The Golden Redepennings

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Danger and adventure on WIP Wednesday

In The Flavour of Our Deeds, I decided I was tired of the hero rescuing the heroine. Here’s Kitty, hunting for her husband, who has been kidnapped.

“You two stay here with the prisoner,” she told Dixon and Henry. “Millie and I will scout the area.” She adjusted her quiver so she could reach it quickly, took half a dozen arrows, and set one into her small hunting bow.

“I should do that, my lady,” Dixon protested. “You are a lady! I can be trusted. I promise.”

Kitty thought she probably could trust the man not to betray them, but she wasn’t going to risk it. “Stay here,” she repeated. “My husband trained me and Millie in woodcraft. We will not be in danger, and will return when we know whether there are guards.”

There were. Two men, sitting on a ledge part way up the rock outside of a cave that was awash with each wave. They were passing a bottle between them as they took it in turns to toss a pair of dice. 

With all their focus on their game, they didn’t see Millie and Kitty creep towards them. Not until Kitty stood, her arrow nocked and her bow drawn. “Hands up,” she said.

Both men reached for the guns that lay beside them. Two arrows flew, and both flinched back, dropping the guns into the wave. One gun had an arrow in the stock. The other arrow had glanced off the other gun and struck its holder in the face.

“Millie, collect their guns,” Kitty commanded.

Her maid put her own gun down and crept forward, taking care not to get between Kitty and the two smugglers. 

“You won’t shoot,” one of the smugglers ventured. “You’re a girl.”

“She did shoot, you fool,” hissed the other.

“And hit exactly what I aimed at,” Kitty told them. “The next two arrows will go into your black hearts. That will leave me two spare and another six that I can reach and fire in seconds. Don’t move. Don’t speak. Don’t think. Millie, fetch the others.”

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The virgin hero on WIP Wednesday

This is an excerpt from The Flavour of Our Deeds (Book 5 in The Golden Redepennings). My hero has been resisting the heroine for six years. She is a lady born, daughter and sister of an earl, wealthy and beautiful, with the world at her feet. He is base born, a commoner, a working man, too old for her, and in danger. She has finally got him to concede that he loves her, and wants to marry her. Some time. When the danger is over. In this scene, she demands that he thinks again.

In the next moment she was in his arms, and he was kissing her. “You will be the death of me, stubborn female,” he muttered against her lips, before covering her mouth again, one hand on her lower back pressing her against him, the other gently cradling the back of her head as he ravaged her with his lips and his tongue. This time, he was the one to draw back. “We have to stop.” His body belied his words. He was flushed and trembling, and the thin layers of their robes had not in the least disguised his arousal.

“Must we?” Kitty wondered, “If we are to marry within the week?” She had a theoretical knowledge of what came next. His kisses left her eager to put theory into practice.

She thought he would deny them both because she was young and innocent, and he would be taking advantage of her. What he said instead was unexpected.

“I am a bastard, Kitty. Got by my father on the pretty daughter of his gamekeeper. My only memory of my mother—or memories, because I think it happened many times—is of her crying after one of his visits.”

Kitty didn’t see the relevance. “You are not your father, Luke. And I am not your mother.”

He shook his head. “That’s not what I meant. I made a promise to my grandfather, Kitty. When he lay dying, he begged me not to be like my father—careless with women and ruled by my pri— my lust.”

Still not relevant, Kitty thought, but Luke hadn’t finished.

“I promised that I would wait until marriage to experience physical intimacy with a woman, and would be faithful to my wedding vows once I’d made them. I swore it on the family bible.”

She couldn’t argue with that. Wait. Did that mean he had never...?

Luke was looking into some mental landscape—the past perhaps? “I’ve never found it hard to keep that promise, because I have seen so much misery arising from the behaviour my grandfather decried. My mother, and so many other woman. Even the ones who were eager risked being left broken hearted. Or they gave themselves to a man who died before he could put a ring on their finger, and his good intentions didn’t protect them or their baby from the consequences.”

He was right, of course. Kitty had seen it herself. Indeed, if not for Anne’s masquerade as a widow, she would have lived it, at least by association.

