The would-be other woman (or man) on WIP Wednesday

In my stories, I quite often have a rival for the position of beloved. Usually one that the hero or heroine would not consider, and often a villain or villainess. It adds a certain something to contrast my innocent heroine with a nasty harpy, or my honourable hero with a wicked deceiver.

Lots of authors do the same, from what I’ve observed, so today, I’d love to see a snippet of a scene with someone who is NOT the one.

Mine is from House of Thorns. My hero is seeking help for the lady who has injured her ankle at his house, going to the only two people he knows in the village: the man who acts as steward for the property he has purchased, and the man’s sister.

“I am not here about Miss Neatham’s housing, though she must find her new accommodations very poor after Rose Cottage. Could you not find her anything more suitable?”

“In an instant, if she can afford to pay. She has no income, Gavenor, and will not be able to afford the place she is in for long.”

“Pride is cold comfort when the roof leaks.” The new voice was redolent with satisfaction. This would be Pelman’s sister. No fairy this one — rather, a hearty country-woman with the undefinable resemblance to a well-bred horse that seemed to characterise the type.

“Livia. Allow me to present Mr Gavenor, the gentleman who has purchased the Hurley estate. Gavenor, my sister.”

Bear bowed. “Charmed, Miss Pelman.”

She simpered. “Mr Gavenor, how delightful that you have joined our little community.” She prattled on about the paucity of social equals and the joys of a visit to Liverpool, not far distant across the Mersey.

That was a prime attraction of the estate. Many of those making their fortunes in Liverpool’s shipping and woollen industries would want to a country place to mark their arrival in the netherworld between their middle class origins and the upper classes who would never accept them. And Thorne Hall was ideally suited, though not if your interests were in London. The new Baron Hurley was a London man to the bone, and had been glad to get rid of the place. Bear had paid a price that would make him money even if he had to raze the ruin to the ground and start again.

Miss Pelman was attempting to dig into his plans. He ignored the hints; time enough for her to disapprove when they were accomplished.

“You may be able to help me, Miss Pelman,” he said.

“Pelman told me you have need of a housekeeper, Mr Gavenor, and I would be willing to fill the position. On a temporary basis, as a favour. You understand that I would need maids to do the actual work, of course.”

“I do not need a housekeeper, Miss Pelman. Though it is kind of you to consider it.”

“Oh? Then you have someone?”

“I have my manservant. No, Miss Pelman, that was not the favour. I…” He stopped to consider his words before he put himself and Miss Neatham in the suds. “I happened to chance on a Miss Neatham, who has twisted her ankle and is unable to return to her home tonight. I offered to check on her elderly father, and found him in some distress. Can you recommend a neighbour who might be willing to look after him for the night, until Miss Neatham is able to make appropriate arrangements?” There. That was all true enough without giving this witch some scandal to hold on to.

But it didn’t satisfy.

“Miss Neatham? Rosabel Neatham? Where is she staying? Who is she staying with?”

“A cottager has taken her in,” Bear said. “Terrible weather to be out in, too. The lady is fortunate she was close to somewhere dry.”

“Lady! Well some might call her a lady, I suppose.”

“Mr Neatham, Miss Pelman?”

“I suppose Mrs Able might oblige. She does sick bed nursing and laying out and the like. I shall give you a note. No. Better. Wait for me to get my cape and I shall take you.”

“Thank you. I won’t ask you to come out in this rain. A note and directions, and I shall manage perfectly.”

“Not at all, my dear Mr Gavenor. Why, we are neighbours now, and one must help ones neighbours. I insist.”

Tea with Parsifal Keazund

The teapot, tea set, and tea service have all been set up in the private sitting room of Her Grace, the Duchess of Haverford. All is ready for the mysterious guest. Steampunk? Eleanor wonders what steampunk might be. Steam, she understands, but isn’t punk something to do with tinder?

A light cough alerted the Duchess to Barlow’s entrance.

“Your Grace,” he said. “Lord Keazund is here.”

Lord Keazund entered, dressed all in drab black, tweaking at his cuff. He didn’t look like a lord. He couldn’t have been very old. Sixteen or so, with sun-bleached blond hair and intelligent eyes that harbored a strange sadness in their blue waters.

Her Grace hid her surprise at her visitor’s youth, while wondering whether he had a taste for tea or whether she should send for something else. “Lord Keazund, you are very welcome. Please, come and take a seat.”

“Thank you, your grace,” Parsifal said, sitting down on the divan opposite the Duchess.

“I can offer several varieties of tea, or I can send for a chocolate, if you wish. Indeed, Haverford House can provide most beverages, so do not hesitate to state a preference.”

