Hold Me Fast

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Music and supper with the ton

An excerpt post, but not for tea. The excerpt is from Hold Me Fast.

“Let’s go back to the hotel, and I shall buy you a drink before dinner,” Bran said.

Jowan would prefer the drink without the dinner. He was doing his best to remain positive, but the word “No” kept echoing in his mind and, somehow, in his gut, too.

Still, Bran wasn’t about to let him stew in his own misery. Besides, Jowan could not turn up drunk to the musicale. He owed it to his people to make a good impression on these Londoners, especially those who were going to decide whether or not the new mine went ahead.

They had brought evening wear with them—Jowan had Bran to thank for that, too. He had insisted they should be prepared for all eventualities. They had both been outfitted by a Plymouth tailor and were—or so the man had assured them—elegant enough for London society.

Certainly, Bran looked good in his, and Jowan could have been his twin but for one inch more in height and hair that was a lighter shade of brown. They had both chosen black for breeches and coat. Jowan had a green waistcoat embroidered in copper and Bran’s was blue with silver embroidery. The clocking on their stockings matched the embroidery, as did the buckles on their black shoes. A pin on their white cravats added another spot of colour—green for Jowan and blue for Bran.

From what he’d seen on his way around London, Jowan wondered if many of the gentlemen would fill their garments to as much advantage. He and Bran both lived active lives, turning their hands to anything needed on the estate’s farms, in the mines or in the fishing fleet.

Perhaps London ladies preferred the weedy creatures he’d passed on Oxford Street. What did Tamsyn prefer now? And there he was again, thinking of her.

“Shall we take a hackney, Bran?”

“Will we get dirtier catching one of those flea and stink traps, or walking?” Bran wondered.

They walked.

The Winshire mansion was in one of the older squares of Mayfair. The largest building of any in the vicinity, it was lit from basement to attics, and so many carriages were attempting to access the front steps that the traffic was queued as far as the eye could see down streets in every direction.

They bypassed the carriages and joined a second instance of traffic congestion on the footpath, as guests waited to ascend the steps of the house. This queue was short and swiftly moving. They soon reached the front door, where they showed their invitations to a footman. The entry hall was large enough to swallow the drawing room at Inneford House. The stairs rose up through the house, lit by a great chandelier, but Jowan could just make out a ceiling lantern high above. The house was twice as high as Inneford House, too.

They ascended the stairs step by step in the queue to the reception line on what in any less elegant house would have been the landing. If one could call a space as large as four tenant cottages a landing.

At last, it was their turn to be greeted by their hostess. The butler took their invitations and announced them to the Duke and Duchess of Winshire. The ducal couple were perhaps in their sixties but still vigorous. Jowan could see traces of Drew in the duke—or the other way around, he supposed. The duchess greeted them both with a smile. “You are Drew’s guests,” she said. “Go on into the drawing room, Sir Jowan, Mr. Hughes. Drew is waiting for you there.”

The drawing room carried on the theme of the house. Jowan had seen assembly halls that were smaller, though to think of assembly halls in the same context as this richly appointed and elegant room seemed like a form of blasphemy.

“I’m feeling like a country mouse,” whispered Bran.

“You are,” Jowan pointed out, keeping his own voice low, “and so am I.”

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Mysteries to solve in WIP Wednesday

Another excerpt from Hold Me Fast, which should be finished this week. (I’m editing, but I also have to write the very end. The villain is dead, but the story isn’t over until my couple are happily married.) In the following excerpt, Jowan has been turned away at the house where Tamsyn lives, and decides to hire an investigator.

“There is another matter,” Bran said, with a nod of encouragement to Jowan.

Wakefield raised an eyebrow.

Jowan wasn’t sure where to start. “The singer, Tammie Lind. I need to know… That is, could you find out…” What? If she was a prisoner? It sounded ridiculous to his own ears, and he could only imagine what Wakefield would think of it.

“The lady is actually Tamsyn Roskilly, the daughter of our father’s housekeeper,” Bran explained. “She left Cornwall when she was sixteen, promising to keep in touch. She failed to write, even to her mother. When her mother died, shortly after our father, we informed her through the Earl of Coombe, her patron.”

Wakefield, who had been toying with his pen looked up at that, his focus sharpening.

“We received no reply even to that,” Bran continued. “When we called on the Earl of Coombe, we were denied entry. It is possible that the lady has brushed the dust of her homeland from her feet and wants nothing to do with anything from her past. My brother fears that letters from home might have been kept from here, or that she is being suborned in some way, or both.”

“Bran puts it very well,” Jowan agreed. “We will leave her alone, if that is her choice. But we owe her a rescue if she needs one.

