwords: https://www.smashwords.com/books/view/947394
Amazon: https://www.amazon.com/gp/product/B07TXXK53N/

Excerpt

Jules had somehow found the time to organise for the military chaplain to visit Kirana, and he arrived later that afternoon when Mia was reading to her friend. The chaplain was a middle-aged man, balding and running slightly to fat, but with a kind eye.

Jules presented him to Mia. “Mrs Redepenning, may I make known to you Captain Albrooke, chaplain to the nth Regiment. He has been kind enough to come to see Kirana.”

What was the etiquette for introducing a man of the cloth to a mistress? Mia was certain the question had never been covered in any of her conversations with her mentors. She would have to behave according to her own best instincts, and hope she did not offend the man. “Captain Albrooke, thank you for coming. Please. Take my seat.” She rose, putting the book to one side “Kirana, my dear, Jules and I will be close by if you need us. Captain Albrooke, you may be wondering how to address my friend. Mrs Redepenning would be acceptable, or Mrs Kirana, if you prefer.”

Jules held the door for Mia, followed after her, and closed it not quite shut behind them. From inside the room they could hear the low hum of the chaplain’s voice, punctuated by Kirana’s cough.

“Albrooke was a bit non-plussed,” Jules told Mia. “More by your presence than by Kirana’s, I suspect. Not many wives would be as charitable, Mia.”

Mia shrugged, suppressing the movement part way through. Did Jules notice? Possibly not, but anyone raised as a lady would. Every day in a dozen ways she showed she had not absorbed the thousands of tiny rules of Society with her mother’s milk. Ladies did not shrug, or slouch, or skip, or shout, or saunter, or stride, or… she couldn’t think of another ‘s’ word, but she was sure she could create a list of ‘do not’s’ for every letter of the alphabet.

“Kirana had the prior claim, Jules.” Thinking about holding her body straight and still, she failed to guard her tongue. “I have never counted your relationship with her as a breach of your vows.” She would have caught back the last sentence, with its emphatic stress on the word ‘her’, but it was too late.

Jules was looking out of the window into the courtyard below, where Hannah was sitting with the two girls, reading them a book. But he heard the emphasis, for his head jerked around and she felt the burn of his blue gaze as he examined the flush that swept her face.

She bit her lip, but the words were said, and they were true.

“But you do count other relationships?” he asked. She was not deceived by the light conversational tone; not when the search beam of those eyes still stripped her soul bare.

“I daresay you think it presumptuous of me.” She could offer that much, though she herself did not think it presumptuous. He had acted in honour when he made sure she knew, before they married, that he intended to return to his mistress, and so she accepted that as a codicil to the vows they had exchanged in their hasty wedding. No exception for her, and only one for him.

“Not presumptuous at all.” Jules sounded tired all of a sudden, and her indignation evaporated. What a homecoming this had been for the poor man. “You are the one person on earth with the right to comment. And Kirana, perhaps, but she has never complained.”

Again, Mia spoke before her brain could censor her tongue. “You might be a better man if she had.”

He turned back to the window and his voice was dry as he replied, “You will undoubtedly amend her lapse. You’ve got yourself a poor bargain, Mia. I told you before I married you, I was not the Sir Galahad type. I’m no saint, either. Don’t expect me to be; I’ll only disappoint you.”

The door to the bedchamber opened. “Mrs Kirana Redepenning will sleep now,” Captain Albrooke said. “If I may, I will call again in a few days.”

“Of course,” Mia agreed. “Kirana will appreciate that.”

Jules carried the man off to his study for a drink and Mia set a maid to watching Kirana then went in search of a task, preferably one that involved punching things.

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Where earls came from

Earl is the oldest title still used today  for British nobility. Unlike the other two we’ve discussed, it hasn’t come down to us from a Roman military rank. Instead, it comes from the Scandinavian word for the highest nobility under the king: jarl.

