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Kisses on WIP Wednesday

I write romances, right? So there’s kissing. At least in most of my books there’s kissing, and if there isn’t, they think of it.

This week, I’ve been doing the line edits on The Realm of Silence, so before I move on entirely to the next three stories I’m preparing to write, I want to share a kiss from that novel. Please share yours in the comments. I’d love to read them.

…when he moved her chair back to help her rise, and she stepped to one side almost into his arms, he could not resist wrapping them around her.

He had intended a brief peck on her hair. She lifted her mouth as if she had been waiting for just such a move, and he was lost. She was all that existed. The elusive scent of her saturated his nostrils, her yielding curves filled his arms, and her lips and mouth consumed all of his thoughts as he tenderly explored them.

How long the kiss lasted he had no idea, but when she stiffened and pulled away, he let her go immediately, sense rushing back into his brain and berating it for the most arrant stupidity. She didn’t comment—wouldn’t even meet his eyes—but led the way out of the garden, almost running in her hurry.

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The first meeting on WIP Wednesday

I’m doing the final changes and a line edit on The Realm of Silence before sending it to the copy editor, and I’ve just been working on the first meeting — or, at least, the first meeting in this book. Gil and Susan have known one another since they were children.

So this week, I wanted to share the first meeting in this book, and invite you to share the first meeting of your main characters. Here mine is from Gil’s point-of-view. He has just arrived at an inn in Cambridge to find Susan asking the stable master and an interested crowd whether they have seen her daughter.

Four years since he had last crossed verbal swords with Susan Cunningham, and she looked no older. Did the infernal woman have the secret of an elixir of youth? She had been widowed long enough to be out of her blacks, and back into the blues she favoured: some concoction that was probably the height of fashion and that both hid and enhanced her not insubstantial charms.

As always, she was perfectly dressed, perfectly coiffed, and perfectly behaved. And he undoubtedly looked every bit as if he had been travelling for four days; two weeks apart from the brief stopover in Derby with Mina.

He opened his mouth to reply, and changed his mind when the watching crowd leaned forward to catch his words. “Is there somewhere we can discuss your business in private, Mrs Cunningham?”

That fetched a considering nod. “Miss Foster, may I present Colonel—no, Lord Rutledge? He and I grew up on neighbouring estates. Lord Rutledge, Miss Foster’s niece Patrice is, we presume, with my daughter.” She indicated the child standing nearby, with Miss Foster firmly gripping her shoulder. “Patrice’s sister Clementine. But shall we seek privacy for our discussion?”

Until this moment, Gil had wondered if he was setting up a false trail. After all, he was not certain he’d seen Amy in Stamford. Why would the goddess be hunting for her in Cambridge if she was a day’s hard ride away? But the girl had been dressed like the child Clementine, and was of the right age and appearance. Besides, if he were wrong he’d make it up by devoting himself to helping with the search. He was in no hurry to arrive at the interview in Essex with his reluctant sister-in-law.

He gave Moffat the nod to deal with their mounts and the packhorse, and followed Mrs Cunningham into the inn. Susan, his mind said, though underneath were earlier names. Joan. Athene. Boadicea. Her father had named his sons for kings and emperors who led successful armies. His daughter, too, was named for warriors: a saint, a goddess, and a queen. The ten-year-old girl who followed the boys at their games demanded and won a more common name, but to his mind it had never suited her the way her baptismal names did.

He expected her to demand answers as soon as they were private, but she had never behaved like the other women he knew. She stood, seemingly at ease, one golden brow arched, and waited for him to speak. She took his breath away. She always had.

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Tea with Lady Sutton

“I hope you mean to explain, Grace,” the Duchess of Haverford said, as she passed her guest a cup of tea. “All sorts of rumours are racing around town. Is it true that Melville’s widow was drugged at your soirée by an enemy of our newest peer? Or is she a madwomen and a laudanum addict, as her relatives claim?”