“Then along came you, Kitty. I have always struggled to resist you, and with each kiss it becomes harder and harder.” He chuckled suddenly, and his voice dropped to a low growl that vibrated in the places that ached for him most. “In more ways than one.” She caught the salacious reference, and her face heated. She licked her lips, which had gone suddenly dry.

Luke gulped and looked away. “Help me keep my promise, Kitty,” he begged.

Botheration. An appeal to her honour. “Yes, of course.” She turned her back on him to straighten the robe he had brushed aside during their kiss, drawing it closed high up her chest and belting it firmly. “Thank you for explaining.”

Luke had tidied himself while she was rearranging her robe. He offered her another brandy, but she refused. “If I must be good, another would be a bad idea,” she said. She returned to her chair, more determined than ever. “Luke, will you marry me and take me to Cumberland with you?” A special license was sounding more and more appealing.

Luke sat, too, smiling at her. “Are you going to argue with me for the rest of our lives together, heart of my heart?” His tone was one of enquiry rather than criticism.

“Only when you are wrong,” she retorted, then amended the statement. “No, for sometimes I might be wrong, but believe myself to be right, as when I saw no reason why you should not bed me, tonight. When you explained, I changed my mind. I would hope, Luke, that we can disagree in a civilized manner, discuss things, and reach agreement.”

“I beg you not to speak of bedding, my love,” he groaned.

“A special license?” she suggested, hopefully.

“A common license. In the morning, I shall speak with Rede, and with Uncle Baldwin about waiting a few days longer. Now go to bed, Kitty. You have won.”

Kitty widened her eyes. “I have won? That is not reaching agreement, Luke.”

“I misspoke. We have both won. You are correct that it is not my right to decide to keep you from my life in order to protect you from a threat that might not even exist. But Kitty, if you are in immediate peril and we do not have time for a discussion, I want your promise that you will obey me in that moment. We can talk it over when we are safe.”

That was fair, and quite a large concession. “I promise, Luke, unless you are the one in danger and I can do something to save you.”

Luke heaved a sigh. “I imagine that we will have many more vigorous discussions in our future, my love.”

Kitty blew him a kiss as she made her way to the door. “But imagine the fun we will have making up!” she told him, then slipped out the door, closing it behind her, delighted with her exit line.

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Backlist spotlight on Unkept Promises

(Book 4 in The Golden Redepennings series)

Logline: She wants to negotiate a comfortable marriage; he wants her in his bed

“… oaths and anchors equally will drag: naught else abides on fickle earth but unkept promises of joy.” Herman Melville

Naval captain Jules Redepenning has spent his adult life away from England, and at war. He rarely thinks of the bride he married for her own protection, and if he does, he remembers the child he left after their wedding seven years ago. He doesn’t expect to find her in his Cape Town home, a woman grown and a lovely one, too.

Mia Redepenning sails to Cape Town to nurse her husband’s dying mistress and adopt his children. She hopes to negotiate a comfortable married life with the man while she’s there. Falling in love is not on her to-do list.

Before they can do more than glimpse a possible future together, their duties force them apart. At home in England, Mia must fight for the safety of Jules’s children. Imprisoned in France, Jules must battle for his self-respect and his life.

Only by vanquishing their foes can they start to make their dreams come true.

Buy links

Books2Read: books2read.com/Unkept-Promises

Excerpt

Jules made his way home in the early hours of the morning, a little drunk and a lot annoyed at a waste of an entire evening. “Good of you to come out on the first night of your leave, Redepenning,” said the admiral when he was finally able to say his goodbyes. Not that his note demanding Jules’s presence at his table had offered the choice of refusal.

The evening had comprised interminable discussion of the same points over and over—points on which Jules had given his opinion in his reports from Madagascar and the final one delivered this afternoon. They needed to oust the enemy from the two ports still in French hands, since the enemy used those bases to attack British shipping.

Most of the captains favoured a frontal assault. Jules, Fleming, and a couple of the other captains held the minority view, suggesting the British support the young king of the Merinas, who was in the process of conquering the whole island. The admiral was playing his cards close to his chest, but had dismissed them all with a promise to let them know what he would be recommending to the Admiralty.