The first jarls arrived in England under Canute, the Danish king of England, Denmark, and Norway. The Anglo-Saxon version of the term was eorl. Eorls governed shires, now called counties. That gives us the link with the equivalent  Roman-derived term from the Continent: count (the ruler of a county), although you’ll remember the Germans had a local term, graf.

Earls sat in the courts of each shire they ruled with the local bishop. After the Norman Conquest, they were restricted to one county each, and the official duties of government, military defense and justice became the responsibility of the sheriff. Earls were often sheriffs in their own counties. It doesn’t seem as if the jarls’ wives had a particular title, but the Normans introduced the French term, making a female earl or the wife of an earl a countess.

Whatever their other roles, earls held estates from the Crown as tenants in chief. In return, the earls owed the Crown their service, and in particular, they owed military service; they had to take their knights to fight for the Crown when asked. The estate descended to heirs of the body; that is, the earl’s children. In the early days, this meant the eldest son, if the earl had one, or the eldest daughter, if he had no sons. If the earldom (and the estate) descended to a woman, it would be held by her husband.

Until Edward III created his son Duke of Cornwall in 1337, ‘earl’ continued to be the highest English title. It’s now third, after duke and marquess.

By the late Middle Ages, the custom of primogeniture — male heirs only, was gradually taking over in England, but it continued in Scotland until the seventeenth century.

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Where to start on WIP Wednesday

At last, Unkept Promises has gone to the proofreader, and I’m two chapters in to the novella for the next Bluestocking Belles project. Where to start is always a question — I often cast around for a while, and I don’t always get it right.

This week, I’m inviting you to post the first few paragraphs from your work-in-progress. Here’s mine.

If the two of them made it out of the near-invisible city streets alive, Matilda Grenford was going to kill her sister Jessica, and even their honorary aunt, the Duchess of Haverford, wouldn’t blame her. Angry as Matilda was, and panicked, too, as she tried to find a known landmark in the enveloping fog, she couldn’t resist a wry smile at the thought. Aunt Eleanor was the kindest person in the world, and expected everyone else to be as forgiving and kind as she was herself. Matilda could just imagine the conversation.

“Now, my dear, I want you to think about what other choices you might have made.” The duchess had said precisely those words uncounted times in the more than twenty years Matilda had been her ward.

When she was younger, she would burst out in an impassioned defence of whatever action had brought her before Her Grace for a reprimand. “Jessica is not just destroying her own reputation, Aunt Eleanor. Meeting men in the garden at balls; going out riding without her groom; dancing too close.”

Was that the lamppost by the corner of the square? No; a few steps more showed yet another paved street with houses looming in the fog on both sides. Matilda stopped while she tried to decide if any of them were in any way familiar.

Meanwhile, she continued her imaginary rant to the duchess. “Even in company, she takes flirtation beyond what is proper. This latest start — sneaking out of the house without a chaperone or even her maid — if it becomes known, she’ll go down in ruin, and take me and Frances with her.”

Matilda had gone after her, of course, taking her maid, but she’d lost the poor girl several mistaken turns back. Matilda had been hurrying ahead, ignoring the maid’s complaints, thinking only about bringing Jessica back before she got into worse trouble than ever before. Now Matilda was just as much at risk, and she’d settle for managing to bring her own self home, or even to the house of a friend, if she could find one.

Haverford House, for preference. Turning up anywhere else, unaccompanied, would start the very scandal Matilda had left home to avoid. If Jessica managed to make it home unscathed, it would have to be murder.

In her imagination, she could hear Aunt Eleanor, calm as ever. “Murder is so final, Matilda. Surely it would have been better to try something else, first. What could you have done?”

Matilda startled herself with a bark of laughter that echoed oddly in the fog.

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Tea with a gallant teenage rescuer

The Duchess of Haverford examined her two sons as they waited for her to pour them a cup of tea each. To an outsider, they would seem totally at ease — Aldridge relaxed on the sofa, an amused twist to his lips and his cynical eyes fond as he teased his brother about the horse the boy had bought on a jaunt into Somerset; Jon laughing as he defended his purchase, suggesting warmly that the marquis’s eye for a filly blinded him to the virtues of a colt.