Grace, the Countess of Sutton, leaned forward and lowered her voice, though only she and her friend were present. “As to that, Eleanor, I must trust our friend the Brigadier General. He claims the lady as his daughter-in-law, secretly married to his son, the new Lord Renshaw, two months ago when she escaped her relatives. The attack was orchestrated by those relatives and carried out by a man Lord Renshaw had fired. With the assistance of that brazen woman Lady Fullerton. I was never more shocked in my life.”

Eleanor raised her brows. Given the activities of Lady Sutton’s father-in-law, husband, and son, this was strong language indeed. She nodded decisively. If Lord Henry Redepenning spoke for the lady, Eleanor’s path was clear.

“We must do what we can to establish Lady Renshaw in Society, then, Grace, and to remove those who would harm her. But first, tell me everything that happened.

Excerpt from A Raging Madness

Once Alex had succeeded in deflecting his admirers, he managed to locate Susan, talking to their father near the exit to the hall. Where was Ella? She had been watching him a short while ago, but he could not now see her anywhere. Had she gone out into the hall or to the terrace at the other end of the room?

He started towards the terrace, but a stir behind him set him turning. People surged through double doors into the next room, his father and Susan among them, and moments later Susan reappeared and gestured him to hurry.

“It’s Ella,” she whispered as he passed her, and he began to push his way through the doors and then the crowd gathered within. His father’s head showed over the crowd, and the buzz of muttering had muted enough for Braxton’s unctuous tones to reach him. “… not the first time, I fear. She was a camp follower, you know. And travelled with Lord Renshaw for weeks under an assumed name, as this gentleman can witness. We shall just take her…”

“You will not.” Lord Henry’s battlefield roar, which had cowed subalterns and offspring alike. “You will keep your filthy hands from my daughter-in-law. And you. Whoever you are. Seize this man and hold him for attempted ravishment of a peeress.”

The buzz had started again. Daughter-in-law? Ravishment? Peeress? Alex pushed harder, and the crowd parted to let him through just as Braxton said, “Daughter-in-law? This is Lady Melville. My sister.”

“Lady Renshaw,” Lord Henry insisted, but Alex barely heard him, his entire world narrowing to Ella, lying supine on a sofa with a shawl thrown over her, and Lord Henry standing protectively between her and Edwin Braxton, with that evil scum-sucker Farnham at his shoulder. Torn between throwing himself on his knees to check on Ella and hurling himself on Farnham to rip his throat out, Alex hovered for a moment, long enough for Lord Henry to say, “Alex, lad. See to your wife. We were in time, thank God, but she appears to have fainted.”

“She has taken laudanum.” Mrs Braxton’s shrill voice battered at Alex’s ears as he knelt beside Ella and took her in his arms. “Again.”

He ignored the bitch. Father would deal with her. “Ella, my love,” he murmured. She opened her eyes, and her pin-point pupils confirmed her sister-in-law’s charge. “The punch.” Her voice was slurred, her face intent. “Mrs Fullerton.”

Above them, Lord Sutton was saying, “What is going on, General? You introduced the female as Lady Melville.”

Ella, trembling, had hidden her face in the hollow of his shoulder. “The punch? Someone check the punch,” he ordered.

“I served no punch. There is foul play, here.” That was Lady Sutton. She nodded at Alex and rearranged the shawl that covered Ella’s torn dress. Torn! Alex wanted to howl. To break something or preferably someone. He forced himself to focus on his poor love, gentling his hand on the hair that tumbled to her shoulders. Susan patted Ella’s shoulder, as Lord Henry continued.

“I had not intended to air the disgraceful behaviour of my daughter’s family by marriage… But if you will have it, Lord Sutton. My son married his lady two months ago, in Cheshire, after rescuing her from her dead husband’s half-brother, who held her against her will, forcibly drugging her to prevent her escape. She could not, of course, travel with Lord Renshaw without the protection of his name, and their attachment was of long standing, their marriage delayed only because she nursed the Dowager Lady Melville until her death.”