“Tea will be perfect, thank you,” Parsifal replied with a smile. “I do love a good cup of tea and I’m sure yours will be excellent. I thank you again for the invite, it was most kind, although a bit surprising, as I haven’t been back in England long.”

“I should warn you, perhaps, that your England might not be precisely the same as my England,” Her Grace said, calmly. “The invitations to my Mondays at Home go, rather mysteriously, to what my author calls ‘the fictionsphere’. Do you take milk, my lord? Sugar? Lemon?”

“Milk and sugar, if you please,” said Parsifal. “Yes, I suppose that’s true. Not wildly different, I trust. I believe it may be said that certain technologies and political boundaries are rather different, or at least differently advanced, in my ‘my’ England. I’m not altogether unfamiliar with the concept of…how to put it…other-worlds? I have just returned to ‘my’ England from one, after all.”

She passed him a tea made to his specifications. “You have been travelling, then? How I would love to travel. Where have you been, Lord Keazund?”

“Yes…” Parsifal replied. He paused as he sipped his tea and then continued, somewhat hesitantly. “I’ve just returned from an extensive expedition. My uncle—the late Lord Keazund—set out to find a forgotten city in the wastes of Siberia. Tragically, he was lost under the ice. I came back by way of the Siberian Skyrail. That’s the official story, anyway.”

Eleanor Haverford frowned. “The Skyrail? I don’t understand. My condolences on your loss,” she added.

“Thank you, your grace,” Parsifal said. “I’ve had to explain the Skyrail so many times. There was a newspaper story a while back about the Russian airship that crashed in the North Sea…sort of a long balloon that could be steered. The Skyrail is like a cross between an airship and a train…but the trains from ‘my’ England might be a bit different than yours?”

“Trains.” Eleanor considered for a minute, her mind full of long lines of donkeys or carters. Then her face cleared. “Ah, yes. My son Aldridge has mentioned the term. A row of carts pulled by a steam engine. It runs on rails, and they use them in the mines. Is that what you mean?”

“Yes,” Parsifal said, frowning a little. “Yes…you’ve never ridden one? Never mind. This is excellent tea, your grace!”

“But—you say the official story. Tell me if my curiosity is unwelcome, my lord, but if you can share the unofficial story with an inquisitive lady from another world entirely, I would love to know more.”

“Well, yes, I suppose it couldn’t hurt,” Parsifal said. “No one in ‘my’ England would believe the truth, and it could cause problems with the Prime Minister…but in reality, the expedition found a…a doorway into another world, I guess. One connected with my own, a place that myth calls the Sea. People and ships sometimes slip through from our normal waters into this other, land-less place. They are lost at Sea. Anyway…it’s a very long story, but I went into that Sea and I came back in a storm…a Weather Caster made it, they can send the weather wherever they like, on the Sea or Land. It’s quite outlandish, I know. I would never have believed it if I hadn’t seen it.”

Eleanor closed her mouth, which had dropped open in a most unladylike manner. “I have never heard of such a thing,” she said. “How fascinating. And how fortunate that you were able to find your way home.”

“Not really,” said Parsifal. He looked out the window and bit his lip. “I left a friend there.”

Meet Parsifal Keazund, from the Weather Casters’ Saga

Parsifal Keazund, recently having inherited the title of lord, has already been through the adventures of books one and two in the Weather Casters’ Saga, and stands on the brink of book three, A Hole in the Air, coming in late February.

A Hole in the Ice (Weather Casters Saga, book One):

A Hole in The Ice is an epic historical fantasy sweeping across time, myth and nineteenth-century Europe. A decadent cast of characters embark on a mysterious journey in pursuit of a mythical lost land said to be inhabited by beautiful but deadly mermaids. As the reader sweeps across the story under the glimmer of chandeliers and falling snow flakes, they are taken on a beautiful adventure to the very limits of the imagination. Each character in this extraordinary tale has their own personal treasure they are hunting and each one will pay a price higher than they ever anticipated.

Amazon link: http://amzn.to/2v2oS1I

Barnes and Noble: http://bit.ly/2vgjkkP

Kobo: http://bit.ly/2uL1AL0

A Hole in the Sea (Weather Casters Saga, book Two):

As the chase continues into the extraordinary seascape of a mysterious ocean, where sea monsters reign, deadly mermaids hunt, and pirates skulk, Parsifal learns that staying alive on the high seas is no easy task; especially when being hunted down by the vengeful and determined Lady Vasille. As beautiful, deadly, and driven as ever, Lady Vasille will stop at nothing to retrieve the compass and the power it contains. In this fantastically wrought, nautical fantasy adventure, McCallum J. Morgan transports the reader into a truly magical realm.

