Sometimes, the start comes first. Sometimes, I write my way towards it. Sometimes, I have to go back and tack one on when the book is nearly done. How about you? Do you have a work-in-progress beginning to share? My excerpt is from the story I’m putting in next week’s newsletter. It’s called The Abduction of Lydia Fernhill, and is not exactly a romance. (If you don’t get my newsletter, subscribe now for this and other exclusive stories.
In the village of Pluffington-on-Memmerbeck, the old folks still remember Lydia Fernhill’s wedding. How could they forget when the little ones still beg for the story? There they are, all wide eyed, when night draws in and the fire sinks low, and bedtime beckons. “Please, Granny (or Gaffer, as the case may be), tell us the story of the stolen bride?”
And Granny (or, as it might be, Gaffer) will tell what they witnessed with their own eyes, though how much the story was shaped by each onlooker, and how much it has grown with time, who can tell?
Certainly, it differs from house to house. So much so that Peggy Whitlow has not spoken to Maggie Cutler in ten years since they came to hair-pulling and scratching when they were only nine over whether the white rider was an angel or the elf king. And many a promising pugilist has got his start in a dusty lane defending the honour of Miss Lydia from the accusation that she planned the whole thing.
Still, every child in the village knows the essence of the tale. The bride, plain, pale-faced and drooping. The groom with his face set like stone. The bride’s uncle chivvying them up the aisle. Then the north transept doors crashing open (some say exploding, but if so, someone did a good job of repair, for there they are today for any child to see, ancient oak, worn by time).
The storytellers agree on the troop of riders. Did they trot or gallop or merely walk in through the great doors?
They were beautiful, all make that clear, and the man (or angel or devil or elf-king) at their head was the loveliest of all. Dressed in white, crowned in gold, with long flowing locks. Jewels glittering from rings and brooches and even the cuffs of his boots. A long cloak (or perhaps wings) streaming behind him.
The old folks are in unison again on the bride’s reaction. “She came alive,” says Granny Smithers. “Straightened. Smiled with such joy that she looked beautiful for the first time in her life, poor lady.”
The rider, without stopping, stretched out his hand and Miss Lydia reached up and took it, put her foot on his in the stirrup, and was riding into the south transept before the groom had picked up his dropped jaw.
Some say he stood there, frozen. Some that he tried to drag her down and was shouldered aside by the following riders. However it might have been, the southern doors opened as mysteriously as those to the north, and closed behind the riders. “With a loud bang, and open they would not, not for all the trying in the world.”
Somehow, all the doors of the church had been closed and jammed. By the time someone had thought to put Gaffer Parslow, who at the time had been a skinny lad of ten, out the vestry window, so he could run around and remove the branch that had been shoved through the handles of the nearest doors, the riders were long gone.
Which proves, say some, that the invaders were human. Surely supernatural beings would have used magic, not branches. Others scoff, and point to the fact that Miss Lydia Fernhill had disappeared without a trace, never to be seen again. But whether to heaven or hell or to the land of Fairie, none of them can tell.