A Raging Madness

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Backlist spotlight on A Raging Madness

Their marriage is a fiction. Their enemies want them destroyed before they can make it real.

“Envy is a raging madness that cannot bear the wealth or fortune of others.”
François, Duc De La Rochefoucauld

Ella survived an abusive and philandering husband, in-laws who hate her, and public scorn. But she’s not sure she will survive love. It is too late to guard her heart from the man forced to pretend he has married such a disreputable widow, but at least she will not burden him with feelings he can never return.

Alex understands his supposed wife never wishes to remarry. And if she had chosen to wed, it would not have been to him. He should have wooed her when he was whole, when he could have had her love, not her pity. But it is too late now. She looks at him and sees a broken man. Perhaps she will learn to bear him.

In their masquerade of a marriage, Ella and Alex soon discover they are more well-matched than they expected. But then the couple’s blossoming trust is ripped apart by a malicious enemy. Two lost souls must together face the demons of their past to save their lives and give their love a future.

See more and buylinks.

Extract

They had history together, not all of it good

He had embarrassed Ella, which was not well done of him. Particularly since she would need to share his bed this night. Just as well Farnham could not possibly know that. The lousy carbuncle would undoubtedly share the news that Alex Redepenning had been seen with a woman in Stoke-on-Trent but would not be able to identify Ella; would not know that Alex and Ella had been living together since she turned up in his room at the inn.

Living together in the chastest of senses, but Society would say he had compromised her beyond all saving, except by marriage. He was surprised at how tempting that sounded! He’d vowed never to marry except for love, and had sworn off love by his early twenties: a bad experience with an older woman, and then with Ella.

The arrogant cub he’d been resented her choosing Melville instead of him, though he’d never let his interest in her show, certain she would find him as unworthy as Lady Carrington had.

Yes, marrying Ella would be a blessing, not a burden. For Alex. But it would not be fair to Ella.

She was moving around the small cabin, brewing his willow bark tea and pouring him a cup, retrieving the canister of tea leaves she had purchased at the market and brewing another pot, bringing him a cup of that, its fragrant delicacy taking away the bitterness of the willow bark.

If he drank it all, he would need to ask for her help to relieve himself. Just to pass him the pot and perhaps hold a blanket for his privacy. Not the prurient fantasies that flashed across his mind and stirred his recalcitrant member. Simmer down, he told it. Not for you.

She poured another mug of tea and took it to Big Dan at the tiller, receiving the man’s soft thanks.

Alex let his eyelids fall and watched Ella through his lashes as she moved around the cabin finding places to stow their possessions, every movement graceful and economic. She had blown out the candles she’d lit to illuminate her work on his leg, but plenty of light entered the cabin from the doorway and the small windows on either side of the boat. She slipped glances at him from time to time, the colour coming and going in her face. What was she thinking?

Was she as attracted to him as he was to her? Or was she just embarrassed at the situation in which they found themselves? He had never been able to read her. Sometimes, he was sure she saw him merely as a friend. Sometimes, not even that, though those occasions were mostly his own fault.

How often had he looked up across a campfire, or a room in a scurvy little billet in some benighted village on the fringes of a war, or a bedside where someone in his command lay depending on Ella’s care and met her eyes? And seen in them an echo of the wanting in his own?

Was it his imagination; his own longing misinterpreting an innocent glance? Even if it were not, she had never once, since her ill-judged marriage, by word or deed given him reason to think she would act on that attraction.

Only a reprobate would take advantage of a woman under his protection, especially a woman persecuted as Ella had been. Alex could not be such a scoundrel, but perhaps Jasper had unwittingly done him a favour. Because even with the increase in pain, his physical response to Ella’s presence had proven beyond doubt that the injury had not made a eunuch of him as he had feared. The pain would be a timely and much needed reminder to keep his hands and other bodily parts to himself.

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Tea with Ella

 

Susan had allowed Ella to refuse most of the invitations that poured in after the shocking incident at Lady Sutton’s soiree. Everyone wanted to meet the new Lady Renshaw, who had been drugged and assaulted in the midst of a party attended by half the ton. Ella had no desire to meet their avid eyes and turn away their eager intrusive questions, and Alex and Susan agreed. However, “You must appear at some of these,” Susan had said, “so that people know you have nothing of which to be ashamed.”

But Ella was ashamed. She had lied, and intended to keep on lying. Every time someone addressed her as ‘Lady Renshaw’ she had to subdue a flinch. But Alex and his father had come up with the fiction of their marriage to protect her, and she could not, would not shame them by exposing the untruth.

Still, the knowledge she was an imposter made her reluctant to face her hostess today. This was one invitation Susan insisted on her accepting, assuring her that the Duchess of Haverford was a kind woman, and one of the most influential of Society’s great ladies.

