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What could possibly go wrong? on WIP Wednesday

This, my friends, is a jack knife — a useful sailor’s tool.

 

My favourite question when writing is ‘what could possibly go wrong’? And then I make it happen. This week, I’m talking about those defining points where the story takes a twist to make things worse. Share me yours in the comments. Mine comes from a scene I wrote this morning in Unkept Promises. Lady Carrington, who you may remember as the villainess if you’ve read Farewell to Kindness, has a position with the French spy agencies. She has persuaded Murat, her spymaster, to let her return to England to fetch the fortune she was forced to abandon when her husband decided to get rid of her at the end of Farewell to Kindness. To help her get to her hiding place safely, she takes Jules Redepenning, my hero, who is a prisoner of war after being pushed off his ship by someone in the pay of the man who wants to abduct his son. (It makes sense in the book, I promise. And, after all, what could possibly go wrong? Right?

Though the sky was clear and the moon full, still, everything was grey on grey, and in the shadows, it was black as Lady Carrington’s heart.

“We will need transport,” Jules pointed out.

Lydia smirked. A moment later, a man leading a horse turned a corner further along the lane and began walking towards them. Four more horses followed behind, all strung together.

“Tha be the ’uns for these ’ere ’orses?” he asked, his eyes a suspicious squint as he looked from one man to another, ignoring Lydia, until she stepped towards him and held out a pouch.

“Your next payment,” she told him. “As promised, the third will be ready for you tomorrow night, when we return the horses. We will leave on the high tide, whether you are here or not.”

The man touched his cap; a response to her cultured tones. “I be here,” he said, his sourness not abated by the purse he weighed thoughtfully in one hand. “See that tha be.”

He disappeared back into the gloom, and Lydia ordered the disposition of the horses. Jules was ordered to take position between the two French officers, his horse on leading reins. Lydia led the fifth horse, which had been supplied with a pack saddle and paniers.

“If you lead us into a trap, Julius,” the Baroness said, “Pierre will shoot you without blinking.”

“You have my word,” Jules told her indignantly. After all, she was not privy to his inner justifications for abandoning her. “However, I cannot lead you tell you tell me where we are going.”

“Iron Acton will do for a start,” Lydia said. Iron Acton was five miles from Chipping Niddwick. Further confirmation that Lydia’s stash was hidden at the Carrington Castle, or nearby.

“I take it you want to avoid villages and farm dwellings. Very well. If we head south on this lane,” he pointed the direction he meant, “we will come to a turn inland in about seventy-five yards.”

Lydia nodded at his two escorts, and they wheeled their horses to follow his directions. There had never been any doubt about who was in charge.

He kept them to lanes that avoided the villages and towns. Little used except for stock movements and farm carts, they were mostly in poor repair, and recent rain had frozen in every rut and hollow, so that their way was marked by the crackle of breaking ice. Going was slow. From Iron Acton, the Baroness directed them toward Highwayman’s Hollow, a place just off the Yate to Chipping Niddwick road where, or so local legend had it, highwaymen used to lurk, waiting for a rich prize.

“We shall take a rest,” the Baroness announced, dismounting. Jules and the two silent Frenchmen followed her example. She beckoned the three of them. “Come closer so we can talk without me shouting.”

Sound did carry in the night air. Still, Jules thought she was being too cautious. Unless things had changed since he was last here, there wasn’t a dwelling anywhere within ten minutes’ walk.

Nevertheless, he joined the group, ready to hear their next destination. He wasn’t ready to be seized by Pierre and Victor, one on each side. He struggled, but he was soon bound to a tree and gagged for good measure.

“I know the way from here,” the Baroness told him. She caressed his cheek, a parody of affection. “I cannot trust you near people who might help you. We will be back, Julius, and you shall see us to the coast as you promised, and then I shall release you as I promised.”

Unable to comment, Jules merely glared. The Baroness laughed, and leaned towards him her lips puckered. He twisted his face, so that the kiss fell on his ear rather than his lips. She laughed again, and groped at his fall. “He is hardly a man at all,” she told her French lovers. “Such a disappointment. One expected better of a Redepenning.”

Jules raised a sardonic eyebrow. Lydia tipped her nose in the air and walked away to remount her horse. Pierre followed, and then Victor but only after a vicious punch to Jules’s stomach. “That is for disrespecting madame,” he hissed.

Jules had no choice but to keep his response to himself. He gave the Baroness precisely the respect she deserved. Probably as well he couldn’t speak. Another couple of blows like that, and he’d be in real trouble.

He watched them ride away before testing his bonds. Good. They’d left enough play for him to work with, and the jack knife he’d stolen on the ship was still concealed in his sleeve. He sneered after them. No sailor would have made such a mistake.