No-one had said anything new, and Jules’s evening would have been better spent with his daughters and Kirana. Or even having the overdue confrontation with his inconvenient wife.

She had better not be in his bed. If she was, he’d pack her off to her own, as he should have done with Maureen when the little baggage met him there one night, naked between his sheets, after a very similar evening. Instead, tired, frustrated, and lonely, his willpower blunted by alcohol, he had accepted what she had to offer. If she was pregnant with his child, it must have been that night, for the next time—the only other time—he’d worn a pig skin, as he always did with anyone except Kirana. Kirana, who had been too sick to give him the comfort of her body for a long time.

He had been so depressed by the sheer emptiness of copulating with Maureen that he’d sworn off any repeat engagements, though Maureen had not believed he was serious, and he’d left for Mauritius and Madagascar before she could put it to the test.

He’d kept to his resolution, too, much to Gerta van Klief’s surprise. The widow had been quite put out when he explained he intended to honour his marriage from this point on.

Which, when Jules came to think about it, he could do while still enjoying the delectable package that might be waiting in his bed. She was, after all, his wife. For a moment, he let himself imagine unwrapping the unexpected gift that was, after all, his. No. They needed to get a few things sorted, first. A ship could only have one captain, and he was it. And he decided who was on his crew and where they went.

His key opened the front door, and he locked and bolted it by the light of the shuttered lamp left waiting for him in the entrance hall. He let himself into his bed chamber. His bed was empty; the sheets crisp and neat over the mattress. He did not feel disappointed. He would not feel disappointed.

But before he could think and put a brake on the action, he crossed the room to the connecting door leading to the one requisitioned by his wife, and turned the handle. It wouldn’t budge. She’d locked the door against him!

His indignation expressed itself in a raised fist, ready to pound on the door and demand entrance, until his sense of humour caught up. So much for planning to turn her out of his bed. What a hypocrite he was being, desiring the damnable woman even while he was suspicious of her motives and annoyed about her existence.

He turned towards the bed. He’d be sleeping in it alone, apparently.

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Tea with Kitty

“It is always lovely to see you, Kitty dear,” said the Duchess of Haverford as she sipped her tea, “but I did not realise that you had come to town with Chirbury and your sister.” It was more of an opening than a statement. Kitty’s sister Anne, another of her goddaughters and wife to her nephew, the Earl of Chirbury, had visited just two days ago, to see whether Kitty had come to the duchess for help. “She has taken flight with our gamekeeper and his son, Aunt Eleanor, after hearing two people plot to kill him. We hoped she might come to you.”

Well, here she was. It remained to be seen what for.

“I did not, Aunt Eleanor. Indeed, I came to London hoping to find them, but they have already left for Longford Court.”

Eleanor inclined her head.

“I need your help, Aunt Eleanor. Or, rather, Lucas Mogg needs your help. You remember him? He  helped to save Dan last year from the man who wanted to take him.”

Yes, Eleanor well remembered the attempt on the son of young Jules’ Redepenning, and Mr Mogg’s role in it. “A good man,” she agreed. “A pity he is not of your class, my dear, for I know you have a tendre for him.” Although Eleanor supposed it was too late for such considerations, if they had been travelling together. She hoped they had not been travelling together.

“We have been travelling together,” said Kitty.

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In The Flavour of Our Deeds, which I am currently writing, Kitty and Luke, with Luke’s son Paul, are on their way to London, having failed to find Kitty’s sister Anne and her husband at their Essex estate. Once in London, they will seek help from the Duchess of Haverford and her son Aldridge.

 

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Backlist spotlight on A Raging Madness

Their marriage is a fiction. Their enemies want them destroyed before they can make it real.

“Envy is a raging madness that cannot bear the wealth or fortune of others.”
François, Duc De La Rochefoucauld

Ella survived an abusive and philandering husband, in-laws who hate her, and public scorn. But she’s not sure she will survive love. It is too late to guard her heart from the man forced to pretend he has married such a disreputable widow, but at least she will not burden him with feelings he can never return.