She stood as the great lady entered the room. “Lady Renshaw, how kind you are to come to see me,” the duchess said, taking Ella’s hand and directing a kiss in towards the general vicinity of Ella’s cheek. “Now. How can I help you and young Alex? He is, you know, one of my favourite godsons, and everyone will tell you I am godmother to half the ton. Take a seat, my dear, and tell me how you have your tea.”

Ella let the duchess’s warmth and evident affection for Alex washed over her and began to relax.

Excerpt from A Raging Madness

Ella, watching Alex treating a crowd of admiring females to his best imitation of a man pleased with his lot, was surprised when Mrs Fullerton spoke at her elbow. “Silly hens. He is being polite, of course, but I dare say our new Lord Renshaw is hating every minute.”

Ella controlled her surge of irritation. She had no place objecting to Mrs Fullerton’s possessive ‘our’, or her implicit claim to understand Alex. Diplomatically, she replied, “I was surprised at how quickly the news had travelled. He only heard this afternoon.”

“I owe you an apology, Lady Melville. I was very rude when we last met. I was jealous, you see. Alex never looked at me the way he looks at you.” Mrs Fullerton gave a deep sigh. “But one must accept reality. He has eyes only for you, and I was quite horrid. I am ashamed of myself, truly.”

She seemed sincere, her eyes meeting Ella’s, a tentative and apologetic smile just touching the corner of her lips. Ella suppressed the urge to ask how Alex looked at her and gave way to the impulse not to correct Mrs Fullerton’s misconception about Ella’s and Alex’s relationship.

“We all do things we later regret, Mrs Fullerton. Think nothing of it.”

“You are very gracious.” Mrs Fullerton lifted her glass to her lips. “Bother!” Somehow, she had managed to spill quite a large splash of the drink on one shoulder of her gown, a red spreading stain against the pastel green. “Lady Melville, I hate to impose, but could you…”

What could Ella say? She accompanied Mrs Fullerton to the ladies’ retiring room, helped her sponge out the liquid, and waited by the door to the large drawing room while Mrs Fullerton went out to the front hall to retrieve a shawl to cover her shoulders.

She returned with a footman in tow. “Have you tried the punch, Lady Melville? It is strongly spiced but hot and quite pleasant.”

She collected two glasses from the footman’s tray and pushed one into Ella’s hand.

“Drink up, Lady Melville, and then we shall go and rescue Lord Renshaw.”

It was over spiced, but Ella did not wish to be rude. She took a large sip and another.

An instant before the drug in the drink hit her, triumph flared in Mrs Fullerton’s eyes, and Ella knew she had made a mistake. She opened her mouth to shout for Alex, but suddenly the footman had a hand over her mouth and another under her elbow and was hustling, half carrying, her through the door Mrs Fullerton held open.

“I will give you a few minutes to make it look good,” she said and whipped out of the room, shutting the door behind her.

Ella was struggling against the footman and the fog trying to close in on her mind, the dizziness that wanted to consume her. She stamped at his foot, kicked back at his shin, but her soft indoor slippers made no impression. She squirmed, trying to jab her free arm as low as possible, and he twisted away with an oath, his footman’s wig falling from his head to disclose hair nearly as white.

He pushed her from him so that she fell face forward onto a sofa and in an instant was on her, tugging her head back by the hair, straddling her torso. “This will do well enough,” he commented, lifting himself enough to push up her skirt and petticoats.

Ella fought to retain consciousness, the pain of her pulled hair helping to keep her from sinking into the fog. “Scream,” she instructed herself, as her assailant’s free hand fumbled at her buttocks, and she shrieked as loud as she could.

Doors burst open: the one onto the hall and a double set into the drawing room next door, and the room filled with people.

It was her worst nightmare come again: the indrawn breaths of shock, the buzz of excited comments, the avid staring eyes. The last thing Ella heard before she sank into oblivion was the amused drawl of the man on her back. “Oh dear, Lady Melville. It seems we have been caught.”

A Raging Madness is book 2 of The Golden Redepennings. Book 3, The Realm of Silence, will be out this month.

 

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Tea with Lady Sutton

“I hope you mean to explain, Grace,” the Duchess of Haverford said, as she passed her guest a cup of tea. “All sorts of rumours are racing around town. Is it true that Melville’s widow was drugged at your soirée by an enemy of our newest peer? Or is she a madwomen and a laudanum addict, as her relatives claim?”

Grace, the Countess of Sutton, leaned forward and lowered her voice, though only she and her friend were present. “As to that, Eleanor, I must trust our friend the Brigadier General. He claims the lady as his daughter-in-law, secretly married to his son, the new Lord Renshaw, two months ago when she escaped her relatives. The attack was orchestrated by those relatives and carried out by a man Lord Renshaw had fired. With the assistance of that brazen woman Lady Fullerton. I was never more shocked in my life.”

Eleanor raised her brows. Given the activities of Lady Sutton’s father-in-law, husband, and son, this was strong language indeed. She nodded decisively. If Lord Henry Redepenning spoke for the lady, Eleanor’s path was clear.