Amazon link: http://amzn.to/2uHR4o3

Barnes and Noble: http://bit.ly/2tLjbS1

Kobo: http://bit.ly/2uL1AL0

 

Meet McCallum J. Morgan

McCallum J. Morgan is a twenty-two year old author who also dabbles in the dark arts of painting and costuming. His books include the steampunk fantasy, The Weather Casters Saga, and the horror-comedy, Ambulatory Cadavers. He lives and writes in North Idaho, where nature and music inspire madness while he dreams of times long past.

Website: http://mccallumjmorgan.weebly.com/

Facebook: https://www.facebook.com/mccallumjmorgan

Blog: http://mhablas.blogspot.com/

Publisher: http://www.littlebirdpublishinghouse.com/

Youtube: http://bit.ly/2v2N2cc

Twitter: @McCallumJMorgan

Instagram: @mccallumjmorgan

Amazon Author Page: http://amzn.to/2vRR1pG

 

Spotlight on The Moral Compass

Today’s guest is KA Servian, who brings us her book, The Moral Compass.

Florence is a spoilt young woman shielded from the filth and poverty of Victorian London by her father’s money and status. When he suffers a spectacular fall from grace, she must abandon everything, including the man she loves, and start again in the empire’s furthest colony of New Zealand.

Compromise and suffering await Florence in her new home. Against the odds, she finds security and love. But her decision to risk everything to enjoy some of the trappings of her previous life costs her dearly. She must live with the heart-breaking consequences of the choice she has made.

As the first book in the Shaking the Tree series, The Moral Compass begins a journey that Florence will complete in the sequel, A Pivotal Right.

Link to the book on Amazon – it’s discounted to .99c US for all of February. https://www.amazon.com/Moral-Compass-Shaking-Tree-Book-ebook/dp/B076J4YG33/

An extract from The Moral Compass

Jack watched his wife as she sat poker straight in her chair beside the hearth, needle in hand. With deft movements, she worked the black thread through a piece of fine white lawn. He followed her every move, marvelling at her skill.

“What are you embroidering?”

She smiled as she raised her eyes to his and he noted a pink flush appear on her cheeks. “It is a handkerchief for you. I am putting your initials on it.”

“Can I see?”

She nodded, passing the square of fabric to him. He ran his rough fingertips over the intricately worked stitches. “It is beautiful. You have great talent.”

“It is a shame that I wasted so much time learning to embroider as now I have little need for the skill. Mending and general sewing do not require such fine stitching and I am terribly slow.”

He returned the handkerchief to her. “I am sure that with expertise such as this my mended socks will be the most exquisite in the town.”

She sighed. “I suppose so.”

Setting the handkerchief down on the small table beside her chair Florence picked up a book with a scuffed brown cover and opened it.

“What is that you are reading?” he asked.

She closed the book, keeping her finger inside, and lifted it so he could see the spine. He squinted at the faded gold letters. They were familiar, but some were backwards to his eyes and he could not make sense of the words they spelt. Shifting in his seat, he moved his gaze to the fire. “I canna read them in the dim light.”

She cradled the book like a cherished child. “It is called Pride and Prejudice.” She smiled. “It is one of my favourites. I have read it many times.”

“Why do you like it so much?”

Florence shrugged. “The hero and heroine are so different and at first they do not like each other, but then love grows between them and—” She looked down and gave a self-deprecating laugh. “It’s silly, really.”

He leaned forward in his seat and placed his hand over hers. “It doesna sound silly. Tell me about the hero. What manner of man is he that he is able to convince the lady to fall in love with him?”

“Mr Darcy seems proud and rude but he is shy and finds it difficult to speak freely of his feelings.” She paused. “But then he performs a great act of kindness for Lizzy, that’s the heroine. Well, more for her family, really. Then she sees him for the man he is and—”

“Is he a …wealthy man?”

She grinned, her eyes sparkling in the firelight. “Oh yes, he’s tremendously wealthy. He owns a beautiful estate called Pemberley. It is when Lizzy sees it for the first time that she realises that he is a man she could truly love.”

Jack released her hand and sat back. “Oh, I see.”

“Would you like me to read to you? I used to read to Mrs Branson sometimes. Her eyesight was fading, but she still enjoyed hearing stories.”

He stretched his long legs out. “Yes, I’d like that very much.”

Meet KA Servian

As a life-long creative, Kathy gained qualifications in fashion design, applied design to fabric and jewellery making and enjoyed a twenty-year-plus career in the fashion and applied arts industries as a pattern maker, designer and owner of her own clothing and jewellery labels.

She then discovered a love of teaching and began passing on the skills accumulated over the years—design, pattern-making, sewing, Art Clay Silver and screen-printing to name a few.

Creative writing started as a self-dare to see if she had the chops to write a manuscript. Writing quickly became an obsession and Kathy’s first novel, Peak Hill, which was developed from the original manuscript, was a finalist in the Romance Writers of New Zealand Pacific Hearts Full Manuscript contest in 2016.

