Our heroes and heroines need a past, and in my kind of book, something about that past needs to still bother them.

I love stories where we get an early glimpse of this vulnerability, without lengthy backstory, then more and more comes out as the story unwinds. I was at a crime and thriller conference last weekend, and on a panel with Kirsten McKenzie, whose horror/crime story Painted does this to beautiful effect for both the horror and the crime plot threads. I didn’t finish the book until the trip home, and the others on the panel were all trying to discuss the history that motivated the key characters without giving away the key points. (Sorry, folks.)

Sometimes, readers of a series know at least some of what tears at the hero’s heart or the heroine’s, but we don’t know about the wounds of the other protagonist. Charles, in Caroline Warfield’s Children of Empire has kept his dignity despite his estranged wife’s lies and betrayals. We know this because those lies also hurt Charles’s cousins, each of whom stars in one of the previous two books. We learn more, and from Charles’s POV, but we also need to find out what drives Zambak to the other side of the world, where she and Charles will have to deal with their separate pasts as well as the budding Opium Wars, Zambak’s brother, a callous villain, and small-minded local society.

I could go on — in my favourite books, people all have pasts, and an important part of the story is them coming to terms with who they are because of that past.

This week, I’m asking you to share a passage where your characters share part of their past. It could be highly significant, like the books I’ve mentioned above, or it could be something quite minor. Mine is from To Win a Proper Lady: The Bluestocking and the Barbarian, which I’m rewriting as a novellisation of the novella I wrote for Holly and Hopeful Hearts. In this passage, I hint at a backstory that won’t become clear until book three of the series. Hint. The heroine of To Tame the Wicked Rake: The Saint and the Sinner, is Charlotte Winderfield. The hero is Aldridge.

Charlotte indicated the closed bedchamber door with an inclination of her head. “I take it Grandfather has heard that the Duke of Haverford has run mad,” she said.

“Mad like a fox,” James answered. “He has given up on the claim that my father is not the son His Grace of Winshire lost so many years ago. With our esteemed progenitor and Aunt Georgie both recognising him, that was a lost cause. He thinks to convince his peers that they don’t want half breeds living among them, dancing and worse with their daughters. It will be a simple thing, he thinks, to prove my parent’s marriage a fiction, and all of their children barred from my grandfather’s title.”

“Take a seat, James, and don’t loom over me. You don’t think it will be a simple thing?”

James obeyed, lowering himself into the chair opposite hers. “I think the man a fool for underestimating the King of the Mountains. You have heard our grandsire’s solution for swaying opinion our way?”

She had, of course. That was clear from the way she examined his face before she spoke; a considering look, as if wondering how much to trust him. “It is a good idea for you to marry an English girl with impeccable bloodlines.” With a snap, she closed the open book that was sitting on her knee. “That girl will not be me, James. I mean no offence, but I will not marry you, whatever Grandfather might say. I do not intend to wed, ever.”

“Thank you for telling me. Perhaps, you would be kind enough to help me find a bride that will fit the duke’s requirements and my own?”

“And what might your requirements be?” Charlotte asked.

“Someone I could grow to love. Someone who could be my friend and partner, as well as my wife.”

“You are a romantic, cousin. I warn you, Haverford is powerful. He will make it hard to find a girl from the right family who will accept you, despite our family’s name and your father’s wealth. Finding one who is your match may be impossible.”

James looked down at his hands. If she thought him romantic, she would be certain of it in the next moment. “Perhaps I have found her already. What can you tell me of Lady Sophia Belvoir?”