Braxton began to speak, but Lord Henry spoke more loudly. “Or until this miscreant prevented her in that kind office. Who knows what this dear child suffered at his hands?”

“I saw the bruises myself, where three of them had held her to force the drug on her,” Alex said. The mood of the room was changing. Heaven knew what Ella would think, or what they could do tomorrow to fix this mess, but they had saved her from Braxton. No one would take a wife from her husband.

“But you presented her to Society as Lady Melville, General,” Sutton insisted.

“She wished to honour her mother-in-law with three months of mourning, as decency demands, but that time was stolen from her by the actions of Braxton here. My son gave it back. That is all.”

“Was it this man?” Lady Sutton’s voice. Alex looked over his shoulder trying not to disturb Ella who had fallen unconscious in his arms. Lady Sutton had a maid with her, who was nodding vigorously and pointing to Farnham. “And that lady there, ma’am,” she declared, pointing to Mrs Fullerton.

“I found two glasses in the hall part filled with spiced punch, Sutton,” Lady Sutton told her husband. “And the maid saw two people force it on Lady Renshaw then drag her ladyship into this room.”

“The four of them arrived together. I saw them.” That was the Suttons’ son.

“Lies!” Mrs Braxton squeaked.

“You are the liars.” Mrs Fullerton turned on her co-conspirators. “You told me she was insane and a whore. I would never have agreed to help you…” She turned pleadingly to Alex. “Alex, I swear I did not know she was your wife.”

This time the excited buzz rose to shouting, and Mrs Fullerton shrank to silence under the condemnation.

“Father, I am taking my wife home.” Alex stood, holding Ella and ignoring the strain on his leg. “I will leave you to deal with her assailant and his accomplices. His name is Farnham, and I dismissed him two months ago for fraud and theft. This, I take it, is his revenge.”

Farnham’s face twisted with rage, and he lunged at Alex, but two men either side held him back.

Susan was at his shoulder then, and Gil Rutledge appeared on the other side to support his elbow and take part of Ella’s weight. “I have ordered the carriage,” Susan said, and the crowd drew back to let them through.

In the carriage, Alex insisted on continuing to hold her. She was lost in the laudanum dreams, stirring restlessly but stilling when he murmured to her. “I have you safe, Ella. I have you safe.”

Even semi-conscious, she trusted him. How would she react when she knew he had broken his word, taken her choices from her, claimed her as wife in front of half the ton?

A Raging Madness is the second novel in The Golden Redepennings series

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Feminism and the romance genre

 

“I don’t see how you can say romances are feminist,”” said the gentleman, waving a red flag in front of me on a day my opinions were bullish. His wife, who writes historical fiction, was not so adamant, but also not convinced by my argument that ‘feminist’ is a fair label to apply to any publishing sector in which:

  • the participants (readers, writers, authors, editors, agents) are overwhelmingly women
  • the plots are driven by the needs and actions of a main character who is a woman.

Further discussion disclosed that the man’s main objection is that romances play into a false belief that a permanent romantic attachment — a happy ever after — is the only goal for a woman, and that a story in which a woman finds happiness in her career or her craft is more feminist.

HEA is on the label!

I think the argument has a couple of flaws.

First, such a book would not be shelved as a romance. In the end, genre is a sorting device. A romance is a book in which the main plot arc deals with a taking a romance to the expectation of a happy ending. A mystery is a book in which the main plot arc deals with solving a mystery. A Western is a book with cowboys. And so on.

Second, and more important, I see a hint of the great divide between male and female sensibilities that has brought us to this #metoo point in our cultural history. As human beings, we are social creatures, needing intimacy for our health and wellbeing. Give a baby all the necessities of food, drink, warmth, and shelter, but never cuddle it or give it undivided attention, and it will fail to thrive. It may die, but if it lives it will be with permanent emotional scars.

