Secondary Characters on WIP Wednesday

I tend to have quite a cast of secondary characters, and to fall in love with them and want to know more. Other characters manage to be far more disciplined. How about you? Are your supporting cast just there to provide an ear (or a knife) at the appropriate time? Or do they insist on developing personalities and threatening to take over?

Give me an excerpt with a secondary character! I’ll show you one of mine. This is the Earl of Hythe in conversation with his older sister, the heroine of To Wed a Proper Lady. Hythe has a mania for tidiness which Sophia uses in this scene.

As soon as Sophia entered the house, Pinchbeck said, “Lord Hythe has arrived, my lady, and asks that you attend him in his study as soon as you return.”

“Very well,” Sophia agreed. “Tell my brother that I will be with him shortly. I will just go up to my room to wash.” London’s air and its filthy streets always left her feeling grimy.

The butler shuffled, but did not remove himself from her path. “Urgently, my lady, his lordship said.” His tone was apologetic, but uncompromising.

Sophia wondered what could possibly be so urgent. Hythe was not usually so peremptory. She handed her maid her bonnet, gloves, and pelisse. “Very well. Theodosia, take these up to my room, please, and begin to prepare for my next change. Lay out the green dinner gown with the deep flounce.”

The butler was leaving, his message delivered. “Pinchbeck, order tea and refreshments to Hythe’s study, please. Also, a bowl of hot water, soap, wash cloth, and towel. If Hythe wishes me to come to him directly, then he can watch my ablutions.”

“Yes, my lady.”

Sophia knocked and opened the door, catching Hythe with his boots on his desk, leaning back in his chair with his eyes shut. He swung his legs down and stood. “Sophia. Good. I wanted to talk to you.”

“So I understood from Pinchbeck. Immediately, he said. Without an opportunity to wash or tidy my hair.”

Hythe flushed. “I did not demand that you come as soon as you walked in the door. Old Pinchy exceeds his commission.”

“He misunderstood, then.” Sophia rolled her sleeves back, ready for her wash. “I was certain, my dear, that you would not be so discourteous.”

“Of course not.” Hythe was blushing still more, his eyes turned away from his sister’s scandalously exposed arms. “I only told him I wished to speak to you as soon as possible. When you returned, I said.”

“I collect that you told him it was urgent. You may be pleased, Hythe, that your butler is so eager to obey you.” While inconveniencing and potentially offending the woman who had been mistress of this house in the ten years since her mother died. The servants saw as clearly as Sophia did that her reign would end when Hythe took a wife.

“It can wait if you wish to…”

Hythe trailed off when a footman came in with a bowl of water, followed by Sophia’s maid Theodosia, carrying a towel, wash cloth, and soap.

“Not at all, Hythe. I have taken the liberty of sending for what I required.”

She sat on the sofa, and gestured to the footman to put the bowl on the table in front of her. Hythe, who hated anything out of order, looked at the arrangement with horror. To distract him, she asked Hythe, “Have you had a pleasant trip?” They conversed while she swiftly washed her face and then her hands. He had been to their estate in Sussex — to escape the social round, as she well knew, though he had clearly used the time to good effect, as he shared with her the decisions he’d made with his land steward while he was there.

Another pair of maids arrived with the tea service and a tray of tidbits. Sophia nodded to the footman to remove the bowl, and Theodosia took the towel Sophia handed her and wiped the table with it before the others put down their trays in front of Sophia.

Hythe paled at the misuse of the towel. Poor Hythe. It had been unkind of her to show her pique at his order by disrupting his study in this way.

Tea with Jude

 

Her Grace gestures to a seat, and begins to pour a fragrant cup of tea from the teapot she has ready at her elbow. She does not ask how I have it — medium strength, no sugar, no milk or cream. We have been together now for more than six years, and we know one another’s habits.

She has become more than I expected when she first surfaced from the depths of my imagination. My notebook says:

Anthony George Bartholomew Philip Grenford, Duke of Haverford, Marquess of Aldbridge, Baron Chillingham
m
Eleanor Frances Sophia Grenford nee Creydon (daughter of Earl of Farnmouth)

Duchess with two sons and unhappy marriage treasures her many goddaughters. Links books through goddaughters. Sons have their own stories.The Duchess also rescued her husband’s by blows and put them into school etc. See David. Could be more stories about these by-blows.

“That was the start,” Eleanor agrees, “but we have gone beyond that, have we not?”

We have. Even from her first appearance, she has demanded her own voice. She is the maternal aunt of the hero of my first novel, and he goes to her when he needs help with the social circumstances of his lovely widow. England is in the middle of the 1807 election, and Eleanor has been canvassing the Kent electorate on behalf of her husband’s candidate.