“We must do what we can to establish Lady Renshaw in Society, then, Grace, and to remove those who would harm her. But first, tell me everything that happened.

Excerpt from A Raging Madness

Once Alex had succeeded in deflecting his admirers, he managed to locate Susan, talking to their father near the exit to the hall. Where was Ella? She had been watching him a short while ago, but he could not now see her anywhere. Had she gone out into the hall or to the terrace at the other end of the room?

He started towards the terrace, but a stir behind him set him turning. People surged through double doors into the next room, his father and Susan among them, and moments later Susan reappeared and gestured him to hurry.

“It’s Ella,” she whispered as he passed her, and he began to push his way through the doors and then the crowd gathered within. His father’s head showed over the crowd, and the buzz of muttering had muted enough for Braxton’s unctuous tones to reach him. “… not the first time, I fear. She was a camp follower, you know. And travelled with Lord Renshaw for weeks under an assumed name, as this gentleman can witness. We shall just take her…”

“You will not.” Lord Henry’s battlefield roar, which had cowed subalterns and offspring alike. “You will keep your filthy hands from my daughter-in-law. And you. Whoever you are. Seize this man and hold him for attempted ravishment of a peeress.”

The buzz had started again. Daughter-in-law? Ravishment? Peeress? Alex pushed harder, and the crowd parted to let him through just as Braxton said, “Daughter-in-law? This is Lady Melville. My sister.”

“Lady Renshaw,” Lord Henry insisted, but Alex barely heard him, his entire world narrowing to Ella, lying supine on a sofa with a shawl thrown over her, and Lord Henry standing protectively between her and Edwin Braxton, with that evil scum-sucker Farnham at his shoulder. Torn between throwing himself on his knees to check on Ella and hurling himself on Farnham to rip his throat out, Alex hovered for a moment, long enough for Lord Henry to say, “Alex, lad. See to your wife. We were in time, thank God, but she appears to have fainted.”

“She has taken laudanum.” Mrs Braxton’s shrill voice battered at Alex’s ears as he knelt beside Ella and took her in his arms. “Again.”

He ignored the bitch. Father would deal with her. “Ella, my love,” he murmured. She opened her eyes, and her pin-point pupils confirmed her sister-in-law’s charge. “The punch.” Her voice was slurred, her face intent. “Mrs Fullerton.”

Above them, Lord Sutton was saying, “What is going on, General? You introduced the female as Lady Melville.”

Ella, trembling, had hidden her face in the hollow of his shoulder. “The punch? Someone check the punch,” he ordered.

“I served no punch. There is foul play, here.” That was Lady Sutton. She nodded at Alex and rearranged the shawl that covered Ella’s torn dress. Torn! Alex wanted to howl. To break something or preferably someone. He forced himself to focus on his poor love, gentling his hand on the hair that tumbled to her shoulders. Susan patted Ella’s shoulder, as Lord Henry continued.

“I had not intended to air the disgraceful behaviour of my daughter’s family by marriage… But if you will have it, Lord Sutton. My son married his lady two months ago, in Cheshire, after rescuing her from her dead husband’s half-brother, who held her against her will, forcibly drugging her to prevent her escape. She could not, of course, travel with Lord Renshaw without the protection of his name, and their attachment was of long standing, their marriage delayed only because she nursed the Dowager Lady Melville until her death.”

Braxton began to speak, but Lord Henry spoke more loudly. “Or until this miscreant prevented her in that kind office. Who knows what this dear child suffered at his hands?”

“I saw the bruises myself, where three of them had held her to force the drug on her,” Alex said. The mood of the room was changing. Heaven knew what Ella would think, or what they could do tomorrow to fix this mess, but they had saved her from Braxton. No one would take a wife from her husband.

“But you presented her to Society as Lady Melville, General,” Sutton insisted.

“She wished to honour her mother-in-law with three months of mourning, as decency demands, but that time was stolen from her by the actions of Braxton here. My son gave it back. That is all.”

“Was it this man?” Lady Sutton’s voice. Alex looked over his shoulder trying not to disturb Ella who had fallen unconscious in his arms. Lady Sutton had a maid with her, who was nodding vigorously and pointing to Farnham. “And that lady there, ma’am,” she declared, pointing to Mrs Fullerton.

“I found two glasses in the hall part filled with spiced punch, Sutton,” Lady Sutton told her husband. “And the maid saw two people force it on Lady Renshaw then drag her ladyship into this room.”

“The four of them arrived together. I saw them.” That was the Suttons’ son.

“Lies!” Mrs Braxton squeaked.

“You are the liars.” Mrs Fullerton turned on her co-conspirators. “You told me she was insane and a whore. I would never have agreed to help you…” She turned pleadingly to Alex. “Alex, I swear I did not know she was your wife.”

This time the excited buzz rose to shouting, and Mrs Fullerton shrank to silence under the condemnation.