Intimacy is a human, not a female, need

As adults, we seek intimacy in our relationships with friends, partners, and family members. And we are miserably unhappy if we can’t have it. A romance deals with one kind of intimacy; that with a sexual partner. For me to believe in the happy-ever-after, the couple also must reach some level of emotional, intellectual, and spiritual intimacy — but without the physical it isn’t a romance.

Romances, and some literary novels, are the only stories in which the search for intimacy is central to the plot. How sad that something so central to the lives of all human beings is relegated to books dismissed with appellations such as ‘chick lit’, ‘bodice rippers’, ‘mommy porn’.

So my fundamental objection to my friend’s position is not to his view of romance books (which, by the way, had not been informed by reading any), but by his definition of feminism.

 A feminist is not a woman trying to be like a man

In essence, he saw a feminist as a woman who did the things men are interested in doing, and a feminist book as one that was about women succeeding at things traditionally done by men.

I like those books, too. I’m all for women doing what interests them; yes, and men, too. If you’re the best crochet artist in Eketahuna, I don’t care about your gender. You go for it!

But I categorically deny that a woman has to be like a man in order to be interesting or worth reading about. And I also deny that a genre that deals in intimacy, and in hopeful endings, is — for that reason — anti-feminist. The desire for a lasting intimacy is basic to our humanity.

It seems to me that Western culture has steadily narrowed the options for men who seek such intimacy, teaching them to be afraid of emotions and to focus on the physical. Having sex with multiple women has, in many cultures, been a symbol of a man’s power, which the poor dears seem to confuse with their virility.

Hence the joke. What do you call a woman who behaves like a man? Answer: a slut.

We are failing our boys

In our culture, such behaviour is sold to our young males as desirable — in fictional and real life representations, both main stream and pornographic. They have no idea they’ve been sold a pig in a poke. No wonder so many of them live in quiet despair — or die young.

As for the impact on young women, and what romances have to do with it, I’ll leave that for another post.

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Nurturing a physical connection to history

A few weeks ago, Caroline Warfield and I, and our husbands, revisited the Buried Village, the location of Forged in Fire, my story in last year’s Bluestocking Belles’ anthology. Long ago, it was Te Wairoa, a thriving farming community set up by an enthusiastic

missionary. When Spencer set up his ideal community in 1852, he divided each allotment by fencing, and he used poplar poles, as his posts, pounded into the ground.

Later, after European farming methods depleted the soil, the Maori inhabitants found a more lucrative crop than wheat: tourists. Te Wairoa was the starting point for a visit to the Pink and White Terraces, acres of thermal ponds cascading down hillsides above a lake that could be reached only by a boat journey across Lake Tarawera.

That all ended on the night of the Tarawera eruption. By the end of the four-hour eruption, the Pink and White terraces were gone, and six villages around Lake Tarawera were wiped off the face of the earth with all their inhabitants. Te Wairoa, slightly sheltered behind a hill,  was still buried 1.5 metres deep in volcanic ash, and survivors needed to dig themselves, or be dug, out.

Over the next 126 years, those buried fence posts grew into magnificent 40 foot poplar trees. In 2010, however, they began to fall. The owners decided they were a health risk, and removed them all.

When we visited last year, we were impressed to see the mighty trunks sprouting again, and this year, we asked if we could take cuttings.

They’re on the shady side of our house: nine small cuttings in pots we are keeping damp, as poplars prefer. I hope one or more grows, a clone of the tree that was initially cut to make fence posts, that survived a volcanic eruption, that grew to shelter an archaeological dig, that was cut down when its size and age made it unsafe, and that grew again. Life is resilient.

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Character studies on WIP Wednesday

I’m back at the beginning of the process again. House of Thorns is off to the publisher, and The Realm of Silence is having line edits and a few rewrites after beta reading, and will be with the copy editor by the end of the weekend. So it is time to start again, and I have two stories waiting in the wings.