“The Earl of Coombe has a dark reputation,” Wakefield told them. “I can tell you that without any investigation at all. How much it is still deserved, I do not yet know. When he was last in England, he was infamous for his parties and his liaisons, and known in certain circles for dissolute behaviour beyond that normally expected of a young British aristocrat. I have not followed his activities on the continent, but I know who might have done so. I can ask. Also, I have another client who has asked me to investigate his current activities. I can report on what I find to you, if you wish.”

“If you would,” Jowan said.

“As to Miss Roskilly, or Miss Lind as she is now known, I should be able to find out what you want to know. You might not like any answers I find for you, however. Coombe was well known for his ability to corrupt innocence, and I cannot imagine that any young woman in his power would escape his attentions.”

Jowan shut his eyes against the roaring in his ears. His sweet Tamsyn in the hands of a villain! He didn’t want to imagine it but was beseiged by a kaleidoscope of scenes of her calling for help while a malign presence assailed her.

“Jowan?” Bran’s voice anchored him back in the presence and allowed him to catch his breath.

“Find out, Wakefield. It is better to know the worst rather than be haunted by speculation.”

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A cunning plan on WIP Wednesday

 

My hero abducts my heroine in Hold Me Fast. The image above belongs to one of the stories that inspired mine.

It was time, then. Jowan mounted his horse. “Wish me luck, Bran.”

“Always,” Bran replied from the back of his own steed, extending his hand. Jowan shook it and Bran rode off, away from the main ride.

After a nod for the boy on lookout, Jowan nudged his horse into a swift walk. So far, so good. Coombe kept coming. Jowan kept his head down so that the hat would shade his face. The conspirators had calculated that Coombe would not give Jowan a second look, given he was on a side ride and not likely, at his current pace, to reach the main ride before all of Coombe’s retinue had passed.

Good. Coombe was beyond the intersection of the two rides. Jowan gave the horse the signal for a trot, then a canter. One. Two. Three. By the time he counted to fifteen, he was pulling the horse up alongside Tamsyn, clasping her around the waist, and lifting her to sit on his pommel. The clever lady had already kicked her feet free of the stirrup, and so the transfer took a count of two, but that was enough time for one of Coombe’s men to react, forcing his horse foreward to block Jowan’s escape.

The horse Drew had provided for the rescue shouldered the other horse away out of the way and bounded away, reaching a gallop within a second. Ten strides and they were through the gate. They slowed and turned left, continuing to reduce speed. Drew had assured Jowan that the horse would be able to stop within ten yards of the gate, and so two of Jowan’s accomplices waited at that point.

The horse was still moving, if slowly, when Jowan let Tamsyn down into Drew’s arms. By the time he had dismounted himself, Tamsyn had abandoned her riding cape to Prue Wakefield and was donning the hat Prue gave her—a stylish flat hat that tied on with a scarf and hid part of Tamsyn’s face.

Jowan tossed Tamsyn up into the saddle of one of the two horses that a boy was holding, and himself mounted the other. Meanwhile, Prue had put on Tamsyn’s cape and Drew tossed her up on the horse Jowan had abandoned, and was mounting behind her.

“Thank you both,” Jowan called to them as they rode off along Park Lane. Jowan led Tamsyn in the opposite direction. They had organised several more decoys, and would fire off one of them as soon as they reached the corner of Cullross and Park. Drew’s horse would go one way along Park, and the near identical horse that was standing at wait would go the other. They’d repeat the ploy at three more corners, until sixteen chestnut geldings spread out across London, all around 16 hands high and all bearing a rider in a black coat and top hat, with a passenger sitting on the front of his saddle. All those decoys had to do was stay out of reach of Coombe and his men, but even if they were caught, they all had good reason to be out on the roads on such a day.

Meanwhile, Jowan must trust them to know their work, for his part of the plan was to turn off into a street away from the shell game of the multiplying horses, where a hackney waited that would take them west to Bran and the travelling carriage.

“We will go to Southall tonight,” he told the woman in his arms. “It’s two hours, so we will not need to change the horses.”

“They are lovely horses,” Tamsyn said, her voice distant as if she was thinking of something else. “We will send these beauties home to their owner,” he told her. “We turn here, and there, up ahead, is our transport for the next step. It’s not the final, though. The hack will take us to the last vehicle of the day.”

Tamsyn giggled. “It is like the children’s game. Stop the music, and if there is not a horse to plop down on, you lose.”

She willingly allowed him to help her down from her horse and see her into the hack.

So far, so good.

 

 

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Accepting the mission on WIP Wednesday

Generated with the help of hotspot.ai

In Hold Me Fast, my hero chooses to go looking for his childhood sweetheart:

“Tamsyn is back in England,” he said, more to himself than to his brother, testing the words out loud as if hearing them would make them truer. She was still seperated from him, as much by her chosen lifestyle as by three hundred and fifty miles and seven years. But she was, at least, in the same country.

“You should go to London,” Bran said. “Find out why she stopped writing. Find out why she didn’t come home.”