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Honest work on WIP Wednesday

One of the things I need to consider when forming my plots is ‘how does the character’s everyday job affect their time and their location?’ In the Regency era, peers of the realm worked: they’re sort of like the ceo of a company, in charge of the direction, making the tricky decisions, approving the strategy and the budgets. They were also eligible to sit in the House of Lords, and many had vigorous political careers. Ladies might be expected to be decorative, but that could be work, too. Wives, sisters, and daughters managed households, which could be massive and have huge numbers of staff. They were also expected to be responsible for dispensing welfare to the less fortunate.

Younger sons of the very wealthy might be the equivalent of today’s idle rich, depending on someone else’s money for their affluent lifestyle, but everyone else needed to have some way to keep fed, housed and clothed.  I love putting snippets of this into my writing, and I’ve written whole books starring characters with what we’d recognise as a job. I have a maker of invalid chairs, a chef, a house flipper, a horse breeder and others.

I’m currently thinking and imagining a couple of books ahead, and discovering some main characters who are not peers or their families. One, Lucas Mog, appeared in Farewell to Kindness, has a part to play in the current Work in Progress, Unkept Promises, and will be the hero of the next Redepenning book, Flavour of Their Deeds. He is a gamekeeper — but who is he really? One makes a living in a morally objectional fashion. He was an assassin for the British during the Napoleonic Wars, and now kills for a price and to order. He’ll be the hero of an as yet unnamed book for the Common Elements Project. One was tutor and minder to a lonely English boy in far off Naples while the boy had surgery. Now the lad is grown up, an earl, and married, Peter needs a new job. (Yes, this hero has a part in The Beast Next Door, my novella in Valentine’s From Bath.)

This week, give me an excerpt of a character at work — or at least of one who works. Mine is from Unkept Promises. My hero is a naval captain who has been lost from his ship, thank to the machinations of my villain.

Bruised and battered, every muscle aching, sick to the stomach from the sea water he had unwillingly ingested, Jules wanted nothing more than to lie on the sand just above the reach of the waves. But he was wet to the skin and cold to the bone. He needed to move before he froze, and he also needed to find cover before sunrise, because this was almost certainly a beach in enemy France.

He forced himself to his feet. In the dark, all he could do was set his back to the waves and start walking, feeling for each step, his hands before him to fend off any obstacle before it connected with his face. The rain had started again, which at least let him suck in a few drops of fresh water to ease his thirst.

He found a low bank by stumbling over it, stepping up from the sand onto a stiff grass that crunched under his feet. A few yards further on, his hands met leaves. Bushes, and when he pushed between them, they seemed to extend for some distance. He found a hollow in the ground surrounded by the foliage, hoping it would be enough to hide him until he could see well enough to find better concealment and make a plan.

It was a miserable wait for dawn, but at last the landscape emerged from the darkness. He would stick to the coast, he decided, in the hopes of finding a sail boat he could steal. England wasn’t above thirty miles away, though hidden in the persistent drizzle. He would probably not need to sail all the way; the channel was constantly patrolled by British ships.

He kept to the cover of bushes as much as he could, running across any open areas while scanning for other people. In the rain, they could have been almost upon him before he saw them, but all the more reason he would himself stay unobserved.

He also kept an eye out for better shelter; with luck, somewhere he could find dry clothing, or even something to wrap himself in while his own clothing dried. This must be the most deserted, Godforsaken piece of coast in all of France.

Then all of a sudden it wasn’t. Out of the mist came a column of marching soldiers, and Jules was surrounded before he could convince his tired bones of the emergency.

Someone shouted at him: a command by the tone. If it was a question, it was peremptory. I should have paid attention in French lessons, Jules thought. “My regrets, sir,” he said. “I do not understand.”

A rifle butt descended, and he sank into blackness.

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Haunted by the past on WIP Wednesday

Our heroes and heroines need a past, and in my kind of book, something about that past needs to still bother them.

I love stories where we get an early glimpse of this vulnerability, without lengthy backstory, then more and more comes out as the story unwinds. I was at a crime and thriller conference last weekend, and on a panel with Kirsten McKenzie, whose horror/crime story Painted does this to beautiful effect for both the horror and the crime plot threads. I didn’t finish the book until the trip home, and the others on the panel were all trying to discuss the history that motivated the key characters without giving away the key points. (Sorry, folks.)

Sometimes, readers of a series know at least some of what tears at the hero’s heart or the heroine’s, but we don’t know about the wounds of the other protagonist. Charles, in Caroline Warfield’s Children of Empire has kept his dignity despite his estranged wife’s lies and betrayals. We know this because those lies also hurt Charles’s cousins, each of whom stars in one of the previous two books. We learn more, and from Charles’s POV, but we also need to find out what drives Zambak to the other side of the world, where she and Charles will have to deal with their separate pasts as well as the budding Opium Wars, Zambak’s brother, a callous villain, and small-minded local society.

I could go on — in my favourite books, people all have pasts, and an important part of the story is them coming to terms with who they are because of that past.

