characters with depth

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What Ash Wednesday has in common with creating characters

Outward signs. We burn last year’s palms from Palm Sunday and mix them with consecrated oil mixed with incense, also from last Easter. Inner meaning: we burn all the failed attempts of the year to make a new beginning.

I have been thinking about outward and visible signs of what is inward and invisible. Rituals, actions, habits, practices. They all hint at inner beliefs and motivations. This month, I’m slaving over the backstory, character, and inner motivations of characters for the next four books (one novella and three novels, one of which I need to have completed by the end of May). They’re all crowding my head with scenes that are giving me glimpses of my character’s inner self. But, I have to ask, do they show the character’s true self? Or do they show the mask they display to the world? To write them, I need to know both.

I’m religious, which (to me) means that I love the rituals and practices of my church. I’m also (I hope) a person of faith. I believe, and I try to act accordingly. The books I enjoy, and the books I try to write, are about characters with depth. I want the words I use on the page to hint at dimensions to the character that I don’t spell out in words; not just the rituals and practices, but the beliefs and motivations. And I want them all to be different — not the same hero and the same heroine in book after book with just the physical appearance and the name changed.

My husband has been watching best man speeches on YouTube. (No, I don’t know why, but he has.) The jokes and male-to-male insults of a best man speech are a ritual that indicates the support and affection of the selected friend for the groom. Outward signs with inner meaning.

At Mass today, they had the ashes ceremony for those who missed it last Wednesday, on Ash Wednesday. That day marks the beginning of a period of fasting, abstinence, and prayer in preparation for Easter, more than six weeks away, and the ashes are meant to remind us of the shortness of our lives (‘for you are dust, and to dust you shall return’, says the priest as he marks the forehead of each believer with a cross made from a mix of ashes and oil). They also call to mind the ancient practice of wearing sackcloth and ashes for remorse or mourning. Outward signs with inner meaning.

Oddly enough, one of my characters is a widower who may or may not be called Ash. That’s his name, in the notes about his story that I made close to six years ago; a shortened form of his title. However, in the last month I’ve given him a backstory that includes an unfaithful wife, a manipulative older brother, and a couple of daughters, one (and possible both) of whom is definitely his niece, rather than his own child. This means he hasn’t been Earl of Ashbury for very long, so he might think of himself as Val or Fort. I’m still working on it. Inner motivations. He’s a grumpy devil, and a recluse. He arrived home after his brother’s death three years ago to find that his brother’s widow has sent both girls off to boarding school, washed her hands of them, and departed for parts unknown. He has left them there, figuring they’re better off without him. I’m also still working on his heroine, but I need to know her a lot better before she turns up at his house with a carriage full of children, including his own two, refugees from the cholera epidemic sweeping the school.

I know that he will refuse her admittance and she will demand it, and refuse to move on since two of the girls (including his niece) are showing early signs of the disease. I know she shows her anxiety in contempt for his reluctance, not realising he is already thinking about how to help her. I know that he’ll marshal his pitiful complement of servants to look after the well girls and join her in nursing those who have become ill.  Outward signs with an inner meaning.

I know those things, but I have a lot more work to do before I start to commit the random scenes swirling around my brain onto a page.

I wonder if the whole story could happen around an Ash Wednesday?

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Backstory on WIP Wednesday

mourning-picture-watercolor-and-gouache-on-silk-1810-nh-metpWe writers know a whole heap of stuff about our characters that never makes it into the final novel. We call it backstory, and every rounded character has one. The art is to trickle out just the facts the reader needs without making it boring, while hinting at further depth underneath.

So this week on WIP Wednesday, show me your backstory. It could be a scene that you have decided not to use, or it could be the trickle of facts that will probably make it all the way through to the final draft.

Whether the passage that follows will survive editing I don’t know. It’s the first few paragraphs of A Raging Madness, and I wrote them yesterday.

The funeral of the dowager Lady Melville was poorly attended—just the rector, one or two local gentry, her stepson Edwin Braxton accompanied by a man who was surely a lawyer, and a handful of villagers.

Alex Redepenning was glad he had made the effort to come out of his way when he saw the death notice. He and Gervase Melville had not been close, but they had been comrades: had fought together in Egypt, Italy, and the Caribbean.

Melville’s widow was not at the funeral, but Alex expected to see her when he went back to the house. Over the meagre offering set out in the drawing room, he asked Melville’s half brother where she was.

“Poor Eleanor.” Braxton had a way of gnashing his teeth at the end of each phrase, as if he needed to snip the words off before he could stop chewing them.

“She has never been strong, of course, and Mother Melville’s death has quite overset her.” Braxton tapped his head significantly.

Ella? Not strong? She had been her doctor father’s assistant in situations that would drive most men into a screaming decline. She had followed the army all her life until Melville sent her home—ostensibly for her health, but really because she took loud and potentially uncomfortable exception to his appetite for whores. Alex smiled as he remembered the effects of stew laced with a potent purge.

Melville swore Ella had been trying to poison him. She assured the commander that if she wanted him poisoned he would be dead, and perhaps the watering of his bowels was the result of a guilty conscience. Ella was the closest to a physician the company had since her father died. The commander found Ella innocent.