Never one to do things by half, Kathy designed and made the costume for the cover of her first historical novel, The Moral Compass and has made several other costumes from various periods in preparation for the novels that will follow in her Shaking the Tree series.

Kathy has just completed a diploma in advance applied writing. She squeezes writing her novels in around teaching sewing part-time and being a wife and mother.

You can follow Kathy on her website  or Facebook page . Photography is also one of her hobbies. You can view her images on her Instagram feed

 

The smart widow’s country carriage

When I was writing the first, and even the second, draft of The Realm of Silence, I called the carriage my heroine is driving up and down the Great North Road, to and from Edinburgh, a phaeton.

A high-perch phaeton for the sporting man around town — far too dashing for my widow, and built for show, not for comfort.

I knew a phaeton was a round-town vehicle, and that I’d be smacked by those who know better, so last week I went hunting for a four-wheel two horse carriage that a dashing, fashionable, but not scandalous widow might use when travelling. (The children and servants are in a travelling coach, but Susan prefers to drive herself as much as possible. As who wouldn’t.)

The story required that the carriage had room enough for two people in comfort and three at a squeeze, with one of them driving. I allowed for space behind for a servant, and a fold up top against the weather. And I found the carriage I needed, allowing for the fact that each carriage would have been custom-made, so Susan’s did not have to fit some factory production process, but could be made to her preferences (and my story).

A cabriolet — later, many of them became taxis, giving us the term ‘cab’

I’ve found some neat resources, which I share at the bottom of this post, and some interesting information.

I knew that phaetons came in high-perch and low, and that ladies might drive the later without risk to their reputation, but probably not the former. Cabriolets were an Italian invention that reached England late in the 18th century — another sporty vehicle, but this one entirely suitable for a lady, low slung between the single wheels, and pulled by a single horse. But, again, not what I was looking for.

A phaeton from later in the century, after the name began to be applied to a vehicle with four wheels.

But the field was vast. Carriages, even more than custom-made cars today, varied according to the needs and tastes of the owner around certain defined features. Number of wheels. Number of passengers. Seat for a driver-groom or not. Type of axle, wheel, and spring. Height from the ground. Open or closed. Rain cover or no cover. One horse, two, or up to six. And lots more.

In the early years of the nineteenth century, one enterprising coach builder created a four-wheel vehicle with some of the features of a cabriolet, and some of a phaeton. This hybrid cabriolet-phaeton was not a great success, but a few years of refinement, and it gave birth to the four-wheel cabriolet, the victorian, and several other comfortable but elegant carriages for town and country driving.

I’m postulating that in 1812, my Susan had one of the early successful models, and that she might well have chosen to bring it with her from London to Edinburgh and back again, driving it herself on fine days, perhaps with one or two of the children to keep her company.

A Glossary of Carriages: http://www.arnkarnk.plus.com/glossary.htm

The Slower Road: https://theslowerroad.com/category/reference/carriages-carriage-types/page/6/

The victorian was a popular carriage in the mid-19th century.

 

 

Moving the courtship along on WIP Wednesday

I’m writing romance, which means courtship. Even if the relationship gets off to a rocky start or hits a rocky middle, courtship has to come into it, or there’s no romance and no story.

So this week, I’m asking for a scene that shows a crucial step in the courtship. It could be a step forward, or a step back. You decide. But something that changes the relationship. Mine is the proposal scene from House of Thorns. It is still at the all dialogue stage, and will probably change on the redraft, but here it is, raw, awkward, and as is.

“Miss Neatham, the Rector came to tell me that the village has been talking.”

“I expected it. When do you wish us to move out? I can put my weight on my ankle again.”

“I do not wish you to move out, though I will move into the village for a couple of weeks.”

“But your work… A couple of weeks… What can you mean?”

“I am doing this wrong. Look, Miss Neatham. Rosabel. Would you do me the very great honour of becoming my wife?”

“Your wife?”

“It will protect you and your father, and it would suit me very well, too. I need a wife, as these past few days have shown me. Someone to look after my house and make it into a home. I have never been more comfortable. I like having you around.

And it isn’t just that. You would be an asset to my dealings. I need to entertain from time to time, and you would show to advantage with the people with whom I do business. You are a lady to the fingertips, Rosa, and the people who buy my houses would like that.

Also, I need a child. A daughter would be best, because my great aunt’s property must be left to a girl, but we could try again if we had a son, and an heir would be rather a nice thing, I think. I had thought of adopting, but a child needs a mother, and that means a wife.”

“But… I am thirty-six.”

“I am forty-three. Which means we are both still capable of having a child.”

“Surely there are younger women with better connections…”

“I don’t want them. Silly ninnies. No conversation. I like you, Rosa. I like spending time with you.”

