short stories

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Fire & Frost: it’s almost here

Hot mulled wine and a book on the wooden table. Fireplace with warm fire on the background.

In a winter so cold the Thames freezes over, five couples find a love to warm their hearts. Love unexpected, rekindled, or brand new—even one that’s a whack on the side of the head—heats up the frigid winter. After weeks of fog and cold, all five stories converge on the ice at the 1814 Frost Fair when the ladies’ campaign to help the wounded and unemployed veterans of the Napoleonic wars culminates in a charity auction that shocks the high sticklers of the ton.

Preorder now. Released next Tuesday.

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Charity events in Georgian England or the poor shall be with us always

Our view of Georgian life is often coloured by fictional accounts of high society, where ladies spent vast amounts on bonnets and gentlemen gambled away entire estates on an evening’s card game. Which is a fair reflection of a small part of society, come to that. But one in ten families lived below the ‘breadline’, and at times as many as two in five. Many people were precariously balanced on a knife edge where illness, accidents or old age could tumble them into starvation.

The Poor Law and parish-based support

The Poor Law was meant to make sure such unfortunates had the help they needed. Wealthy households paid a levy to the parish, and local overseers apportioned financial hand-outs, clothing and fuel, and bread to those who could prove they belonged to the parish and therefore had a right to its support.

Where the parish authorities were genuinely charitable, poor relief might tide a family through a bad patch so they could get back on their feet. But the idea that poverty was a character fault is not a 21st Century invention. Strident voices wanted the poor to suffer for their charity handout.

Workhouse to discourage the poor from seeking help

IN 1722, the first legislation passed allowing parishes to provide poor relief in specially built workhouses. By the end of the century, more than 100,000 people lived under their stringent and often dire regime.

The sexes were segregated, and the able-bodied set to work, with strict rules and routines. Some workhouses were pleasant enough. Others were no better than prisons, and many of the poor preferred to starve rather than be put in the workhouse.

They were overcrowded, and the people in them often overworked and underfed. Epidemics tore through them, and the deathrate for people of every age, and particularly for newborns, was brutal. Nearly 2,400 children were received into London workhouses in 1750. Fewer than 170 of those children were still alive in 1755.

Private charities

The parish levy wasn’t the only funding for the poor, though. Many landowners (and particularly their wives) kept to the age-old tradition of providing food and other items to those who lived on or near their estates, and some continued this one-on-one help in town. They also joined groups to provide help for those who needed it.

Private charities collected money for initiatives such as the Foundling Hospital in London, which cared for children whose mothers could not support them, the Marine Society, which trained poor boys for a life at sea, the Magdalen Hospital for Penitent Prostitues, various hospitals to provide free medical care, and educational initiatives. I particularly like the name of the Female Friendly Society for the Relief of Poor, Infirm, Aged Widows and Single Women of Good Character Who Have Seen Better Days. The days of 140 character tweets were well in the future.

Benefits with friends

To raise money, these charitable groups used the time-honoured idea of offering tickets to an entertainment: balls, musical concerts, art exhibitions. Some charged a weekly subscription to support their work. Some solicited donations through pamphlets and direct approaches to possible donors. (Some people have suggested balls were a Victorian contrivance, but British newspapers contain advertisements for charity balls and assemblies, or reports on them, going back to the middle of the previous century.)

Groups would also get together to raise money for a friend in need; perhaps someone who had been injured or widowed. In the British Newspapers Online archive, I found a number of advertisements for events ‘for the benefit of Mr. Xxx’, which is, of course, where we get our term Benefit, to mean a charity event.

Women and charity

While men ran many of the great philanthropic institutions, charity was “the proper public expression of a gentlewoman’s religious energy”. [Vickery, 254] Many women joined benevolent societies (where members agreed to provide support for any of their number who fell on hard times) and a huge number of women founded or joined charitable groups that supported what they themselves would have called ‘good works’.

References

Porter, Roy: English Society in the 18th Century. Penguin, 1982

Uglow, Jenny: In These Times, Faber & Faber 2014

Vickers, Amanda: The Gentleman’s Daughter, Yale, 1998

White, Matthew: Poverty in Britain. https://www.bl.uk/georgian-britain/articles/poverty-in-georgian-britain

Fire & Frost

Fire & Frost is coming out Tuesday of next week, and since the five tales of find love in the depths of winter revolve around a charity event, I thought it was a good time to look at Georgian charities.

In a winter so cold the Thames freezes over, five couples venture onto the ice in pursuit of love to warm their hearts.

