Book series

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Tea with Min

“The duchess is a charming, gracious lady, Min,” Viscount Avery assured his wife, when he dropped her to the front entrance of Haverford House. He immediately undercut his own assumption of confidence. “I can stay if you wish. Do you want me to stay?”

Minerva Avery looked around the grand entrance hall, the full height of the house, with majestic flights of stairs rising on either side and curving to meet at spacious landings, only to part again to swerve to the next level. The hall was designed to intimidate and impress, and it worked.

But she was Lady Avery, wife to Lord Randal Avery, and was here by invitation. “Her Grace asked to see me, Candle. I will be perfectly fine.”

She stood on tiptoe to kiss her tall husband, who bent to meet her part way, and turned his face so that her peck on the cheek became a loving salute to the lips. Had this august space seen other aristocrats show affection in public? Probably not, but in this she was proud to be true to her tradesman heritage. People of her class loved their spouses.

She shot a defiant glance sideways to the butler who waited to conduct her to the duchess, and surprised an indulgent smile before he wiped it from his face. “This way, my lady,” he said.

“I’ll just take the horses on a circuit around the park and will be waiting when you are finished,” Candle promised.

Min followed the butler up the first flight of stairs and along a sumptuously carpeted hall wide enough for three of her invalid chairs to race side by side, without bumping the elegant furniture and beautifully carved statues that lined both sides.

They passed room after room, until at last they came to a small sitting room, richly furnished but somehow warmly welcoming. Her Grace the Duchess of Haverford rose from a sofa by the fire.

“Lady Randal Avery,” the butler announced, and Min sank into the deep curtsey that her friend Anne, Lady Chirbury, had been schooling her in all week.

“Lady Avery, how very kind of you to call.” The duchess smiled, and took her seat again, patting the cushions beside her. “Come. Sit with me and tell me how you take your tea.”

They spoke commonplaces while Her Grace made and poured the tea, Min following the duchess’s conversational lead.

“Now,” Her Grace said, once they were both served. “you must be wondering why I asked you to visit, and I shall not keep you in suspense, Minerva. May I call you Minerva?”

Min nodded, her tongue suddenly frozen at the thought of such familiarity from so grand a lady.

“Minerva, I shall get straight to the point. I am the patroness of a hospital for servicemen, and I am in need of a large number of invalid chairs. My nephew Chirbury tells me that the one you provided for his cousin, Major Redepenning, was the best he has ever seen. Are you still in that business, my dear? For I should dearly appreciate your help.”

Min is the heroine of Candle’s Christmas Chair, a holiday novella that was my first published book. You can read all about it on my book page, at the link. I first met Min and her viscount in Farewell to Kindness (which is Rede’s, the Earl of Chirbury’s, story). Min provided the invalid chair that Rede’s cousin, Alex Redepenning, has collapse under him during a vigorous chair based rendition of a line dance. I wondered how a carriage-maker’s daughter with a business making invalid chairs came to marry a viscount, and next thing I knew, a tall skinny viscount with bright red hair turned up at her carriage-maker’s shop to order a chair as a Christmas present for his mother.

The first two chapters are linked to the book page, so please go and enjoy.

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Unwilling attraction on WIP Wednesday

out of copyright; (c) Museum of London; Supplied by The Public Catalogue Foundation

They met, they fell in love, their families were delighted, and they married. It would be a lovely life, but not a particularly exciting story. We authors like to torture our characters with all kinds of barriers along the way, and a favourite trope is the push-pull of unwilling attraction.

You know the sort of thing. Intellectual women with sharp tongues are not my type, but I can’t resist her. He is an unreliable rake, but his kindness is hugely appealing. We readers look forward to finding out how they get past their own preconceptions.

So share an excerpt, if you will, where your characters are feeling this dilemma, and I’ll give you one from the very start of A Raging Madness.

The funeral of the dowager Lady Melville was poorly attended—just the rector, one or two local gentry, her stepson Edwin Braxton accompanied by a man who was surely a lawyer, and a handful of villagers.

