Beached!

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Tea with heroes and heroines from the Land of Ferns

Rosa held tight to Thomas’s arm, peeking around him at the other couples who waited in the Duchess’s parlour. They had all introduced themselves, and all expressed wonder at how they had arrived, concluding that somehow it was all a dream.

That must be true, for how else could people from different centuries be here together? Yet she could have sworn she had been wide awake, the gentle quiet pony Thomas had purchased so she could learn to ride following his along the trail that led beside the river to the next mining camp they planned to visit. Of a sudden, without warning, the scene changed to a street in a bustling city, and the ornate gates of a mansion larger than any building she had ever seen.

Another couple on horseback arrived at the same time, and appeared just as startled. The bemusement and the horses were all they had in common; the clothes they wore — especially the trousers that hugged the lady’s thighs and calves — beyond shocking. Kirilee and Trevor came from the 21st century, or so they claimed, where such clothes were proper for ladies.

She supposed she believed them, for the other two couples from the 21st century were also scandalously clothed, and their means of transportation left no doubt in her mind that they had stepped her from another time. Nikki and Zee arrived in a horseless carriage: a monstrous machine that nonetheless purred like a large cat and gleamed the red of a priceless ruby. Claudia and Ethan’s steed was far louder and somehow more shocking. With only two wheels, it resembled nothing she had ever seen.

The conveyance carrying the fifth couple really was a carriage; a one-horse buggy similar to that used for travelling around town or to near neighbours in town. If she understood them correctly, they came here from a New Zealand twenty years or more later than her own time. Perhaps her children would meet them in that future — they would be a similar age. She choked back a laugh.

At that moment, the door opened, and they all stood as their hostess arrived.

“Good morning,” said the Duchess of Haverford. “I am so pleased to meet you all.”

Meet the heroes and heroines of my new story collection, Hearts in the Land of Ferns: Love Stories from New Zealand. It’s available on 23 April for only 99c.

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Spotlight on Hearts in the Land of Ferns

Hearts in the Land of Ferns is on preorder, and will be out on 23 April. It’s a collection of my New Zealand based novellas — two historical romance and three contemporary romantic suspense. All of them have been published in other collections, but never together.

Here are the covers for the five stories. I made the one for A Family Christmas, and the others are by the talented Mari Christie.

The historicals

Step into the 1860s in All That Glisters, set in Dunedin at the time of the first gold rushes. It was first published in Hand-Turned Tales.

Rose is unhappy in the household of her fanatical uncle. Thomas, a young merchant from Canada, offers a glimpse of another possible life. If she is brave enough to reach for it.

 

 

Forged in Fire is set in geothermal country just outside of Rotorua in 1886, and was first published in the Bluestocking Belles’ collection Never Too Late.

Forged in fire, their love will create them anew.

Burned in their youth, neither Tad nor Lottie expected to feel the fires of love. The years have soothed the pain, and each has built a comfortable, if not fully satisfying, life, on paths that intersect and then diverge again.

But then the inferno of a volcanic eruption sears away the lies of the past and frees them to forge a future together.

The contemporaries

These were all previously published in collections by Authors of Main Street.

A Family Christmas: She’s hiding out. He’s coming home. And there’ll be storms for Christmas.

Kirilee is on the run, in disguise, out of touch, and eating for two. Rural New Zealand has taken this Boston girl some getting used to, but her husband’s family and her new community have accepted her into their hearts. Just as well, since she’s facing Christmas and the birth of her baby without the man who wed her and sent her into hiding. What will he think when he comes home and discovers he’s a father?

Trevor is heading home for Christmas, after three years undercover, investigating a global criminal organization. He hasn’t spoken to his sister and grandfather since the case began. He hasn’t spoken to Kirilee, his target’s sister, since the day nearly nine months ago he married her and helped her escape. Will she want to stay married? And if so, will he?

In the heart of a storm, two people from different worlds question what divides and what unites them.