“Well, thank you.”

“I don’t want… Rosa, you deserve to have choices, and you won’t have them in this village. If you won’t marry me, will you let me find you and your father a house somewhere away from here, where you can live life without your aunt’s history following you?”

“You know about my aunt?”

“The Rector told me.”

“And you still want to marry me?”

“You are not your aunt, and very few families lack a skeleton or two in their closet. Marry me, Rosa. I will try to be a good husband.”

“You could find a better wife.”

“I’ve tried. And one Marriage Mart was enough. I’m never going back. If you won’t have me I’ll dwindle into a lonely old man.”

“I cannot help but feel that I benefit most from this arrangement.”

“The benefits are two way. You get a home and respectability. I get a home and all the things we have listed.”

“We have no guarantee that I am fertile.”

“That would be true no matter who I married.”

[goes away to think]

“Yes, Mr Gavenor.”

“Then you had better call me Bear. Or Hugh, if you prefer. My great aunt used to call me Hugh.”

“Hugh, then. Thank you, Hugh. I shall try to be a good wife.”

Tea with Mist

The spy known as Mist made a perfectly appropriate entrance, on the arm of Eleanor Haverford’s colleague Tolliver, announced by the butler. Some of Eleanor’s acquaintances had also employed the young woman, and reported that she simply appeared in their rooms, coalescing like the mist she was named for, not there one minute and the next sitting sedately in a chair, ready to ask searching questions.

A most unaccountable young woman, they called her.

She did not play such games with the Duchess of Haverford, but then her history gave her cause to be nervous of the Haverford family. Not that her suspicions were justified, but the duchess could not reassure her without touching on matters that must remain unspoken between them until Mist raised them herself.

Tolliver broke the silence. “Well, Your Grace, we are here, as requested.”

“It is your colleague’s services I require, Tolly,” she told him. “But you may remain if you wish. Please. Be seated. May I offer you both tea?”

Mist accepted, politely. Tolly declined, also politely, but gestured to the brandy decanters Eleanor kept for her sons. “Indeed. Help yourself, my dear. Mist,” her name was Prudence Virtue, but Eleanor would not use it unless Miss Virtue herself invited her to do so, “I wish to commission you for a job. I have grave concerns about the safety and well-being of a godson of mine. He has been a faithful correspondent, and I have not had a reply to any of my letters for several months.”

Mist tipped her head to one side while she considered. “Has anything recently changed in his life to explain the absence of letters? A new school or a new friend? Travel?”

“The Earl of Penworth is twenty, and has been educated at home because he is blind. I write to him each month, and have done for the past twelve years, since he was old enough to read my letters and pen a response. Since his accident, he has dictated his replies, and he always responds promptly. So when I heard nothing, I asked Tolliver here to send to the Penworth estate. The Earl has been gone for months. His half-sister, the Countess of Wyvern, fetched him away and since then the estate steward has been taking his direction from her.”

Mist frowned. “Lady Wyvern has… something of a reputation, Your Grace.”

Eleanor acknowledged the point. “She is a ruthless and selfish woman. She does not like Rupert, and Rupert does not like her. Tolliver brought me some more news. The people at the estate were told that their earl has married, and is taking an extended honeymoon at Wyvern Castle. Which is not completely unlikely, since Lord Wyvern is Lord Penworth’s guardian. But I can find no one who  has heard from, seen, or spoken to Lord Wyvern for at least seven months.”

Mist nodded, then took a sip from her cup while she thought about what she had heard. “You wish me to go to Wyvern Castle and discover what I can.”

“Yes. Will you accept the commission?”

The story of the Earl of Penworth, and his imprisonment with the bride his sister forced him to marry, is told in The Prisoners of Wyvern Castle, a novella in my permafree book Hand-Turned Tales. Click on the link for more details and buy links. In The Prisoners of Wyvern Castle, you will meet Mist and her friend and colleague Shadow, hero and heroine of Revealed in Mist, the first scene of which takes place in Wyvern Castle between the last chapter of the novella and the epilogue. My stories are all stand-alone, but they link. I cannot deny that they link.

Riding the crocodile

The bazillion book market is a puzzlement. Authors fret about how to be noticed in the huge flood of new releases every week (more than 370,000 in the past 30 days on Amazon alone). Readers complain that many books they pick up are not worth reading, and I’ve heard many say they’re trying no new authors because of disappointments.

Meanwhile, those who guard the paths by which we authors reach our readers are working for themselves, and not for us. I don’t blame them for that. It is the nature of business to wish to make money, and it is the nature of mega-business — such as Amazon, Apple, Facebook, and Google — to wish to remove any competition that prevents them from making more money. They are, as a series of New Zealand advertisements said about foreign-owned banks, rather large crocodiles doing what crocodiles do. Admirable creatures in their own way, precisely designed for their purpose. But uncomfortable and dangerous to keep in the house.