To their fond Mama, they appeared worried. Eleanor saw strain around the younger man’s eyes, and quick darting glances at her and then at his brother when Jon thought she wasn’t watching. Aldridge had that almost imperceptible air of being ready to leap to Jon’s defence in an instant; a watchfulness, a vague tension.

Aldridge’s cup was prepared as he liked it, and he came to fetch it from her hands, thanking her with a smile.

She would let them raise the subject, if that was their plan, but she did not intend to let them leave this room without knowing about the new addition to her nursery: a nervous withdraw little girl of three or four years old. “If she was a bumptious little lordling and not a poor trembling mouse,” Nanny said, “she could be one of my lads come again. Same shaped face and eyes. Same colour hair with the curls that won’t brush out. Their lordships have your eyes, Your Grace, and this wee sprite doesn’t, but I’ll tell you who has eyes just that colour: so close to green as never so.” Not that Nanny did tell the duchess. She did not need to. Those eyes were more familiar to Eleanor than her own.

She handed a cup to the younger son of the man with those eyes.

The child came from Somerset. Jon had brought her home in his curricle, leaving his groom to ride Jon’s horse and manage the colt. On finding out about the little girl, and learning that Jon had deposited her in the nursery and then gone straight out to search town for his older brother, Eleanor had been tempted to question the groom.

However, she wanted Jon to tell her the story.  Or Aldridge, perhaps. It was more likely to be his story than Jon’s, given the age of the child. Jon was only 19. Furthermore, it was in Somerset that a certain outrageous scandal blew up five years ago, resulting in the exile of the sons of two dukes: Aldridge to a remote Haverford estate in northern Scotland, and his accomplice overseas.

Nanny didn’t think the little girl was old enough to be a souvenir of Aldridge’s visit to the Somerset town, but her size might be a result of neglect. She had been half-starved, poor little mite. The bruises might be from falls or other childhood accidents. Nanny suspected beatings, which made Eleanor feel ill to think about.

She sat back with her own cup, and took a sip. As if it were a signal, Jon gave Aldridge another of those darting glances and spoke.

“Mama, I expect you’ve heard about Frances.”

Ah. Good. She was to be told the story. “Is that her name, Jon? Nanny didn’t know it, and little Frances isn’t talking.”

Jon nodded, and smiled. There was a sweetness to the boy that the elder never had, perhaps because he was a ducal heir from the moment of his birth. “She is a little shy, Mama.” His smile vanished and he frowned. “She has been hardly used, and for no fault of her own. I could not leave her there, Mama. You must see that.”

Eleanor arched one brow, amusement colouring her voice as she answered. “If you tell me her story, my son, we will find out.”

It was much as Eleanor already suspected, though the villain in the piece was neither of her sons. Lord Jonathan Grenford, arriving in Fickleton Wells to inspect and pay for the offspring of a horse pairing that he coveted, found that the whole town, except for the owner of the horse, gave him a cold shoulder, and no one would tell him or his groom why.

Only on the last night of his stay did he hear the story. He came back to his hotel room to find a woman waiting for him. “A gentlewoman, Mama, but with a ring on her finger, and quite old — maybe 30. I thought… well, never mind that.”

Aldridge gave a snort of laughter, either at Jon’s perspective on the woman’s age or at his assumption about her purpose.

Jon ignored him. “Anyway, I soon realised I was wrong, for there on the bed was a little girl, fast asleep. The woman said she belonged to Haverford, and I could take her. I argued, Mama, but I could see for myself she was one of us, and that was the problem. The woman’s husband had accepted Frances when she was born, but as she grew she looked more and more like her father.”

“He resented being cuckolded, I suppose,” Eleanor said, “Men do, my sons, and I trust you will remember it.”