 

 

Abbie’s Wish: Abbie’s Christmas wish draws three men to her mother. One of them is a monster.

After too many horrifying experiences, Claudia Westerson has given up on men. She’s done everything possible to exorcise the men in her life, short of changing her name and appearance. They’re unpredictable, controlling and, worst of all, dangerous. Besides, all her energies are devoted to therapy for her daughter, Abbie, who is recovering from a brain injury.

But after Abbie is photographed making a wish for Christmas, Claudia begins receiving anonymous threats, proving her quiet refuge is not nearly hidden enough.

Who can she trust? Three men hope to make her theirs:

  • Jack, the driver from her daughter’s accident
  • Ethan, her daughter’s biological father
  • Rhys, a local school teacher and widower.

They all sound sincere, but which one isn’t?

 

 

Beached: The truth will wash away her coastal paradise…

Grieving for the grandparents who raised her and still bruised from betrayals in New York City, Nikki Watson returns to her childhood home in Valentine Bay.

Zee Henderson has built a new life in New Zealand: friends, a job he enjoys and respect he earned for himself, without the family name and money he left behind.

The attraction between Nikki and Zee flames into passion, until Zee’s past arrives on their doorstep and washes away their coastal paradise.

Buy links:

Amazon US: https://www.amazon.com/Hearts-Land-Ferns-Tales-Zealand-ebook/dp/B07NDT826B

Amazon Aus: https://www.amazon.com.au/Hearts-Land-Ferns-Tales-Zealand-ebook/dp/B07NDT826B/

Amazon UK: https://www.amazon.co.uk/Hearts-Land-Ferns-Tales-Zealand-ebook/dp/B07NDT826B

Apple iBooks: https://itunes.apple.com/au/book/hearts-in-the-land-of-ferns-love-tales-in-new-zealand/id1451855017?mt=11

Kobo: https://www.kobo.com/ww/en/ebook/hearts-in-the-land-of-ferns-love-tales-in-new-zealand

Barnes & Noble Nook: https://www.barnesandnoble.com/w/books/1130533818?ean=2940155970781

Smashwords: https://www.smashwords.com/books/view/921843

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Landscapes and surroundings on WIP Wednesday

I find descriptions hard to write, but stories need them. Our readers want to be able to drop themselves into the scene, and authors need to give them at least a few clues.

This week, I’m inviting writers to drop a description into the comments. Mine is from Beached, which is coming out next week in the box set Summer Romance on Main Street.

The shape of the harbor had given Valentine Bay its name: a heart on its side. A gap at the eastern point provided entrance to the harbor. On the western side, directly opposite, the wharves and moorings of the fishing port occupied a rocky promontory between two gently curved beaches. North Beach was currently undeveloped farm and bush land, though the planned hotel would change that. On the shores of South Beach, the settlement spread from the fishing port around the curve of the southern lobe of the heart and beyond, stretching partway along the road that led to the historic lighthouse at the harbor entrance.

Most of the shops in Valentine Bay lined one side of Beach Road or the other. That hadn’t changed. The shops themselves had—in her childhood, there’d been half a dozen businesses offering services and products to the locals and the rare visitor. A dairy, a fish and chip shop, a general store, a bakery, a book shop that also sold stationery and gifts, a garage with petrol pumps out the front and a workshop out the back. If any of those survived, they had gone upmarket to match the twenty or so others that now extended the shopping area far beyond the boundaries she remembered.

On the coast side of the road, the shops, cafes and restaurants backed onto the beach reserve, a wide stretch of lawn with picnic tables and public barbecue stations scattered among the pohutukawa trees and plantings of tough flax and ornamental grasses.

The businesses on the other side backed into the hill, no longer half farmland, but split up into residential lots with an eclectic mix of houses: Victorian villas cheek-by-jowl with modern beach extravaganzas and little square mid-20th century holiday houses, or baches as they were known here in New Zealand’s North Island.