This week, I’m asking you to share a passage where your characters share part of their past. It could be highly significant, like the books I’ve mentioned above, or it could be something quite minor. Mine is from To Win a Proper Lady: The Bluestocking and the Barbarian, which I’m rewriting as a novellisation of the novella I wrote for Holly and Hopeful Hearts. In this passage, I hint at a backstory that won’t become clear until book three of the series. Hint. The heroine of To Tame the Wicked Rake: The Saint and the Sinner, is Charlotte Winderfield. The hero is Aldridge.

Charlotte indicated the closed bedchamber door with an inclination of her head. “I take it Grandfather has heard that the Duke of Haverford has run mad,” she said.

“Mad like a fox,” James answered. “He has given up on the claim that my father is not the son His Grace of Winshire lost so many years ago. With our esteemed progenitor and Aunt Georgie both recognising him, that was a lost cause. He thinks to convince his peers that they don’t want half breeds living among them, dancing and worse with their daughters. It will be a simple thing, he thinks, to prove my parent’s marriage a fiction, and all of their children barred from my grandfather’s title.”

“Take a seat, James, and don’t loom over me. You don’t think it will be a simple thing?”

James obeyed, lowering himself into the chair opposite hers. “I think the man a fool for underestimating the King of the Mountains. You have heard our grandsire’s solution for swaying opinion our way?”

She had, of course. That was clear from the way she examined his face before she spoke; a considering look, as if wondering how much to trust him. “It is a good idea for you to marry an English girl with impeccable bloodlines.” With a snap, she closed the open book that was sitting on her knee. “That girl will not be me, James. I mean no offence, but I will not marry you, whatever Grandfather might say. I do not intend to wed, ever.”

“Thank you for telling me. Perhaps, you would be kind enough to help me find a bride that will fit the duke’s requirements and my own?”

“And what might your requirements be?” Charlotte asked.

“Someone I could grow to love. Someone who could be my friend and partner, as well as my wife.”

“You are a romantic, cousin. I warn you, Haverford is powerful. He will make it hard to find a girl from the right family who will accept you, despite our family’s name and your father’s wealth. Finding one who is your match may be impossible.”

James looked down at his hands. If she thought him romantic, she would be certain of it in the next moment. “Perhaps I have found her already. What can you tell me of Lady Sophia Belvoir?”

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Tea with Grace

 

Her Grace of Haverford enters the side door at Fournier’s. No one, not even her husband, would remark on her calling into a restaurant outside of opening hours, particularly one owned by protégés. Still, she does not wish to call His Grace’s attention to her visit. Her servants, she is certain, would keep her secrets — but it would be unfair to put their loyalties in conflict.

She spends a few minutes asking the restaurateur’s wife questions about her children. Though she is anxious to begin her private meeting, politeness is always important, and Cecilia and Marcel Fournier are very dear to her. Soon, though, Cecilia ushers her to the private room she was instructed to ask for.

Grace is already there. “Eleanor! You came.”

“Of course.” Eleanor hugs this dear friend. They have known each other since they were children, grieved together when Grace’s brother was exiled and believed dead, supported one another through the miseries of marriage to selfish brutal promiscuous men, rejoiced in one another’s children, worked together to better the lot of women whose marital unhappiness was made worse by poverty. They shared so much history, and now the respective heads of their families had decreed they must be enemies.

They both sit, and Grace turns to the waiting tea service and the calming ritual of afternoon tea.

“How are you managing, my dear Grace? How are the twins?” Eleanor asks.

“Better than I had hoped. You assured me James would not have changed. He is older, of course, and much more commanding. I can imagine him as the king the papers call him. But he is still the kind man you remember from our first Season. He promises that the girls and I will want for nothing, and may live wherever we please when Winshire finally releases our reins.”

Eleanor looks down at her cup. “I have seen him. Just in passing, at the Monteforte Ball, before Haverford decreed that none of us may attend any event attended by Sutton and his children. Sutton looks well, Grace. He had two young men and a young woman with him.”

“Elfingham, his eldest, and Drew, the fourth son. They are fine young men, Eleanor, even if they are part-Persian. Sutton brought six of his children with him. The two sons you saw, plus two sons still in the schoolroom, and two daughters. The youngest is of an age to be presented, but we — Georgie and I — suggested she wait until next year. By then, all this nonsense will be over.”

“I hope so. What Sutton must be thinking!” James, now Earl of Sutton and heir to his father the Duke of Winshire in place of two deceased older brothers, faces having to prove the legitimacy of his marriage and his children to a committee of the House of Lords. Thanks to Eleanor’s husband, who is claiming that the foreign-born wife was a mistress and the half-breed children an abomination that must not be forced on English Society.

Grace gave a short laugh. “James just smiles, and says the marriage was legal, his children are legitimate, and Haverford is an ass. I beg your pardon, Eleanor.”