Both boys flushed, the younger one nodding, the older inclining his head in acknowledgement, the glitter in his eyes hinting he did not at all appreciate the gentle rebuke.

“He took his frustrations out on Mrs Meecham, which she surely didn’t deserve after all this time when I daresay he has sins of his own, and on little Frances too, which was entirely unfair. Mrs Meecham said that if Frances remained as a reminder, the Meechams could never repair their marriage, and that she feared one day he would go too far and seriously hurt or even kill the baby. So I brought her home. Can we keep her, Mama?”

Eleanor looked at Aldridge, considering.

“She is not mine, if that is what you are thinking, Mama,” her eldest son told her. “She might have been, I must admit, but she was born fifteen months after I was last in Fickleton Wells. I’d been in Scotland for six months when Mrs Meecham strayed outside of her pastures again.”

Six months after the scandal, His Grace the duke had travelled back to Somerset, to pay damages to the gentlemen of Fickleton Wells who claimed that their females had been debauched. He had greatly resented being made a message-boy, and had been angry with his son and the females he had shamed for their indiscretions and beyond furious at the cuckolded gentlemen of the town for imposing on his ducal magnificence with their indignation. The mystery of Frances’s patrimony was solved.

“She is so sweet, Mama, and has been through so much. She needs tenderness and love. Don’t tell me I must give her to foster parents or an orphan asylum. I know His Grace will not be pleased, but…”

Eleanor smiled. “The problem with Fickleton Wells, Jon, as I’m sure Aldridge is aware, is that it is a Royal estate. Wales was mightily annoyed at what he saw as an offence against his dignity. He insisted on Haverford making all right.”

Jon’s shoulders slumped. He clearly thought this presaged a refusal.

Aldridge was seven years more sophisticated and had been more devious from his cradle. His eyes lit again with that wicked glint of amusement. Eleanor nodded to him. “Yes, Aldridge, precisely.”

Aldridge put down his cup. “Wales is not best pleased with His Grace at the moment. A matter of a loss at cards.”

Eleanor and her elder son grinned at one another, and her younger son perked up, looking from one to the other.

“Should one be grieved by the loss of a fostering,” Eleanor mused, “and take one’s sorrows to, let us say, a Royal princess who might be depended on to scold her brother for the behaviour of one of his favourites…” Eleanor stopped at that. Jonathan did not need the entire picture painted for him. He gazed at her, his eyes wide with awe.

“His Grace will not dare make a fuss. If His Royal Highness finds out that the very man he sent to save him from the offended citizens left a cuckoo in the nest of an esteemed leader of the community…”

“Precisely,” Aldridge agreed. “Mama, you are brilliant, as always.”

The duchess stood, leaving her cup on the table, and both boys . “Let us, then, go up to the nursery, and make sure all is well with your new baby sister.”

***

The foster-daughters of the Duchess of Haverford appear as secondary characters in the Children of the Mountain King series. The eldest, Matilda, is also to be the heroine of an associated (as yet unnamed) novella that is coming out early next year. The Fickleton Wells story was co-written with Mariana Gabrielle, and Aldridge’s co-rogue is her hero Nick Northope, later the Duke of Wellbridge and the hero of Royal Regard.

Aldridge, once he is Duke of Haverford, and Wellbridge continue to be friends and appear in Never Kiss a Toad, a co-written novel starring Sally Grenford and David Northope. We’re publishing it on Wattpad, and will be finished soon. Then back to the drafting board to lose more than half the words.

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We are all story tellers

I’m a story teller. It isn’t just what I do; it’s an intrinsic part of who I am. That said, it is a matter of degree. I’m more infected by the need to make stories of all I see, think, and experience than most, but to a degree, all human beings are storytellers. It’s part of our nature to seek patterns, to join things together in our minds in order to make sense of them, and what is that but a story?

We don’t experience life; we experience our story about our life, and in that story we are always the central protagonist. We may be the victim, the triumphant champion, the martyr, the beloved—we probably change roles depending on who we’re with, in fact. But we are the heroine of our own story.