I need to ride those particular crocodiles in order to reach the readers who prefer those platforms, but I’m trying to avoid being swallowed, crunched, and spat out. (Which means I’m not joining KU or anything that requires exclusivity.)

On the plans for this year is a shop on my site, where you can buy my books directly. I am toying with some kind of a sponsorship model — a sort of a subscription, where people make one modest payment a year and then get sent anything I write, plus some kind of other recognition that they are sponsors of the author known as Jude Knight. Maybe a t-shirt? And a club card? Special sponsor events?

I’m also looking at making changes to the newsletter to make it more appealing. People are just so busy!

What else? The most effective way I’ve found to reach more readers is reader word of mouth, and that is very much in your hands. I’m open to ideas. How can I do more to help you help me?

The weather on WIP Wednesday

My current first draft WIP is set in 1816, the year without a summer, and the weather is almost another character in the book. So I figured this week I’d seek extracts from my author friends where weather becomes a plot device. Or any other natural phenomenon. If you don’t have a storm or a heat-wave, how about a volcano or a plague of locusts?

Here’s mine, from House of Thorns.

Bear walked down to the village, seeing evidence of the night’s storm on either side of him, in deeper puddles and streams, downed branches from trees, and flattened crops in the fields.

At Rose Cottage, Miss Neatham was fretting herself to flinders, though she tried not to show it. He’d seen her bite back words all morning, since he carried her downstairs and set her up in the parlour, with a book to read and strict instructions not to move. Each time he went in to ask her where to find something, or to bring her something to eat or drink, or just to check that she was following instructions, he could read the anxiety about her father on her open face. “When will you go to the village?” she did not say, but it was written clearly for him to see — a supposition she confirmed with her deep sigh of relief when he said, “The rain looks as if it is clearing. I’ll go down to the village now, Miss Neatham. I have a few things to buy, and I will check on your father.”

Miss Neatham had clearly been a provident housekeeper, for the house was fully stocked with all the staples, but they could do with some fresh bread and he’d buy more meat, too. He could not help but draw the conclusion that her financial situation took a dire turn for the worse thanks to Pelman’s intervention on his behalf.

He would have to see how the situation could be corrected. And he needed to see if Mrs Able was available for another week or so. Otherwise, Miss Neatham would go home to that horrid little hovel and put her ankle at risk by looking after the old man herself.

In the main streeet, straw had been laid on the worst mud patches, but the steep alley to Miss Neatham’s abode was scoured into deep treacherous ruts, and he kept to the sides where a few inches of relatively dry ground gave him better purchase for his boots.

The quavering voice of the old man raised in a shriek distracted him from his focus on his footing. “Help! Murder! Help!” Neatham was shouting.

Tea with Aldridge

“Mama?”

At the sound of Aldridge’s voice, Eleanor, Duchess of Haverford composed her face, smoothing the slight frown that creased her forehead and forcing a smile as she turned from her desk to greet this beloved guest.

“My love,” she said, as he crossed to press a kiss on the hand she raised for him, and then on one cheek. The boy looked well. He had a spring to his step that had long been missing, his eyes were clear and bright, and his cheerful grin had lost the cynical twist so pronounced a bare few months ago—to her eye, at least.

Eleanor hoped what she had to say would not cast him back into melancholy.

Aldridge had been raised with the finest manners money could buy. He took the seat he was offered, complimented her on the success of her most recent entertainment, asked about the book her companion was reading, discussed the likelihood of rain on Tuesday next, and generally kept up his end of the conversation without once showing impatience or asking why she had sent for him.

He must be wondering, though. “Cousin Judith,” Eleanor said to her companion, “I would like a few minutes of private conversation with my son. Would you leave us, please? I will send when I want you.”

“What do you plan for that one, Mama?” Aldridge asked. Haverford had an army of indigent relatives, with nothing to do but hang on the ducal coat tails. Eleanor had long since formed the habit of taking the women one by one as companions, finding their talents and interests, and helping them into positions that suited their skills.

“Not, I think, a marriage, my dear. A library perhaps. She is happiest with her head in a book. Or, I begin to think, perhaps she might be persuaded to try her hand at a memoir or a Gothick. She writes the most delightful letters. I can see her living with Cousin Harriet in a comfortable little house, writing spine-chilling stories and having a most wonderful time.”

Aldridge chuckled. “Cousin Harriet, is it? The one that breeds dogs and hates men? Mama, you are a complete hand.”

“I collect that is a slang expression, Aldridge darling,” she said attempting to be disapproving, but twinkling back at him. He really was a sweet boy.

