I’ve just received Snowy and the Seven Doves back from the developmental editors. One of the questions she asks is about my hero’s tattoo. Wasn’t it only sailors and criminals who had them back in the Regency era? And weren’t they very crude before modern equipment.

It’s true that this is a common perception. Indeed, when I researched body art, I found little specifically about the Regency era, and it is, of course, too early for photos.

However, artistic and complex tattoos have been part of the European story for thousands of years. The Romans, who thought used tattoos to mark criminals and who therefore saw them as a sign of shame, were amazed by the men and women of England, who had themselves covered in images. As with many cultures, a tattoo was a sign of honour, showing that a person had courage and fortitude. People marked significant events by marking them permanently on their bodies.

Vikings, too, had a tattoo tradition, and some researchers think the Germanic tribes did, also.

In the Middle Ages, those going to the Holy Land would have crosses and other symbols tattooed to show their piety. And probably for the practical reason of body identification if something happened to them along the way.

Essentially designs were carved into wooded blocks, and then printed onto the skin by dipping the block into ink. Then tattooists would use a single needle and puncture by hand with blank ink into the skin.

Certainly, in the Georgian and Regency era, soldiers and sailors—both rank and file—marked their bodies to help their comrades recover them if they were killed in a way that rendered them unrecognisable.

Since the technology existed to make those tattoos both meaningful and beautiful, it is not too much of a jump to suggest that wealthy young men would hire an artist at his or her craft to create a personal mark that was a work of art. In my imagined back story, my hero and his friends very likely submitted to the needle of such an artist as a bit of teenage bravado—and my hero chose the phoenix because of his scorched earth beginnings.

Certainly, tattooing was very sophisticated in the 1860s, when several members of the British Royal family are known to have been tattooed, starting a fashion trend that lasted for a hundred years.

Here’s the passage with my hero’s tattoo for your reading delight.

“We can stop at any time,” he said. “If I do anything you do not like, or if you decide you have had enough, just tell me.”

She nodded, and then her mouth went dry as he removed the banyan he was wearing, for he wore nothing underneath. He was naked. And magnificent. He knelt on the side of the bed, looking down at her splayed on her pillows.

“You have a tattoo!” she exclaimed. It was a bird. A magnificent fantasy of a bird in red, orange, and yellow, its wings outspread across his chest, its talons outstretched toward his left nipple, its long tail sweeping down the center of his torso and across to the right, reaching almost to his waist.  

“A phoenix,” she decided, touching the crown. He shuddered but stood still. She traced it, feeling him quiver as her finger glided over his skin. “It is beautiful, Hal.” She smiled into his eyes. “You are beautiful.”

“May I…” his voice was hoarse. He coughed, and started again, in a low growl that she felt to her bones. “May I remove your night rail?”