Alex understands his supposed wife never wishes to remarry. And if she had chosen to wed, it would not have been to him. He should have wooed her when he was whole, when he could have had her love, not her pity. But it is too late now. She looks at him and sees a broken man. Perhaps she will learn to bear him.

In their masquerade of a marriage, Ella and Alex soon discover they are more well-matched than they expected. But then the couple’s blossoming trust is ripped apart by a malicious enemy. Two lost souls must together face the demons of their past to save their lives and give their love a future.

See more and buylinks.

Extract

They had history together, not all of it good

He had embarrassed Ella, which was not well done of him. Particularly since she would need to share his bed this night. Just as well Farnham could not possibly know that. The lousy carbuncle would undoubtedly share the news that Alex Redepenning had been seen with a woman in Stoke-on-Trent but would not be able to identify Ella; would not know that Alex and Ella had been living together since she turned up in his room at the inn.

Living together in the chastest of senses, but Society would say he had compromised her beyond all saving, except by marriage. He was surprised at how tempting that sounded! He’d vowed never to marry except for love, and had sworn off love by his early twenties: a bad experience with an older woman, and then with Ella.

The arrogant cub he’d been resented her choosing Melville instead of him, though he’d never let his interest in her show, certain she would find him as unworthy as Lady Carrington had.

Yes, marrying Ella would be a blessing, not a burden. For Alex. But it would not be fair to Ella.

She was moving around the small cabin, brewing his willow bark tea and pouring him a cup, retrieving the canister of tea leaves she had purchased at the market and brewing another pot, bringing him a cup of that, its fragrant delicacy taking away the bitterness of the willow bark.

If he drank it all, he would need to ask for her help to relieve himself. Just to pass him the pot and perhaps hold a blanket for his privacy. Not the prurient fantasies that flashed across his mind and stirred his recalcitrant member. Simmer down, he told it. Not for you.

She poured another mug of tea and took it to Big Dan at the tiller, receiving the man’s soft thanks.

Alex let his eyelids fall and watched Ella through his lashes as she moved around the cabin finding places to stow their possessions, every movement graceful and economic. She had blown out the candles she’d lit to illuminate her work on his leg, but plenty of light entered the cabin from the doorway and the small windows on either side of the boat. She slipped glances at him from time to time, the colour coming and going in her face. What was she thinking?

Was she as attracted to him as he was to her? Or was she just embarrassed at the situation in which they found themselves? He had never been able to read her. Sometimes, he was sure she saw him merely as a friend. Sometimes, not even that, though those occasions were mostly his own fault.

How often had he looked up across a campfire, or a room in a scurvy little billet in some benighted village on the fringes of a war, or a bedside where someone in his command lay depending on Ella’s care and met her eyes? And seen in them an echo of the wanting in his own?

Was it his imagination; his own longing misinterpreting an innocent glance? Even if it were not, she had never once, since her ill-judged marriage, by word or deed given him reason to think she would act on that attraction.

Only a reprobate would take advantage of a woman under his protection, especially a woman persecuted as Ella had been. Alex could not be such a scoundrel, but perhaps Jasper had unwittingly done him a favour. Because even with the increase in pain, his physical response to Ella’s presence had proven beyond doubt that the injury had not made a eunuch of him as he had feared. The pain would be a timely and much needed reminder to keep his hands and other bodily parts to himself.

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Backlist spotlight: Farewell to Kindness

He thought he had buried his heart with his children. He was wrong.

Helped by the earl who hurt them, hidden from the earl who hunts them, Anne and her sisters have been accepted into the heart of a tiny rural village. Until another earl comes visiting.

Rede lives to avenge the deaths of his wife and children. After three long years of searching, he is closing in on the ruthless villains who gave the orders, and he does not hope to survive the final encounter. Until he meets Anne.

As their inconvenient attraction grows, a series of near fatal attacks draws them together and drives them apart. When their desperate enemies combine forces, Anne and Rede must trust one another to survive.

Farewell to Kindness is Book 1 in the series The Golden Redepennings.