Love unexpected, rekindled, or brand new—even one that’s a whack on the side of the head—heats up the frigid winter. After weeks of fog and cold, all five stories converge on the ice at the 1814 Frost Fair when the ladies’ campaign to help the wounded and unemployed veterans of the Napoleonic wars culminates in a charity auction that shocks the high sticklers of the ton.

In their 2020 collection, join the Bluestocking Belles and their heroes and heroines as The Ladies’ Society For The Care of the Widows and Orphans of Fallen Heroes and the Children of Wounded Veterans pursues justice, charity, and soul-searing romance.

Celebrate Valentine’s Day 2020 with five interconnected Regency romances.

Melting Matilda by Jude Knight – Fire smolders under the frost between them.My One True Love by Rue Allyn – She vanished into the fog. Will he find his one true love or remain lost, cold and alone forever?

Lord Ethan’s Courage by Caroline Warfield – War may freeze a man’s heart; it takes a woman to melt it.

A Second Chance at Love by Sherry Ewing – Can the bittersweet frost of lost love be rekindled into a burning flame?

The Umbrella Chronicles: Chester and Artemis’s Story by Amy Quinton – Beastly duke seeks confident woman who doesn’t faint at the sight of his scars. Prefers not to leave the house to find her.

(This post was originally written when we were promoting Holly and Hopeful Hearts, a collection about an earlier Charity event organised by the Duchess of Haverford and the ladies of London Society. It was published by the wonderful Madame Gilflurt on her Madame Gilflurt’s Guide to Life.)

 

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Spotlight on Fire & Frost: A Second Chance at Love

Next up, the lovely tale of Constance and her Digby. You might remember Constance. She was a secondary character in one of Sherry’s earlier stories. Lovely to see her get her happy ending at last.

Viscount Digby Osgood returns to London after a two-year absence, planning to avoid the woman he courted and then left. Surely she has moved on with her life; even married by now. A bit of encouragement from a friend, however, pushes him to seek the lady out. Can she ever forgiven him and give them a second chance at love?

Lady Constance Whittles has only cared for one man in her life. Even after he broke her heart, it remains fixed on him. Another man tries to replace him, but she soon learns she can never feel for him a shadow of what she still feels for Digby. One brief encounter with Digby confirms it; she is more than willing to forgive him. Can they truly take up where they left off?

Charity projects and a Frost Fair on the Thames bring them together, but another stands in their way. Will he tear them apart?

And an excerpt:

Digby opened his eyes. He felt as if he had been run over by a carriage. His vision was blurred. Where had his spectacles been placed? He fumbled around for them on the bedside table and slowly put them on. Once he could see clearly again, he took in his surroundings. He was in an unfamiliar room, but one thing was very familiar to him. Constance slept on the loveseat, a surprise to him. He watched as her shoulders rose and fell with every breath. She was stunning, even in sleep, and all he wanted to do was take her in his arms.
“Constance,” he whispered softly. His throat was raw, his voice raspy at best.
His lady’s eyes fluttered open, and her gaze fell on him. A smile turned up her mouth softening her features, and she threw the blanket off to rush to his side.
“At long last,” she cooed. “Your fever has broken.”
“Fever? What fever?” Digby looked down at his naked chest. In his gentlemanly modesty, he pulled the covers up to his chin, so as not to frighten the woman before him. “Uh… forgive my indecency.”
“You have been ill, my darling. I insisted you be brought to my aunt’s since it was closer than your own townhouse. Your parents have been sick with worry and have been here to check on you several times.” Constance motioned to a maid sitting near the door and began giving her instructions. “Janet, please see that a message is relayed to Lord Osgood’s parents informing them he is now on the mend.”
Digby ran his hand through his hair and winced, noticing the knot on his head. “And why is my head so sore?”
“You had an altercation with Lieutenant Abernathy after my fall through the ice. He is responsible for you hitting your head when you, too, fell. The doctor believed you would not have a concussion as your head injury was not that severe. We have been assured the sleeping you have done was due to a nasty bout of the flu. We took every precaution, however, in the event your illness was more severe.”
“You did?”
“But of course,” she said busying herself by fixing him a cup of tea. “Here, drink this. It will make you feel better.”
He took the cup and sipped, peering at her over the rim. Looking about the room, he was again surprised to notice they were alone. “You… took care of me yourself?” he asked, afraid of what the young woman may have gone through while tending him.
She blushed, most becomingly he thought. “I did what I could, when my aunt allowed it, Digby, although my aunt protested that others could see to tending you and my reputation was at stake. I told her I did not care a fig for my reputation. My main concern was you were properly nursed by someone who loved you.”