It probably can’t be avoided, given we can never know all the facts. Our senses—even the instruments we make to extend our senses—can’t detect beyond certain wavelengths of light and sound. We know of animals with senses we cannot even name, and have to describe in terms of those we have: feeling sound or smelling light. Even with our limited range, we can’t handle the constant sensory bombardment, and have to learn to filter out what our brain classifies as unimportant, in order to comprehend what is left.

That’s why police interview more than one eye witness to a crime; why historians seek more than one contemporary account of an incident; why three people can each take a completely different message from a conversation, and all swear that their own is the only true report.

What we can do is avoid embellishing. I can only report the facts as I experienced them, but I don’t have to add to them (at least in real life—in story space, adding to them is my job).

What we can do is be gentle with one another. I tend to be cautious about telling someone else they are wrong, or suggesting that they lie. All I can say for certain is, ‘that is not how I experienced it.’

What we can do is remember that every other person on the planet has just as much right as us to regard themselves as the centre of their story, and those around them as the supporting cast, the characters dignified with personal names and backstories. I am the heroine of my own life, with my own personal romantic hero, friends, relatives, and neighbours. But to other people, I’m just part of the faceless crowd.

After all, that’s their story.

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Lighting London

‘The Blessed Effects of Gas Lights or a new method of Lighting as practised in Great Peter Street, London.’ Hand-coloured engraving published by S W Fores (50 Piccadilly, London) 10 November 1813. A humorous illustration of a group of men, a chair, floorboards and a dog being thrown upwards by an explosion from a gas pipe. Three men surround the blast exclaiming that gas smells, is poisonous and will kill many.

Until the 19th century, people going out at night needed strong moonlight, torches, or lanterns. In London, those enjoying an active social life would employ link boys with torches. The term derives from the word for the cotton tow (link) commonly used for the wick.

By the early 18th century, technology had progressed to oil lanterns, with fish oil and wicks. People carried lanterns, and some progressive businesses had a lantern hanging at their door to show that they were open. Certain types of business used red glass in their lantern, and to this day, areas where such businesses cluster are called red light districts.

In 1750, London installed a system of street lamps on important main thoroughfares. These were oil lamps, lit at dusk and dowsed at dawn by a lamplighter with a long brass pole with a flame on the end. To this day, London still has lamplighters (for their remaining 1,500 gas lamps). In 1760s, reflectors were added.

Oil lamps are supposed to have made the streets safer, though they gave little light and were as much as 65 yards apart. At least they were a bright point to aim for in the darkness, so perhaps lives were saved because fewer people strayed into dark alleys. Keep in mind the pools of deep shadow though, when you read of London prostitutes transacting their business up against a wall. It wasn’t necessarily the public display that we, accustomed to our never-dark cities, might imagine.

By the early nineteenth century, street lamps and lighted window displays had banished the worst of the night from the most public places.

The shop-keepers of London are of infinite service to the rest of the inhabitants by their liberal use of the Patent Lamp, to shew their commodities during the long evenings of winter. Anecdotes of the Manners and Customs of London During the Eighteenth Century, James Peller Malcolm, 1810,  P 383,

The first gas lights were on 13 posts set up in Pall Mall in 1807, and used several times during the next couple of years to demonstrate the feasibility of gas lighting. The pipes were made from musket barrels, and all thirteen lamps could be lit by sending a spark down the pipes.

As you’ll see from the cartoon that heads this post, people were skeptical, but by 1812, the first gas company had been approved, and plans were underway to light London. Westminster had lamps by 1813, Westminster Bridge by December of that year, and Piccadilly in 1814.

By 1823, 40,000 gas lamps covered 215 miles of streets. Gas lights were ten times brighter than oil, which still left some dark patches, but was at least an improvement.

Electric were still nearly 70 years away, but the darkness in which crime flourished had been driven back, at least a little.