So far, I have only the sketchiest of plots. I need to write those down, and then I need to do character sketches for the main characters. As I get to know them, the plot will firm up, and I’ll be able to fill out my hero’s journey sheets, exploring their external and internal story arcs. Then I start writing the story, and let the plot reveal itself as I go.

So this week, I’m giving you a snippet of a character interview — one I did for Rosa Neatham who is the heroine of House of Thorns. How do you get to know your characters? If you write stuff down about them, or interview them, will you post a bit in the comments?

A wish or dream: I would love a place of my own; somewhere that belongs to me, and that no one
can put me out of. Somewhere I can grow a few roses, and perhaps keep a cat to sleep by the fire
and keep me company.
One thing that makes your character laugh: Many things. I do believe that my sense of the
ridiculous has saved my sanity more times than I can count. Finding the humour in things was a
game I played with my mother, and playing it still makes me feel close to her.
A fear: I am afraid, so afraid, that I will fail my father. I am afraid that Bear will not return, and that
I’ll be left to the mercies of the steward. I would rather die. I would rather sell myself to the first
man that passes. Oh, I hope Bear comes back.
Something they’d like to learn: How to attract Bear so that he wishes to bed me again. I am sure I
did something wrong the first time, but I have no idea what.
Something they’d like to forget: My wedding night. It was memorable, but not in a good way.
Something they’d never do: I would never disgrace or leave my father. Never.
A quirky habit: I have a pocket tied under my skirts into which I put my paintbrushes.
A secret: I would secretly like to know why someone would wish to be a courtesan, and how one
goes about it.

And the two stories I’m about to start?

One is a contemporary for a summertime anthology for Authors of Mainstreet. The unifying theme of the book is summertime at the beach, (which for me, in New Zealand, means December/January).

I know my heroine is an environmentalist lawyer, fighting corporates and governments on the world stage. Burnt out after her latest case, she has come home to a small community on the Wairarapa coast, to the bach (New Zealand North Island word for a holiday house; the South Island has cribs instead) she used to visit as a child. Wanting to do repairs,  she calls on a local building firm, and finds that she once faced the man they send over a courtroom.

The hero was once part of the high-powered business world. Heir to a huge family-owned company that made chemicals and medicines, he had trained as a lawyer, and fought for the continuation of his family’s privilege. His conscience pricked by a feisty lawyer, he had begun to check his facts, and his odyssey brought him here: estranged from his family, disinherited, working with his hands, and happier than he has ever been in his life.

Storms and coastal change play into it, and I can predict sparks will fly. I hope one of them will turn into a title!

The second is late eighteenth century, and is set mostly in Persia and partly in the Kopet Dag mountains between Turkmenistan and Persia. And yes, it is about James Winderfield, father to the hero of The Bluestocking and the Barbarian, and his wife Mahzad. It takes place sixteen years earlier than Bluestocking, so 1796. I’m busily researching Persia at that time, since interesting things were happening. The story is for the Bluestocking Belles Christmas anthology, which has a prodigal daughter theme.

In my story, Mahzad returns to Persia to visit her dying father, whom she last saw when he sent her off as to China on the command of his Khan, as a gift to the Chinese emperor. With James’ help, Mahzad had escaped in the mountain passes of Kopet Dag. Things are vague after that. I need to read up a lot more about Persia and surrounding nations in the time my story covers, since I think I’ll be doing a few flashbacks. James doesn’t approve of Mahzad’s trip. I know that. He doesn’t trust the Persians. And Mahzad’s English grandmother, who raised her and who helped her escape comes into it somehow.

All shall be revealed. Character sketches first.