Alex Redepenning was glad he had made the effort to come out of his way when he saw the death notice. He and Captain Sir Gervase Melville had not been close, but they had been comrades: had fought together in Egypt, Italy, and the Caribbean.

Melville’s widow was not at the funeral, but Alex was surprised not to see her when he went back to the house. Over the meagre offering set out in the drawing room, he asked Melville’s half brother where she was.

“Poor Eleanor.” Braxton had a way of gnashing his teeth at the end of each phrase, as if he needed to snip the words off before he could stop chewing them.

“She has never been strong, of course, and Mother Melville’s death has quite overset her.” Braxton tapped his head significantly.

Ella? Not strong? She had been her doctor father’s assistant in situations that would drive most men into a screaming decline, and had continued working with his successor after his death. She had followed the army all her life until Melville sent her home—ostensibly for her health, but really so he could chase whores in peace, without her taking loud and potentially uncomfortable exception. Alex smiled as he remembered the effects of stew laced with a potent purge.

Melville swore Ella had been trying to poison him. She assured the commander that if she wanted him poisoned he would be dead, and perhaps the watering of his bowels was the result of a guilty conscience. The commander, conscious that Ella was the closest to a physician the company, found Ella innocent.

Perhaps it had all caught up with her. Perhaps a flaw in the mind was the reason why she tried to trap Alex and succeeded in trapping Melville into marriage, why she had not attended Melville’s deathbed, though Alex had sent a carriage for her.

“I had hoped to see her,” Alex said. It was not entirely a lie. He had hoped and feared in equal measure: hoped to find her old before her time and feared the same fierce pull between them he had been resisting since she was a girl too young for him to decently desire.

“I cannot think it wise,” Braxton said, shaking his head. “No, Major Redepenning. I cannot think it wise. What do you say, Rector? Would it not disturb the balance of my poor sister’s mind if she met Major Redepenning? His association with things better forgotten, you know.”

What was better forgotten? War? Or her poor excuse for a husband? Not that it mattered,  any more than it mattered that Braxton used the rank Alex no longer held. It was not Braxton’s fault Alex’s injury had forced him to sell out.

The Rector agreed that Lady Melville should not be disturbed, and Alex was off the hook. “Perhaps you will convey my deepest sympathies and my best wishes to her ladyship,” he said. “I hope you will excuse me if I take my leave. I have a long journey yet to make, and would seek my bed.”

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Revealed in Mist is available now

 

Prue’s job is to uncover secrets, but she hides a few of her own. When she is framed for murder and cast into Newgate, her one-time lover comes to her rescue. Will revealing what she knows help in their hunt for blackmailers, traitors, and murderers? Or threaten all she holds dear?

Enquiry agent David solves problems for the ton, but will never be one of them. When his latest case includes his legitimate half-brothers as well as the lover who left him months ago, he finds the past and the circumstances of his birth difficult to ignore. Danger to Prue makes it impossible.

Smashwords: http://bit.ly/2dBfNGq

iBooks: http://apple.co/2dVsHPq

Barnes and Noble: http://bit.ly/2dCsbCg

Kobo: http://bit.ly/2hrFztC

Amazon US: https://www.amazon.com/dp/B01N7HI8IA/

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Tea with Charity

Charity Smith waited in the beautiful parlour to which she had been shown. Built to a more human scale than the gargantuan halls and stairways along which the butler had whisked her, the parlour was still rich and elegant, but she sensed that the paintings had been chosen to suit the pleasure of the room’s owner; that the duchess herself had the pretty wallpaper above the carved wainscoting and the plush drapes that picked out the cornflower blue of the wallpaper pattern. The chairs and sofas had been upholstered in darker blues or sea greens; here a floral, there a stripe. And here and there a bold red vase or cushion set off the more muted colours. And gold, or at least gilt, was everywhere: in the frames of paintings, on cupboard doors, inlaid into table tops, gilding the curves of carving.