The sun was setting on Saturday evening, and Rede was beside himself with frustration, before the Duchess of Haverford’s coach was finally seen tooling up the road to the castle.
He was waiting when she entered the front door, and she greeted him with pleasure. “Rede, darling. What a lovely surprise. Have you been waiting for me long?
“Such a circus in Deal. The electors were inclined to listen to the merchants, and the merchants did not favour Haverford’s man. Not at all.
“So I had to visit every shop in the town and buy something. The carriage, I can assure you, is laden. But Haverford believes that it may have done the trick.
“Just as well, dear, for I have enough Christmas presents for every one of my godchildren for the next three years. And some of them are not of the best quality, I can assure you.”
She was talking as she ascended the stairs, giving her cloak to a maid as she passed, her bonnet to a footman, and her reticule to another maid.
“You want something, I expect. Well, you shall tell me all about it at dinner. I left most of the food I purchased at the orphanage in Margate, but I kept a pineapple for dessert. Such fun, my dear, have you tried one?”
“No, dear aunt,” he managed to say, sliding his comment in as she paused to give her gloves to yet another maid. Or it may have been the first maid again.
“Well, today you shall. Join me in the dining room in—shall we say one hour?” And she sailed away towards her apartments, leaving him, as always, feeling as if he had been assaulted by a friendly and affectionate hurricane.
Over dinner, he laid all honestly before her. Well, perhaps not all. The lovely widow, betrayed by George, the three sisters, the little daughter. No need to mention that he’d played fast and loose himself with the lady’s virtue. Just that he needed to rehabilitate her. Just that he wanted to marry her and she had refused.
“She has refused you, Rede?” Her Grace was surprised. “But you are handsome, titled and charming. And rich. What does she object to?”
Rede hadn’t been able to work it out, either. “I know she cares for me, Aunt Eleanor. But she keeps saying no. The first time—to be honest, the first time I made a disaster of it. I told her… I gave her the impression that I only wanted her for a wife because she was too virtuous to be my mistress.”
Her Grace gave a peal of laughter. “Oh Rede, you didn’t.”
“I’m afraid I did. But the second time I assured her that I wanted her for my Countess.”
“And you told her that you loved her,” the Duchess stated.
“No. Not exactly. I told her I wanted to keep her safe. I told her I wanted to protect her.”
“I see. And I suppose you think if you bring her into society, she will consent to marry you?”
“I don’t know, aunt. I only know that she deserves a better life than stuck in a worker’s cottage in the back of nowhere working as a teacher so she can one day give her sister a decent life. If she won’t have me… Well, she has been to see a lawyer about a small inheritance she has coming. I thought perhaps I could make it a bit bigger. Without her knowing.”
“You do love her,” said the Duchess, with great satisfaction.
“Yes, but… Yes.” There were no buts. He loved her. At least he hadn’t told her so. He had no taste for laying his heart on the floor for her to walk on.
“You need to tell her so.” The Duchess echoed and denied his thinking, all in one short sentence. “She is probably afraid that you are marrying her out of a misplaced sense of duty. You are far too responsible, Rede.”
“No, she couldn’t think that. Could she?”
“Who knows? Well, I will do it. I cannot have my niece-in-law having her babies in scandal. I take it there is the possibility of a baby? You would not be feeling so guilty otherwise.”
Rede was without a response for a long moment, finally huffing a laugh. “Aunt Eleanor, a hundred years ago you would have burnt as a witch,” he told her.

Eleanor reads the words over my shoulder and laughs. “Silly boy,” she observes. “But it all turned out in the end.”

And then you helped Becky and Hugh,” I reminded her. A shadow passes over her face. That also turned out in the end, though perhaps not for Eleanor’s son, the Marquis of Aldridge.

By that time, Eleanor Haverford had embedded herself into my Regency world. She appears again and again, always helping, always protecting the defenseless and supporting the cause of true love.

From her wistful look into her cup, I know what she is thinking. I know the question she wants to ask.

“Will it ever be my turn?” The room hums with the unspoken words.

I can’t answer; those stories are not written yet, although I’ve begun them. Things change as I’m writing. I can’t imagine that the one-word answer will reverse, but she will want details, and I need to write the six-novel series, Children of the Mountain King, to find out for certain whether it will ever be Eleanor’s turn.

I hope so. She deserves it.

Secondary characters on WIP Wednesday

I tend to write books with a sizable cast, though my short stories focus in on the two main characters. Even in those, though, the secondary characters are important to the story, and have their own histories and characteristics. Only the background characters are shadowy, there simply to carry a tray into the drawing room or hold a horse or run a message.

Today, I’m sharing a piece that focuses on a secondary character from The Realm of Silence. I’d love to see a secondary character from your WIP, in the comments. In my excerpt, the heroine’s daughter and her best friend share their doubts about their music mistress, and their pleasure in a new dress.