 

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Spotlight on Summer Romance

 

I’m delighted to announce that volume 1 of Summer Romance on Main Street, with my novella Beached as one of six stories of summertime love, will be released on 15 June. US 99c is terrific value for more than 150,000 words, so grab it now. Click on my novella title for buy links and my blurb, or read on for an excerpt.

“There.” Dave turned off the tap, and dropped a handful of dirty implements into the soapy water. “I’ll boil a kettle to give the silver beet a head start when the girls arrive. A river cruise could suit you, Zee. No waves.”

Zee used the dish mop he’d just picked up to flick some soap suds at Dave. He’d never live down the condition in which he’d landed in Valentine Bay, but the teasing from his workmates was good natured.

At the sink, he had a good view of the big turning zone outside the triple garage. He glanced up idly when the Masterton people mover drew up, then froze, his hands hovering above the hot water. Nicola Watson? What was Global Earth Watch’s gun attorney doing in Valentine Bay? He’d last seen her on television, leaving the courtroom in which she had just lost her case against O’Neal Hotel Corporation. A loss aimed at destroying GEW’s credibility and that had been orchestrated in a plot between Miss Watson’s colleague and fiancé and Zee’s brother, Patrick O’Neal.

Discovering the machinations had been the final straw that precipitated Zee’s flight from his career, his family, his trust fund, his name, and the United States.

“She’s a stunner, isn’t she?” Dave said, and Zee accepted the excuse for looking as if he’d been bashed across the side of the head. Though he’d known the lovely Miss Watson was a New Zealander, he’d not known she was here in her home country. He had certainly not known that her family owned a house in the fishing village where he’d come ashore.

“She sure is. A lawyer, I think you said?” He finished scrubbing the brush across the base of the pot and put it on the rack for Dave to dry. Would she know who he was? They’d never met, and he didn’t court the camera the way his father and half-brothers did. Nor did he look like the other O’Neals, red hair to their black, finer boned, with his mother’s grey eyes. Any family resemblance needed another O’Neal for comparison.

If she realized who he was, he would tell her he was not an O’Neal anymore, if he ever really had been. One of his last acts in repudiating the family had been to legally change his surname back to the one on his birth certificate; his mother’s name. And if Ms. Watson didn’t know who he was, he wouldn’t say anything that would sour the evening for Becky and Dave.

He’d made his decision just in time, as the two women came into the kitchen from the mud room—back porch, the New Zealanders would say.

Becky went straight into her husband’s arms for the kiss with which they always greeted one another, turning her head to make the introductions from that safe harbor.

“Niks, this is our lodger, Zee Henderson. He lives above the garage.”

Ms. Watson showed none of the hostility she owed an O’Neal, offering instead a friendly smile and a hand to shake. “Pleased to meet you, Mr. Henderson.”

“Zee, please,” Zee begged. “If anyone calls me Mr. Henderson, I look around for my grand-dad.”

Nikki crossed the room to greet Dave with a hug and a kiss on the cheek, Becky having left her husband to check on the status of the dinner. “You’re an American,” she observed to Zee.

“Guilty, as charged.”

“Niks works in New York,” Becky observed. She touched the kettle, decided it was hot enough, and poured some water into the waiting pot. “Or, at least, she used to. Have you ever been there, Zee?”

“I sailed from New York.” Zee grimaced. “Turned out to be a bad idea.”

Nikki looked from Zee to Becky. “Why? What happened?”

“He gets sea sick,” Dave explained. “By the time the boat berthed in Valentine Bay, he’d been sea sick for six months. He staggered off onto the wharf, took hold of a bollard, and swore he was never leaving land again.”

Becky took up the story. “So Dave brought him home, and the New Zealand Immigration Service gave him a new name, and a year later here he is.”

Nikki raised one elegant brow. Close up and in person, she was even more gorgeous than on television, her face devoid of makeup and not needing it, her long hair caught back casually with a couple of hair slides and a clip. “Gave you a new name?”