Above, the same colours repeated in the ornately painted ceiling. This room was a far cry from the humble cottage in which she had been hidden for six years, or the farmhouse in Oxfordshire she shared with two other women and all their children. She stiffened her spine. The Charity of six months ago would have slunk away, intimidated by the gap between her and the woman she was about to meet. But the loss of her reputation, her marriage, and her home had paradoxically taught her her own strength. She would not be returning home without the child.

She stood and curtseyed when the Duchess of Haverford entered the room, unconsciously squaring her shoulders ready to fight. But the duchess surprised her. “Mrs Smith, I am so sorry to have kept you waiting. You must be beside yourself with worry about your dear sister. But I am confident that David will find her, and all will be well in the end. And, of course, you shall take your niece home with you when you go.”

As she spoke, she took a seat and patted the place at her side. “But come and sit down. Take tea with me and tell me about your children. Did you leave them well?”

Charity is the sister of Prudence Virtue, my heroine in Revealed in Mist. This scene happens after the end of Revealed in Mist, and during the events that start Concealed in Shadow. The first (which is a complete romance and thriller plot, and a stand-alone story) is released tomorrow. Follow the links to find out more, or read on for an excerpt.

“Are you sure Mr. Wakefield will not mind?” Charity asked for the hundredth time.

Prue reassured her again. Of course he would not object to her bringing Charity to his town house for a few days. Would he? Weeks of separation had left her yearning for him, but had it given him time for second thoughts? One slightly used spy, no longer in the first flush of youth, and with a secret that would surely give him a disgust of her, if he ever discovered it.

But Mrs. Allen made them welcome and told Prue the mail had brought a letter from David yesterday, saying he and Gren were leaving for London. They should be home tomorrow or the next day. Prue left Charity to settle into the bedroom Mrs. Allen prepared for her, while Prue wrote a note to Lady Georgiana, asking for permission to call.

They had talked it over at length while with Charissa, and in the carriage on the way from Essex. At inordinate length.

Charity could not, would not, stay in Selby’s cottage. She would go somewhere she was not known and introduce herself as a widow, using another name. Mrs. Smith, she said, for who was to find one Mrs. Smith among thousands?

But how she and the children were to live was a problem. Prue would help, of course. She could double the allowance she was paying, would triple it if Charity would allow. Tolliver’s work paid well enough, and she had a little set aside.

Charity wanted to borrow Prue’s nest egg. She had some idea of setting up a milliner’s shop. Not in London, but somewhere cheaper to live and safer for the children. “Even you said I make beautiful hats, Prue,” she argued.

True enough, but running a business required more than an eye for fashion and an artistic touch with a needle. Prue didn’t want her savings to be frittered away and leave Charity and the girls in a worse situation than before.

“We need somewhere for you and the children to stay while we consider how best to make your plan work,” she told Charity. “I know a lady who supports women in your sort of trouble. She may have a place.” Or she may never wish to speak to Prue again, in which case they needed to think of something else.

On one thing Charity was determined: Prue was not to ask Selby to support his daughters until they moved somewhere he could not find them. “It is not as if he is going to give us any money, anyway, Prue. He barely gave us a thing when I thought I was his wife. Just a few pounds now and again, when he visited. The servants’ pay is several quarters in arrears. Oh, dear. Should I not pay them before I let them go?” Another problem for her to worry at, until Prue was ready to leap screaming from the carriage with her hands over her ears.

The note sent, Prue went to check that Charity had everything she needed.

Her sister was sitting next to the window in her bedchamber, looking out.

“It is very grand, Prue, is it not? Not your David’s town house, though that is finer than I expected. But the streets, the carriages, the people. We are not even in London here, are we? Not really?”

“This is Chelsea,” Prue told her. “We are not in the City, but nor are we far. What would you like to see while we are here, Charity?”

“I will just stay here, Prue, please, except when we go to visit your friend. I want to make arrangements for somewhere to live, then go and collect the girls to take them to their new home. I miss them so much. Besides, imagine if I bumped into Selby!” Charity shuddered.

Perhaps she was wise, though in a city the size of London, the chances of her meeting Selby were slender.

“I need to go out, Charity. I received a note from the agency.”