“Father, I am taking my wife home.” Alex stood, holding Ella and ignoring the strain on his leg. “I will leave you to deal with her assailant and his accomplices. His name is Farnham, and I dismissed him two months ago for fraud and theft. This, I take it, is his revenge.”

Farnham’s face twisted with rage, and he lunged at Alex, but two men either side held him back.

Susan was at his shoulder then, and Gil Rutledge appeared on the other side to support his elbow and take part of Ella’s weight. “I have ordered the carriage,” Susan said, and the crowd drew back to let them through.

In the carriage, Alex insisted on continuing to hold her. She was lost in the laudanum dreams, stirring restlessly but stilling when he murmured to her. “I have you safe, Ella. I have you safe.”

Even semi-conscious, she trusted him. How would she react when she knew he had broken his word, taken her choices from her, claimed her as wife in front of half the ton?

A Raging Madness is the second novel in The Golden Redepennings series

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Book tour for A Raging Madness

A Raging Madness went live three weeks ago, and is still in the Hot New Regency Release list on Amazon.

It’s the second in The Golden Redepennings series, and stars Alex who waltzed in a wheelchair in the first. He’s recovering from a crippling injury that nearly cost him a leg. Ella, the heroine, is escaping in-laws who have been keeping her drugged and imprisoned. Together, they search for answers and a future.

Follow the book link for buy links and the blurb, and I’ll keep adding links as they go up.

I’ve been on a virtual tour to promote the book. Check it out here. There are prizes!

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Six more weeks until a new book baby

I’m preparing to publish the novel A Raging Madness, which is set in Regency England, mostly on canal boats or in a tumble-down manor house in the Lincolnshire Wolds.

The book is currently with the proofreader, and will be released on 9 May.

So what does that mean ‘preparing to publish’? For me, it means a four-tab spreadsheet to help me keep track of my planning, lots of emails and messages as I beg people for guest spots on their blogs and set up a couple of Facebook parties, a print book cover and advertising images to design, a short story to write for my April newsletter, which will go out as soon as I have buy links, and a bit of soul-searching as I try to figure out how to second-guess the juggernaut that is Amazon and the shifting mass of chaos that is the bazillion-book market.

I’m off on holiday next Friday. Whether that’s a good thing or a bad thing remains to be seen. No day job, but family to spend time with and places to go. Watch this space.

Meanwhile, here’s the book blurb. Below are the covers I’m redesigning for the rest of the series plus the blurb, such as it currently is, for Book 3. Click to the link above if you’d like to read the first chapter of the new book.

Their marriage is a fiction. Their enemies are all too real.

Ella survived an abusive and philandering husband, in-laws who hate her, and public scorn. But she’s not sure she will survive love. It is too late to guard her heart from the man forced to pretend he has married such a disreputable widow, but at least she will not burden him with feelings he can never return.

Alex understands his supposed wife never wishes to remarry. And if she had chosen to wed, it would not have been to him. He should have wooed her when he was whole, when he could have had her love, not her pity. But it is too late now. She looks at him and sees a broken man. Perhaps she will learn to bear him.

In their masquerade of a marriage, Ella and Alex soon discover they are more well-matched than they expected. But then the couple’s blossoming trust is ripped apart by a malicious enemy. Two lost souls must together face the demons of their past to save their lives and give their love a future.

The Golden Redepennings started with Farewell to Kindness, and continues for seven books. Farewell has a new cover to match A Raging Madness.

The next in the series is The Realm of Silence.

When secrets are revealed, lives change forever

Susan Cunningham’s carefully managed life spirals out of control when her daughter Amy disappears from a select ladies’ academy in Cambridge. Susan will do anything to find the missing fifteen year old, even accept help from Gil Rutledge, who once made her childhood miserable and who stirs her as her deceased husband never did.

Gil seizes the chance to pursue the runaway up the Great North Road. It’s a holiday from responsibilities he never wanted; a temporary escape from his mother and sisters, his dead brother’s bankrupt estate, a life he is not trained for and didn’t expect. And the chance to spend time with the one woman he has ever loved.

Catching up with Amy is only the start. To save her, they must stand together against French spies and prisoners of war, English radicals, the British army and navy, and their own families. And even risk their hearts.

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Process? Was I meant to have a process?

I’ve just sent A Raging Madness off for proofreading, which clears my mental space for the other stories that are simmering on the back of the stove or still spread out across the kitchen table as raw ingredients.

Over the past three years, since I first began Farewell to Kindness, I’ve discovered I’m neither a plotter nor a pantser, but a weird amalgam. As the current state of said stories shows.

I figured I’d be a plotter. I am in my commercial writing life, starting with a carefully structured outline, complete with an assessment of audience and purpose. So before I wrote a word of Farewell, I had character interviews and questionnaires, a detailed plot outline, and acres and acres of research. Then I started writing.

It turns out that I write by watching the movie reel unroll inside my head. My characters had no idea what was going to happen, and as I soon found out, neither did I. The villain died before chapter 1. The slightly sinister neighbour turned into a major criminal. The hero wanted to seduce the heroine instead of courting her. I ended up more or less where I expected, but by a completely different pathway.