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Tea with Rand

Rand Wheatly paused his pacing to study the young woman behind the desk. She looked exactly as he remembered, but she couldn’t be. She had the same composed manner, grey frock, and simple hairstyle.  Her visage hinted at a connection with the Grenford family. This woman, however, was much too young to be the same companion he remembered from fifteen years before. He had been a boy, and this one didn’t appear to be much older than he had been then. No, it was not the same woman. The Duchess of Haverford—not Haverford—Winshire now, he reminded himself—had a penchant for employing needy relatives.

She also had an uncanny ability to interfere in a man’s life at inconvenient times. Rand met the duchess soon after his sister married the Earl of Chadbourn. Even then the duchess knew everyone in the haut ton, every foible, every conflict, every devastating crisis, every damned failure. Like his. Like now.

Her summons had arrived within an hour of the awkward meeting in his brother-in-law’s drawing room in which the earl, the Duke of Sudbury and their cronies blackmailed him into cooperating with the one man he hated most in this world. To rescue his Meggy he would do what they wanted, even accept the company of His Grace the Duke of Murnane, his traitorous cousin Charles. For Meggy he would swallow even that humiliation, but he would not let the bastard coerce him into doing the government’s bidding.

“Mr. Wheatly?” The woman’s voice had an emphatic tone, as if repeating her words to an obstinate child. Or distracted man.

“I beg your pardon, Miss, ah…”

“The duchess will receive you now,” the woman said, opening the door with admirable efficiency. Rand noticed she caught the eye of the regal looking lady seated in a brocade chair. Some silent message passed between them, and the younger woman dipped a curtsey and departed.

“Your Grace.” His tone sounded curt to his own ears when he bowed over her hand. I‘ve lived alone too many years, he thought. On the edge of the frontier in Upper Canada he had little call to practice refined manners, as his sister had reminded him the past few days.

“Randy, how good to see you! Or perhaps I’m meant to call her Rand now.” The silver haired woman beamed at him. In her seventies Eleanor Winshire radiated the same timeless beauty and controlled power she had as a young woman.

“Rand, please, Your Grace,” he murmured taking the seat she indicated.

“When did I see you last?” He had no answer. “I believe it was at Charles’s wedding, was it not?” she asked with deceptive sweetness.

My cousin’s wedding to the woman I loved —or thought I did, fool that I was. She knows full well it was the worst time of my life. He clenched is teeth. “Perhaps. I don’t recall,” he said.

She watched him under her lashes while she poured tea with practiced grace, his laconic reply bringing an amused twinkle to her eyes.  Rand knew better than to let down his defenses. Amusement or not she wanted something, and he doubted it would be to his advantage.

The weather received short attention, his nieces and nephews a bit more. The duchess certainly knew them better than Rand, who had returned to London after an absence of six years, did.

“Have you met Jonny?” she asked.

Jonny. His cousin’s son.  The bride’s obvious pregnancy at the wedding had been the last straw. She had been Charles’s lover even as she still let Rand believe she loved him. She had led him by the nose the entire time.  He left or Canada within days and had not come back. None of that was the boy’s fault. Rand forced the muscles in his face to relax.

“I met him yesterday. One gathers he spends much time in my sister’s nursery with the other children. He and my nephew Toby are great friends. Drew’s as well.”

“Drew? You sister’s mysterious guest, I gather.”

“Drew’s mother is my, ah, friend.” Rand looked over at the empty hearth. He had begun to sweat and wondered at the heat.

“You are to be commended for your fierce protection of the boy and his mother. There is a sister as well, I’ve heard. The abuse of a domestic tyrant is a terrible thing, and you are quite right to intervene. A husband, even a poor excuse for one, complicates things, does it not?”

He expected something very different. Compassion can burden a man as well as condemnation, however, and this lovely woman threatened to weigh him down with it.

“The children’s safety matters, Your Grace,” he said, passion lending fierceness. “And Meggy’s as well. Once I’ve secured that I will go back to Canada. My business requires my attention.”

Her skeptical glance disappeared quickly as she lay down her teacup. “Yes, one gathers you are making the earl even wealthier. Timber, I hear.”