Excerpt

That night, Anne dreamt of dancing with Lord Chirbury. In her dream, they didn’t walk decorously away after the wild excitement of the dance, to find her sisters and go tamely home. In her dream, the first vigorous dance led to another, even wilder, and part way through the second he swung her out into the shadows as she’d seen some of the village men do with their wives and sweethearts. In her dream, he’d caught her up into his arms and pressed his lips to hers.

“Call me Rede,” he insisted, his voice husky as she’d heard it once or twice, his vivid eyes burning into hers.

In her dream, she confessed that she’d been thinking of him as ‘Rede’ ever since they met in his woods and picked berries together.

“Anne,” he murmured, holding her closer.

There was something not right about the embrace, about the kisses he showered on her face. Drifting awake, she acknowledged she expected more: not a hug such as Ruth or Kitty might give; not a flurry of pecks like those she received from Daisy and Meg.

She had never been kissed by a man, but something told her that, if Rede ever did kiss her, it would be a different kind of kiss to the ones her sisters gave. It would be a kiss that spoke to the strange, unsettling physical responses that troubled her body when he was near; when his gloved hand touched her hand or the small of her back; when his hard body tensed under hers as she leaned across to untangle the brambles; when he moved smoothly through the dance, displaying his strength and fitness, the lines and angles of the muscles in his thighs and shoulders. Or now, when she thought of all those things.

She felt herself blush in the dark. Such foolish thoughts. Rede—Lord Chirbury—wasn’t for her. With her past and her need to keep Kitty hidden, she could not be wife to a peer, and she would not be anything less than a wife. Quite apart from the morals of such a choice, she wouldn’t take any risks with Kitty’s chances of being reestablished in the life to which they’d been born.

The heat in her face increased, as she acknowledged to herself that she was rushing her fences. Apart from those few heated glances, which she—in her inexperience—might have misunderstood, Rede had shown no signs of wishing to bed her, let alone wed her.

The thought should have made her feel better. Odd, then, that she felt slightly disgruntled. Did she want him to proposition her? Like his impertinent cousin? Surely not.

But a small voice deep in the back of her mind said that she would like to know he desired her as she did him, even if they never acted on that desire. Which, of course, she assured herself hastily, they never would.

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The Realm of Silence – coming in May

I am biting the bullet and committing to publishing The Realm of Silence in May. The book blurb is now up on my book page, and in the next couple of days I’ll set up a preorder through Smashwords for iBooks, Kobo, and Barnes & Noble. Too early for Amazon, but that will come later in the month.

So go take a look (by clicking on the link), and see what you think. Meanwhile, here’s an excerpt and the cover.

Gil was as quick to understand her now as when they ran wild over the lands around Longford. Susan made short work of discovering what Clementine didn’t want her aunt to know, and re-joined Gil by the stables.

“This governess. Was she slightly built, of below average height, and dark haired?” she asked, then, at Gil’s nod, “We need to find out whether a boy hired a post chaise, or possibly a young woman with a French accent. I have no idea whether there is a connection, but apparently the French music teacher is also missing, and she fits that description.”

She had thought he would take over the questioning, but he seemed content to allow her to coax answers out of the stable master, confining himself to looming at her left shoulder.

Looming was unnecessary, however. The stable master remembered the French lady on Saturday morning. “Just the lady on her own, ma’am. She wanted a post chaise for Newcastle, but I told her we didn’t go no further than York. She could get another there, I told her.”

“What of other travellers that same morning? Was there a boy, perhaps around fifteen or sixteen? He may have had a young lady with him of a similar age? Perhaps also travelling to York or Newcastle?”

The stable master was shaking his head when another ostler spoke up. “I saw the boy. With a girl, he was, but I didn’t see her proper. The boy came in and rented the post chaise while the girl waited out the front. It was while you was with that dook’s party, Ben. For York, but they only took ’un as far as Stamford. Joe—he’s the post boy, ma’am—he came back last night.”

The stable master nodded once, a swift jerk of the chin. “Right.”

“We will speak with the post boy,” Gil decreed. But the post boy was out on a job to a nearby town. He would return within the hour, and the stable master would keep him against Susan’s return.