Haverford is being an ass, which is not unusual. Eleanor is not going to say so, even in private to this dear friend. She takes another sip of her tea.

“Winshire is in a rare taking, and declares that none of us may speak or even acknowledge any of you.” Grace sighs. “It will be very awkward.”

Eleanor echoes the sigh. “We must decide how to manage our committees, and how to make managing the conflict easier for hostesses who would normally invite us both.” She met her friend’s eyes, a twinkle in her own. “Co-ordinating our social calendars so we obey our respective tyrants may require weekly meetings, dear Grace.”

Grace chuckles. “After all,” she says, “making sure our families don’t mingle is a sort of obedience, is it not?”

***

This is a background scene that won’t appear somewhere at the beginning of To Win a Proper Lady: The Bluestocking and the Barbarian. Haverford’s attempt to have Sutton’s marriage declared invalid is part of that book, which I’m currently expanding into a novel from the novella that was in Holly and Hopeful Hearts. Haverford’s motivation is that he and Sutton were once rivals for Eleanor’s hand. Eleanor preferred Sutton, and Haverford conspired with Sutton’s father to have him exiled. Haverford won a wife, but never her heart.

 

 

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Parenting on WIP Wednesday

This is my idea of how Marshanda Redepenning might look.

I like to have children in my stories, which means one or more of my characters are parents — and all of my characters have had parents (many still do). In today’s post, I’m asking for comments with excerpts that are somehow to do with parenting. It might be a secondary character or a main protagonist; parenting in action or thinking about the actions of a parent; the character as parent or the character as child.

In the excerpt I have today, from Unkept Promises, Mia sees her husband with his children by his mistress. Backstory: they married many years ago, when she was still a school child, for the sake of her reputation, and he sailed straight away for the Far East to return to his mistress, Kirana, and their children. Kirana and Mia became friends by correspondence, and Jules has just arrived home from a sea voyage to find that Mia has been in his house for a week and has taken over running it.

Adarinta suddenly remembered that Jules had not yet disgorged his gifts. “Where are my…” she broke off, sneaking a glance at Hannah, who had been impressing the little girls with the unexpected information that they were ladies. Marshanda stuck her nose in the air. “Ladies,” she informed her sister, “do not ask. Ladies wait to be offered.”

Jules frown over her head at Mia. “Who has been telling you that?” he asked.

Adarinta, however, was not to be deflected. “I like presents,” she announced. “It makes me very happy when people give me a present. Ibu Mia brought presents for me and Marsha. I expect she brought presents for you, too, Dan. I do like presents.”

Faced with this flagrant attempt to get around the ‘ladies do not ask’ rule, the adults were struggling to maintain their gravity. Even Jules, who was holding onto whatever grudge had blown in with him, couldn’t resist a twinkle. “I happen to have some presents,” he commented.

Adarinta, climbing off his knee, stood before him, her hands clasped before her, her wide eyes pleading. “Oh Papa,” she pleaded, then looked back at Hannah again and chewed thoughtfully at her upper lip. Her eyes lit, and she said, “I have been very good, Papa, have I not, Hannah?” Then added mournfully, “Not as good as Marsha.”

“Dan, would you fetch my duffel?” Jules asked his son, shifting slightly to allow the boy to pass.

“Perhaps, you might take your father up to the nursery, young ladies?” Mia suggested. “Hannah could bring you up some scones. I am sure your father would like a scone his daughters have made.”

Jules, who had his mouth open — Mia was certain — to repudiate the suggestion, shut it again.

“Oh yes, Papa. Come and see.” Marshanda took one of Jules’s hands, and Adarinta, not to be left behind, took the other. “Hannah made us some curtains, Papa. And Ibu Mia bought us a table and chairs to do our schoolwork. I can read, Papa. Truly.”

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Rough drafts on WIP Wednesday

My writing has speeded up marvellously since I learned a simple trick. If there’s something I don’t know, or a sequence I can’t quite visualise, I make a note and move on.

Below, I’ve included an excerpt from Unkept Promises, the next Redepenning novel, full of notes to myself

How about you? What do you do in your rough drafts, and are you game to post an example in the comments?

Fortune and Hannah met them at the dock gates with the break, a large open carriage capable of taking the entire family along the coast to eat the picnic that was undoubtedly in the covered baskets Jules could see tucked under the seats.

[check where a picnic might take place. During drive, Jules abstracted, thinking about what the girls and Mia have told him. Dan pointing out all the different types of ship in the harbour, where they might have come from and be going, and what they were good for. Girls asking questions until he gets to one he can’t answer and askes Jules who shakes off his mood and attends.]

Hannah and Mia set the picnic up in the shade of a tree [rock?? Pavilion they brought with them???] and soon they were all enjoying [etc. Not sure what I want to do with this part of the scene. Girls need to ask politely to be allowed to leave the …. blanket? ]

[Hannah produces a ball, suggests a game. Girls against boys. Dan scathing about the girls’ likely ability.]