There was little point in confirming what she obviously knew. There has to be more. What does she want?

“In your goal to protect this woman you are lucky to have the assistance of your cousin Charles.” Rand went rigid and fought the urge to leap from his seat. She continued. “He isn’t the shy young man you left. His professional and political rise has been stellar and life—well, life hasn’t been kind to Charles. He has the fortitude, the skills, and the power to protect your Meggy.”

The thought of Charles with Meggy made bile rise in his throat, but she didn’t mean anything inappropriate. At least he hoped not.

The duchess leaned forward into his silence and patted his arm. “You would be wise to accept his help, Rand,” she told him. “Truly. You can trust him.”

Rand didn’t believe it, but he would accept the snake’s help if it meant Meggy’s safety. “I believe he has his own goals,” he said, trying to turn the conversation.

“Yes, someone is corrupting the coinage in our port cities. Sudbury fears some in the military may be involved as well.”

“That isn’t my problem. My cousin and my uncle may jump to Sudbury’s tune, but I don’t. I want Meggy safe; that is all.”

Her eyes bore into him. “You will do your duty, Rand. I know you will; its how you’re made. Perhaps you will get what your heart desires at the same time.”

“Perhaps.” Bloody, damned unlikely.

She leaned forward again; this time authority took the place of compassion. “Follow your heart Randolph Wheatly. Your instincts are right. And trust Charles. He won’t fail you.”  She fell back on small talk after that, and in short order Rand found himself skillfully dismissed.

“Charles? Bloody damned unlikely,” he repeated out loud when he reached the street.

About The Renegade Wife

Reclusive businessman Rand Wheatly finds his solitude disrupted by a desperate woman running with her children from an ugly past. But even his remote cabin in Upper Canada isn’t safe enough. Meggy Blair may have lied to him, but she breached the walls of his betrayed heart. Now she’s on the run again and time is running out for all of them. He will have to return to London and face his demons if he wants to save them.

A Night Owl and The Romance Reviews Top Pick, In D’Tale Crowned Heart of Excellence, and Reader’s Favorite Five Star book.

♥♥♥FREE♥♥♥ with Kindle unlimited or buy it at https://www.amazon.com/Renegade-Wife-Children-Empire-Book-ebook/dp/B01LY7IRT6/

Excerpt From The Renegade Wife

“I met Jonny,” Rand said, accepting a third glass of port.

“I expected you would. He spends much of his time at Chadbourn House.”

“He is a bright boy. You must be proud of him.” Rand gripped his glass. Should I mention his illness? He had no idea how comfortable Charles might be with the subject.

“I am. He endures his illness with courage and grace.”

Rand relaxed somewhat. “I wasn’t sure—that is, Catherine told me. I’m so sorry, Charles. It must be devastating for you, and for Julia.” He meant every word and was distressed to see Charles stiffen.

“I manage. I have no idea about Julia,” Charles said through tight lips.

Rand raised his eyebrows. “What do you mean?”

“I haven’t seen Julia in two years. She hasn’t seen Jonny in longer. I have no idea how she ‘manages.’” He leaned toward Rand. “Don’t look at me like that, Randolph Wheatly. We separated less than a year after we married. It happens. If you had stayed, you might have delighted in my misfortune.”

Charles glared at Rand, who could think of nothing to say. When the silence became painful, Charles sank back in his chair. “Don’t worry. Though it seems unlikely Jonny will ever be duke, know that he is loved. I love him as if he were my own.”

As to Charles, the Duke of Murnane, watch for his story in May 2018

 

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Human beings need intimacy

I was talking to a friend about the stories I write, and what they have in common. When I said they all explore the shape and boundaries of intimacy, I found I’d taken us down a cul-de-sac of different interpretations, which was interesting.

