Reflection character

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Reflection characters on WIP Wednesday

Every hero and heroine needs someone to talk to, even if it is only their pet. How else is an author to let the reader know what’s going on in the character’s head? A reflection character is a bit more than a sounding board. A reflection character gives our protagonist a timely push to be the person they can be.

This week, I’m looking for excerpts where your hero or heroine is talking to their friend. Mine is from House of Thorns. My hero Bear is about to be confronted by his manservant.

Bear was examining the tankard from which he had been drinking. He was nearly sober again, since he’d slept properly for the first time since leaving his poor wife crying in the garden. He could finish the tankard and demand another, or he could go home and pay for his sins. Neither option was appealing.

He looked up as a shadow fell across his table. “So, there you are, Mr. Gavenor.”

“Jeffreys?” What was his manservant doing here?

“Two days, I’ve been looking for you.” Jeffreys shook his head slowly. Even watching the motion sent Bear’s head and stomach into rebellion. “Ever since you run off from poor Mrs. Gavenor, leaving her in such trouble.”

“Rosa is in trouble?” That brought him to his feet, though he groaned as the full weight of his headache hit him.

Jeffreys leant a supporting hand to Bear’s elbow. “Need to get you cleaned up so you can go home and help her.”

“Redding can help her,” grumbled Bear.

Jeffreys cast his eyes upward and sighed. “That’s just nonsense, and you know it. He’s telling people he got his black eye when he rescued Mrs. Gavenor from that swine Pelman, but Pelman is saying you gave it to him. And if you did, then you should be ashamed, sir. And Pelman, too, assaulting the poor lady with her father sick and the poor London lady on her deathbed.”

“Mrs. Clifford is dying? Hell and damnation, Jeffreys. I have been an ass.”

Jeffreys kept his face bland. “Yes, sir. I wouldn’t presume to argue with you, sir.”

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Reflection characters on WIP Wednesday

masqurade-1795‘Reflection’ character is Michael Hauge’s expression. I’m still processing his full-day Story Mastery workshop from the RWNZ Conference, but have already strengthened Revealed in Mist by applying his inner and out journey methodology to the hero and heroine.

The reflection is the person that shows the protagonist when they are acting according to the armour they’ve built around their woundedness, and when they’re reaching into the real person they’re meant to be. As always, you show me yours and I’ll show you mine.

In The Bluestocking and the Barbarian, the heroine’s sister holds up a mirror to her just before this scene, set at the Costume Party.

Sophia frowned at Felicity, who was ostentatiously ignoring her from the other side of the room. They had had words, especially when Sophia had realized Felicity had deliberately sought Lord Elfingham out, accosted him in the garden, rejected him for herself, and sent him to Sophia. Sophia was not taking her sister’s leavings, and so she told her. Felicity, of course, claimed that Elfingham wanted Sophia all along, but Sophia did not believe that for a moment.

Oh, dear. He was coming this way. He stopped to speak to the Persian king, and Sophia took the opportunity to hurry away, putting as many people as possible between herself and her suitor.

He could not possibly be serious, and besides, she had her life all planned. She would never marry. She would be content with her studies and her work for the disadvantaged. She would be an aunt to Felicity’s children and one day to Hythe’s. If Hythe married someone she did not care for, she had money enough to hire a companion and set up her own establishment. She would be free and independent.

Why did such a life suddenly sound dreary?