marriage mart

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The marriage mart on WIP Wednesday

The marriage market aspect of London’s Season is a staple of Regency novels. How does our heroine react? In this week’s episode from To Claim the Long-Lost Lover, I have my heroine and her sister discussing her strategy: a list of possibles. If you have a heroine seeking a groom–or refusing to do so, please share an excerpt in the comments.

The twin’s list grew through November. Society was greeting those returning to the capital as Parliament began its sessions after the summer recess. Sarah and Charlotte attended entertainments carefully chosen to meet as many suitable gentlemen as possible. After each event, they added names, though they also crossed some out. They wrote notations against every potential candidate they encountered.

“Hythe is probably not ready to set up his nursery,” Sarah said, after meeting the earl in question at a dinner party. She wrote this next to his name. That done, probably was not certainly. He stayed on the list.

“Aldridge probably is ready to set up his nursery,” Charlotte noted. The cross through Aldridge’s name had been the subject of some debate. The twins agreed that the Duke of Haverford’s terminal illness meant his heir, the Marquis of Aldridge, must be in need of a bride, but otherwise disputed his suitability for Sarah.

Charlotte argued that Sarah was not seeking a love match, and that Aldridge met all her specifications for a husband. “He would be a kind, courteous, and respectful husband, Sarah. He is not out for your money or your social position—he has more than enough of both. You get on well with his mother. And they have so much scandal of their own that they’re hardly likely to cavil at yours.”

Sarah countered with all of the marquis’s well-known character flaws, and then won the argument with a sneak attack. “Besides, while I do not want a husband who loves me, nor do I want one who has been dangling after my sister these past four years. He wants you, Charlotte, not me. Besides, even if I was prepared for the embarrassment of being married to a man who loves my sister, I doubt if Aldridge is going to accept such a substitution.”

Charlotte shook her head. “It is not love. It can’t be. I appear to be a suitable bride for a man of his rank. That is all. But I am not, Sarah. You know I am not.”

“I know nothing of the kind.” Sarah enfolded her sister in an embrace. “I shall not hound you, my love. But neither shall I marry Aldridge.”

Someone would. It should be Charlotte, but Sarah understood the reasons for her sister’s reservations, and would say no more. “What of Lord Colyford?” she asked. “I have no objection to a widower, and I have seen his little girls at the park. They appear delightful.”

“I’ll put him on the list,” Charlotte agreed. “Hurley? He seems pleasant enough.”

“He can go on the list,” Sarah decided, “but I remain to be convinced he has substance to go with his charm.”

They added a couple more names and crossed out that of a man who had over-imbibed at Lady Forrest’s musical evening. Apparently, he was developing a reputation for becoming drunk and assaulting the maids.

 

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Setting the scene on WIP Wednesday

Today I’m thinking about how to provide information without doing an information dump. How much do people need to know? Can I get it out in action or conversation? Show don’t tell, but then, if it is important but would be boring at length, tell it and get on. How do you set the scene? Do you have an excerpt you can share? Here’s a rather raw piece from To Tame a Wild Rake.

Why on earth had he agreed to escort Jessica to a musicale?

In the vicious hunt most debutantes and their mothers made of the marriage mart, a title, wealth, acceptable looks and amiable disposition marked a gentleman as a prime quarry. The Marquis of Aldridge, heir to a duke since birth, regarded the scene before him in near despair.

He would retire to the country to become a hermit, if he could. The business of the duchy required him to be social and in London, but the risk of being saddled with a wife he hadn’t chosen required constant vigilance.

He defended himself with his abysmal reputation, constant watchfulness, and the willingness to be ruthless when required. Even so, the inevitable gossip about his father’s swift decline and approaching demise sent the hunt into a frenzy.

He went nowhere without first considering how to avoid any traps that might have been laid. If forced to attend a ball, he eschewed the dance floor for the card and billiards rooms. He ventured outside of these rooms, and to other entertainments, only in the company of his mother or one of his sisters. He’d not been to a house party in over a year, and the last one was under his mother’s own roof, and had required him to administer a sharp lesson to a particularly rapacious debutante.

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First impressions on WIP Wednesday

I’m just finishing the short story to go out with my next newsletter, so I thought I’d choose something from that for my WIP Wednesday.

Give me an excerpt that tells me what one of your characters thought about another the first time they met.

My story is called A Gentleman Honours His Debts, and starts when the Earl of Bridgethorne takes passage on the ship where his bride has been hiding since she ran away a week after their marriage. This excerpt is a bit of backstory.

Leticia Fanshaw was one of three wallflowers Dickon danced with that first evening at the Bellowes house party. He’d almost passed her by; her discomfort when they were introduced rousing his pity but dousing any potential interest. This year, unlike the previous five, he had a stronger motive than the pleasures of the dance for his exercises on the dance floor. This year, he was in the market for a bride.

Not that he intended for any of Society’s matchmakers to know that, and fortunately his reputation helped keep his new motives secret. All the haut ton knew the Earl of Bridgethorne enjoyed dancing, and his skill made even the most awkward of partners look graceful. And he was kind, dancing with at least three of four of the least popular maidens at every event, as well as matrons, widows, and the more popular debutantes. Never more than one dance with each partner at any one event, a restriction that limited speculation about his marital intentions, and made courtship slightly harder now those intentions had changed.

Still, five years of conversation while standing out in line dances had given Dickon some definite views about the kind of bride he wanted. Not too proud, or too absorbed in her own beauty, which disqualified most of those to whom his fellows were drawn. Not foolish or inane or passionately fixated on an interest he did not share. He would have to converse with his wife, at least occasionally. Indeed, he hoped that, if he chose well, they might become friends. And, while he did not require physical perfection, he would, of course, have to be sufficiently attracted to the lady to do his duty by his title and estate, since an heir was the whole purpose of the exercise.

Five years of conversation had convinced him that the gem he sought was probably hidden among the wallflowers. Not an antidote, or a shy nervous creature afraid of men. But a woman whose intelligence and character had frightened off the fools who fell in love with the transitory sparkle of Society’s annual stars.

So when Miss Fanshaw blushed, stammered, and dropped her fan, he almost made his bow and his excuses, touching his hostess on her arm in the prearranged signal to present him to the next group. But was that fear in the look the young lady shot sideways to the aunt and uncle who were sponsoring her? And surely he imagined the menace in her uncle’s responding glare?

“If you would excuse us, Lord Bridgethorne and I…”

Dickon ruthlessly interrupted Lady Bellowes. How she would roast him later! “May I have the honour of a dance, Miss Fanshaw.”