“My name is Zachary Henderson, ma’am. Only the immigration officer thought I said Thackeray. When I told him ‘zee’ for ‘Zulu ’, Dave thought it was hilarious.” New Zealanders called the last letter of the alphabet ‘Zed’. “Around here, they’ve been calling me ‘Zee’ ever since.”

“Except when we call him Drift,” Dave corrected.

Nikki’s eyes sparkled. “Short for driftwood?”

“Right,” Zee agreed, as he let the water go and wiped out the sink. There. Becky liked to start a meal with a clean kitchen, and Dave liked her to be happy. “I’m beached, and that’s the way I plan to stay.”

“There are worse places than Valentine Bay to be beached.” Nikki had taken the drying cloth from Dave’s hand, had dried the last of the pans, and was putting them away, clearly familiar with Becky’s kitchen.

“There are few better,” Zee said. And the place was improved by having her in it. New Zealand had a worldwide reputation for scenic wonders, and she was certainly that!

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Transport on WIP Wednesday

 

In my stories, people travel. A lot. The Realm of Silence is a road trip story, and so is Gingerbread Bride. In almost everything I’ve written, the characters need to get from one place to another by whatever means of transport was available. In the latest novella for the Bluestocking Belles, Paradise Regained, I’m just writing a camel train, a caravan. Did you know that the largest could have thousands of camels? Wow. House of Thorns meant researching the earliest steam ferries on the Mersey. For Never Kiss a Toad, which is early Victorian, my co-author and I have spent a lot of time calculating journey times on ships and trains.  I’ve gifted the heroine of my latest contemporary novella, Beached, with a dual fuel (gas and electricity) car, and the hero has what New Zealanders call a utility vehicle, or ute.

So transport is this week’s theme. Comments with your excerpts are very welcome! Here’s mine, from Beached.

They went in Zee’s ute—his pickup he called it—leaving after breakfast. Nikki had offered her car, but Zee said he had some stuff to pick up for Dave, and needed the pickup’s bed.

Nikki decided not to call him on being a typical male, hating to be driven. Besides, she enjoyed watching his competent hands on the wheel and not driving meant she could enjoy the scenery—both inside and outside the car.

“We’ve gone as far as we can with the demolition,” Zee explained, as the truck skirted the foreshore. “I’ve got the crew tidying up today, and I’ve a few jobs lined up for next week that don’t need permits, but we’ll run out pretty quick. No problem if the council sticks to their ten-day timeline, but if anything is holding them up, I want to know about it ahead of time. If I let Dave take the team off your house and get involved in another job, who knows when we’ll get them back?”

“I thought you worked for Dave?” Nikki teased, prompting a broad smile and a sideways glance.

“Believe me, Nikki, I’m working for you on this one.” No misinterpreting that, although all week he’d been blowing hot and cold. She’d manufactured several opportunities for them to be alone, and any other man would have made a move by now. Showing an interest had always been enough and she’d done that, surely? Perhaps he was shy. Or she hadn’t been obvious enough.

They had the whole day together today; time enough for things to develop.

The road made its turn from the coast, running beside the estuary before turning to climb into the hills.

“Is this anything like where you grew up?” Nikki asked.

Zee laughed. “Not much! Me and my mom lived with her dad up on a mountain in Wyoming. They call it off the grid these days. To me, it was just the way you lived. Fishing in the lake for lunch. Hunting to put meat on the table. School was lessons with mom or grandpop, not just out of books but in our everyday lives. I learnt design hands-on, making things with grandpop.”

“It sounds idyllic,” Nikki commented.

“I remember it as idyllic. At least until…” He trailed off, his hands on the wheel clenching then releasing.

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Correspondence on WIP Wednesday

 

For an author, correspondence can be handy, letting us tell the reader a bit of backstory without beating them around the head with it. Of course, this presumes a certain context — literacy, for a start. But in the historic novels I write, I use notes and letters quite a bit. In contemporaries, the equivalent would be a text message or an email.