“You must be wondering why I sent for you,” she began.

He leaned over to kiss her cheek again. “Because you missed me?” he suggested. “I have neglected you shamefully, Mama, these past weeks.”

An opening. Eleanor took it. “These past six months, Aldridge. Since you took Mrs Winstanley into your keeping. You have been much engrossed, I take it.”

Aldridge sat back, his eyes suddenly wary. “I am sure discussing one’s mistress with one’s mother is not de rigueur,” he complained.

“Introducing one’s mistress to one’s Mama opens one to such comments, dear,” Eleanor teased, ignoring the subtle withdrawal evidenced in the suddenly bland voice, the stiffness of his posture.

As she’d hoped, Aldridge relaxed, a fleeting grin lifting one corner of his mouth.

But the matter was serious enough. “One hears remarks, my dear. Hostesses who lack the Merry Marquis at their affairs; gentlemen who must play their merry japes without their boon companion; even His Grace your father has commented you have abandoned your usual pursuits.”

“His Grace has no reason to complain. I do my work.”

“Yes, my love. You are an excellent manager. But, Aldridge, I am concerned.”

“You have nothing to be concerned about, Mama.” It would be an exaggeration to say her tall elegant son flung himself to his feet, but he certainly rose more quickly and less smoothly than usual, and then stalked with controlled deliberation to the brandy decanter she kept for him on the sideboard. “May I…?”

She nodded her permission, and he poured a drink while she decided how to approach her topic. It was harder than she expected. She yearned to tell him to do what pleased him, to stay in the fools’ paradise he was building with the lovely Becky.

But she could not ignore the duty owed to the young woman. Eleanor, who seldom allowed herself to feel such a plebian and useless emotion as guilt, was aware she should have given Becky the means to escape when they met six months earlier. She had quite deliberately put Aldridge’s need for Becky’s brand of comfort ahead of Becky’s evident desire to abandon the life of a courtesan. She did not feel guilty. But she did acknowledge a debt.

“You are not the one for whom I am concerned, Aldridge,” she said.

He had been studying his brandy, but glanced up at that, a quick look from beneath level brows before he drew them into something of a frown.

“Who, then?”

“Mrs Winstanley, dear. I am concerned for Mrs Winstanley.”

Another quick movement, this one sending the brandy sloshing in the tumbler, but he steadied his hand before it spilled. “No need, Mama. Becky and I are very happy.”

“You spend all your time with her, Aldridge. If you are not at her townhouse, she is in the heir’s wing. If you travel, she travels with you. Last time you went to Margate, you stayed with her in the town rather than at Haverford Castle.”

“You are very well informed, my dear.” Eleanor knew that cold ducal tone, but from her husband’s lips, not her son’s. Almost, she stopped. But no; she would do her duty; she had always done her duty.

She matched his tone with her own. “You employ Haverford servants, Aldridge. They answer my questions, as they should.” But this was not to the point. Better to just spit it out.

“If you continue as you are, you will break Rebecca Winstanley’s heart, Aldridge. She deserves better from you.”

Whatever he expected, that wasn’t it. He was too controlled to openly gape, but the muscles of his jaw relaxed. He recovered himself and took a sip of his brandy, gaining time while he thought. It was a trick she used herself.

“What can you offer her, Aldridge? A year? Two? And then what? You cannot marry her, of course…” Was that a flare of longing she saw, quickly suppressed? Merciful heavens, had it gone so far, then?

“You cannot, Aldridge. Even if we could find a way to conceal her past—and with the interest your marriage will attract, every tiny detail of your wife’s history will be uncovered and inspected—she is lower gentry, if gentry at all.”

“Lower gentry,” he conceded, reluctantly. “But what does that matter, Mama? Peers have married beneath them before. What of Chandos? Or, if you want a more recent example, Marquis Wellesley? ”

Eleanor struggled to show no hint of her alarm, keeping her voice level as she said, “And their wives have suffered for it, Aldridge. Their estates, too. You would be doing Mrs Winstanley no favour, Aldridge, even if her past did not come to light. And it would.

“Besides, your duty to your name precludes such an action. You will be Haverford. Your wife will be mother of the next Haverford.

“And consider your little half-sisters, who will only be able to overcome the circumstances of their birth if Society continues to pretend they are my protégées and not your father’s base-born daughters.

“You cannot marry your mistress.”

He opened his mouth to argue, but suddenly the fight drained out of him, taking, it seemed, his ability to stay upright. He sank into a chair, all the joy gone from his face leaving it bleak and lonely.

” I know, Mama. Truly.”

He fell silent again, cradling his brandy in front of his chin and staring into nothing.

She had to ask. “Does she seek marriage, my son?”