“Could we sit this one out?” Jules asked Mia. “I’d like for us to talk, if you do not mind.”

“Of course,” Mia said. “Hannah, you and the others go ahead.”

In moments, the game was underway, Hannah and the girls against Fortune and Dan. Dan’s confidence took a swift knock when Fortune failed to catch the ball Dan had thrown and Marsha raced in front of him and kicked it to Hannah, who in her turn kicked it between the rocks they had marked as the girl’s goal.

He rallied, though, and the next round of play saw him sneaking the ball from under Marsha’s nose and kicking his own goal.

“This will do the girls a world of good,” Mia decided. “I have not wanted to venture beyond the boundaries of town without an escort, and there is no where there they can run and romp like this without censure from the biddies.”

“You are determined to turn them into English gentlewomen.” Jules tried to keep the censure from his voice. He would allow his unaccountable wife her chance to make her case, but what the hell was she thinking?

“I am determined to make sure they know Society’s expectations,” Mia corrected. “I know how it feels to be at sea, knowing that something you have done has drawn disapprobation, but having no idea what it is or how to correct it. I will not leave them as ill prepared as I was.”

What had happened to Mia to fuel the vehemence of her tone? He supposed he understood. The child he’d met in the smuggler’s cave had been raised by a reclusive scholar — or had raised herself while ignored by her father.

“I thought my father and Susan would look out for you,” he said. They should have. He had trusted them to do so.

“It was not their fault, Captain.” Mia smiled, and reached out as if to pat his hand where it rested be-side hers on the blanket. If that was her intent, she thought better of it and instead folded it in her lap with its counterpart. “They are part of Society. They grew up knowing all the habits of courtesy your kind take for granted, and all your silly little rituals. It never occurred to them that I was as ignorant of what to them seemed natural behaviour. They were always there to tell me what I had done wrong, and they tried to predict my next mistake and prevent it — but I made so many!” The last was said with a laugh, but Jules could sense pain beneath it, and his heart ached for the little girl he had abandoned.

“I am sorry,” he said. “I had no idea.”

“I will not have that happen to Marshanda and Adarinta.

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Arrivals on WIP Wednesday

This week, I’ve picked arrivals for my theme. Your choice. An arrival at a ball or dinner. The end of a long journey. Any kind of arrival, and from anyone’s point of view. Mine is Mia, the captain’s wife from Unkept Promises, meeting her husband again after seven years, when she comes to South Africa to look after his dying mistress. Ever since her own arrival, Mia has been expecting Jules back from his patrol in the seas off southern Africa.

Dear Heavens. The man was gorgeous. In the seven years since Mia had last seen him, she had managed to convince herself her memories had played her false. She had been alone and frightened, trapped by smugglers and locked up in a cave. And then a golden god had wriggled through from the cell next door. He had kept her company in the darkness, comforted her when her father died, fought the smugglers to win her safety, and then married her to save her reputation and give her a home.

Of course she adored him. She very likely would have developed a major crush even if she’d met him socially — she had been fourteen, had grown up largely isolated by her father’s social position as a poverty-stricken scholar of good family.  It was no surprise she fancied herself in love with the first young man she had ever properly talked to.

Handsome is as handsome does, she warned herself as she made her way down to the kitchen. But even in a taking about something, as he clearly was, he was unbelievably handsome. Mia thought she was immune to handsome men. Her brothers-in-law were all good-looking, and Mia had been propositioned at one time or another by most of London’s rakes, who clearly believed that a wife who hadn’t seen her husband in seven years must be in need of their attentions. None of them made her breath catch, her heart beat faster, and her insides melt.

Jules did, destroying all her preconceptions. Mia had assumed that, in the renegotiation of their marriage, she and Jules would be equally dispassionate. So much for that. Even grumpy; even with most of his attention on another woman, even with all that she’d heard about him to his discredit, she wanted him.

In the kitchen another handsome man, this one only twelve, took pride of place in Cook’s own seat, being waited on by his two adoring sisters. Marshanda was shuttling between the table and the chair, refilling the plate from which Adiratna was feeding her brother, who was sampling scones topped with different flavours of jam with the judicious air of a connossieur.

Marshanda saw her first. “Ibu Mia,” she announced, then ducked her head. She was not fond of being noticed, whereas her little sister wanted to be the star of every occasion.

Adiratna patted her brother on the cheek as a means to get his attention. “Ibu Mia is Mami’s sister, and our elder mother, Mami says.”

Perdana narrowed the beautiful eyes all three children had inherited from their mother, examining Mia thoughtfully.  Then he lifted Adiranta from his knee and stood to bow. “You are the Captain’s wife,” he announced. “Has the Captain arrived, Ibu Mia?”

Mia nodded. “He is with your mother, children,” she told them. “Give him a few minutes, my dears, and I am sure he will be down to find you.”