This week, I have a piece for you from my latest contemporary, a novella for the Authors of Main Street summer collection: Summertime on Main Street Volume 1. In Beached, my hero has become estranged from his family, but is writing to his father.

Feel free to post your extracts in the comments. I’d love to read them.

The email took a long time to write. Zee knew what he needed to say, but the words didn’t come easily. Twice, he deserted his laptop to do other things — take Oliver out for a walk, do a bit of cleaning around the apartment, catch up on his laundry, set dinner simmering in the slow cooker. In the end, he thought he had it. Reading it over carefully, he adjusted a few words here and there, went to send, then changed his mind and resaved as a draft.

Stop procrastinating, you idiot.

It was as good as it was going to get. He opened the draft and clicked on the send button before he could have second — no, nineteenth or twentieth thoughts.

 

Hi Dad

It’s Drew here. I should have been in touch long ago. In fact, I shouldn’t have stormed off without first talking to you. And I’m going to admit straight up front that I’d still be putting off writing if I didn’t want something.

First, the apology. I knew fairly early on that you couldn’t have been involved in Pat’s conspiracy with that guy at Global Earth Watch. It just isn’t your style, or Michael’s either. I’m sorry I didn’t figure that out before I blew up.

That wasn’t why I left, though it was the trigger for the timing. I’d been thinking of trying something else, outside of O’Neal Hotel Corporation, for quite a while. I needed to see if I could make it on my own. I should have talked to you about that, too. Looking back, I can see that you’ve always supported all of us to do what we thought was right for us. You might have argued — probably would have. But just to be sure I’d thought things through, and then I would have had your blessing to make my own decision.

I’m sorry for judging you and getting it wrong.

I’ve been living in New Zealand, which I expect you knew. And I’m guessing you knew I’ve gone back to my old name. Zachary Henderson, not Andrew O’Neal. When Grandma and I decided to change my name back when I first came to live with you, you understood it was part of me trying to fit in. I hope you’ll understand that I needed to be that guy again, and see what he could grow into without the corporation and the O’Neal history behind him.

But, as Grandma always said, family is family. I like being Z. Henderson of Valentine Bay, New Zealand. But I’ll also always be an O’Neal. I needed some distance and the good friends I’ve found here to understand that.

Which brings me to my request. There’s a developer here who is building a hotel in a beautiful spot not far from where I live. Not a bad idea. The local economy would benefit from a properly designed and targeted project, one that respected the local community and the environment.

I have fears about the project as it stands, especially since Chow xxxx seems to be involved. I overheard him talking to the developer about bringing in his own labour, but his name appears nowhere in the publically available documentation, which is attached.

I have tried following the trail from the named investors to Chow. I’m sure there’s a connection, but I can’t find it. Would you put some people on to it? I’m happy to cover any costs.

Dad, I’d like to keep in touch. Give my love to the rest of the family, and feel free to pass on my email address.

 

How to sign off had bewildered him for a while. Just his name seemed far too cold. ‘Kind regards’ was too business like, and ‘Love’ was a step too far. He did love his father, and he knew his father loved him, but a male O’Neal didn’t talk about such things. In the end, he settled on ‘I miss you all, Drew’.

He hovered over the laptop, berating himself for expecting an instant reply. His father was a busy man, and might — in any case — need some time to come to terms with an out-of-blue contact from the prodigal son. But in less than fifteen minutes, the laptop dinged for an incoming message.

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Meet the villain on WIP Wednesday

Or villainess, of course. I have a fondness for female antagonists. An author has a lot of scope when introducing a villain. We might know straight away that he or she is the bad guy, or it might dawn on us over time, as we watch things go wrong for the hero and heroine.

I’d love to see an excerpt from your work-in-progress showing the antagonist’s first appearance in the book. Mine is from my contemporary novella, Beached. My heroine and her friend are having morning tea at a table on the footpath (sidewalk, you Americans) outside a cafe.

“Nicola Watson! Thought you’d have headed back to the bright lights of Noo York by now.” The speaker grabbed a chair from one of the other tables, and turned it back on to Nikki’s and Becky’s table before straddling it. “Checking out the old home town, eh? Quite a bit bigger than when you were here last.”