180 miles north, in Newcastle

“No dawdling,” Mam’selle commanded, setting a rapid pace through the busy market. For the first time on their travels, they had stopped for the day in the mid-afternoon, and Mam’selle had taken full advantage of several used-clothing vendors, determined to redress her two unwelcome companions.

“Which is further evidence that she is up to no good, Amy,” Pat insisted as they hung back as much as they dared. “She thinks we are being followed and wants to disguise us.” They had been sharing a coach with Mam’selle during the day, and a bedchamber at night, limiting their opportunities for conversation.

“I’m sure you’re right, but I will be pleased to have something other than school uniform to wear.” Amy shot a glance at her friend. Pat made a pretty boy: tall, even lanky in schoolboy pantaloons, and the hair left after she’d sacrificed her heavy mop for the mission had sprung into a thousand curls. “Don’t you want to wear a dress again?”

Mam’selle had reached the inn where she’d taken a bedchamber, and was waiting for them on the step.

Pat was shaking her head. “Not really. You have no idea how much easier it is to walk, and people treat you differently, as if you have at least half a brain. I may still be a child, but I’m a boy child, or so they think. I am to be encouraged, not stuffed into a box and tamped down, with all the bits that don’t fit to be worried at till they drop off.”

They had caught up with Mam’selle. “Come.” She led the way up the stairs from the main hall and along the labyrinth of halls and passages to the little room they’d been assigned. She spoke to a maid they passed on the way, and not long after they’d spread their purchases out on the shared bed that took up most of the room, hot water arrived.

Mam’selle clapped her hands. “First, we shall turn Master Pat into Miss Patrice again, n’est ce pas?”

Mam’selle had an eye, no doubt about it. The lilac figured-cotton dress was of a grown-up length, with only the tips of Pat’s sensible boots showing. With her lanky calves hidden, she suddenly looked willowy rather than coltish, the ribbon under her breasts hinting at a womanly shape that the straight lines of the school uniform had obscured. Mam’selle took to the butchered hair with scissors and several lengths of ribbon whose colour matched the flowers on the dress, and in a few moments the curls framed Pat’s face.

Amy loved Pat, but had always rather pitied her for her long face, square jaw, and decided nose. Suddenly, with the new hair style, all of these features fell into new proportions, and Pat looked almost pretty.

“There.” Mam’selle’s satisfied smile grew broader at Pat’s reaction when she looked at herself in the music teacher’s small hand mirror, then stood and twisted to try to take in her new finery.

“You look lovely, Pat,” Amy told her, looking forward to her own turn in Mam’selle’s magical hands.

The dress Mam’selle had chosen for her to wear today was a light green with narrow cream stripes. “It is a little long, Miss Amelia,” Mam’selle acknowledged, “but we three shall repair that fault, and meanwhile pins shall do for this evening, oui?” She deftly plaited and twisted Amy’s hair, pinning it high on her head and fastening it with some of Mam’selle’s own pins.

“So pretty,” Pat declared, and from what she could see in the mirror, Amy had to agree. “Thank you, Mam’selle.”

Mam’selle waved her away. “Now be seated, if you will, while I repair my own toilette. I have commanded a private parlour for le diner“.

“We could await you downstairs, Mam’selle,” Amy suggested, unsurprised when Mam’selle refused with uplifted brows and a sardonic curl of the lips. Amy and Pat had sought help York, insisting that they were being kidnapped by a French spy, but the officer they had approached had laughed, and taken them back to Mam’selle, sympathising with her for the imaginations of her charges.

Hero’s sidekick on WIP Wednesday

Mary Duchess of GloucesterI’m late getting up my work-in-progress Wednesday post. Because, life. I’ve been thinking about all the people who surround the hero and the heroine, and I thought I’d make today’s post about them. Please bring us seven to ten lines of your work-in-progress that focuses on a secondary character. If your hero doesn’t have a sidekick, how about your heroine? And if neither them has a close friend and confidante, pick a piece about another secondary character.

Here are seven sentences from A Baron for Becky about the Duchess of Haverford. Not a sidekick, exactly, but certainly a significant secondary character.

The duchess ignored them both to focus on Becky.

She insisted on Becky sitting beside her.

“Are you keeping well, my dear? Are you eating?”

“Yes, Your Grace.” Becky’s voice was so quiet Hugh had to lean forward to hear.

“You must eat several times a day, dear. More as the baby takes up more room…” she trailed off as Becky blushed scarlet. “And when do you expect the little one to arrive?”

“At Yuletide, Ma’am. Or perhaps early January.”

“What of sleep, Mrs Winstanley? Are you able to rest in the afternoons?” She turned to Hugh. “An afternoon rest is most efficacious for women who are increasing, Lord Overton. I will expect you to keep her in bed in the afternoon.”

“Yes, Ma’am,” Hugh replied, blushing in his turn.

The Duchess silenced her sniggering son with a raised eyebrow.