The lovely Constance:

Her breathing elevated just seeing Digby again, and she moved behind the desk to try to calm her thoughts. Still… she could not prevent herself from taking in the sight of him. His black hair curling at the edges was slightly damp where his hat had not covered his head from the falling snow. A slight cleft in his chin had always fascinated her whenever they had been together in the past. His face reminded her of the sculptures she had seen in her aunt’s garden; classical and timeless. But it was his vivid blue eyes that were her undoing. He gazed upon her as though asking if he was assuming too much by being here. The silly man.
“Too long indeed. There are not many who would brave such inclement weather to venture outside,” she finally answered hoping her assessment of him did not appear rude. “What brings you into the bookshop today? We have a new mystery if that is what you are looking for.”
“Not today,” he said while continuing to stare at her.
“Then if you have not come for a book, you must wish for some tea after being out in the cold,” she declared as she raised her arm toward the tearoom. “Feel free to pick any table.”
“I am not here for tea, either, my lady.”
Her breath leapt into her throat. Could he possibly mean…? “Then whatever brings you here today, my lord.”
“You.”

And Digby, home again.

Richard motioned for a passing servant to refill their glasses. “What are you doing here, Digby?” he asked, before taking another sip of his brandy.
“I offered my services to the duchess in whatever capacity she may need. This event will benefit so many, and the monies raised are for a worthy cause,” he answered.”
“And…” Richard drawled. He hid a smirk, leaving Digby in no doubt his friend knew exactly why he was here.
“And I also accompanied Lady Constance Whittles and her aunt to attend the committee meeting.”
Richard laughed. “About time you made up with the lady. Saw her a couple times after you left town. She looked completely crestfallen.”
“It certainly was not my intention to hurt her feelings,” he said. He took another sip of the drink and felt the liquor burn down his throat. The distant murmur of feminine laughter echoed through the hallway and Digby attempted to hide a smile, knowing Constance was most likely enjoying herself. “Perhaps one of the woman here might be of interest to you?” Digby hinted, taking another sip of his drink. “The de Courtenay sisters arrived. Lady Constance was having a pleasant conversation with Miss Miranda before their meeting started. From what I overheard, she is still available.”

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Beginnings in WIP Wednesday

I typed THE END twice yesterday: once on the novel A Raging Madness and once on the short story for my February newsletter. I hope today to finish the slightly longer short story I’m writing as a party prize, but meanwhile, I’ve edited the short story and written an entirely new beginning.

Novels show a journey: the beginning and the end might mirror one another, but they show the distance travelled. In short stories, we see a mere glimpse of the journey, and the focus is on one transformative moment for the main character. Since I mostly write romance, the focus is usually on making the relationship, and therefore the love, believable. So my beginning needs to kick us into the story quickly, and my end needs to tie the last knot neatly, preferably linking back to the beginning.

And the original beginning of ‘A souvenir from Scotland‘ just didn’t work.

This week, I’m inviting you to share a few paragraphs of beginning from your work in progress (novel, novella, or short story). The beginning of the work, if you will, or the beginning of a chapter if you prefer.

Here’s mine. (If you’d like to know what happens next, the full story will be a gift in my February newsletter):

York, 23 December 1815

Her brother was home. Megan Walsh almost rushed straight out into the evening air when her husband told her he had passed Ned’s place and seen lights on the floor that Ned rented, but Thomas persuaded her to wait for morning, and she managed it, just, though she read the cryptic note Ned had sent another twenty times before at last it was a sufficiently civilised hour to go calling.

Yes, the landlady agreed, Mr Broderick was home, and Mrs Walsh would never guess…

But Megan hadn’t waited, hurrying up the stairs to knock on Ned’s door. He opened it himself, and she threw herself on him.

“Ned! I was so worried when you were a fortnight overdue and then I got your note. What a note, Ned. ‘On my way home. I have a surprise for you; something I found in Scotland. You told me I needed one, and you were right.’ I have racked my brains, Ned, and I cannot think what you mean.”

Ned took her arm, and led her through into the sitting room, and Thomas trailed behind. But they both stopped short when they found it was already occupied.

A small dark-haired woman, neatly dressed in a slightly old-fashioned gown, sat sipping tea by the fire, and she stood when they entered, looking wary.

“Ariadne, may I present my dear sister and her husband, Mr and Mrs Thomas Walsh? Megan, Thomas, please meet Mrs Broderick. Megan, I took your advice and got myself a wife.”

Ned looked so proud, and the woman so nervous, that Megan swallowed the sharply worded comment that came first to her tongue and instead just said, “How?”