Pencil Kenworth. Sunglasses hid his eyes, and a cloth sunhat masked his bald patch, but if she hadn’t seen him at the funeral, she still would have recognised the raspy voice which hadn’t changed since he’d done his best to make her life miserable in high school.

Thank goodness for dear friends, who had turned tables on him. When she’d refused him a date, he’d told the whole school that she’d been abandoned by her mother and didn’t know her father. She’d laughed that off, but only until she heard his outrageous claim that he’d dated her back in Valentine Bay, had sex with her, and then dropped her because she cheated on him with anyone who would pay her fee. That story was around the school before she heard it.

Becky and Dave took the lead in the revenge. Becky came up with some creative storytelling about the origin of Pencil’s nickname, linking it to the size and function of an appendage most male teenagers don’t want to have questioned. Dave, the captain of the first XV rugby team, enlisted his team mates to spread the tale in a whisper there and a snigger here. Since Kenworth was not much liked, people were happy to spread the tale, and soon convinced that he’d lied about Nikki in order to cover his own inability to perform.

By the end of the school year, she almost felt sorry for him, and she was relieved when he did not return the following year. He’d joined his father’s real estate firm, and their paths didn’t cross again. Though she heard that he’d put considerable effort into finding females who would allow him to demonstrate the falsity of the rumours about him.

Thirteen years later, he headed the firm, since his father had retired to focus on his duties as a district councillor, so Nikki was not surprised when he said, “I guess you need to sell the old house before you leave. Put it in my hands, and I’ll get you a good price, for old times sake. Of course, it needs a lot of work, but I’m sure I can find someone in the market for a fixer upper.”

“Thank you for the offer,” Nikki told him, “but I doubt if I will sell.”

“Keeping it for a rental, are you?” Pencil nodded, pursing his lips, his eyes narrowed as he considered this. “Not a bad idea. Paradise Bay is on the move, and the new hotel is going to put it on the map. You’ll need to do some work before it’s fit to live in, even if the rent’s cheap. Here, take my card. We manage property rentals. No need to worry your pretty little head about the place while we’re looking after it. In fact, I have some builders you can use — much cheaper than the Mastertons.”

Becky enquired sweetly, “Cheap like the apartments in Brayden Street?”

Pencil ignored her, continuing to address himself to Nikki. “You just give me a ring, Nicola. Or drop me an email.” He dropped his voice and leant towards her across the back of the chair. “I’m happy to make myself available to you at any time.” He waggled his eyebrows to underline the suggestive nature of the offer.

Thirteen years had not improved the man. It had, however, taught Nikki the futility of arguing with people like him. “I haven’t made a decision, Mr Kenworth. But thank you for the card. Good day to you.”

“Mr Kenworth? No need for such formality between old friends.” Pencil went to pat Nikki’s arm, caught her glare, and changed his mind. “Call me Pencil, like you used to.”

Margaret emerged from the shop with their tea on a tray: a teapot under a knitted cosy, two cups on saucers, a small jug of milk, and a bowl of sugar.

Pencil sneered. “You won’t appeal to the young crowd with that old fashioned stuff, Maggie. You need decent sized mugs and a good barista. Yes, and a coat of paint to brighten the place up. If you’d accept my offer—”

“Thank you, Margaret,” Becky interrupted. “That’s perfect.”

Pencil tapped Margaret on the arm. “You might as well fetch me a cup.”

Nikki decided to be firm. “I am sorry, Pencil. Becky and I were having a private conversation, and we’d like to continue it. Thank you for stopping by.”

Reluctantly, the man accepted his dismissal, cancelled his order for tea, and strolled off down the footpath, hitching the belt that curved under his belly as he went.

“The apartments in Brayden Street?” Nikki prompted as she watched him walk away.