She stopped loving him. The thought cut the way it always did, lacerating his heart yet again. But what else could it be? She had a ticket she could have used at any time. The Earl of Coombe might have stopped franking her letters, but he did keep his promise to make her famous. She had just been on her second tour through Europe, for crying out loud. She must have money to burn, plenty to buy her own tickets, frank her own letters.

Her silence was her message to Jowan, and all the more fool him for the hope that lingered, somewhere in the remote corners of his mind and heart.

“I must assume she changed her mind,” and if his jaw was set and his foot tapped with the tension in his frame, his voice was commendably even.

“Or she thinks you did,” argued Bran. “Look, Jowan, the girl you told me about isn’t one who would cut you without a word.”

Why was Bran pressing this? Couldn’t he see how much it hurt? “She changed,” Jowan pointed out. “Or I was wrong.”

Bran shook his head. “You are not wrong about people. You recognised me right off. In any case, you haven’t let her go. If you’re right, this is your chance to dig out the last of your hope and start to heal. If I’m right, the lady might need to be rescued.”

Jowan was still thinking about the pain of losing all of his hope, and Bran’s last few words took a moment to make sense. “Rescued?”

“If she wants to come home and can’t? For whatever reason? Yes. Rescued.”

Jowan shook his head. “How can I leave? We haven’t finished the shearing and then it will be planting time. I’ve the plans to sign off for the new mine.” He shrugged. “You know the list as well as I.”

“And how to make it all happen,” Bran pointed out.

Jowan put his knife and fork down while he thought about that. Bran was right. He could stay here with Jowan’s authority, and do everything Jowan would do himself. “I could go to London,” he said, testing the words on his tongue.

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Drugs, Sex, and Music

Once again, this time in Hold Me Fast, I’m writing about the use of drugs in the early 19th century. In this case, my heroine has fallen into the hands of a fast set who combine their love of music, poetry and painting with drug abuse and sex.

My heroine is a musician—she sings and she plays the harp. She is also, by the time my hero comes to find his childhood love, solidly addicted.

So what drugs?

Laudanum was legal and easily available. It was sold as the answer to all sorts of things, from sleeplessness and sorrow to toothache in babies. Laudanum is a mix of opium and alcohol. It mightn’t fix what ails you, but you won’t care any more. It is brutally addictive, as many users found to their cost.

The market also contained other “medicines” that contained opium. Dover powder was a mix of opium and ipecacuanha, to be taken in a sweet drink such as a white wine posset. Godfrey’s cordial combined opium with treacle and spices in water.

Opium itself was also readily available, to smoke, chew, or otherwise consume.

In all those forms, the benefit was a euphoric “rush” followed by relaxation. And in all these forms, people became addicted with regular use.

Ether was a new toy for the idle in search of a thrill, too. Sold as a medicine called Anodyne, liquid diethyl ether gave users dissociative effects and a sensation of happiness. Warming it and smelling the vapours worked faster, but ether is highly flammable, which could be problematic in the hands of those high on the effects. Burns were common.

Cannabis and its derivatives weren’t readily available from the neighbourhood apothecary, but its likely that my villain could have found majoun or charas—blocks of cannabis resin—in the docklands, where sailors might well have imported such products for their own use and for sale.

Nitrous oxide parties also fall within my time period, with gatherings to inhale the product held as early as 1799. The idea that laughing gas might have medical applications wasn’t picked up for another forty-give

Spanish fly, a preparation made from blister beetles, was used as an aphrodisiac. It caused a rush of blood to the sexual organs, and was highly toxic. As was Fowler’s preparation, a solution using arsenic for the same purpose.

Were psychotropic mushrooms in use in England at the time? We know that in 1799 a family picked mushrooms in Green Park, cooked them up, and ate them. The father and four sons experienced spontaneous laughter followed by delirium. This was in the news at the time. You can, if you wish, take the view that idle dilettantes like my heroine’s patrons would read about such an event and decide that mushrooms were a step too far. But I’d be willing to bet that some of them had a go. Certainly, my rotten lot did so.

And when all else fails, there’s always alcohol. I’ve written before about the huge quantities consumed as a matter of course at all levels of society. Yes, glasses were much smaller than they are today, and so were bottles. But still, the reported volumes downed in a night are astounding.

The folk tale that inspired Hold Me Fast is Tam Lin, in which a faithful sweetheart is determined to rescue her love from the fairy queen. She is told that she can get him back if she recognises him when the fairy horde parade by, pulls him from his horse, and turns into one horrible and dangerous creature after another.

As soon as I began to think about the mechanics of a fairy tale world with the underlying viciousness and cold-hearted hedonism of the fairies in the oldest tales, I knew I had a group of selfish entitled aristocratic men with too much money and too little conscience. And what is more likely than that a person recovering from drug addiction is going to be changeable, near mindless, and dangerous?