Adiratna was already on her way to the door, but she stopped obediently when Mia said her name. She turned and stamped her foot. “But I want my Papa now,” she whined. “He has been gone for ever so long. I want to show him the doll that you brought me from London, Ibu Mia.”

“And so you shall, darling,” Mia reassured her. “But we cannot properly greet Papa without just a little noise, can we? And noise makes Mami so tired.”

“Yes, Ada,” Marshanda said, her bossy streak overcoming her reticence. “You know you will squeal when Papa gives us presents. You always do.”

Adarinta’s eyes widened and sparkled. “Presents!” In moments, she was back across the room, tugging on Perdana’s hand. “What has Papa brought me, Dan. You know, I know you do.”

“Lumps of coal, like the Black Peter we saw on St Nicolas Day,” Perdana answered, promptly, “And a switch to beat you with, for you have undoubtedly been a great trouble for Mami and Ibu Mia.”

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Marriage on WIP Wednesday

 

The goal of a romance is a happy ever after, or at least a happy for now — that is, we leave our readers confident that our pair are right for one another, and that they can navigate the storms and shoals of love together, finding safe harbour in one another. For most romance, this means marriage of some type, either at some point during the book or on the horizon as we finish.

In this week’s post, I’m inviting excerpts on marriage: what the characters think of it, how they approach it, how they live it, if they are wed during the book. My story for the Belles box set is about a couple who married over a decade ago for entirely practical reasons, who have eight children, and who have grown apart. Here they are with their children in a rare moment of peace between them. James has just returned home after months away.

James resented every circumstance that kept him from his wife. Not, perhaps, the children. He was introduced to little Rosemary, who was a perfect miniature of her mother, and became reacquainted with the rest of his offspring as he fished through his pack of surprises for their presents.

“Look, Mama, a sailing boat like in the book!” Andrew ran across the room to show his mother, wildly waving the boat and narrowly missing his sister as he passed.

Mahzad took him up onto her lap and showed him how to hold it safely.

“I have a boat for each of you,” James explained, looking up from showing young Jamie how to set the rudder on his perfect miniature of a jahazi, a broad-hulled trading dhow, “even Rosemary and little Ruth. When they are bigger, they will be able to race with you on your moth­er’s pond.” He met Mahzad’s eyes. Her frown was belied by her dancing eyes. “With your mother’s permission, of course.”

“Mine is a brigantine,” John boasted. “See Mama?”

He leaned on his mother’s shoulder and began a discourse on the difference between gaff-rigged and square-rigged sails, accurate as far as James’s recently-acquired knowledge went. He must have learned it from books, since he’d never seen a sail boat larger than the one in his hands or a body of water bigger than the pond in the valley when it flooded with the spring melt.

Jamie and Matthew abandoned their model boats when he handed over the cases holding their next presents. In moments, they were taking sword craft positions, balancing lightly on the balls of their feet, a scimitar in one hand, a rapier in the other.

“These are not toys, my sons,” James warned. “Your mother and I judge you old enough to treat them with the respect they deserve and to learn how to handle them without danger to yourself or others.”

“Except those who threaten our people, Papa,” Jamie insisted. “There is another case,” Matthew observed.

Mahzad looked in alarm at John, who was too absorbed in his boat to notice.

James was quick to reassure her that he did not mean to set John to sword fighting with an edged weapon. Not yet. “It is for your Mama,” James told Matthew.

He’d received the benison of his fierce warrior queen’s smile when he had given Rebecca and Rachel good English yew bows in miniature and a quiver full of arrows each, but it was nothing to the glow that greeted her own sword case. The children, hugging their own gifts, stopped to watch her. Matthew let out a long sigh of pleasure as Mahzad lifted the sheathed sword in two hands.

“Toledo made,” James said. It was a Western-styled small sword, like the ones he’d taught her with but in the best steel in Europe, perhaps the world.

She slid the blade partway from the scabbard, and when her eyes met his, the heat in them made him wish his much-loved offspring at the other end of the palace. He smiled her a promise for later and turned back to passing out children’s books in English that he’d purchased in Siricusa, in Sicily.

He’d left the Christmas presents outside the valley to be brought in after they’d dealt with the Qajar troops. If Mahzad loved her blade, she would adore the pistols that were still packed in the abandoned luggage.

He was smiling at the thought when the messenger arrived.

 

by

Tea with Mahzad

 

The garden was beautiful. It was a long rectangle, walled on three sides and on the fourth bounded by steps up to a house. Or perhaps a castle, though unlike any castle Eleanor had ever seen. A fort of some kind, its arches and domes giving it an exotic air entirely in keeping with the garden.

A pool divided the garden in half; no, in quarters, for it had two straight branches stretching almost to the walls from the centre point of the walled enclosure. Eleanor had woken to find herself in one quadrant of the garden, surrounded by flowers in a myriad of colours, some familiar and some unknown. Not woken. She could not possibly be awake. Nowhere in England had the mountains she could see over the walls, and nor was this an English garden.