To my friend, intimacy meant physical intimacy. To me, physical intimacy is an essential, but the least important part, of a romance. As I’ve posted before (in All you need is love and The Jude Knight Manifesto), I’m far more interested in creating connections between my characters that are emotional, intellectual, familial, and spiritual.

So what is the enduring appeal of stories about entitled alpha-jerks who accidentally discover true love with the woman they intended merely as a convenient shag-buddy?  You know the ones I mean. The hero is a duke or a billionaire or a football star, and the heroine is unwillingly intrigued, but ultimately gives up her own dreams to make his come true. Such tales usually come with explicit descriptions of the sexual act that focus on the woman’s pleasure, which often seems to be directly associated with her helplessness.

The Guardian had an interesting article on why many leading writers are abandoning such story lines. Do you read them? Do you write them? Can you explain this phenomenon to me?

 

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Tea with Rick

Lieutenant Rick Redepenning shifted to ease the ache in his leg. The butler had invited him to take a seat, but that would mean the whole rigmarole of rising again when the duchess arrived. He’d stand and avoid at least one embarrassing and painful display.

Not that Her Grace would offer anything but sympathy, but Rick was up to his eye-teeth in sympathy. His sister and her friends had been smothering him with it since this cursed injury beached him ashore, cast up without a ship and with other officers jumping ahead of him in preferment.

“Rick, my dear.” The duchess glided through the doorway, both hands out to greet him. “I am so pleased to see you up on your feet.” Without a glance at the walking stick he propped against the sofa behind him, she grasped his hands and stretched up to kiss the cheek he bent towards her.

“Thank you for the invitation, Your Grace.”

“Not ‘Your Grace’,” the duchess scolded. “Not from my godson, who has called me Aunt Eleanor since he was in skirts. Sit down, dear boy, and tell me what you have been doing since we last met. Let me see. You were still a midshipman, and came with your Admiral and his daughter to one of my balls.” She settled herself on the sofa at right angles to his own, and her eyes did not leave his as he made his awkward descent, finally propping the deuced leg before him like the burden it was.

“Mary Pritchard,” he agreed, the picture of the admiral’s daughter suddenly leaping into his mind. She wouldn’t be grumbling about an injury that would, in time, heal. Not Mary. No, she’d be off after every adventure London could offer, heedless of pain, danger, or propriety.

“Miss Pritchard is in London,” Aunt Eleanor informed him, “living with an aunt, a Lady Bosville. Word is that she will marry her cousin, Viscount Bosville.”

Mary? Marry? Sweet, dauntless little Mary? But she must be in her twenties, now, no longer the little girl with whom he had roamed ports in far flung parts of the Empire. He hoped the viscount was worthy of her. Perhaps he had better make a call on her and see. After all, when he was a midshipman with her father’s fleet, rescuing Miss Mary from had been almost one of his duties!

Rick is turned away from the Bosville residence, but when he flees to the country to escape the smothering of his sister and her friends, who does he find but Mary, running from the unwanted suitor being pressed on her by her aunt. The resulting story is my novella Gingerbread Bride which is the first story in The Golden Redepennings.

by

The Orc ate my homework

The Gates of Rivendell

My apologies to you all for my neglect. I’ve been swanning around New Zealand having a marvelous time and ignoring the blog. We spent several days with PRH’s brother and his wife, then picked Caroline Warfield and her beloved up from the airport and showed them a few highlights of this island of our much cherished country.

Carol and Lizzi in the New Zealand bush

Our bush, our history, our thermal wonderlands, our mountains and lakes, and (at a number of different sites) our Lord of the Rings filming sites, including Hobbiton, Mordor, Rivendell, and Weta Workshop (who were responsible for the props and the special effects.

We also met up with Lizzi Tremayne, who drove through to Rotorua to join us at Rotorua’s buried village, site of my story Forged in Fire.

Carol and Beloved have left for the South Island, and I’m getting myself back into routine. The blog will be back to normal tomorrow.