Prue had told Charity about the mythical agency that placed her with people who needed temporary staff to fill a particular short-term need, and Charity anxiously grasped Prue’s hand.

“You are not going alone, Prue? Is there a footman you can take to protect you?” She shook her head, dismissing whatever thoughts of assault and robbery had entered them. “How silly of me. You know how to…” She made a vague gesture with one hand. Prue had been teaching Charity a few tricks to save herself from attack, some of which would discourage the most persistent man. Charity had been both repelled and intrigued.

“I will take a hackney, Charity, and my little gun.” And the knife strapped to her calf. And the pins in her hair.

“They will not want to send you away, will they? Oh, I am being so selfish. But Prue, I do not know what I would have done these past weeks without you.”

“I will not leave until you and the girls are safe,” Prue assured her. “If it is a job, I will tell them to find someone else.”

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Revealed in Mist is nearly here

Revealed in Mist is released on iBooks, Barnes & Noble, Kobo, and Smashwords on 13 December. It’ll be coming on Amazon at around the same time — I’m putting the file up this evening or tomorrow evening New Zealand time, so it will be published as soon as it goes through their approval process. And it has been up on Amazon as a print book for over a week, since I wanted to order some books to come to New Zealand in time for an event in February, and the cheapest form of delivery takes a couple of months. I’ve even sold two print books! Woohoo!

Apart from sharing the memes I’ve made (see them below), I’m not making a big splash, but look in the New Year for a blog tour and some other activities. In particular, I’m planning a detective game, which I hope you’ll enjoy. Meanwhile, I’m looking forward to hearing what you think of my hero and heroine.

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Dear brother, on WIP Wednesday

A romance novel, by definition, is about the developing love between the two main protagonists. But the story is often given strength and substance through relationships with other characters: family members, friends, even enemies. In particular, we grow to know our main characters through their actions towards those they love but with whom they are in conflict: and that’s the theme of this week’s work-in-progress Wednesday: conflict between the main character and family members or friends.

Mine comes from Concealed in Shadow, which is in the very early stages of writing. At this point, I have a few paragraphs of beginning, a general idea of the overall shape of the plot, and random scenes, most of them still in my head. This one happens early on, after David comes eagerly to London to meet and marry Prue, and finds her missing. His half-brothers were the last to be seen with her, and only one of them is still in London.

(Concealed in Shadow is the sequel to Revealed in Mist, which is on presale and will be released next week. See the link for purchase information.)

The early morning sun was just filtering through the fog when David’s quarry let himself into his bed chamber. He had already discarded his hat and gloves somewhere between the outside door and this upper floor, but he was shrugging out of his overcoat as he entered the room.

The overcoat flew to drape over the arm of a couch, and the muffler beneath followed. David watched from the shadowed corner behind the draped head of the bed as the man stripped to his shirt and breeches, with swift economical movements. The coat, richly embroidered waistcoat and cravat followed the rest, and the man crossed to a fireside chair to pour himself a brandy from the decanter that stood ready and slip out of his dancing shoes.

He had clearly been somewhere that required formal evening dress, though David was certain a ballroom had not been his last stop of the night, or David would have found him four hours ago. The man sat relaxed in his own private domain, a little tired — though his energy was legendary — beyond a doubt sated, resting a blond head back against the chair and shutting his hazel eyes as he cupped the glass in his hands to warm the brandy.

When David spoke, it was not much above a whisper, but shockingly noisy in the silent room. “Where is she, Aldridge. What have you and Gren done with her.”

 

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Tea with Anne

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Lady Anne Stocke and her governess present themselves on the terrace at precisely three in the afternoon to find Her Grace already waiting for them.

“Anne, my dear. And Miss Henwood. Do take a seat. Are the little girls happily amused?”