She must have spoken the last thought, because a voice behind her said, “Not English, no. Persian, originally, though I am told they are found from Morocco to Benghal. It is a chahar bāgh; a Paradise garden.”

Eleanor turned. Behind her, a lady as exotic as her garden stood on the steps of a pavilion, raised to give a sheltered place from which to enjoy a view over the garden. “I am asleep and dreaming, I think,” the lady said, “for it is afternoon by the sun, and at such a time my garden is full of my children and my ladies.” She waved to indicate the deserted space, her lips gently curved and her face alight. “We should enjoy the peace while it lasts. Will you join me for coffee, or perhaps tea?”

Eleanor nodded and mounted the stairs to join her, following her into a space as alien as the garden, the stone-paved floor almost invisible under brightly coloured rugs and cushions. “Is it your dream or mine? For when I went to sleep, I was in Haverford House, in London. And this is not England.”

The lady raised both brows, and then let them drop, her face suddenly bland. “You are, perhaps, the Duchess of Haverford?”

“Forgive me, I should have introduced myself. Yes, I am Eleanor Haverford.”

If Eleanor had any doubts that this was a dream they were dispelled in the next instant, when a small table appeared from thin air, laden with a tea pot, a long full-bellied coffee pot, two cups, and plates of small delicacies.

The lady gave a brief huff of amusement. “The dream reminds me of my manners. Please be seated, duchess. Your Grace, is it not? I am Mahzad.”

Now it was Eleanor’s turn to wipe all expression from her face as she inclined her head. “Your majesty. Is that the correct form of address? Cecily McInnes spoke of you when she returned to England.”

“Please call me Mahzad. After all, we have a lot in common, you and I. Tea? Or coffee?”

“Coffee, and please call me Eleanor. Cecily said he was well, and very much in love with his wife.” And Eleanor was happy for the man she had once loved with a maiden’s ardent passion. Of course she was.

Mahzad smiled and placed a protective hand over her belly, where a slight rounding indicated yet another child on the way to join the already large family. “You have a generous heart, Eleanor. You have not been as fortunate as James and I, I think.”

Eleanor waved away the sympathy. “I have my children and my work. I am content. But tell me about your family. Who knows how long the dream might last, and I wish to know all about them.”

In her youth, Eleanor loved James Winderfield, who was exiled for his temerity in aspiring to her hand. This year, the Bluestocking Belle’s box set includes Paradise Regained, a story from me about James and his Persian wife, Mahzad. For more about the box set, keep an eye on the Belles’ website. We’ll be putting the details of the book up on the Joint Projects part of the site as soon as we reveal the name and cover. Or come to our cover release party, on Facebook on the 8th September 2pm to 9pm Eastern Daylight Time. And I’ll put Paradise Regained up on my book page once the cover is released and we have the buy links.

Oh, and for those who remember The Bluestocking and the Barbarian from nearly two years ago, Mahzad is the mother of the hero of that novella, which is soon to be rewritten as a novel. (It is still available as part of Holly and Hopeful Hearts, the Bluestocking Belles 2016 collection.

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Tea with granddaughter’s mother

 

Her Grace has a mission, as explained in the following passage. I’ve changed a couple of names to keep the secret of who has Aldridge’s baby, which is revealed part way through the novel where this excerpt appears.

The entrance and public rooms of Haverford House were designed to impress lesser mortals with the greatness of the family—and their own lesser status. Maud was ushered to a room just off the lofty entrance hall. Small by Haverford standards, this waiting area nonetheless dwarfed the people waiting to see the duchess.

Two women, one middle-aged and the other a copy some twenty years younger, nervously perched on two of the ladder-backed chairs lining one wall. Next to them, but several chairs along, a lean young man with an anxious frown pretended to read some papers, shuffling them frequently, peering over the tops of his spectacles at the door to the next room. Two men strolled slowly along the wall, examining the large paintings and conversing in low whispers. A lone woman walked back and forth before the small window, hushing the baby fretting on her shoulder.

Maud took a seat and prepared for a wait. She would not tremble. She had nothing to fear. Both Tolliver and George said so, and Aldridge, too. But how she wished the waiting was over.

It seemed a long time but was only a few minutes, before a servant hurried in and approached her.

“Miss Kenyon? Her Grace will see you now.”

Maud gave the other occupants an apologetic nod and followed the servant.

The duchess received her in a pretty parlour, somehow cosy despite its grand scale. Maud curtseyed to her and the woman with her. Were all petitioners waved to a seat on an elegant sofa facing Her Grace? Addressed as ‘my dear’? Asked if they should care for a cup of tea?

“Miss Kenyon takes her tea black, with a slice of lemon,” the duchess told her companion. Or was the woman her secretary?