But nor am I entirely a pantser. If I try to write without at least some of that plotting work, my muse goes into a major sulk and I bog down.  Revealed in Mist suffered from that. I began a murder mystery with no idea who the villain was or how the murder happened. At some point I had to figure that out.

I am, I guess, a patterner. It isn’t so much that I make patterns, but I recognise them. Two or more disconnected facts suddenly come together in my mind, and all of a sudden I know where I’m going.

Take Concealed in Shadow, the sequel to Revealed in Mist, which is my book after next. I know Prue has been kidnapped and is in Napoleonic France, and I know David has followed her. I know that the story involves a secondary romance between a English detainee and a prisoner-of-war. I’m not sure of much else. But last night I realised that Prue will be handed over by her captors to a French spymaster, who will use her to try to force David to give up British secrets.

I’m currently reading about spy networks in England and France during the Napoleonic wars, and also about prisoners of war in each country. And something just clicked.

I don’t know precisely how my creative process works. But I know what makes it work. Research. When my mind goes blank, I start reading. Original material such as newspapers of the time, scholarly works, other fiction set against a similar background. Whatever works.

And I didn’t do this on purpose, honest, but The Realm of Silence, the next book in The Golden Redepennings also involves prisoners of war and spies, this time on the English side of the channel. And Luddites, because why not? What I was missing there was a MacGuffin, but I found one, so all is well.

Those are the main projects at the moment, but I also have three novellas (two for Christmas anthologies) and a short story on the go. And they all have plots! (But I don’t guarantee they’ll happen the way I’ve ‘planned’.)

So that’s it. That’s how I write. Someone compared it driving after dark. As long as you can see as far as your headlines reach, you can keep going. It’s a bit scarier than that. I start out not knowing what route I’m going to follow, and with only the vaguest idea of destination, and work it out on the way. I write the book so I can find out how it ends.

My friend Caroline Warfield has also posted about process.

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Backstory on WIP Wednesday

One of the tricky tasks an author has to manage is to tell those crucial bits of history a reader needs to sympathise with the hero or heroine, or despise the villain. But what to do? Hint and let the reader guess? Have the character explain themselves to another? Do a flashback in memory? Jump between present and past entirely?

All can work, or can be disastrous.

This week, on WIP Wednesday, I’m inviting you to post excerpts that carry your backstory. Mine is from A Raging Madness. Ella is telling Alex about her first marriage, which he had observed as a fellow officer.

He had seen the signs and ignored them, told himself that he had no right to interfere between husband and wife, told himself that she had made her bed and could lie in it. Arrogant, conceited pup. Twenty-one years old and full of his own pain. He hated that long-ago version of himself nearly as much as he hated Melville. Long ago? He had been believing lies against her as recently as two months ago.
“I often thought of sending him into the thick of battle, like David did to Uriah the Hittite. I should have done it.”
Ella, her eyes soft, reached up and kissed his chin. “Was I your Bathsheba then? I am flattered.”
“Always, Ella. My guilt made me cruel to you. I cannot tell you how sorry I am.”
Her eyes rounded and she shook her head. “No, Alex. You were always kind and polite. Distant. Disapproving sometimes. But I knew I could rely on you. I do not think I could have survived after Dadda died if not for you.” Her eyes filled with tears, and he bit back the self-recriminations. He did not deserve her praise, but nor was he selfish enough to deny the comfort her memories gave her in order to seek his own absolution.

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Reprobates on WIP Wednesday

http://commons.wikimedia.org/wiki/File:G-Cruikshank-Inconveniences-Crowded-Drawing-Room-1818.jpg

http://commons.wikimedia.org/wiki/File:G-Cruikshank-Inconveniences-Crowded-Drawing-Room-1818.jpg

The world seems to love a scoundrel. Me, I tend to make villains out of them, but fiction is full of rogues as both protagonists and antagonists. Readers like those with wounded hearts waiting for circumstances or the right influences to make them whole. So this week, I’m inviting you to show me an excerpt with the retrobate from your work in progress. Mine is a right evil so and so, from A Raging Madness, caught in the act of compromising my heroine.

An instant before the drug in the drink hit her, she saw the flare of triumph in Mrs Fullerton’s eyes, and knew she had made a mistake. She opened her mouth to shout for Alex, but suddenly the footman had a hand over her mouth and another under her elbow, and was hustling, half carrying her through the door Mrs Fullerton held open.

“I will give you a few minutes to make it look good,” she said, and whipped out of the room, shutting the door behind her.

Ella was struggling against the footman and the fog trying to close in on her mind, the dizziness that wanted to consume her. She stamped at his foot, kicked back at his chin, but her soft indoor slippers made no impression. She squirmed, trying to jab her free arm as low as possible, and he twisted away with an oath, pushing her from him so that she fell face forward onto a sofa.