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Quarrels on WIP Wednesday

The course of true love can’t possibly run smooth, or we wouldn’t have a story. Quarrels between the lovers are a standard part of most romances, and if not outright quarrels, as least misunderstandings.

This week, I’d love to see an expert where one protagonist is offended by or suspicious of the other. Maybe it isn’t an outright quarrel, yet. But we can sense one coming!

Mine is from Unkept Promises. Jules has returned home to find that the wife he hasn’t seen in seven years has moved in while he was away.

His little wife had grown. Not ‘up’ exactly. She was still a tiny creature, her head no higher than his chest, but no-one would take her for a schoolgirl now! Was it the modern fashions that gave her curves he’d not seen seven years ago—not a lush endowment but decidedly female?

Annoyed with her though he was, he could not deny that his body responded to hers, as if something primitive within him rejoiced in the link formed by their long-ago wedding and yearned to set seal to his claim. A physical lust. That was all. It could be ignored.

But the change in her was not only physical. She had been an endearing mix of child and adult. Her isolated life as the only child of a reclusive scholar had given her a wisdom and maturity beyond her years and the innocence of a much younger girl. Now she was a woman. Confident and in charge.

Which was extremely irritating, since she had placed herself in charge of his house! As he allowed his two daughters to drag him back upstairs and show him and Dan around their domain, he had to concede she was competent. No. More than competent.

He couldn’t complain about the changes in the nursery—new paint, shelves instead of trunks for books and toys, new furniture—sturdy painted furniture that would withstand much more activity than the rejects from the rest of the house that had been there before.

“Sit in Ibu Mia’s chair, Papa,” Ada commanded.

Marsha scoffed. “Not Ibu Mia’s. Papa is too big. Sit in Hannah’s chair, Papa.”

“Is Hannah looking after you while she is visiting?” Jules was not above finding out his wife’s intentions from his children, if he could.

“Hannah is not visiting. Hannah is our new nurse,” Ada explained. She was dragging his duffel bag from where Dan had dropped it by the door.

Marsha offered her morsel of information. “Hannah used to be nurse to our cousin Daisy, but Daisy has a governess now, so Hannah came to be our nurse.”

“And to look after Ibu Mia,” Ada corrected. “Hannah said Lord Henry said Ibu Mia could not travel all this way on her own. Is Lord Henry our grandfather, Papa? Hannah says he is.”

“Yes, sweetheart,” Jules confirmed. “Lord Henry is my father, so your grandfather.” Father had approved this trip, had he? He had never been happy about Jules’s irregular living arrangements, Jules was sure of that, though his letters were devoid of any criticism. Susan, Jules’s sister, was more direct in her letters, castigating him for leaving his wife for so long. They probably sent Mia to bring Jules to heel.

But he wouldn’t be leashed by her or anyone else, either.

 

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Tea with a bereaved aunt

When Mrs Watterson had asked for this meeting, she had seemed so nervous that the Duchess of Haverford had offered to meet her in the housekeeper’s sitting room, thinking the woman might be more at ease on her own ground. It had made no appreciable difference. The housekeeper sat bolt upright, not sipping from her cup, her knuckles white with tension, her voice strained as she tried to make conversation.

Mrs Watterson praised the baby, little Miss Matilda, reminding Eleanor that she would far rather be upstairs in the nursery than down here in the cluttered little room, where the furniture was overstuffed and the fire too hot.

Eleanor was discovering the joys of mothering a baby, and would have spent the whole day in the nursery with her little ward, had her duties allowed. The duchess was a mother twice over, but both the ducal heir and the spare had been taken from her at birth, handed over to a retinue of servants, and thereafter presented for a ceremonious inspection for a few minutes a day whenever she and they happened to be in the same residence.