Anne seats herself next to the duchess. “Indeed, Aunt Eleanor. Kitty has gone down into the village with Miss Stirling, and Meg is helping cook make gingerbread.”

farewell-to-kindness-ebook“Would you be kind enough to pour the tea, Anne?” the duchess asked, and sat back to watch the pretty picture that the girl made as she concentrated on the ritual. She was almost seventeen, and would make her debut not this Season but the next, sponsored by the duchess as her godmother. She would ‘take’, beyond a doubt. She was pretty and lively, with a good wit and a kind heart. And she was the daughter and sister of an earl, with a healthy inheritance in trust, to be paid on marriage or when Anne turned twenty-five.

Her brother the young Earl of Selby was a foolish young man,, barely more than a boy, and far too much in the company of the dissolute Earl of Chirbury for the Duchess of Haverford’s liking. And what Anne’s father had been thinking making Chirbury guardian to his children, she could not imagine! But he would not have the disposition of the Stocke girls. The duchess might not be able to do much about Chirbury’s influence over Anne’s brother, but she was determined that neither bachelor would have a voice in who was permitted to court dear Anne. Or Kitty either, when the time came.

“Thank you, dear,” she said, accepting the tea, made just the way she liked it. Yes. Anne would take very well.

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Little does Her Grace know, but Anne’s life is about to take a dramatic turn. Read Farewell to Kindness to meet her again seven years in the future.

Farewell to Kindness won the Romance Writers of New Zealand Great Beginnings Award in 2015. Click on the link to see the blurb and read the first three chapters.

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Reprobates on WIP Wednesday

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The world seems to love a scoundrel. Me, I tend to make villains out of them, but fiction is full of rogues as both protagonists and antagonists. Readers like those with wounded hearts waiting for circumstances or the right influences to make them whole. So this week, I’m inviting you to show me an excerpt with the retrobate from your work in progress. Mine is a right evil so and so, from A Raging Madness, caught in the act of compromising my heroine.

An instant before the drug in the drink hit her, she saw the flare of triumph in Mrs Fullerton’s eyes, and knew she had made a mistake. She opened her mouth to shout for Alex, but suddenly the footman had a hand over her mouth and another under her elbow, and was hustling, half carrying her through the door Mrs Fullerton held open.

“I will give you a few minutes to make it look good,” she said, and whipped out of the room, shutting the door behind her.

Ella was struggling against the footman and the fog trying to close in on her mind, the dizziness that wanted to consume her. She stamped at his foot, kicked back at his chin, but her soft indoor slippers made no impression. She squirmed, trying to jab her free arm as low as possible, and he twisted away with an oath, pushing her from him so that she fell face forward onto a sofa.

In an instant he was on her, tugging her head back by the hair, straddling her torso. “This will do well enough,” he commented, lifting himself enough that he could push up her skirt and petticoats.

Ella fought to retain consciousness, the pain of her pulled hair helping to keep her from sinking into the fog. “Scream,” she instructed herself, as her assailant’s free hand fumbled at her buttocks, and she shrieked as loud as she could.

Doors burst open: the one onto the hall and a double set into the drawing room next door, and the room filled with people.

It was her worst nightmare come again: the indrawn breaths of shock, the buzz of excited comments, the avid staring eyes. The last thing Ella heard before she sank into oblivion was the amused drawl of the man on her back. “Oh dear, Lady Melville. It seems we have been caught.”

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After the kiss on WIP Wednesday

canal-path-at-nightIn a romance, so various mentors have told me, the sexual tension builds and builds until at last the couple kiss. And if that moment is not at the end of the story, when all the conflicts and plot twists are resolved, than the writer has a problem.

We’ve got them together. Now how do we pull them apart? For the tension to continue, their relationship can’t stay in calm waters. Our readers need to feel their longing. After the kiss comes the slap, or the fight, or the pull between loyalties, or some other interruption to their courtship.

This week, I have another excerpt from A Raging Madness. It comes when my couple’s first kiss, began almost accidentally but continued with enthusiasm, has been interrupted by external noises.

She dropped her hands from his shoulders, tried to cover her breast and pull down her hem, blushed furiously in the dark. “I am so sorry, Alex,” she said. Though whether she was sorry to stop or sorry that they had ever started, she had no idea.

After a moment, he pulled away, swinging his legs around so that he sat beside her on the bed.