“Miss Kenyon, my companion, Miss Grant. Miss Grant, Miss Kenyon has been of great service to me and to those I love. I am always at home to her.”

Was Miss Grant one of the army of relatives for whom Her Grace had found employment, or perhaps one of the dozens of noble godchildren she sponsored? The young woman did not have the look of either Aldridge or his brother, nor of their parents. Prue murmured a greeting.

“I was not expecting you, Miss Kenyon, was I? Is anything wrong?”

“Nothing is wrong, Your Grace. I just… I have some questions, Ma’am.”

“You should have sent a note, my dear. I will always take time to see you. I was happy to give a good report of you to my friend Lady Georgiana, of course.” As she spoke, the duchess took the tea cup from Miss Grant and passed it to her.

“Your Grace, I would like to speak with you alone, if I may. I beg your pardon, Miss Grant. I do not mean to be discourteous.”

The duchess stopped her own cup partway to her lips and put it carefully back into the saucer, examining Maud’s face carefully.

When she spoke, it was to Miss Grant. “Celia, my dear, will you let those waiting know that I will be delayed…” she consulted her lapel watch, “…thirty-five minutes, but I will see them all today? Perhaps you could arrange refreshments for them? Return on the half hour, please. That is all the time I can spare, Miss Kenyon. If you need longer, I will ask you to wait or return another day.”

Maud shook her head. “The time will be ample, Ma’am. Thank you.”

As Miss Grant left the room, Maud was silent, collecting her thoughts. The duchess waited.

“You knew about my daughter. You have known all along.” Maud shifted uneasily. She had not intended to sound accusing.

The duchess inclined her head, her face showing nothing but calm. “Since shortly after her birth.”

Maud did not know how to ask the questions that crowded her mind, but the duchess had exhausted her noble patience, which was, after all, on a schedule. “What is it you wish to know, Miss Kenyon? Why I said nothing?” Her voice softened, and her eyes were compassionate. “I read your sister’s letter, and thought to write back and offer you and the child a place with me. I did not think a home filled with such… such judgement could be happy for either of you. But family is best, if it can be contrived. And there was Aldridge. I was unsure how things had been left between you. He seemed to feel a genuine fondness; I thought he might… He has more charm than is helpful in such situations, and I did not want my granddaughter raised… Well. That is not to the point now.”

She took a deep breath. So she was not as calm as she seemed, either. “I sent someone I trust to check whether you needed my intervention, and found you had left the letter writer to live with another sister. A more hospitable environment, my agent thought.”

Maud knew who the duchess’s trusted messenger was. “Tolliver.”

Her Grace nodded. “Yes. Thomas and I have an equal commitment to protecting and championing those to whom the Grenfords owe a duty.”

“You and I have met since, Your Grace.”

“Your secrets are yours to keep or share, Miss Kenyon. I have often wished to ask after your daughter, but I did not wish to intrude. My son’s carelessness changed your life in ways for which I can never compensate. The Grenfords have responsibilities here, but no rights.”

Maud felt suddenly dizzy as her tension drained away.

“I was afraid,” she admitted. “I knew about the three girls: the young ladies you are raising. I thought you might… I feared you would take my daughter. Aldridge told me you would not, and so did George and Tolliver.”

The duchess leaned forward to pat Maud’s hand. “Oh, my dear. I am so sorry you were worried. Matilda, Jessica, and Frances had no one else, and at the time we found them I did not understand that a quieter life in a less prominent household would have served them better. Frances was the last I took into my own home, and that was nearly ten years ago. Now Thomas and I do better by those we find. But there, done is done, and the girls and I love one another dearly.”

She had kept Maud’s hand in hers, and she now gave it a comforting squeeze. “I can assure you, Miss Kenyon, I have never taken a child from a mother, or from relatives who cared. The future those little girls faced,” she shuddered at the thought, “was unutterably grim.”

She sat back, and picked up her abandoned cup to take a sip. “You say Aldridge reassured you. He knows about his daughter, then?”

“He has met her, Your Grace. He saved us from a dastardly villain. It was quite heroic.” Maud found herself telling the duchess about the attack .

A discreet knock at the door warned the duchess their time was nearly up. The Duchess of Haverford stood and walked Maud to the door, and folded her in a tight embrace. “I shall continue to rely upon you for your professional services from time to time, my dear, and will be pleased to say a good word if ever it can help you. You will let me know if there is anything else I can do,” she commanded. “Should the opportunity arise, I would dearly love to meet your daughter, entirely at your discretion.” She turned her head away, but not before Maud had seen the glistening eyes.

Maud curtseyed. “My association with you has always been to my benefit, Your Grace; I am certain such acquaintance with the House of Haverford can only be to my daughter’s advantage.”

David was the first by-blow saved by the Duchess of Haverford. The story of his journey to his new sponsor, with a brief introduction to Her Grace’s confederate, is told here.