When Aldridge was born, she had been so oppressed by her marriage and the expectations that crushed her, she had accepted the duke’s dictate: that aristocratic women had little to do with the children they produced for the well being of the title. By the time Jonathan arrived, she had recovered some of her confidence, but the pregnancy and birth, coming after years of miscarriages, left her frail both emotionally and physically, and her little boy had been nine months old when she wrested control of the nursery from the despot who had ruled there since Haverford appointed her in the early days of their marriage.

The woman had been gone for more than five years, and sweet little Matilda was in the care of her replacement: a woman chosen by Eleanor, with testimonials from people Eleanor trusted, and completely devoid of the physical attributes that were the only qualifications of interest to the duke when he interviewed a female for any position.

An apology dragged Eleanor’s attention back to the conversation. Mrs Watterson had finally begun to approach the matter that had her so anxious. “Forgive my impertinence, Your Grace,” she said, “but is it true that Miss Matilda… that her mother…?”

Seeing Eleanor’s raised brows, she rushed on. “I don’t ask out of idle curiosity, ma’am. It is just that…”

All suddenly became clear. Eleanor sighed. “One of the  maids? Or a villager’s child?”

Much of the tension rushed out of Mrs Watterson, expelled in a huff of air. “My niece, Your Grace. I would not have said anything, but…” Tears began to roll down the pale cheeks.

Eleanor patted her hand. “I shall help, of course. A pension. A place to live in a village where she isn’t known.”

Mrs Watterson shook her head, the tears increasing in volume. Eleanor suppressed a sigh for her lost afternoon with Matilda, and devoted her energies to soothing the housekeeper and eliciting the rest of the story.

It was a sad one, but one she had heard before during nearly fifteen years of marriage to the Duke of Haverford. Jessie, the orphaned daughter of Mrs Waterson’s only sister, worked for a neighbouring household. “I would not have her in this house, Your Grace, saving your pardon,” the housekeeper said. It did not save the girl. She was returning from an errand to the village when a gentleman (Mrs Watterson began ‘His Gr…’ then changed the word) overtook her on the road. He saw that she was young and pretty, and led her off into the woods on the side of the road. Having exercised what he regarded as his rights, he rode on his way.

Jessie told no one until six months later, when one of the maids with whom she shared a room noticed the swelling she had managed, until then, to conceal. Of course, she was dismissed, but her aunt found her lodgings in the village, and paid for her keep and the services of the midwife. “It was a hard birth, Your Grace,” Mrs Watterson explained. “Little Jessica survived, but my niece did not. I’m the only kin she has, poor little baby, and what is to become of her?”

Haverford had only just noticed Matilda, and had not been pleased. Eleanor had managed to threaten him in a way that did not cause his unstable temper to explode. Another of his by-blows in his nursery might be a straw too far, and when Haverford was angry, he cared nothing for consequences.

On the other hand, Matilda would benefit from growing up with another little girl of much the same age. The seven year age gap between Aldridge and Jonathan meant they both lacked companionship, except for that of their servants.

Eleanor temporised. “Where is the baby now, Mrs Watterson?”

“The midwife knew a woman who could feed her, Your Grace, having recently lost her own youngest. Mrs Fuller. It was the best I could do, ma’am, but I don’t want to leave her there.”

Eleanor didn’t blame her. Cold, neglect, and disease carried off Mrs Fuller’s children with alarming frequency. She was one of those woman that every village seems to produce — almost certainly not entitled to the honourable honorific, making a living for herself and her surviving offspring by serving drinks and food in the local tavern, and other more intimate services wherever a man with a coin might care to take her. Eleanor had tried to help the female into an honourable job, but whether she was too beaten down by life or just preferred earning her living on her back, the experiment had not worked out.

Eleanor stood. “Very well, Mrs Watterson. We shall visit Mrs Fuller and meet little Jessica. Then we shall see.”

She had, of course, already made up her mind. No need to tell His Grace this was another of his unwanted children. This time, she would not even wait until he noticed. She would simply announce that she had taken in another orphan to keep Matilda company. She would not discuss the child’s origins. As long as he did not feel she was censuring his behaviour, he probably wouldn’t care.