In an instant he was on her, tugging her head back by the hair, straddling her torso. “This will do well enough,” he commented, lifting himself enough that he could push up her skirt and petticoats.

Ella fought to retain consciousness, the pain of her pulled hair helping to keep her from sinking into the fog. “Scream,” she instructed herself, as her assailant’s free hand fumbled at her buttocks, and she shrieked as loud as she could.

Doors burst open: the one onto the hall and a double set into the drawing room next door, and the room filled with people.

It was her worst nightmare come again: the indrawn breaths of shock, the buzz of excited comments, the avid staring eyes. The last thing Ella heard before she sank into oblivion was the amused drawl of the man on her back. “Oh dear, Lady Melville. It seems we have been caught.”

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Building a village

renbridge-landscapeA couple of weeks ago, I wrote the arrival of my hero and heroine of A Raging Madness at the tumble-down Renwater Grange, the estate gifted to Alex by a grateful king. They woke up the next morning, went for a walk to investigate the stables, and met the husband of their temporary housekeeper. And then I got stuck.

renwater-stablesI knew where the house was; in the village of Renbridge, in the Lincolnshire dales. I’d done quite a bit of research about agriculture and horse breeding in the dales, and the type of land ownership and architecture. But who lived in Renbridge? What were their names, their characters, their habits and their interrelationships?

I realise that most of the villagers won’t have a mention in the book, and that even those who wriggle their way into the first draft might be cut in the second. But I have no idea which ones are a permanent part of the story, and—in any case—their existence, mentioned or not, is texture in the background. Who are these people?

So for the past fortnight, I’ve been writing a village. I thought you might like to see the raw results.

Renbridge village

10.2 miles from Horncastle, 6.9 miles from Louth, 8.7 miles from Alford

The church and rectory

renbridge-churchThe church is St Ninians, the living is at the gift of the King as Duke of Lancaster. The Rector is Reverend Daniel Morris, a single man, an elderly widower with no children. His housekeeper is Mrs Kelk,  wife of his handyman and general servant. He also has an all purpose maid, Aggie Nevis. Mr Morris (74),  Kelk (56), Mrs Kelk (57) (the five Kelk children are all gone — two dead as children, a boy and a girl, one married and in Alford, one in the army, and one in the US after a run in with the law). Aggie (48) never married, has been with the living longer than the others.

Mr Morris is kindly, scholastic, and sharp as a tack. Very social, has a lovely little dog that he takes walking. He is a classics scholar with a speciality in Republican Rome and takes students. One is currently living across the road with the Mullens.

The inn

renbridge-innInnkeeper is Silas Hancock (48), and his wife Betsy (46). They have grown sons and a daughter who also work at the inn. Sons are Fred (27), Sam (25) and Dick (19). Their daughter is Mattie (19). Four children died between Sam and Dick, two during a village cholera epidemic, one of smallpox, and one in an accident. Dick and Mattie are twins. Also various servants who may or may not get names. Fred manages the stables with Dick’s help. Silas is mine host. Betsy and Mattie rule the kitchen. Mattie is being courted by a farmer’s son. Inn has been in the Hancock family for generations.

The inn, church, and grange are on the Y intersection.

Cottages on the road to Alford

Mirs Rycroft lives in a substantial detached cottage.

Mirs Rycroft lives in a substantial detached cottage.

On the road to Alford between the church and the grange are three cottages, all detached. On the east of the road, next to the rectory, is the Fox house, then Widow Bycroft’s cottage, then the bridge over the Ren. On the west of the road next to the bridge is the Broadley cottage. The rest of the west is grange land.

The Fox family is large and unruly. Jeb Fox (35) is a drunkard and a lout. He does farm labour when he can get it, but most of the farmers around will only use him if they have to, as he cannot be relied on.  Pansy Fox  (28) takes in washing, cleans, and (it is rumoured) supplements her income by lifting her skirts. Fox beats her when he suspects such a thing, and so her lovers are circumspect, but she has 7 children to feed, and those are just the survivors. She has buried 4, two in the same cholera epidemic as the Hancocks.  The children are one a year, 11, 10, 9, 7, 6, 3, 1, with the dead ones fitting in the gaps. She is pregnant again. Not all of the children look like her or Fox.

The widow, Harriet Rycroft (61) lives in a house that is slightly more substantial than a cottage.  She and her maid of all work and dear friend, Jane Harper (59), came here from far away and have lived quietly in the village for 25 years.  The villagers would be surprised to know that they are retired prostitutes. They often give work to Pansy Fox, but pay her in food and clothing. Mrs Rycroft runs a dame school for the village children.

A visual reference for Renwater Grange

A visual reference for Renwater Grange

The Broadleys are both from families that have long been in the area. Jack Broadley (47) is a farm labourer, a large quiet man that will turn his hand to most things. Because work is scarce in the area and farmers can usually take their pick, it is significant that he is usually among the first chosen. Bee Broadley (Phoebe, 43) is Silas Hancock’s sister. She has been hired as temporary housekeeper at the grange, and is the first person Alex and Ella meet when they arrive. The Broadleys have one son (John, 24), who was impressed by the navy but who loves the life, and a daughter (Molly, 22) who has married a local farmer.

