Masked balls and masquerades were a popular part of Georgian culture that continued on throughout the Regency.

People attended wearing a mask, and possibly a costume, and the event often included a time for a general unmasking. First, there were the public balls, such as those at some theatres or at Ranalagh and later Vauxhall Gardens. Those could be attended by anyone with the price of a ticket. All the rules we’ve learned about in reading novels set in the Regency were ignored or turned on their head during the masked part of the evening–and were expected to be. Indeed, only the most careless of guardians would allow a lady under their care to attend.

As for private balls, they could be just as bad, though it depended on the host and the guest list. In the Bluestocking Belles collection Holly and Hopeful Hearts, the high sticklers are shocked that the Duchess of Haverford would include a masked ball at her house party, but she is confident that, with the guest list controlled and her and her committee of ladies on the watch, all propriety will be observed. Even so, a naughty maiden in one story is only saved by the good sense of the rakes who outrage her, and in another story, a lowly-born chef borrows a costume to steal a dance–and a kiss in the garden–with a lady.

In less controlled environments, the behaviour was–and was expected to be–much more lively. Propriety, sobriety, and even chastity were ignored once people put their masks and costumes on. In fact, possibly a private affair, where a person might expect to meet only people from their own class, the guests might be encouraged to be even less careful!

In Lady Beast’s Bridegroom, my heroine Arial wears a half-face mask for a different reason… Because one side of her face is horribly scared. She is delighted in the next novel in the series, One Perfect Dance, when her friend Regina holds a masquerade ball, so that Arial will not stand out from the crowd.