“I will be back in one hour,” she said. “Thank you for your help.” She repeated the thanks to Gil before setting off at a brisk pace for the school. The fear jittered inside, but she quelled it. She had a lead, which was more than she’d had half an hour ago. If the French lady was the music mistress. If the boy was Patrice in disguise. If the two young people the ostler saw were her runaways. The whole trail of ‘ifs’ depended on Gil’s observation. If the girl in Stamford was Amy, the rest fell into place.

This time, she would demand to see Amy’s room and to talk to some of the other girls. She also had questions to ask the head mistress about the French music teacher.

The presence at her elbow impinged on her conscious mind. Gil, still looming, his long stride easily keeping pace with her rapid steps.

She stopped. “Did you want something, Lord Rutledge?”

Grave brown eyes met her glare, dark brows meeting above the straight aristocratic nose in a return glare. “I am helping.” Not an offer or even a request. An obdurate statement. Arrogant male.

Susan fought to keep her irritation from showing. “You have been helpful. Thank you. I can handle it from here.”

Gil lifted one shoulder and dropped it again. “Undoubtedly. Nonetheless…” A second shrug, as expressive as the first. She didn’t have time to argue; not that arguing ever changed Gilbert Rutledge’s mind once it was made up.

He had clearly decided his participation was a foregone conclusion. “What did the Foster chit tell you?”

She would be a fool to refuse him information that might make his help useful. “The Grahame chit,” she corrected. “Clementine Grahame said that her sister and Amy were always whispering together, and would not tell their secrets, so when Amy arrived at their house before breakfast and she and Patrice went up to Patrice’s bedroom, Clementine put her ear to the door to try to hear them or, failing that, spy on what they did next.”

He did not ask the obvious question; just waited for her to continue.

“They talked too low for her to understand. But Patrice left her room dressed as a boy and she and Amy caught Clementine in the hall. They threatened her with retribution if she told anyone what she had seen, and instructed her to tell the aunt they had left for the exhibition together. The rest of Clementine’s story is true, or so she assures me. She followed them here, and actually waited until they left in the post chaise. She then went off to school and pretended the whole thing had not happened.”

Exasperation coloured the last sentence. Susan understood the child’s fear of her unyielding aunt, and her jealousy of the friendship between the two older girls. But if Clementine had spoken earlier, Amy would be safe now.

“Come then, if you must. I am going to the school. You can question the headmistress about the French woman while I talk to Amy’s friends and check her room.” And if Susan weren’t so worried about her daughter, she might be amused at the thought of the coming confrontation between the haughtily disapproving educationalist and the grim uncompromising soldier.

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Pulling all the threads together

I’ve been through all 506 pages of the first draft, and I have a head (and a notebook) full of ideas.

image Now I’ve opened my plotline spreadsheet, and created two new tabs.

Here’s what I’m planning to do.

I’ll update the plotline spreadsheet (plots for the columns, scenes for the rows) from my notebook, and note when a plot starts, progresses, or is concluded.  Then I can see what gets resolved and what gets forgotten about. I’ve added a column to note things I need to do.

I’ve added a tab for characters. I’ll put all the names and titles in scene by scene, and check that they don’t change.

I’ve added a tab for a calendar, so I can plot the scenes against dates, sunrise and sunset times, and the phases of the moon.

I’ll let you know how it works out, but in theory, by the end of the day (6 or 7 hours from now), I should have a marked up draft that I can split to work on on the train.

UPDATE, Monday evening: The answer is that it is taking longer than I thought. I’m up to page 200, but I have the plot threads mapped for the first two-fifths of the draft (and have found some holes, which I’ve now noted on the draft, the character names recorded for two-fifths of the draft, and all of the scenes laid into the calendar – and I’ve found a whole extra day, which I’m going to have to account for, somehow.

By taking this analytical approach, I’m avoiding the temptation to drop back into creative mode. When I finish the analysis, I’ll have all the thinking done that I need to do, and I’ll be able to deal with the draft one page at a time, content that the logistics have been dealt with.

So it’s working.