“I am not that kind of woman,” she said, trying to sound convincing to herself when her whole body was screaming to complete what they had begun.

“Right.” He sounded strained. She could hear him sucking a breath in, then letting it slowly out through his teeth.

“I cannot apologise enough…” Ella began, but Alex interrupted, his voice as courteous as ever, though she could hear the strain in it.

“The fault is mine, Ella. I meant only to salute you for the gift of my future, and I forgot myself. I..” He stopped, and took another deep breath. “I cannot bring myself to apologise. For any impression of disrespect, yes, indeed. I beg your pardon with all my heart if I have offended. But for offending you, not for kissing you.” He stood, and moved away from the bed. She could not make out what he was doing, but he had not returned to his own bed on the other side of the cabin.

“It was everything I have dreamed this age,” he said, almost under his breath. This age? He had been dreaming of kissing her this age?

But she had to correct his misconception. “Each other,” she said.

Whatever he was doing—it sounded as if he was putting on his boots—he stopped. “Each other?”

“We kissed each other,” she explained.

The amusement was back when he replied. “We did, and very nicely too.”

“And we cannot do it again,” Ella warned, hoping her regret was not obvious.

“No, I suppose not. I am going to take a short walk, Ella. I won’t go far, but the cold will be— beneficial.”

He had opened the hatch and was leaving before she spoke again, giving him a gift of words in return for his.

“It was better than I dreamed.”

His only response was a catch in his step before he continued, but a few minutes later she could hear him begin to whistle as he walked the canal path.

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Tea with Sophia

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On this fine afternoon in September, the duchess had ordered tea served on the terrace overlooking the rose garden. “We should enjoy the sunshine while we can,” she told her goddaughter, Lady Sophia Belvoir.

Sophia had been surprised—and somewhat disconcerted—to find she was the only guest. What was Aunt Eleanor up to?

But Her Grace discussed only the weather and the roses as she poured the tea and passed the cucumber sandwiches; tiny triangles of finely sliced bread with the cool crisp vegetable melting on the tongue.

Sophia took a sip of her tea. Ah. The finest oolong with just a touch of lemon. Aunt Eleanor never forgot.

At that moment, the duchess pounced. “Tell me about Lord Elfingham, my dear.”

Sophia’s hand jerked as she returned her cup to its saucer, and it clicked loudly. She blushed. At her clumsiness, of course, not at the mention of the young viscount who had been everywhere she went for months

“You met him even before most of London, his aunt tells me,” the duchess prompted.

“Not met, exactly,” she demurred. “We were not introduced.”

Aunt Eleanor said nothing; just raised her brows in question, and after a moment Sophia added, “I was visiting the orphanage at Bentwick. A child ran out of the gate into the road, and was almost run down by racing curricles. Lord Elfingham rescued the child and returned him to the- the orphanage servants.”

Appearing from nowhere just as she emerged from the gate and saw disaster unfolding before her. Riding down on the cowering boy right under the noses of the teams that threatened to trample the child underfoot. Scooping up the runaway and leaping to safety on his magnificent stallion. Fixing her in place with a fervent gaze from his dark eyes. Haunting her in dreams ever since.

“He has been pursuing Felicity,” she told Her Grace. “Hythe will not consider it.”

The duchess’s brows rose again. “Your sister Felicity? Are you certain? It is you his eyes follow when you are at the same entertainments, Sophia.”

For a moment, Sophia’s heart leapt, but Aunt Eleanor was wrong. She was too old for the marriage mart, and had not been as beautiful as Felicity even when she was a fresh young debutante. Besides, her brother the Earl of Hythe would not countenance the connection, whichever sister was being courted.

She shook her head, not trusting her voice. “May we speak of something else?” Which was rude, but Aunt Eleanor graciously allowed it.

“Very well. Let us discuss next week’s meeting to set up the fund for the education of girls. You will take the chair, my dear?”

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Sophia is the heroine of The Bluestocking and the Barbarian in the Belle’s box set Holly and Hopeful Hearts, now on sale.

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