“Pencil’s investment and a builder from xxx. They cut corners from the first. Designed to use minimum materials, used the cheapest materials, breached code when they could get away with it. Within two years they were being sued by purchasers.”

“Serves them right,” Nikki said. “I suppose they walked away with a slap on the wrist with a wet bus ticket.”

Becky shrugged, her focus seemingly on the tea she was pouring, only the grim set of her jaw indicating her irritation. “The builder went bankrupt and started up again under another name. Pencil managed to slither out from under — convinced a judge that his only role was funding the project, and that he was as much a victim as any of the house owners.”

Nikki accepted the cup Becky passed. “Slippery as ever. What is he still doing in Paradise Bay? You’d think somewhere like Auckland or Wellington would offer him more scope. Or over the ditch in Sydney or Brisbane.”

“He spent several years across the Tasman,” Becky confirmed. “The story is he came home because his father needed him. There are other stories, but let’s not waste a perfectly nice day thinking about Pencil Kenworth. Are you really thinking about staying? And what do you plan to do with the house? It isn’t as bad as Pencil says, but it does need work.”

“Dave is sending over the luscious lodger to take a look,” Nikki said. “I’ll have a better idea once I know what needs to be done, and how much it might cost.”

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Beginnings on WIP Wednesday

I’ve started my contemporary again, so I figured today was a good day to have beginnings as my WIP theme. Book beginnings, chapter beginnings — you choose. Mine is the (new) first scene in Beached, which I’m writing for the Authors of Main Street boxed set.

The road home wound through the hills until the sudden last corner before the coast. Nik had known the way by heart since she was a small girl, returning from a shopping expedition or a sports event.

In recent years, the little fishing settlement was discovered by weekenders. Land Transport New Zealand had been hard at work during Nik’s decade overseas, widening and straightening, cutting through slopes and filling hollows. The first time she’d driven out here a few months ago, the alterations made it unfamiliar.

But she’d been twice more, to check on the beach house for Gran and Poppa, and the landmarks beyond the road remained the same. A clump of native bush still screened Murphy’s Pond, a favourite summer swimming hole. They’d built a lookout with a picnic spot over Pleasant Valley, but the view of farmland, bush, river, and hills remained as beautiful as ever, and the hill known as Two Heads was still as impressive as ever, even if some aesthetically challenged cretin had somehow obtained permission to quarry on one side.

The road dropped down again from the hillside into the river flats. This time, the long row of massive willows at the river’s edge signalled the difference, growing steadily smaller as they approached the tidal reaches. No more hills, and in a moment she would have her first sight of the sea.

“There, Nikki,” Poppa used to say as they rounded that last corner, “the sea. Nothing else between us and South America.”

The numbness behind which she had hidden her grief lifted for a moment, pierced by a shaft of pure joy. Not allowing herself to feel had helped her survive the second funeral a mere week after the first, and the long days that followed. Coming home had been the right move. She could mourn them properly in the landscapes of her childhood: not the diminished frail couple she had nursed and cared for these past few months, but the Gran and Poppa of twenty and thirty years ago; the only parents she had known or needed.

The car, Poppa’s little hybrid, seemed as eager as she to eat up the last five miles, gaining speed on the gentler curves around the little coves and over the small prominatories between her and Paradise Bay. Gran and Poppa had left most of their estate to be split between their three grandchildren — her and the half-siblings she barely knew. But the beach house at Paradise Bay was left to her alone, and the decision to keep it had never needed to be made. She had been born there; had spent her early years in that community; had left only for high school and later for university. It was home.

Beks, her dearest friend from school and a faithful correspondent in all the years away, had promised to air the place and make up a bed with fresh sheets. She would undoubtedly stock the cupboards, too, though she’d insisted that Nik join her and her family for a meal tonight. Nik found she was looking forward to it. Beks had married her high-school sweetheart, and she and Dave had both known Gran and Poppa.

She began to hum the song Gran always sang as they finished this last stretch of the coast. “Our house, is a very, very, very fine house…”

Soon. Soon she would be home.