A row of cottages on the road to Horncastle

renbridge-row-of-cottagesOn the road to Horncastle, the grange takes up the northwest side of the road, and there is a row of three cottages on the southeast, with the Roses, Mullens, and Pecks.

Bill Rose (67) runs the village shop, with the support of his two daughters, Martha (34) and Jemima (32).  His wife died when the girls were teens. Bill’s son Willy married and moved away  years ago. Willy is horse mad, used to work in the inn stables, and took a job to be closer to horses. The innkeeper, Bill, is in failing health and Willy wants to be closer, so will apply for job as stable master. Bill has chased off any suitors for his daughters, so they are still single. They are involved in all village activities, especially church activities.

George Mullen (27) and his wife Millie (20) are newly weds. He is a farm labourer, son of farm labourers from another village closer to Alford. She is the daughter of Mr and Mrs Hewitt, who live further along the road. They can only afford the cottage because they have a gentleman boarder, a scholar who is studying with Mr Morris. He is a young man who hopes to take religious orders, which will work better if he can keep his eyes of Mattie Hancock. Peregrine Fairweather (23) is the second son of a family of comfortably situated gentry, and a nice enough young fellow.

Matthew Peck (56) and his two sisters Katie (57) and Pauline (59) live in the last cottage on the way out of the village. Matthew is a farm labourer. Katie and Pauline do piece work for a dressmaker in Hardcastle.

Cottages on the road to Louth

renbridge-smithyLeading out of the village to the east on the Louth road, the Arnotts and the Hills are on the north side in detached cottages.

Charlie Arnott  (48) is the village smith, and also the verger. His father, also Charlie (78) was both of these things before him but is now suffering from dementia. His mother Maggie (67) looks after Charlie and also helps with the house and children. Charlie is a widower, his wife having died in childbed some 10 years ago, leaving four children: Charles Jnr, who is 19 and his father’s apprentice, Becky (16), Tom (14) and Ben (12).

Nathan Hill (34) and his wife Lucy (28) live in the eastmost cottage with children Fanny (6), Jenny (4),  Ninian (2), and Lucy is heavily pregnant. Nathan is a carpenter and general handyman. Lucy spins, sews, and makes bonnets to supplement the family income.

The remaining villagers, the Woods, Farrows, Hewitts, and Dodds,  live in the row of cottages on the south side of the Louth road.

Moses Wood (46), the carter, is married to Hester (39). They have one son, Aaron, who is in the army (22). Hester is a baker at the inn.

There';; be work for bricklayers and carpenters up at the Grange

There’ll be work for bricklayers and carpenters up at the Grange

Tim Farrow (36) is a farm labourer living with his mother,  Alice Farrow (61). He was a rival for Lucy Hill’s hand and has been miserably single ever since.  Jemima Rose has hopes of him, but he hasn’t noticed.

Ted (62) and Mary (61) Hewitt are the parents of a large brood, mostly dispersed. Millie is the youngest, and recently married George Mullen.  They also have 3 sons and 2 other daughters, as well as 2 who died as children. The eldest is  Eddie, 34, an assistant stable master in Hardcastle. Mary-Kate (31) is married to one of Alex’s tenant farmers.  Suzy (27) went into service and is now assistant housekeeper for a baron near Lincoln. Twin brothers Wally and Bart (23) both live at home and are farm labourers with their father. Mary helps out at the inn.

Gabe Dodd (38) and his wife Abbie (35) live in the last cottage on the road to Louth.  They have three children, Matthew (10), Mark (7), and Luke (4).  Abbie has just discovered that she is with child again, but has not yet told anyone because she is prone to miscarriage. Gabe is a builder/bricklayer.

Five farms pay rental to Alex

renbridge-farmhouseJerry Ashton (62) and his wife Agnes (58) are Lucy Hill’s parents. They also have two sons who work the land with their father,  Frank (34) and Harry (31). Both are married, Frank to Nan (28) – two small children, 5 and 3—and Harry to Dinah (27, and Nan’s sister)—two small children, 3 and newborn.

Jonas Catchpole (43) and his wife Clara (46) live with Clara’s elderly parents (Seth 74 and Mary 71). Their one daughter is married to Rafe Bracey.  They have a live-in farm worker, Johnny Harper (32) who had hoped to marry Rachel himself.

Billy Horrell (52) is a widower with two grown sons. William (28) is single and Henry (25) recently married Molly Broadley

Rafe Bracy (33) is married to Rachel (21), the daughter of the Catchpoles. Rafe and Rachel live with Rafe’s brother Mike (35), who is a widower with two small children (7 and 3). Rafe was in the army, but returned home when his brother’s wife Mary died.