Aldridge’s short laugh was unamused. “Becky? Of course not. She has no expectations at all. Not even of common courtesy or kindness, let alone of being treated like the lady she is.

“And I am a scoundrel for taking advantage of that. Were I the gentleman I pretend to be, I’d set her up as a widow somewhere and leave her alone. After the life she has had…

“I doubt she would marry me even if I asked. She is grateful to me, but gratitude only goes so far.”

He glared at his mother. “But I will not give her up, Mama. We have the rest of this contract term, and another after that if I can persuade her to a second term.”

“I am not asking you to surrender your domestic happiness, my dear. Just to reduce it a little for Mrs Winstanley’s sake.”

Aldridge cocked one eyebrow in question, but said nothing.

Should she tell Aldridge his mistress was in love with him? She had seen them in the park:  Becky, her little daughter, and Aldridge—by chance as she returned from an unusually early errand and then deliberately several more times. Her son was so absorbed in the woman and the little girl he never noticed the stopped carriage where she sat observing the three of them together.

No. She would say nothing. If he had already considered the logistics of marrying the woman… “You will have to let her go, Aldridge—at the end of the contract, or in any case when you find a suitable bride. The parting will be much harder, for both of you, if she fancies herself in love with you.”

“Spend a few nights a week away from her, my dear. Let her know you are seeing other women. Help her to armour her heart against you, if you love her.”

“Love, Mama? Can Grenfords love? I like her. I respect her. I enjoy being with her. She makes me happy, Mama. Is that so terrible? I’m not sure I know what love is, but I know I don’t want Becky to leave me, or—worse—to hate me and stay.”

“I have every faith in your charm, Aldridge. You will be kind. You will be gentle. And you will do your duty by your mistress as you always do your duty in all things.”

As Eleanor always did hers, she reflected after her son left, and duty could be a cold and thankless  master. Aldridge would not soon forget her role in this day’s work, and Becky would be ungrateful if she ever found out. But it was for the best. She had to believe it was for the best—not just for the Grenford family and the Haverford duchy, but for Aldridge and Becky as well. She hoped it was for the best.

I wrote this piece for The Teatime Tattler two and half years ago, at the time I published A Baron for Becky. It gives a bit of backstory to what happens between Part 1 of that book and Part 2. Poor Aldridge. Poor Becky.

An end and a new beginning

Yesterday morning, I wrote the final scene of The Realm of Silence, ending with those welcome and wonderful words ‘THE END’.

Not, of course, that the task is finished. I have a first draft, with plot threads still dangling, new ideas in the second half that need to be woven back earlier into the book, passages that make outrageous leaps and others that limp like a wounded snail — meandering, slow, and purposeless. The next task is a paper read through, and the book has been printed and is sitting waiting for me. I’ll make notes as I go this first time, but I won’t map anything.

That’s next. Story analysis. I’ll open the spreadsheet with my plot lines and all the other things I need to track, and I’ll read the book again, this time writing a brief synopsis of each scene and filling in the columns across the spreadsheet. Which plots were advanced? Which characters were involved? (And what were they called? — I have a bad habit of changing people’s names in mid-stream.) What is the hero arc for each of my protagonists, and how does it match the arc I planned when I began? If I’ve changed it, is it for the better?

Are the characters true to themselves? If not, how do I fix it? What about my secondary and background characters? Are there too many? Can I remove some, or fade them into the wallpaper? Are they real people with hints of their histories and personalities?

Once I have the storylines mapped, I can see what I’ve dropped or failed to resolve, or where an earlier hint or clue would help build tension. I go back through the draft, and use the spreadsheet as my guide to scrawl all over, giving myself instructions for the rewrite.

Which is just that. A rewrite. Scenes changed, expanded or cut. New scenes added. This is the point at which I add chapter breaks, because up until now I’ve only had scenes. Each chapter needs a lure to end on and a hook to start. I don’t much worry about length. A chapter is as long as it needs to be.

At last (and by end of January, all going to plan) I have a draft for my beta readers, and off the baby goes, out into the world, ready to face the critics. I hope.

My wonderful team of beta readers will have The Realm of Silence for  February and I’ll be back working on it, making final changes in response to their comments, in March. It will still need a copy edit and a proofread after that, but I’m aiming at publication in late April.

Meanwhile, I have created a hero’s journey and character interviews for the hero and heroine of my next book, written a plot synopsis, and begun to write. I’m going to follow the same process that finally got me going on The Realm of Silence — a first cut that is mostly dialogue, then a second pass to fill in the rest of story and give me a first draft. I’m aiming at 60,000 words for House of Thorns, which is for a Marriage of Inconvenience line for Scarsdale Publishing. It’s due to them on 1 March, so the first draft needs to be done by 10 February. With 5,000 words on the page so far, I’d better get writing.