Spotlight on The Wedding Wager

15 superb authors, 15 wonderful novellas

The Boast—pride goeth before the fall…

After facilitating the match of the season, Lady Pandora “Pansy” Osbourne, has boasted that she is the best matchmaker The Ton has ever seen. Always willing to bring her cousin down a peg or two, her cousin, Lady Octavia Sewell insists that was no feat of matchmaking at all, as the couple involved were clearly destined for one another despite Pansy’s meddling. A bitter argument ensues and a dreadful challenge is issued. Pansy must do more than say it… she must prove it.

The terms of the wager are set!

Pansy must produce no less than one match per month between people who have been notoriously unmarriageable—spinsters, bluestockings, rakes and fortune hunters, oh my! But there’s more riding on this than simply her pride! If Pansy loses, she will have to give up her most prized possession—a tiara that belonged to their grandmother will be forfeited into Octavia’s grasping hands.

The Ends Justify the Means… or do they?

Desperate to make these matches, prove her claims of matchmaking prowess to be true and make Octavia eat crow in a very public fashion, Pansy resorts to the greatest weapon in any matchmaker’s arsenal—the house party. Not just one, but a series of them. For two weeks out of every month, she will open her home to an assortment of victims…er, guests. At the end of each party, one couple will emerge either betrothed or wed, by fair means or foul.

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Excerpt

The following day was stormy—far too cold, wet, and windy for any further ventures outside.

As Rilla had predicted, Lady Osbourne was keen to marshal her guests into group activities. Thankfully, she left the guests themselves to choose between the pursuits on offer, though any lady or gentleman without an occupation was politely rounded up and channeled into being sociable.

Rilla avoided the room where an excited group were planning a theatrical performance, and also backed quickly from the one that contained a game of charades.

She would have liked to play billiards. She’d learned the game from her best friend, the daughter of the earl whose estate bordered her father’s, and had continued to play on her own after Emma made a runaway marriage. But not after her father died and her uncle moved into her house. He did not approve of females playing billiard. Doubtless, the gentlemen at this house party would agree.

Was Lord Hythe in the billiards room? She had not seen him playing cards and could not imagine him as part of the laughing, flirting parlor games crowd. Perhaps, although he had denied any musical abilities, he formed part of the audience in the music room? She found herself heading in that direction and stopped.

What was she doing? She needed to be somewhere Lord Hythe was not. When he was in the vicinity, she found it impossible to consider any other man. And Lord Hythe was not for her.

She had to move to the side of the passage to make way for several of the guests, ladies and gentlemen, who were hurrying to find hiding places for a game of sardines. Another activity that was not to Rilla’s taste. At the last house party she had attended, she had found herself stuck in a cupboard under the stairs with four other people, one of whom had wandering hands.

In the end, Rilla collected her embroidery from her room, and joined Cousin Felicia in the parlor. Several gentlemen had also joined the ladies. Captain Hudson was whittling, and was happy to explain he was making a set of wooden soldiers for his older brother’s eldest son. “I suggested sailors,” he joked, “but apparently it has to be soldiers.” Rilla joined the others in admiring the skill with which he crafted a detailed little warrior out of a chunk of wood. “They will look more realistic once they are painted,” he told his audience.

Another gentleman was sketching the ladies as they worked. He asked Rilla if he could make a sketch of her hands, as they were particularly elegant. Rilla would have brushed it off as a meaningless compliment, but Mr. Woolard’s gaze at said appendages had a dispassionate quality that hinted his interest was entirely artistic. She granted permission.

Lord Joseph Enright said that he had no skills to craft anything with his hands, but offered to read to the company. Lord Joseph was the second son of a marquis, but seemed to have avoided the arrogance that often went with such elevated rank. He had a very pleasant voice, and read with a dramatic style that suited the Robert Burns poem he had chosen, Tam O’Shanter.

Rilla did not understand some of the Scottish words, but she laughed with the others at the tale of the drunken Scotsman spying on a witches’ gathering, becoming entranced at the dancing of ‘a winsome wench’ and calling out encouragement. Then followed a wild chase until at last his brave horse managed to cross water, just in time to escape the lead witch, though the poor nag paid for its master’s peeping by the loss of its tail.

“What is a cutty sark,” she asked, when everyone had clapped the ending of the piece. “Does anyone know?”

Miss MacRae, one of the chaperones, was able to explain. “A sark is a shirt; in this case, a nightrail. Cutty simply means short, Miss Fernhill.”

“She was dancing in her night attire, then, and it flapped as she danced,” Captain Hudson chuckled. “No wonder naughty Tam was glued to the peephole in the wall.”

Rilla suppressed her smile when several of the ladies called him to account, and poor Lord Joseph, as well, for reading the poem in mixed company. Rilla was pleased to note that neither gentleman seemed much abashed. Certainly, she had heard far more bawdy stories in the world that had been her refuge from her uncle’s machinations.