Ambrose West (39) lives with his sister Heloise (37). He is sweet on Martha Rose, and has been since they were children. Their mother was gentry who married down. She is a doddery old woman of 66, who sews by the fire and occasionally discomforts people by noticing what is going on. They hire their farm labour from the village.

by

Running away very very slowly

xa6t0jrcjgosmeiapcjbThis is a rerun of a post I wrote for Caroline Warfield’s Highlighting Historical Research blog, several months ago.

I love research. I even love research when I have a perfectly delightful plot that falls apart when research proves it couldn’t have happened. Working out what might be historically probable instead, or at least plausible, has allowed me to drop down many an exciting rabbit hole into research wonderland.

For example, in my current work-in-progress, A Raging Madness, my hero Alex has a leg full of shrapnel, and is currently helping my heroine to escape from relatives who are determined to lock her up in an asylum for the mentally unwell.

Shrapnel? What kind of shrapnel? What munitions carried shrapnel at that time? What battles were they used in? How were shrapnel wounds treated? What was the long term prognosis? How about complications?

It took me a while to find a suitable battle, but eventually I put Alex the right place to be on the business end of a canister shell, a cannon ball with a weak outer shell filled with scrap metal. When the cannon fired, the shell burst apart, and a broad fan of metal caused devastation among the enemy troops. And, in my case, on the body of the assigned escort of a British diplomat who was observing the battle. (And, no, it was not called shrapnel at the time.)

Ella, my heroine, was the daughter of an army doctor, and I figured she’d solve all of Alex’s problems by removing the shrapnel. But not so. Then, even more than now, removing shrapnel or even bullets (unless they are lead) was a very bad idea.

Even today, going in after a splinter of metal might cause more harm than good, and the world is full of people walking around with bomb fragments buried inside. Back then, with no antibiotics and no anaesthetics, the treatment of choice was to leave the mess alone.

Over time, one of three things would happen. The body and the shrapnel would adjust to one another. The body would reject the shrapnel, moving it piece by piece slowly out to the surface. An abscess would form, and the poisons from the infection would kill the patient unless someone acted to drain the abscess.

Hurrah! I had my intervention. Poor Alex developed an abscess.

But escape? Alex can barely walk, let alone ride. Ella is recovering from addiction to the laudanum that her relatives have been force-feeding her. (Another rabbit-hole: what does laudanum withdrawal look like? Feel like?)

I needed a plausible way for two such invalids to escape.

I chose a canal narrowboat for a number of reasons.

The narrowboats were designed at the maximum size to fit in the smallest locks. An inch too big, and they couldn’t go wherever they needed to for the operator to earn his living. The early designers decided on a boat around seven foot wide, up to ten times as long as wide, and drawing about three feet of water when fully loaded.

The narrowboats were designed at the maximum size to fit in the smallest locks. An inch too big, and they couldn’t go wherever they needed to for the operator to earn his living. The early designers decided on a boat around seven foot wide, up to ten times as long as wide, and drawing about three feet of water when fully loaded.

One: I loved the idea of the villains haring all over the countryside looking for them while they ran away by the slowest form of non-pedestrian transport ever invented.

Two: I’ve always wanted to go on a canal cruise, and this way I got to watch YouTube clips and call it working.

Most of the boat was given over to cargo, covered by canvas. In the cabin at the rear, everything did double service, with fold down beds and tables. Some boats also had a small cabin at the bow.

Most of the boat was given over to cargo, covered by canvas. In the cabin at the rear, everything did double service, with fold down beds and tables. Some boats also had a small cabin at the bow.

Three: By 1807, when my story is set, the canal network stretched from the Mersey (with access to Manchester and Liverpool) all the way to London. Travelling by narrowboat was feasible. Canals were a supremely profitable way to move goods in the early 19th century, and had been for a number of years. At a steady walking speed, a horse could move fifty times as much weight on a boat as it could on a road. The canals provided still water and tow paths to ease the travel, and locks, tunnels, and viaducts to overcome obstacles. Later, canal boats were mechanised, and later still the railways put the canals out of business. But in 1807, Alex and Ella hitched a lift with a charming Liverpool Irishman called Big Dan.

Four: I could put my hero and my heroine in close confines, calling themselves married, for five to six weeks. Not only did they have heaps of time to talk and even to succumb (or nearly succumb) to their

A healthy strong horse was vital. Each horse needed a stall in a stable each night, and copious quantities of high energy food.

A healthy strong horse was vital. Each horse needed a stall in a stable each night, and copious quantities of high energy food.

mutual attraction, they were also in deep trouble (or Ella was) if anyone found out. They used false names. They stayed away from fashionable places. But even so, their novelist made sure that someone with no love for Alex saw enough to cause trouble.

Five: The time frame let Alex develop an abscess and recover from the operation, all before he needed to be on hand to save Ella when rumours spread about the two of them and their canal interlude.

And down the rabbit hole I went.