Write what you know (and if you don’t know, find out)

 

Beginning writers soon hear the advice ‘write what you know’. Often, teachers of writing classes interpret this to mean ‘write about the places and activities, and base your characters on the people, in your own life’.

Which sucks for writers of historical fiction, fantasy, or sf.

Even leaving aside questions of time and space, a literal interpretation limits people to writing within their own race, class, age, gender, religion, and physical or mental condition. I totally agree with those who want fiction to be more representative of the glorious and diverse range of human kind. Tribalism is the scourge of civilisation, and those who tell stories have an obligation to show that the differences between people make them interesting, not scary; that difference does not mean wrong.

Know what you write

On the other hand, there’s a non-literal interpretation. Every writer I know mines their own life and their own feelings for the emotional energy that goes into a story. They study the people around them to give dimension to their own characters. They research so that the facts they portray are accurate.

I write historical romance, mostly set in places I’ve never been to and involving societies I’ve never lived in. I read historical research and primary sources. I watch documentaries and other videos set in the places my characters travel. (A bike tour gives almost a horse rider’s view of the countryside.) I talk to other people who are studying the same topics. I take classes. I read some more. I stop mid-sentence to check facts, such as the time from the onset of fever to the first appearance of the rash in smallpox.

And I check things out with experts. A battlefield medic and an emergency room nurse read my operation scene in A Raging Madness. I sent the draft of Paradise Regained to the Iranian wife of my cousin’s son. A kura (woman elder) of the people descended from the tribe at Te Wharoa agreed to look at Forged in Fire for me.  I’m not going to stop writing about diverse characters, but I’m also going to be careful that my unthinking assumptions don’t trap me into being offensive.

Life is rich, but we human beings have a habit of simplifying it to our own detriment. For example, there are thousands of edibles plant species in the world, and each of them comes in multiple types. We cultivate around 120 today. Three of those crops account for half of all food eaten on the planet.

We storytellers can (and some do) create a Regency society devoid of people of colour, LGBTQ characters, people with disabilities, poor people, people of different faiths. It sure isn’t true to history, and it’s also boring. Those who do write characters that represent such diversity often come from a community that has been marginalised, and they protest at being further marginalised by being blocked from publication and being shoved off into a corner if they are published. The assumption is that people want to read what they know.

I think — I hope — the assumption is wrong.

So let’s be brave

If you’re a reader, choose to read a novel that challenges your assumptions about your favourite historical era. And please, put your suggestions for novels to read into the comments so we all have a chance to try something new.

If you’re a writer, include diverse characters. Go out and learn so you know what you write. Present humankind in all its wonderful variety. Here’s a resource list, courtesy of Louisa Cornell, who says she got some of the list from Vanessa Riley (who writes great novels with black heroes and heroines).

The Interesting Narrative of the Life of Equiano; or Gustavu Vassa, the African written by Himself

Children of Uncertain Fortune: Mixed-Race Jamaicans in Britain and the Atlantic Family, 1733-1833 by David Livesay

Black London: Life Before Emancipation by Gretchen Gerzina

Britain’s Black Past by Gretchen Gerzina  (3/31/20)

A South Asian History of Britain: Four Centuries of Peoples from the Indian Subcontinent, Michael Fisher, Shompa Lahiri and Shinder Thandi. London: Greenwood Press, May 2007.

The Chinese in Britain – A History of Visitors and Settlers by Barclay Price (2019).

The Chinese in Britain, 1800 – present, Economy, Transnationalism by Benton Gomez and Gregor Edmund

Chinese Liverpudlians: A history of the Chinese Community in Liverpool, by Maria Lin Wong. Liver Press, 1989.

Poor Relations: The Making of a Eurasian Community in British India, 1773–1833. by Christopher J. Hawes

The Infidel Within: The History of Muslims in Britain, 1800 to the Present. by  Humayun Ansari

(And here’s what 31 authors said about Write What You Know.)

 

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